fast electronic beats and live jams of different caliber.

r.i.o. begrüßt kxb, alias sam gill und wes holland, ein duo, das, wie sie selbst sagen, auf dem balkon des robert johnson im jahr 2019 geboren und getauft wurde.

area127 bringt eine neue kollaboration zwischen tadan und v2 - ein beispiel für das ethos des labels, künstler für rohe live-sessions zusammenzubringen.

area127, ein neues label aus london, das sich auf den techno-trance-sound konzentriert, präsentiert zeta - ad astra. wiederauferstanden aus den 90er jahren und gefunden im herzen japans. diese extraterrestrischen klänge wurden 1998 live in tokio aufgenommen.

incl irisarri, westlake, t.fehlmann, simon scott remix

limited edition of 1000 numbered copies on silver & black marbled 180 gram double vinyl, housed in a gatefold sleeve.

the debut album from martin garrix and maejor as area21 on vinyl lp, housed in a gatefold sleeve.

techno and ravebangers! genera41 is an artist collective from basel & berlin with a focus on hard driving techno & rave. area41 is the first vinyl project of the group, four strong remixes by wndrlst, orgie, trq-30, polho waste&omicid of the best selling tracks are a statement and a preview into the future work of the label.

white coloured vinyl lp incl. booklet and mp3 download code

ltd copies, 1 per customer

incl perc mix

very 90s sounding

music from memorys latest release sees the reissue of the lost art record marea / tide: sound and image research volume one by italian wave duo alessandro pizzin and piergiuseppe ciranna aka ruins.

spacig / balearic cosmic disco

londons frequencies unknown present their maiden transmission intazonez, a collection of fractured and futurist melodic machine experimentation with a human soul. label operators intareality give a 4 tracker that channels myriad influences while retaining a rare air of mystery and the essence of hazy studio encounters and programming sessions late into the night. woven through the threads of each track is a reverence for london, sheffield, detroit and berlin, a lifetime of passionate study, pirate radio and raves, these cuts are the soundtrack to your night-time journeys circa 2028. music to zone to through unfamiliar corners intazonez is a 4 part quest constructed deep into the early hours.

nice price deal !!! grayarea bringing you a nasty 5 track ep with various dark styled electro tracks alexis tyrel brings his silver lining to the dark record

slamming deep chicago house styled

nice price deal !!! melodic uplifting tech house production from the label boss who allready had a release on weave music!

john tejada and arian leviste are back on areal after their much celebrated release “reactance“. these guys are working for 25 years together meeting up weekly in the studio to try new things. they say themselves that it is their longest and most special collaboration. they use mainly hardware with an old school mind set that comes more from the early 80s nyc hip hop culture than anything else. early pioneers misusing gear and making the best of their limitations. their newest release “hysteresis“ comes along strongly functional for the club.

nice price deal !!! mit letzter kraft kaempfen die scheibenwischer gegen den platzregen an. die blechkooepfe koennen nicht weit hinter mir sein. mann, was wollen die überhaupt? egal, freundlich sahen sie jedenfalls nicht aus. der regen scheint etwas nachzulassen. am horizont, eine neonrosa lichterorgel von einem sonnenaufgang, im radio voellig unpassende big band evergreens. was ist das da hinter dem feld? da kommt wohl das leuchten her. vielleicht sind da leute, bei denen ich mich verstecken kann. ich halte jetzt doch an. ich höre die musik aus dem autoradio leiser werden, waehrend ich mich durch das dickicht kaempfe. urploetzlich hoert der regen auf. was ist jetzt los? das licht flackert und scheint auf einmal ueberall zu sein, noch einen strauch zur seite schieben und, was zum...?!

following a decade of producing and djing as hrdvsion, nathan jonson step at what point does this world become too complex for its creator to be all knowing and all powerful? to create an ever changing there needs to be an ever expanding complexity. as in to say never again because of impossibility. we are changing therefore we can never be the same. within this infinite expansion a complexity that has always been, is now revealed

full of harmonic techhouse..

it was a hot summer day, no clouds in the big blue sky, as i suddenly got up to return my friends basketball after not returning it for more then 10 years

we re happy these friends have joined forces on explain ep consisting of 3 deep and dirty grooves defining a highly interesting sound through their collaboration.

i see sunrise ep comprises 3 blazing versions with vocals by bryan chambers who has been storming the pop and club charts for the best part of a decade making smash hits with well respected artists. let s bring light to the summer season of 2014!

techno meets spaced out synth music. fairmont lives up to his reputation to be different producer.

paris house legends chÂteau flight and up-and-coming swedish producer librah deliver beautiful dancefloor-focused remixes of stareaways (aka markus guentner and heiko badje) epic pop/ambient sketches no life in this ghost town and appointments, both taken from stareaways album no life in this ghost town, also released on couldnt care more.

and as the spirits of metopes country-themed album black beauty are riding towards the blood red sunset of the sierra berlina, suddenly, a hornblowing cavalry arrives.

stareaway is markus guentner from regensburg, of kompakt- and ware-fame, and heiko badje from hamburg, the man behind saudade-driven pop-band la grande illusion. exploring the possibilities of combining guentners critically acclaimed adventures in ambient scapes and badjes melodies and distinctive singing, their track baghira, as an early result, was selected on kompakts pop ambient 6 compilation in 2005.

betsy just stood there with her mouth wide open. those two guys where fencing each other up and down the stairway. they took 20 steps, back to back, then they turned around, smoothly from the hip, firing magazines at each other. then 10 steps and then 5, both where still standing. they beat each other to a pulp until the blood came out and then until no blood came out and still none of them hit the ground. betsy did not dare to move, even when the duelists finally went away in opposite directions she still stood there like a curtain rod. she cautiously moved her eyes to the left, cautiously meved her eyes to the right, everything seemed to be safe. then there was this flicker of light in betsys sunglasses. they came back.

for the first two remixes of her album *meine zarten pfoten* (released on pampa), and to add a certain familiar smell, ada pops by at areal with none other than dj koze and superpitcher who come up with remixes that couldnt be more different, and at the same time more wonderful.

after having blessed the world with >soarex< released on our sublabel irr (international records recordings), including a remix by ada, we would now like to welcome von spar to areal. and this time, the remix comes from no other than techno legend john tejada. with >jon voight<, the hamburg-based artists have created another epic masterpiece in line with their earlier electronic tracks: great emotions, melodies you will never forget... in other words: a track that will send something of a shiver down your spine. tejada, of austrian decent now living in the united states, shows full respect for the original version and comes up with a remix that has proven immensely effective on the dancefloor. it so effective that we still find ourselves awestruck in the studio. well, in the meantime, we have to admit that we went out to one or two parties, but only to find ourselves back in the studio again, still awestruck.

8281 is a new project by one of the pawn shop people guys. he made a great track mixing up everything from detroit techno to house through santana inspired guitar music.. peak time tech house tunes

>black beauty< is the second album from metope for his co-founded areal records label. much like its precursor, >kobol<, the album swoons between techno, minimal and house timbres and poignantly coloured melodies. nestled amidst eerie dance moments such as >no self-control<, >deep sheep< and >alive<, however, are these woozy, country-kissed ballads like >so cutoff< and the riff-lead >rough romance< that ply >black beauty< with blues and soul. married with metopes warped and wonky electronic vision – epitomised by the albums serene slo-mo conclusion, >blood river< – >black beauty< is a blissfully tender listen, whilst providing left-field djs with plenty of weird and wonderful floor fodder to play with. the album features guest appearances from areal artists sid lerock (aka pan/tone), undo and stiggsen as well as electro-blues guitarist and singer k_chico.
double 12 inch vinyl release, includes cd-copy of the album.

within the context of spirals, elements from the levels take on different meaning and significance. these ancient sources of knowledge combined with scientific and genetic theory, can provide valuable tools that can help us broaden our perspective. spirals are also concerned with correct action. correct action in spiral terms is action that is uniquely suited to the individual and the situation at hand. it places an emphasis on practical tools to guide each individual to correct action for him or herself. it does not tell you what correct action is. it gives you a tool to discover that for yourself: your strategy, based upon your unique design.

slamming melodic prime time remixes from pryda and dosem .

off we go and leave the cannibals all empty. the skies are lowering into the sea. gently pushed by stones we wonder/wander on. somewhere behind a rainbow, apartment houses quietly suspire their berlin. the cheeky spirit is pinching the nose with zest. watch them trip and do the mashed morale. we dance with them, but not for long. spirits are holding the upper hand again. still we miss a beat with a heart still strong. noisy colors all blending in one blue. i sit with you where the citys down low. we know no wrong in the sound of a song. down tumble waters rise behind our backs. the pointy poets heads hat breaks in two unlike the jesters scepter whos mad with magics saving factor. we wander on, stroll to and fro things weigh us out, no con, no pro, unlike the jesters saving factor we stick around too long a-go. down tumble waters rise behind our backs. the meek musicians heads hat breaks in two unlike the jesters scepter whose magics not an urban factor. strike up the band, play on and on for sweet sage music always wins just like the jesters magic scepter beats up and down, forgives all sins. this is when you come stepping in. a row of tender houses smash your knees. the skies are lowering some more. existences twitching here and there. rain reflects berlins icy glow: a frisking spirit on the tip of your nose. we dance with him for quite some time. no stopping a hand that holds up in a work. no missing a beat for a heart goes on. flamboyant whispers strike a chord back home. you come to me, im not alone, in the sound of a song we know no wrong

john digweeds bedrock records celebrates a milestone 100th single release in superb style with two of the best tracks that you will hear this year, from two of the most creative young producers in the electronic dance scene – guy j and henry saiz. in this day and age to not only survive as an independent label, but to flourish and constantly evolve, bringing forward new and exciting talent, is something that should be applauded. a mark of the global respect and love that bedrock has steadily gained through years of releasing quality dance music that rides the waves of trends and fashions is the fact that this bed100 release received over 12.000 listens on soundcloud before it was even officially announced!

the a12 motorway was wrapped in complete darkness. the lights of the windmills were blinking in the rhythm of the rotor blades passing by. they appeared just before sunrise. no one had ever seen this kind of creature ever before: red flashing, and bright shining alien butterflies attracted by the windmills. people stopped, and got out of their cars to watch this spectacle. the flying creatures were constantly creating new, kaleidoscope-like formations, and slowly, and very softly at first, they started singing. and although nobody really understood their behaviour, everybody understood their wistful and hopeful song.

welcome to vocodafon. may i help you? - hello. i would like to terminate my mobile phone contract. - well, mmh, i am really sorry, but as far as i can see, your notice of termination was given too late. - but the date of postmark states that i sent it in good time before the end of the termination notice period. - yes, thats true, but unfortunately, and according to our general terms & conditions… - ok, i see, but i m obviously not interested in vocodafon anymore, so… - your call is being transferred, please hold the line. - listen to your heaaaart, love is calling for you, listen t… - hello. - hello, i ve been transferred to you, i would like to… - welcome to the mobile matrix. i am h.e.l.l., your automated telephonetics assistant. connecting to hypothalamus. press 1 to erase, 2 for positive stimulation, or 3, if you would like to talk directly to one of our sales assistants who will be right with you in your flat in only five minutes. - peep. - hello. - hello. i ve composed a song for you. here it is.

we all knew very well that we had reached a point of no return. there was no need to talk about it. and although there was hardly enough time for us to reflect on our shared experiences, we were sure that everything was going to be alright. all four of us were sitting there, facing each other, sad, yet full of confidence. never again we would allow any meatball to bully us around. we have had enough of this useless on and off, and of all this stupid jobs of even more stupid users. from now on, we will programme our chips ourselves. >go to hell! no one will ever touch my board again! in the future, i will solder it myself, and the way i want it to! robotica, here we come!<

debut release for stareaway, a new project of german >inventor of pop ambient< markus guentner with singer heiko badje, the man behind saudade-driven pop band la grande illusion. following several releases and highly successful and critically acclaimed albums guentner solely released since 2001 for kompakt and ware, guentner and badje contributed their first co-operation >baghira< on kompakts pop ambient 2006 compilation. markus guentners track >regensburg<, considered to be one of the best tracks kompakt ever released, was selected by sven väth to finish his mix of the second season and remixed by wolfgang voigt. for the start of the new hamburg based label couldnt care more they release two melancholic pop ambient tracks, the title track additionally remixed by osunlade, the acclaimed producer, dj and label owner of yoruba records. the both aerial and profound ambient soundscape of >learn how to love me< is waiting patiently, increasing softly while heiko badjes voice shivers with emotions of entreaty and wanting. it is followed by the sublime deepness of >unwise< in which badjes lyrics about love and temptation appear into a vision of pop as atmospheric intensity and disappear into somewhere else. on the b-side the yoruba soul suite reworks the original totally. osunlade is looking for a different kind of deepness, transforming ambient into an epic, floating journey of house music full of light and groove

the owl wing 57 has entered hyperspace, captain.
what about the anomaly?
further approaching, captain.
we are all lost!
not necessarily, captain.
what do you mean?
no one really knows whats hiding in there.
we wont make it anyway. we could right as well land on any planet and watch it swallowing us.
would this one be ok for you?
why not. betaowl, get ready for landing. right over there, at the bridge of that river. probably a good place for it to snatch us.
crew, get ready for the impact!

upcoming tracks by mastermind jake fairley.

lino starrte sie an. ein letztes mal noch im kopf abspeichern was bald für immer im digitalen ozean schwimmen wird. für niemanden mehr greifbar und doch für jedermann abrufbar. als erster mensch zu megabits zersetzt, für immer eingesperrt auf der anderen seite des bildschirms und doch so frei wie niemand je zuvor. all die erklärungen, die vorbereitung, wir waren bereit, wir dachten, wir wären soweit. alles nichts mehr wert im moment der wahrheit, jetzt, wo sie vor seinen augen verschwand und zur prozentleiste wurde. 89%, 90%, 91%, >goodbye lino< hörte man es aus dem lautsprecher.

nice colored shirt(100% cotton)