of banks and gangsters - that basically sums up recent spanish history and also the new strand ep called *bankstaz paradise*. accompanied by the banksters and the financial horns, strand also has shuane singing on one of the songs and there is a remix by om unit which is seriously awesome. in addition to fact magazine, it has already been featured on dazed & confused, dj mag, earmilk, playground and dj shadow has said that it rules.

brilliant groovin deep / disco

incl. vid reshape! hand numbered edition of 500, 180g vinyl

disco classic from french producer cerrone, originally released in 1977.

deep & warm sounding technoid moodymann flavoured house.

scotland-born parisian paradise 100 (a.k.a. dj africa, a.k.a. graham peel) has been percolating stripped-back, bouncy-castle house constructs onto the web for a few years but never locked them in wax until now. high time. following his minimalist dictum *more than three tracks on a song is just indulgence*, his debut eps four cuts share a sleek, spare design, jigsawing slinky bass, classic keys, lean drum programming and flashes of synth mirage into fluid, aerodynamic patterns. touches of melodic acid and crossover new wave color the mood an exotic, hedonistic hue (further evinced by titles like the loin king and french kissing in the house of love). his own vision of the project is appropriately fantastical: *the image in my mind is of tropical forests at night, torchlight, distant sounds of tribal ritual dance and ghosts.* regal music for pleasure domes.

in paradisums 11th offering comes from low jack, who returns to the label after his collaboration with qoso. it is a heavy ep of dense, apocalyptic sounds from the fast rising french dj and producer that often churns along at a very predatory sub-100bpm.

played by dj rolando, developer, paco osuna, steve rachmad, truncate...
david alvarado presents his monclova project, a bangin ,dark and tool techno styled vinyl

atmosphere comes up with the new bourgeois slam and a huge remix pack by nico stojan (katermukke), sascha braemer (stil vor talent, dantze) and dan caster (light my fire).

gilesku records is back with two eccentric minimalistic techno tracks delivered by onur ozer. obviously heavily influenced by peak hours in the club, these tracks will serve their purpose right, providing a perfect hook to drive people further in a higher state of consciousness. by paying close attention to detail, he manages to provide music where he bravely paints fat techno sounds with minimalistic elements, layering them by unconventional noises in the background. a peak time material!

born under a bad sign. shitparade label owners and best friends daniel meteo & t.raumschmiere finally teamed up in the studio to bring birth to their first release as dad and dad.

gleich der opener the sun never sets around here zeigt, wo die reise hingeht. leichte, unscheinbare töne entwicklen sich zu einem wohlbekannten wall of sound aus gitarren und handclaps. die wundervollen melodien und harmonien der folgenden songs klingen wie eine indie pop-fusion aus elo und den everly brothers

in 2011, we begin to think about doing a record label. we had been following somaticae for some time and at this moment he was playing some art & punk gigs with a furious live of electronic improv, on the edge between hypnosis and noise. two of these sessions became our second release, *dressed like a bubblegum*, raising the interest of people like surgeon, perc, and peter van hoesen , his remix for mondkopfs *ease your pain* receiving praise from ancient methods as well as labels downwards and avian. but somaticae had already moved forward, and in a matter of a few weeks, he was sending us what quickly and easily took shape as *catharsis*, a ten track piece which is to be the first album release on in paradisum.

eight years since his last ovum ep release and david alvarado is back with the land of the sunchild ep on ovum. hypnotic detroit / dub techno rooted killer stuff... a big one !!

rebirth is proud to present agorias beautiful track for one hour featuring scalde for a release in 2013!
originally released by infine in 2010 and a classic in the sets of ame and dixon, for one hour features the amazing vocals from scalde, complemented by a soaring violin, dessicated horns and agoria s typically rhythm pattern. epic and elegant.
the package include new mixes from oxia, paradis, jack dixon and kosme. the parisian duo paradis follow their release on tim sweeneys beats in space with a very special remix, a late-night melancholic and sophisticated reinterpretation with soaring vocals,an effective synth lead, and a deep bass to die for. man of the moment jack dixon strips back the vibe of the original in an entirely different direction, focusing on drums, bass and vocal snippets to create a peak-time dub version. oxia delivers a special reprise version, while kosme gives us a weird trippy mix with a solid drum pattern, reminding the old basic channel vibe.

after the joyful mess caused by brandy on adventurous dancefloors, qoso goes deeperwith three subwoofer-friendly tracks mixing house, techno, and just enough sonic dirt. hard on the boulevard has proved its efficiency already on some of the sweatiest parisian dancefloors. solidely grounded on a a slightly saturating bassline, it gets its driving force from a melodic sample fighting to get out of its cutoff filters and will sneaky easily as a peaktime weapon in every dj bag. it is as simple a that, really.

lost paradise delivers a modern execution of our post-disco dance music culture, maintaining references to the past and looking for the oasis on the horizon.
lp003 begs the question, do you feel good? we think after playing these, you are going to feel a lot better. volta cab presents i feel good in my skin + i feel loved, two deep and groovy house cuts with remixes from severino & ray mang, dead rose music company and kohib. the 12 inch release contains deep, peak, dark and cerebral flavors to suit a variety of your house music needs. we hope you enjoy and remember, from the moment i walked through the door, i knew what i was looking for, a party that would take me away!

transparent turquoise vinyl. dev pandya drops his 149th career vinyl in the shape of the b-boy hip hop influenced drum machine. sharp breakbeats step forward, sideways and roll with female rap vocals that get the feet shuffling to drum machineÆs unique groove. rumbling subs and cuts of distorted bass hold everything bolt tight with intricate effects, stabs and vocal riffs. random twists and turns lead the mix into a vocal breakdown where the drums u-turn into a funk assault of drum and bass. the flipside core jungle highlights paradoxs early hardcore roots with vinyl-rip samples, crunchy funk breaks and raggamuffin fx delays that take you back to the birth of pandyas jungle influences. core jungle was written specifically for vinyl mastering and will not be available digitally. exclusively for the analogue crew!
support: marcus intalex, friction, dj marky, loxy, london elektricity, presha, naibu, bailey, flight, asides, amit.

no stranger to the basic fingers camp koko have already graced us before and thats why we are also bringing him back a third time for another release with rnb & soul drenched disco gems. light of the worlds >time< has got everything you need to encourage feet movement. an infectious bassline, horns, strings, percussions, sing-a-long-chorus and is presented in beautiful way, giving the original enough room to breathe. flip over for a great re-edit of melisa morgans >fools paradise< - funkier than a mosquitos tweeter!

hat barrington levy seinen charakteristischen ohoho molldreiklang in absteigender tonfolge eigentlich jemals als markenzeichen schützen lassen? der reggae-saenger ist mit dieser stimmlichen signatur jedenfalls auf anhieb zu erkennen, nicht zuletzt, weil er von diesem gesangs-jingle ausgiebigen gebrauch gemacht hat. am legendärsten natuerlich auf seinem dancehall-hit here i come, mit dem diese werkschau seiner fruehen karriere von 1979-84 gewissermaßen abschließt. zu beginn war er uebrigens noch zarte 15 jahre jung und hatte mit songs wie shine eye gal schon ordentlich vorgelegt. ein zu unrecht vernachlaessigter klassiker. >d:bug<

pumping raw techno madness

finest groovin minimalistic techhouse 4 tracker incl remixes by luna city express and arado!!

this release announces a yet another new addition to the yoruba family! hailing from melbourne, mike steva has been a force in the deep house scene in australia for quite some time, with its culture of commercial music, mike has taken a stand in being one of the few dj, promoters in the country to focus on the spread of deep, soulful house music

after the delectable and somewhat surprising first dishes served up on the schmorgasbord by appleblim & october and s-max & spatial in 2011, the label has been slow-cooking its next wares for maximum intensity of flavour, drafting in two chefs of wild international repute shunned from the michelin star regime and forced into renegade culinary exploits that use food (or music) as merely a vessel for their twisted science. al tourettes has zapped many a taste bud in his time, bastardising the fundamental ingredients of electro, funk and techno and marinating in a glutinous psychedelia as organic as it is mechanised.

paradise club recordings are due to serve up another eclectic ep later this month – their first selection of what they have in store for 2013 – and it’s one that furthers the label’s trend of showcasing the many different styles at their disposal from their current roster.label stalwart jabru kicks things off with ‘last days of rome’, an aptly-titled cut that begins by traipsing through ambient swells and looms, only to then brew up a truly decadent, central dancehall rhythm.

slamming techno monster on pig & dans imprint elevate. comes as 10 inch splatter vinyl.

lost paradise delivers a modern execution of our post-disco dance music culture, maintaining references to the past and looking for the oasis on the horizon. lost paradise #2 features two originals from space coast, aka sleazy mcqueen and jorge collazo. *vibe a.m.* is deep and dreamy with live flute and piano, emotive melodies and groovy bass. social disco club and last waltz turn in two completely different mixes, both fit for the late or early hours of the night. *cant get enough sunshine* is a melodic and cerebral ode to mid-nineties new york house but with a twist.
support from q-burns abstract message, b.g. baarregaard, sleazybeats recordings, atnarko, sleazy mcqueen…, ...

the companion release to *born to die*. us release

hot on the heels of our first release, paradise club recordings are straight back to business with another limited run, coloured vinyl ep that should further establish the labels growing reputation for diverse, forward thinking musicianship and staunch production values.

indigenous travelers are ron trent and jose rico. they met at the madrid red bull studios to pay homage to jose roberto bertrami the brilliant leader and keyboardist of the brazilian jazz-funk trio, azymuth. the result is >paradise ritmito carnival<, a hot, melodic and percussive house music with afro-brasilian influences. it is presented in a one-sided record with surprise in b side

lauched at their recent 3rd anniversary event in bangkok, the paradise bangkok label seeks to unearth little known musical gems from across asia and africa, continuining with two pieces of heavyweight thai action, that have been thoroughly road tested on the dancefloor. tip!!

paradise club is simply a place for music we believe in with a passion. unbound by tempo or genre the rules are simple, irresistible grooves, weighty lows and unflinching attention to sonic integrity, whatever the choice of audio aesthetic. strictly limited, hand stamped white vinyl.
support from: mary anne hobbs, t.williams, arkist, midland, lee burridge, matthew dekay,south london ordnance, happa, presk, outboxx, scrimshire, echo park, blacksmif, boomnoise, moxie, j.bevin, 2000f.

die born to die - paradise vinyl beinhaltet die 8 neuen titel von lana del rey auf schwerem 180 gramm vinyl. neben >ride< unter anderem auch >blue velvet>, dem wunderschönen song >yayo< von ihrem mit 19 jahren - damals noch unter ihrem bürgerlichen namen lizzy grant - veröffentlichten debütalbum sowie dem verführerischen >cola<, dessen erste textzeile schon vielversprechend anfängt >my pussy tastes like pepsi cola…<. das packaging der vinyl ist eine slipcase box, so dass die ursprüngliche born to die albumvinyl hinzugefügt werden kann.

breakbeat paradise recordings is proud to introduce yet another talented artist to the bbp crew. dj rudd is an established dj and producer from latvia, where he is leading the funky breaks/mashup scene, doing shows with names like a-skillz, featurecast, nightmare on wax to name a few. rudds oldskool type of funky breaks was a perfect match for bpp, who was quick to get rudd on board, when they first heard rudds successful funky breakout ep on bigm records. this became the beginning of a prosperous teamwork set out to design this amazing ep of 4 state-of-the-art funky bangers. track by track and sample by sample they worked their way through, in order for this ep to be as great as possible. the result is nothing less than a masterpiece of classic funky breaks - with all the right elements including well-balanced use of modern day wobble basslines.

already support by miguel migs, dj harri, abicah soul, gavin hardkiss, alf tumble, flash atkins

kastil takes the a-side with the title track >paraside<, a classic deep house chicago jam that exudes style, while >17th street< has the same deep us flavour but with more drive and purpose. on the flip, mr. cinelli creates a trippy and subtle reinterpretation of >17th street< but still retains the bouncy flavor in a way he only knows how to do it. watch out for those snares.

200 copies , limited edition (only 1 copy per customer ... max 1 platte pro kunde)

badboe is back with the second ep from his upcoming album pump up the funk coming out in the end of 2012. 4 brand new hot funky jams from the funk master himself - all mixed up and road-tested to perfection. following up on the success of his one of those days ep which has topped the breakbeat charts on both digital and physical format.
badboe is one of the key players in the nu funk scene and with this release he is stepping well into the world of ghetto bass and electro vibes, but without loosing the funk and soul that he is so respected and loved for. this release is already getting support from some of the major players in the ghetto funk scene and has been very well received on a recent badboe tour to australia and new zealand.

right for the summertime gold records second release is ready to conquer ibiza with a fine bomba from belgium: pedro mercado & karadas behind the sun. labelboss rainer weichhold didnt need long to be convinced by this uplifting piano house monster. with great interpretations from dirtybird

the artist formerly known as edward returns to merc for his second release. >burning< burrows a deep distorted bongo led, deep disco march into you head for a day, topped with dramatic stabs keeping it other worldly. on the b-side >counterfeit paradise< highlights the plight of south americas rain forests with a mark e deep house interpretation.

to tie in with the launch of jamie jones and hot creations residency >paradise< at the notorious dc10 in ibiza this season, hot creations unleash their monstrous paradise summer sampler. three cuts of deep and sexy house grooves at the hands of new comers to the label denney, mark jenkyns and hunter/game

the new single on cinch recordings is by rising german producer paradice. the label continues to support upcoming producers with a vehicle for vinyl only releases. this release is a 3 track love affair with house music called >mercy<.

nynfus corporation is the name of a crew of rising starts in the nu funk/ghetto funk scene. top class ghetto funk productions with an ethnic twist are what the 3 boys from budapest, hungary are all about. after doing release on the bombastic jamand bigm label the crew turned to bbp to drop their dopest release to date. the a-side gives us funky peak time ghetto pumpin jams, whiles the b-side shows us a little a of that ethnic/europeanstyles the boys do all so well. all 4 tunes are tested with party rockin guarantee, and they will surely be doing some major damage on the dancefloors this summer.

returning to beats in space after their debut 12 inch (and the labels debut release) in the fall of 2011, paradis offers >hemisphere< and >je m ennuie<, another pair of sophisticatedly crafted, noir-pop songs from the young parisian duo.

bliq are proud to present bliq05:nicuris paradigms fresh out of union city, ny. the paradigms of which nicuri speaks are darkness, deliverance and determination, modal expressions delivered on three cuts of resonant electronic music. on doldrums nicuri plays with paradox,combining staggered, dreamy synths with unnerving bass rumbles. to reinvigorate the doldrums, or as he puts it replenish the earth, the producer implements a menacing analog rumble in the style of new york greats dj qu and joey anderson. but to ensure that the ground is re-imbued with rational vitality, nicuri adds a layer of baroscopic viscosity: smog surrounds and engulfs, a suppressed vocal intermittently choking. on the flip, parrish adams – aka intrinsic of emphasis records in chicago – gives the earth an even harder, more insistent techno edge. he introduces melodic light flashes at the edges of urban darkness, and rumbles it like a train escaping grand central station. bliq05 is on the run.

breathing the air of late spring in rome, the climate is one of wonderful sunsets and open-air dance floors. this is the picture that attilio tucci and sergio picciaredda capture in their proverbial camera under the pseudonym camilla green, a continuing collaboration with wild cat, which started with altarboy of the album left below (wwr004.) the harmony between the line of 303 and the pad synth on lost love evokes intense emotions and opens up in a revolving way. the track >xo< emerges techno with the beauty of its essential components: the fast-paced beat, the hypnotic samples, the wise use of the acid sound that never sound noisy. the warm voice of wild cat in both the tracks will envelope you. let inhibitions go and dance. the higher powers say youll need to stock up on these beautiful pictures and memories of late spring to help you get through another cold winter.

ok, to call this album long awaited or highly anticipated would be a non sequitur. what lies here before you is sculpted out of the blood and tears of 5 years of life, and all the dreams, imagination, tristesse and longing that goes along with it. the name orgue electronique shouldnt be new to you, cause it isnt. for over a decade it has been lurking in the periphery of house music - forever too early or too late for the trend, be it as a solo artist or working alongside legowelt. but it seems the apotheosis is finally here, in the form of this mesmerizing double album: wholly matured and further enhanced by collaborations with luminaries like robert owens, alden tyrell and cult hero fre2k. but to just dismiss this as a retro house record would be to sell it short in a big way. sure it was influenced by the usual bunch of pioneers and icons, but this is not an epigone, this is music that is. its warm and generous, made up of real emotions, of moments frozen in time and of the impassioned cries of a soul on the run. thats right, this aint no hipster shit dime-a-dozen facebook house gonzales! to finally let it go after so many years is - for all the parties involved - a strange yet exciting moment, not unlike the birth of an elephant baby. out of a human female