bruno pronsato returns with his new album, a face wasted on the theatre, written & produced in collaboration with the israeli musician, yonatan levi.
pronsato and levi have been collaborating intermittently since 2014, with levi adding bass guitar to tracks on both pronsato’s us drag lp from last year and 2016’s ndf ep, cruel is the color, as well as contrabass on a track on pronsato’s archangel lp from 2014.
written in the afternoons and between two different studios in berlin’s prenzlauer berg, the album spans eight tracks, with yonatan levi playing on bass guitar on six of them. it also features guest appearances by downtown composer/producer peter gordon and israeli saxophonist yonatan yudkowitz on “bring me a kill.”

cut from the same cloth as last year’s double-cassette, “like all mornings”, vanessa amara’s new album trails shorthand piano pieces and wilted strings through magnificent, electro-acoustic surrounds, often settling into buzzing, syncopated reveries.

the complete soundtrack to segas classic arcade game - newly remastered, pressed on translucent green vinyl with lithographic print included.

the vinyl features 2 remixes: de niro (agoria rotor remix) & de niro (dee montero remix), this is the third instalment of the positva 25 vinyl club, following scot project, u (i got a feeling) and motorcycle – as the rush comes.

fleck e.s.c, aka franck collin, brings his unique blend of dancefloor electro to the cpu stable. originally from france and now based in tokyo, collin takes us on a musical journey from akihabara to the steel city via 2097.

im lauf der letzten vier jahre hat sich hayden payne alias phase fatale einen ruf als erneuerer von techno erarbeitet – sowohl hinsichtlich des breiten spektrums dystopischer electronics in seinen dj-sets, als auch wegen seines tiefen wissens von synthese und sounddesign in seinen produktionen. nach releases auf labels wie jealous god debu&#776,,,,,,,,tierte payne 2017 mit der ep anubis auf unterton. seitdem u&#776,,,,,,,,bernahm der new yorker club residencies in seiner wahlheimat berlin (berghain) und seinem – quasi – zweitwohnsitz tiflis (khidi), vero&#776,,,,,,,,ffentlichte sein debu&#776,,,,,,,,talbum redeemer auf hospital productions und startete außerdem sein eigenes label bite mit einer kollaborativen ep seiner selbst mit silent servant. seine erste o-ton, reverse fall, atmet einen frischen, reinen geist von techno – weder nostalgisch noch futuristisch, eher anarchisch und beila&#776,,,,,,,,ufig visiona&#776,,,,,,,,r. phase fatale erweitert mit dieser 12- die klangliche variation und musikalische narrative seines bisherigen schaffens als producer ebenso wie er die bandbreite seiner dj und live-sets spiegelt. gleichzeitig verschiebt er die genreparameter von techno vorwa&#776,,,,,,,,rts: ihm geht es musikalisch weniger um ‚ha&#776,,,,,,,,rter‘, sondern um dichtere atmospha&#776,,,,,,,,ren und basslastige grooves einerseits, um einen bissigen, markanten und scharfkantigen sound andererseits. auf reverse fall gibt es von film(musik) – namentlich carpenter und argento – informierte stellen: markant-melodio&#776,,,,,,,,se, bedrohliche synth-arpeggios, staccato-hi-hats, du&#776,,,,,,,,stere sechzehntelsequenzen, knackige snares und schnalzende peitschenschla&#776,,,,,,,,ge, noisige drones und dro&#776,,,,,,,,hnende pads. zwei stu&#776,,,,,,,,cke wie gemacht fu&#776,,,,,,,,r halsbrecherische hochgeschwindigkeitsfahrten auf der na&#776,,,,,,,,chtlichen u&#776,,,,,,,,berholspur („reverse fall“, „blackbox“), zwei abgebremste stu&#776,,,,,,,,cke fu&#776,,,,,,,,r die horrorszenarien danach („incision“, „empty whip“). musik, karosserie, ko&#776,,,,,,,,rper und kopf verma&#776,,,,,,,,hlend – hier inspiriert von j.g. ballards verkehrstodfetisch crash, dort a&#776,,,,,,,,sthetisch im geiste dirk skrebers um stahlpfeiler gewickelt. eine abfahrt u&#776,,,,,,,,ber das gesamte frequenzspektrum, mit frontalcrash in einer schroffen klangwand.

erstmals auf vinyl erhältlich: neupressung des electro-swing-debüts von 2004. erscheint auf weißem vinyl inklusive downloadcode.

limitierte ep mit 4 remixes zum moby & the void pacific choir-album -these systems are falling- (2016), insipiert durch die gleichnamige hollywood-animation von max fleischer aus den 1930er jahren. die 4 remixes kommen von nava ryan, zarva, blanck mass und moby selbst.

multi-talent joyce muniz is definitely one to look out for. initially starting her career as a vocalist, she now took over the global house music scene within no time as a deejay and producer as well. exhibiting her talent with previous releases, its not surprising that shes on the roster of prestigous labels such as exploited records and 20/20 vision recordings. next year she will release her single toxic people on international deejay gigolo records featuring the singer, songwriter and producer demetr1us. toxic people is a vibrant and raw sounding electro house cut featuring grimy synths and vocals, that lend the track a cold and distant atmosphere. the artwork for toxic people was created by leipzig-based artist silvia trost, whose forth lies in oil and acrylic paintings. she now frequently collaborates with glitch art artists and loves to mix materials and techniques, both analogue and digital. the b-side dreamz is another great production by joyce muniz. the playful groove and eclectic ambient makes it a cool package.

label devoted to old school house music. every release will have an original version and one or more remixes coming from the artists that made our life worth living in the last 30 years. house music is our religion. we are not interested in hype. we are not interested in becoming famous. we are not interested in djing worldwide. there wont be any repress since we are not interested in making money. well release music for personal pleasure only if it ll satisfy our minimum quality standard. finally, we wont release any digital download, ‘cause we didnt grow-up listening to music that we couldnt touch.

there are west coast classics, and then there is music to driveby, the third lp from the group that birthed mc eiht: compton’s most wanted. although the group started in the late ‘80s with multiple mcs (including tha chill and boom bam), by 1992 eiht as pulling the group’s vocal weight – supported by dj mike t on turntables and production – and even producing and co-producing tracks. music to driveby might lack beats-per-minute variety, but to fans that’s not a bad thing. across the board, this is mid-tempo, super deep, funky hip-hop, made for cars creeping along boulevards across the west and south, and it’s about as good as it gets for such purposes. just about filler-free, the album struts intensely and with purpose, as eiht throws tales of cali street life at fans for an hour straight, almost without a break. this solo marathon is given a respite only once, with scarface’s guest spot on “n 2 deep,” an excellent hood roller supported by a soulful guitar lick sampled from lyn collins’ “do your thing.” elsewhere, eiht rolls alone and intensely, on cuts like the classic mash single “hood took me under”, the album’s second single and tim dog attack “who’s fu**ing who?”, the hometown big-up “compton 4 life”, and hustle tales like “jack mode” and “i gots to get over.” after this album, eiht released more classics under his own name, and with similar fan worship. it was the continuation of a legendary career and music to driveby still ranks high on anyone’s “west coast legends” playlist.

from his debut on tresor in 2012 with the super strength ep, all the way through to his vibrations long player in 2016, paris based artist marcelus has continuously provided some of the most intricate productions to come out on tresor records in recent years. marcelus instills unpredictable rhythms as the very eseence of his music. these di erent layered time signatures move together in spiraling forms designed in the french enchanter’s mind. the magnet ep o ers one long trip in four chapters. the title track, “magnet”, ushers in the ritual and strikes with its creole flavors, drawing careful listeners back to sound palettes and rhythms of some decisive ur references. from there on, the mind-bending begins. “parenthesis” is the second slow step in this brooding ceremony. “say it again” picks up the pace, driving the listener further down into the tunnel. the beads of “descent” finally brings the mind back to the surface of reality.

tresor is glad to announce the release of manni dee’s first album the residue , on june 15th. based in london, manni dee is held in high esteem by many for his spotless production and relentless dj sets. the gleaming rendition of manni s creative vision stuns. he knows sounds inside-out, making his studio a favorite stop for many to receive manni’s expertise. the production of the residue’ was inspired by the city of london and its general living conditions. more particularly, how social cleansing, inequality and the political situation generally - and on a holistic scale - informs internal and external locus of control. the residue’ is disconsolate, and with such heart-wrenching tracks as “in communal solitude”, “vicarious living” or “submit. breathe.” or the mutinous “at mercy of the muse” and “paroxysm” manni dee clearly cuts out his insurgent statement. in parallel to his regular dj schedule, manni dee will also take his sonic proclamation in its live pa form out to the most advanced stages starting this summer.

sweat it out up the perspiration levels to 10 with this modern day rework of kwanzaa posse s 1993 tribal infused musika , by the much in form yolanda be cool. a driving beat and dynamic bassline are interspersed with the posse s euphoric chants firmly placing this a dancefloor destroyer. the first of three remixes comes from babert. turning musika into a miami vice style synth laden boogie number, complete with uplifting piano stabs and a full bodied bass. flip it over and things get a little more sinister. both ideal for the basement club setting as much as they d work in the big room clubs. gotsome revolve their remix around the chopped up tribal chants of kwanzaa posse - enhancing the expansive build ups and breakdowns to new heights. to close it out, dateless strips things back with a huge pulsating bass / kick combo whilst dubbing out the chants to be dropped in at choice moments before those heavyweight drops.

international deejay gigolo records are releasing a remix compilation of dj hell produced experimental track wir reiten durch die nacht, taken from his 5th studio album zukunftsmusik. this release features remixes of internationally renowned artists adriatique and coyu. first up is adriatiques remix, a reflection of their own interpretation of electronic music with a strong and playful vibe. coyus remix is a dancefloor ready interpretation of the original cut, with a decidedly more pumped up and dark atmosphere.

after a period of hibernation, aperture records awakens with a bang and a compelling program in the pipeline.
following their first album released on aperture at the tail end of 2015 ‘no.3.obliate’, the italian duo t.e.s.o. bring us their second full-length album ‘costruzione 04’.

ltd edition , schwarzes heavyweight vinyl in deluxe-hardbox inklusive poster, novella und downloadcode

the mar-keys is the first house band from the label stax records. during the 60’s they recorded many songs and with their first single “last night” they made it to the top of the us charts. years after this massive success they released the album “the great memphis sound”, with the support of artists like isaac hayes and booker t. jones. guitarist steve cropper shows his skills in the jazz and soul sound from the music on the album. the instrumental tracks including song classics like “the girl from ipanema”, “in the mood” and “philly dog”.
the group started in the late 50’s as the royal spades and became known as the band where a lot of musical talents marked their first step in the industry. as a backing band they worked together with artists like otis redding, wilson pickett and carla thomas.
pressing on 180 gram audiophile vinyl.

limited edition picture vinyl - no repress!

first collection of covers by john wesley harding, with appearances by bruce springsteen, the minus five, fastball, and others.

this eight-track double vinyl album collects the strongest disco mixes to appear on the label. five are by moulton and others are by issy sanchez and hippie torales. generally only originally available as promo 12”s or within commercially released albums, they are fine demonstrations of the skills of the mixers as well as the talents of the artists. the music stretches from the extended soul groove of the detroit emeralds’ “feel the need”, to the proto electro sounds behind the clark sisters’ “you brought the sunshine”, and includes cj & co’s “devil s gun” - the first record to be played at the iconic studio 54 - as well as obscurities by eramus hall and the crowd pleasers.

ryo fukuis 1976 highly sought-after jazz masterpiece scenery in a deluxe limited edition 2018 reissue, 180g, half speed master, gold sticker, obi tag, stoughton sleeve, limited to 2000 (wrj001) we release jazz (wrwtfww records new sister-label) is proud to present its first release, the official reissue of ryo fukuis highly sought-after masterpiece scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack cd.

two seminal releases from milo, originally only available on cassette, now pressed together on 12” vinyl courteous of ruby yacht and the order label.

its a thin line between love & mess. martin mercer decided to produce music for the next 20 decades before hes going release anything. eventough he didnt publish his tracks on labels his music found its way and attention in the sets of reputated acts like tini. you dont need much imagination to realize that this record could fly in high discogs speheres quicker as you can spell the word chaos. ladies and gentleman please listen to martin mercer.

international gigolo records are re-releasing move ds & thomas meineckes joint lp work.

!! repress !! points new year, new concept: maceo plex locks down 2018 with a fabriclive mix and his new mutant series that sets out to explore the more mutated side of his signature cosmic techno further than ever before. similar to his conjure series in 2015, the new releases will reside across labels run by peers maceo respects and is inspired by, with some also featuring on his much loved ellum imprint. correspondant are proud to release the debut ep, mutant 1. three tracks deep, each version tells the same story from a different perspective, mutant disco tells it from the bassline’s point of view as a latent funk thumps with wry mischief, mutant dx shows things from melodic side with its rolling bulbous bass lead while mutant moog closes the ep by surging us even deeper into the stars with a crisp sinewy arpeggio that sucks us in and, like all card carrying mutants, refuses to let us go. time to mutate.

including joseph capriati edit, remix and gaetano parisio remix!

after releasing a successful archives vol.1 in 2017, italian dj and producer luca vollaro, aka electrorites, is back again with the fresh follow-up archives vol. 2 via his own label structure records. the ep is a hurricane of industrial stained energy, demonstrating a rather free and open musical inspiration and direction. the thick, dense grinding groove define the four tracks. it starts with archive 004 which features powerful repetitive sub-kicks and ends with extremely strong bangs just as if the track is exploding. distorted and mixed mechanised sounds style ctrls remix resulting a very dark adrenaline charged techno track. in archive 005, the sequences and bass loops are stunning and the last-minute banging drum shots will leave you wanting and dreaming for more. to finalize the ep, endlec remixes archive 005 where the listener fully absorbs all the harsh petite details

born in rio in 1940, helio won a guitar from his father at age 12.after working in sugar mills or as a sales clerk in record stores, he started performing at rio nightclubs (like plaza) and são paulo. in 1975 he signed to rca victor on which he released his first lp, -matheus segundo matheus- with arrangements by oberdan -black river- magalhães, zé rodrix and chiquinho de moraes with participation of azymuth as a support band withg a total of 128 musicians involved int he recording. unfortuanly this much deserved reissue didn t make it to press before helio passed last year, but we are most humble and proud to do it justice. one of my favourite brazilian lp s just to listen to.

instant music - the trio were dissatisfied with their surrounding musical environment. inspired by the velvet underground, kraftwerk, and giorgio moroder, they set out to create their own brand of neue deutsche welle fusing dada, disco, and krautrock.

with the celebrated return of dr. octagon (dan the automator, kool keith and dj qbert) in 2017 including their first-ever live performances fans are sure to keep gobbling up the space weirdness that first surfaced more than 20 years ago. get on down presents a unique picture disc, featuring the original octagon album artwork by the legendary artist pushead. the infamous doctor’s head and lower torso reach above and below the actual 45 rpm playing surface, as if trying to escape their two-dimensional status. on the a-side is a brand-new dr. octagon song, “octagon octagon,” which picks up where the original energy left off. it’s a dark and grooving glimpse into keith’s rubberband mind, jumping abstractly from line to line, chock full of equal partscharisma and dementia. on the flip is the song for which the group is most well-known, “blue flowers.” the version presented here is the amazing “prince paul’s so beautiful” remix, which first appeared on a mo wax 12” in the uk in late 1996. it was the first meeting of the two great production minds from different eras – dan the automator and prince paul would go on to collaborate many more times over the next decade, most notably as the group handsome boy modeling school. this is another great trophy for any self-respecting kool keith and dan the automator fan, combining the old and the new in triumphant fashion.

* following the success of his eveyday emotions ep, nymfo returns to spearhead records with the sequel. * title track crystal clear is packed full of emotion and sets the tone perfectly for the rest of the ep. * underwater life demonstrated the deeper side of nymfo’s production and is defo one for the beard strokers. * keeping things balanced, time zone and in transit are the ‘solid rollers’ of the pack and the ones for the dj’s. * support from rene la vice, dj marky, high contrast, bcee and a whole load more...

surgeons new full-length, luminosity device, takes bardo thoedol - the tibetan book of the dead - as a starting point for a rhythmic journey into those interstitial spaces where body, mind, and soul no longer seem like distinct categories.

released on trax in the golden year of 1989 chicago s virgo aka friends eric lewis and merwyn sanders, along with peers such as larry heard and frankie knuckles, gently pushed house music towards a more musically sophisticated realm that hadn t been explored previously. across 8 tracks virgo took us on a deep exploration of sound that was both masterfully arranged and produced and in direct contrast to a lot of the rudimental and jacking drum tracks that were the flavour of the day. there are few debut albums in the electronic sphere that can claim the title of classic , but this is surely one of them. a defining turning point in dance music, the dawn of what would later be referred to as the deep house movement and sound is all evident with the grooves of this legendary record. often listed as one of the greatest lp s of all time , this self-titled odyssey remains an essential, must have record that never loses it s magic, flawless in every way and still trailblazing today. every home should have one. remastered in conjunction with trax, repressed from the finest audio sources available. often imitated, never replicated! 100% legit.

the 1993 debut album from tha alkaholiks is back on wax.

with the previous releases being delivered by tell and label boss nachtbraker, we are very delighted to welcome back parisian sample connoisseur s3a for the third installment of the trophy quartet. limited to 500 copies

this box set is limited to 500 units only
following the completely sold out ‘imagine – a – nation’ and ‘le fusion’ reissues, anotherday brings you a very special release from the vault of the enigma that is spencer kincy, aka gemini - we are very proud, and extremely excited to present gemini’s first 4 releases, lovingly re-mastered and packaged together in a very limited box set! originally released on relief records, the chicago techno label headed up by cajmere, these releases were gemini’s introduction into the worlds of house and techno, and contain some of his most vital works. as one of chicago’s most mysterious and revered characters, the story of gemini, aka spencer kincy has become something of a myth in recent years – blazing a trail throughout the 90’s, prolifically releasing over 200 tracks from 1994 to 1999, spencer’s music had shades innovation and soul few of his peers could match. then, suddenly, at the peak of his career, he disappeared.

the complete output of a great but under-recorded soul singer. pressed on 180g white vinyl, with in-depth notes and rare photos on inner bag.

a compilation of classic elvis presley songs on 180 gram vinyl.

a compilation of classic elvis presley songs on 180 gram vinyl.

a compilation of classic elvis presley songs on 180 gram vinyl.

a compilation of classic elvis presley songs on 180 gram vinyl.

a compilation of classic elvis presley songs on 180 gram vinyl.