vinyl 2 from the arts v box.

vinyl 3 from the arts v box.

vinyl 4 from the arts v box.

vinyl 5 from the arts v box.

sparkling space dust for your ears.

sold out! wo kölsch draufsteht, ist auch kölsch drin !! ltd blue vinyl

next up on oge’s white series we have 4 heaters for the dancefloor. hand-stamped vinyl only release.

blazej malinowski kicks off his new inner tension label, with remix support coming from techno heavyweight oscar mulero.

deluxe edition of the second album from bicep on neon orange triple vinyl with 3 bonus tracks. housed in a gatefold sleeve with download code included.

4 dark groovers from shlomi aber.

new album by kuniyuki takahashi. ambient masterpiece!

part 2 of bobos split album

made in japan

repress 2021 - since bitten by the techno bug some twenty years ago, sammy goosens aka sierra sam has been following the steady pulse of the kick drum. soon his solo tracks caught the attention of legendary r&s records label who signed him in 1997. james pennigton aka suburban knight started to work with him, co-producing suburban knight s classic album „my sol dark direction“ for peacefrog as well as as well as other remixes and singles. more releases on renowned labels like dirt crew, supplement facts,serialism, upon you or souvenir followed and resulted in a busy schedule, performing analogue live sets at some of the world s most revered clubs such as fabric, rex, wood, watergate or berghain. in may 2014, sam teamed up with kink for a very special 3h20 improvised live jam at watergate club berlin which resulted in the „live at watergate“ release in 2015. apart from this, sam has been busy producing tracks for upon.you, sound of vast, holic trax and proveded a 32 tracks retrospective to best s friends.

ruten is the first part of two 2lp albums

an introduction from we are ftr label head t. fitzgerald on vinyl only.

the second album from bicep on black double vinyl, housed in a gatefold sleeve with download code included.

eitetsu hayashi is an acclaimed japanese musician best known for his solo performance work in taiko.

sugar is back on euromantic.

single-sided techno / neotrance collectible by rico puestel. hand-stamped and numbered limited edition of 150 copies only.

four deep techno excursions from fabrizio lapiana.

lisene enters the rift with the mind palace ep. fractal like sound design and complex melodies paint a picture of life on the other side of the wormhole.

two proper techno tunes from billie jo, remixed by sailor juul and dj lily.

triple vinyl sales pack from concrete records ltd, including releases cltd005 / cltd007 / cltd008.

five skillfully crafted electro cuts from neonicle.

remixes from noradrenalin, jack wax and john rowe.

one sided

the second album from bicep on double picture vinyl, housed in a gatefold sleeve with download code included.

milan w presents his new lp >in bloom<

techno 2-track ep

album composed, recorded and mixed by elko blijweert

the 1993 original mix plus 3 new remixes of steve bicknell’s “track 12”. pressed on translucent violet vinyl.

b-stock! cover with seam split. vinyl unaffected & mint. them records welcomes back hiroaki iizuka for the its fifth outing. having supplied the the run as the labels first record, here iizuka doubles its play time and track listing length in his stunning voodoo ep. the extra time offered allows iizuka to flex more of his versatile style. them as a label sets out to eschew a techno norm largely made up of a traditional 4 x 4 sound. having come from a london background, the curating of the label gives a nod to the rave sounds of the capital - especially d&b, garage, breakbeat hardcore and grime. that is to say of course along with its characteristic aesthetic of horror and the gothic.
in iizuka them found a common ground: based in hokkaido, japan, iizuka does not share the same london influences, yet shares their base values and thrust. common themes of his sound involve broken and syncopated beats, and a rave energy. this is what lead him to being the first and prime them stable artist. voodoo ep showcases this breadth of iizuka’s style, from tracks that could easily fit into any grime set, such as primitive acid, to the more melodic tones of floating point, in which hiroaki guides them into previously untrodden ground for the imprint.