lobster theremin dig back down unda to bring another fresh salty aussie experience to the table with well seasoned young talent shedbug aka geordie elliot-kerr at the helm for this one. as co-head of salt mines he’s been responsible for some of the most exciting new underground electronic bizz coming out of aus - including hymns, rudolph c, escape artist and 92 spacedrum orchestra. as shedbug he makes entrancing house, acid-tinted techno, cosmic electro and heavily stepped uk-influenced jams, with 12” ep’s already landing via of paradise, deeptrax, flux and a cassette album for thrhndrdsvntnn. on destination love, shedbug harnesses the emotive, pad-heavy sound showcased on previous outings whilst mixing in blend of interstellar synths, jagged breaks and crusted-yet-cutting drum work - all mixed down with some serious studio finishing.

repress, clear vinyl - green cover
the ambientist hurled oneself into adventures with his own 90 s interpretation of ambient, leftfield, breakbeat and uk electronica.
for fans of traumprinz or rising sun

repress, clear vinyl - black cover
the ambientist hurled oneself into adventures with his own 90 s interpretation of ambient, leftfield, breakbeat and uk electronica.
for fans of traumprinz or rising sun

here comes our next coup. irrelevant returns to fauxpas musik with the permission of * absolute loss*, we will release vague memories ii as a vinyl edition. two outstanding long players explore the deep, melancholy electronic soundscapes that he loves. vinyl + dl code inside ...
vinyl tastes better...

last summer during an evening spent with my friend dj topha, we came upon the everlasting subject of old versus new. i m finding so much great music right now, and not just digging back in time but exploring our own timeline geographically too, he said, the level of production these days is rising fast. you have to check out these snippets from a new label based in casablanca. not long after, in an interesting twist of fate, driss bennis and i began to exchange music: i shared his soundcloud for the first casa voyager release, and he sent me a promo copy which i played out a lot. it seemed only logical to ask him for music for basic moves. later that summer we met in paris for a convivial back to back at dawidu s shop, te iubesc records and sapology. it was as simple as that, and in a few weeks basic moves 04 was ready. night train and overseas blew me away by their quality - the tracks are retro-esque yet fresh, and stem from a loose approach to electro. their arrangements are very smart, not everything is revealed the first time round. the more you listen, the more you understand that the power of the tracks lies in the details. together with ailsa s artwork, stefan s cut and chris mixes the release fell so smoothly into place. i have come to realise how important it is for the scene to release recently produced music as well as treasures from the past. you can t build a community by only playing old records. it s about a combination, about finding gems that glide together. old and new. and for that, i think both these dj booth tracks really fit the bill.

vinyl only , tape based minimalism by hooved

3 monster tracks mit viel gefühl und gespür fürs gute... we want more!

this initial release on the new futurepast label marks davy’s first output as a producer, crystallizing his endeavours in the studio and bearing witness to his long-standing experiments in electronic music. built between london and berlin over the last four years, the long now lays down the blueprints for following ventures on the label: using old and new gear to create unique, obscure soundscapes both outside of memory and away from nostalgic projections of lost futures. in a timeless and precise collaboration, davy has brought together two historical figures for this release: 1990s r&s records associate david morley mixed the tracks, while simon davey of the exchange lent his renownedmastering skills to the project. temporality, time travel and perception are key concepts for davy, and not only in the ep’s title. the four stripped-down tracks move forwards, sidewards and backwards in a bid to get us lost – not in space but in what time might sound like should we be swimming through it. mysterious and ageless synths mesh with the beats of an unnamed drum machine under davy’s control. we move through a non-linear story told by three distinct forward-thinking techno titles: no memories planned, circular weeks and causal loop. finally, the titular ambient track pans out cinematically over the images left in our heads: an invitation to begin it all again in the long now...

it was 2016 when we last saw the venezuelan duo, better known as fur coat, drop their debut ‘interstellar ep on watergate records and now they finally return with their follow up, the ‘immersion ep. immersion kicks off with an agile kick drum setting the stage for rapid fire percussion and an overwhelmingly satisfying ascending organ line that could be the trademark of any sci-fi film score. add a few shudders of glimmering atmospherics and its a trek into the cosmic realm of techno where space and time cease to exist. flipping sides the duo dive deeper into the infinite expanse with inner circle where lush textures canvas a mesmerizing groove and hypnotic spirals of gratifying repetitive sonics resulting in a fiercely energetic yet undeniably euphoric expedition under the club lights. embracing the tools and mechanics that have made their sound unique and successful for so long, fur coat seems to have delivered their most mature and polished ep to date with their ‘immersion ep where stunning spacial details and a precise attention to detail have embodied the age old saying, less is more. fur coat is back. immerse yourself.

vinyl only, ltd clear vinyl pressing, brilliant / hi quality selected 90 ambient / techno... max 1 per customer

ltd repress . 50 copies only
the ambientist hurled oneself into adventures with his own 90 s interpretation of ambient, leftfield, breakbeat and uk electronica.
for fans of traumprinz or rising sun
file under:
ambient, breakbeat, deep house, drum n bass, leftfield, new age, jungle

the identity of belgian mystery man beton is a complete mystery to us. what we do know is that twin turbo owner/assistant webmaster tiga has called this record the best release of the past five years. even when you consider that tiga believes he experiences time differently from the rest of us, that still means the soundtrack of your life for the past half-decade has been straight-up garbage in comparison. since most djs wont even listen to a record if they dont like the track descriptions, we realize a lot is riding on the next paragraph. acid-electro bomb directions is a collaboration with wevie stonder, who call themselves an absurdist electronic music collective, which youd have to agree sounds like a lot of fun. meanwhile, keep breathin completely redefines the term pump-bumpin pumper, and features vocals from dance mania ghetto house legend dj deeon. twin turbo keeps puttin hot mp3s in your pocket, offering maximum value for your hard-won digital nickels. as far as we know, youve earned it.

len faki isnt showing any signs of slowing things down over on his special edits-platform, already lining up the second round of 2018 and thus bringing the catalogue total up to lfrmx006. alex danilovs inside comes in two new versions here, both of which build upon the russian producers trademark filter action, making for a groove that funks as strongly as it remains subtle. first off the charming deepspace mix patiently unfolds into crisp breaks and lush strings, followed by a remarkably atmospheric hardspace mix, which soon steps it up a notch and gets smacking in order to get that floor chugging away to its choo-choo-chimes. meanwhile on the other side, developers steaming lost moments is treated to an array of additional elements, the outcome sounding razor-sharp and agile as ever, yet still channeling a considerable amount of propulsive force. as with all releases of lf rmx, the proceeds of this record will be donated to the berlin charity project straßenkinder e.v. to be used in actions against child poverty.

ll321 is a prolific music producer. from atmospheric electro tunes, to rough acid techno tunnel, and sometimes through experimental idm tracks, he always gives a personal and pelicular touch to his music. let s say his soul is constantly beside the notes. after a first ep released by activities rec in 2015, -coincidentia oppositorum-, he s back with 4 brand new pieces recorded with an original touch, combining the past, the present and the future... pharmakon ep.

bxl002 is the second release of the artist-run brussels based label bxl. this second release by simon halsberghe features the dark discoïd black tape mass on the a-side. while the title refers to the tape delay echo s used in the production, it s the groove pushed forward by the pulsing bass line and the clap that give it that distinct dark disco vibe. on the b-side machine wailing sounds like an incessant siren. the rest of the elements in the track all push and pull around this hypnotic siren, giving it context and power. the last track, grey over white takes the hypnosis deeper with a deep fizzy bass line, resonant drone and crisp hihats. at the end of the track additional percussive elements puncture the drone to give way to a polyrhythmic work out.

2018 reissue/ repress - in yellow coloured vinyl after offering-up paratrooper as part of dj tennis recent dj kicks, the israeli duo red axes arrive on life and death for an original ep. sami is a post-moondog shamanic tribal trip, while round combines dilapidated post-goa electronics with just the right amount of cowbells and guitars psych. vego is a lo-if western spaghetti full of tape delays and amplifiers sauce while pulse waves and wind blows on a big russian bell at the title track kalacol. a record that could only come from niv and dori another reconfiguration of the life and death mausoleum.

colombia born / berlin based david gtronic joins sci+tec with his first solo ep ‘kshama’ following remixes for jspr and a collaboration with hector on the labels 10th anniversary compilation. four earthquaking bass driven tracks

it’s been almost three years since ressort imprint label head ekserd released his first and last solo ep to date. now - in late 2017 – the young, drum-loving artist finally comes back with a new set of tracks and even a whole new label. drive 99 will have its full focus on the tempo, the drive and the looks of the late 90s and early 00s, just the way ekserd loves to play things on the clubs soundsystems.

we are super glad and honored to welcome an awesome producer in our family: eduardo de la calle. eduardo is not a beginner, hes been releasing music since 2001 on some of the most exciting labels on the globe: plane e, international dj gigolo, turbo, hivern, mule or nonplus… this 4 tracker is a perfect summary of what eduardos music is about: techno, incredible atmosphere and sonic landscapes. here, no fancy titles just numbers, remembering us whats the most important in this: music.

the next collaborative release between freeride millenium and pauls musique is a terrific two-tracker from manchester artist joseph louis harland manning under his new alias los angeles with the 7? vinyl release artwork designed by daniel rajcsanyi as part of his ‘baby exhibition in austria. joseph louis harland manning was the drummer of the band wu lyf and is involved in projects like los porcos, the mancunian boyband menage a trois and dream lovers. under his other aliases he released on aficionado, cracki, ocean records and is it balearic? sub label u?ber as well as having made music videos for molly nilsson. here he is fine form across a pair of delicate and moving synth tracks. opener ‘lamour is a gentle cut that starts with celestial chords and wide-open expanses of synth before a buried deep groove slowly comes to the fore. breathy vocals also add to the loved-up, dreamy feel and the whole thing carries you away in a majestic reverie that shifts from ambience to new age house. the track features the artists own field recordings from the streets of berlin, twisting up sounds from the sidewalk into percussive notes that give an organic feel. the perfectly soothing second offering is ‘i wanna go to heaven is a gorgeous synth piece that suspends you in a crystal clear blue sky on a warm summers day. chords are smeared and stretched whilst angelic, wordless vocals drift by. it is the sound of a blissful passage to the afterlife and will leave you feeling cleansed.

with a brimming catalogue of music that operates in the more adventurous quarters of the techno music genre, a sagittariun preps his first release of 2018, with a remix disc of one the holy grail of tracks from one of the most endearing electronic acts of the 1990s. the sabres of paradise, aka andrew weatherall, gary burns and jagz kooner, released a clutch of acclaimed albums, singles and remixes between the years 1992 and 1995, when the trio disbanded. three albums for warp, remixes of the future sound of london, leftfield & lydon, bjork, new order and the dust brothers (aka chemical brothers), and not forgetting the now legendary smokebelch ii single, which must have soundtracked hundreds of thousands of sunsets and chillout after hours over the years, have left a huge treasure trove of a catalogue as part of their legacy. one production though has gone down in sabres folklore, since its release was limited to inclusion on one multi artist compilation cd album only, and it is this track, lick wid nit wit, that a sagittariun has unearthed, licensed and re-moulded, 25 years after it was produced, for release on his elastic dreams label.

another kicks off 2018 with its first release. we are very happy to welcome kenneth scott (from the former duo moniker) who delivers a stunning 3 tracks ep with a deep electro and deep house feel. straylight feat dave aju has been remixed brillantly by the one and only kai alce. analog warm textures and efficient grooves all along this ethereal masterpiece.

debut album as a collective by filmcomposers asger baden & peder who has had music featured in breakin bad. furcula is a collective work by composer asger baden and recording artist & actor peder. peder and asger baden work as film composers on a daily basis at their townhouse studio in central copenhagen. they have worked for breaking bad, beastie boys, wolfpack amongst others. whenever they have some time, they work on furcula. the music is based on the acoustic colours of two very different rooms: the village (large orchestral studio in copenhagen) and vor frue kirke - the biggest church in denmark which features a reverb of over 7 seconds. all sounds, instruments and samples are recorded in these two rooms and used as samples in the studio to create the music. the result is the depth and contrast between the huge reverb and very close textures that feel as though theyre right next to you, scratching your skin. the result is ghostly, dark, cinematic and beautiful. art by rob sato. - debut album as a collective by filmcomposers asger baden & peder who has had music featured in breakin bad. - peder has 4 solo albums under the belt released by ubiquity records, wordandsound, fake diamond and allways featured in radio nova. featured artists like oh land, coco (quadron) jonas bjerre from mew amongst others. - asger baden solo debuted with a classical album 2015 recorded in prague and the crooked spoke in 2008.

the ecstatic sounds of a fruit machine spewing out winnings or a computer game bleeping a player upwards to the next level chirp and bleep all over ‘true beauty (and other things), a jubilant and chaotic tape from philadelphia’s nah aka michul kuun. his first release under new alias michul kuun, the seven track album lurches between church bells, angsty video game chimes and battered drums (kunn pummelled drums in punk band 1994! in the past). there are flashes of mutated house and techno (“threes, threes, threes” and “written house”) as panicky, stammery rhythm structures are built up, battered down then kicked around. “taking station” seems like it’s going to be the most mellow, almost melodic jam, then rounds off with a solid minute of air horn, before exiting on what sounds like a motorbike through a swooshing traffic for jittery finisher, “follow thruu”. - claire sawers, for wire magazine

on its sixth chapter, sticky ground releases a petrol-black dropped tape cassette compilation, packed in a straight-from-the-90’s rave case that includes 14 tracks of different varieties of great raw, pounding techno that stretches from acid trips to industrial bangers along with great grooves and soundscapes. this is sticky ground folks. featuring: Æmris, ancestor, anthro, blurred boy, curled, illnurse, kernel panic, leaf eater, moth, scase, scenedrone, the pharos project, tomas kunkel, tpx

sold out - a part of me ist das debütalbum von ivan arlaud unter seinem alias 1954. der junge musiker stammt aus lyon, frankreich und bietet eine immersive reise zwischen nostalgischen und synthetischen klängen, melancholie und hoffnung, Ängsten und selbstvertrauen. er schaffte es, all die hellen, warmen, kalten und dunklen momente seiner ruhelosen phantasie in rhythmen zu beschreiben, ohne aufdringlich zu sein. wie der titel sagt, ist es seine persönliche offenlegung. ltd to 300