berlins ellen allien präsentiert ihr 7. solo-album, das brilliante -nost-. Über neun wegweisende tracks verteilt demonstriert ellen allien, warum sie weithin als eine der pioniere der berliner technoszene gilt. eine visionärin, die einen sound entwickelt hat, der sich weiterhin entwickelt und in neue bereiche vorstößt. der sich zwischen klassischen analogen acidgeräuschen und der anarchischen pracht hypnotisierender und himmlischer klanglandschaften bewegt. -nost- ist das werk einer frau, die sich selbst gefunden hat, aber sich trotzdem weiterhin pusht, um aus ihrer komfortzone herauszutreten, die immer noch neues erschafft, immer noch lernt und sich immer noch nach mehr sehnt. das ist ellen allien, das ist berlin und das ist nost .

pulse one aka emanuel peralta, a young dj and music producer from buenos aires, argentina. he comes back with his second release on fullpanda records with his unique signature full of melodic textures and syncopated rhythms, that will take you on an emotional music journey. artist in his words : influenced by the music of artist like regis, surgeon, oscar mulero, jeff mills and others, this artists began to develop electronic music production since late 2011. studying contemporary music production such as the use of synthesizers and drumachines, also new musical structures and experimental,without forget the importance of classical music theory, pulse one represents his vision of contemporary dance music. whether dj and as a producer, their purpose in clubs is to create full moments of euphoria and madness in dance-floor thru a mystic music trip.

subwax black label series continues their mystical slavic underground saga, the next techno bomb is here!

it is easy to hate, judge, complain and to look at others and say i could do that, but you have to rise above that and get out there and do it. the third release on xerophkz records come from label boss conan o’donnell. uncompromising techno, electro, and ambient interludes. the journey continues.

viggosson and florian head up the a side. prang and v.i.c.a.r.i. on the reverse. 3rd drop from ammo84. 4 tracks for the record bag.

great dubby ep with gunnar hemmerling, lars hemmerling, lars fenin, brendon moeller...

international black stick to their word and come good with another ep of high end club material from two young uk producers: neinzer & losian. neinzer, having released on deep moves berlin and the fabric affiliated yumé records presents what could prove to be his breakthrough track in the form of weiblich a devastating and highly function piece of sound art meets techno. losian finishes the job off with the heaviest techno cut weve heard in a long time channeling basic channel and passing it through a uk sound-system filter to create a monster ready for the berghain peak-time dance-floor.

dj/producer from merseyside uk, john heckle has produced records for mathematics recordings, tabernacle records, crème organization, lunar disko and more. his releases include two full length studio albums, the second son and desolate figures (as well as the last magic maker mini-album), plus multiple singles, remixes and eps. life on titan, his debut for mathematics, picked up a qwartz electronic music award.

“muen” is based on the concepts of “muen”, “kugai” and “raku” all referring to tactical “freedoms” or “liberties” within the structures of medieval japan. a reflection on concepts that have been lost since the seventeenth century, according to historian yoshihiko amino. while “muen” echoes of the seminal early 90s merzbow, playing on the relationship between metal noise and instrumental oscillations, it differs in interaction between the two. where the pure noise used to dominate, the instrumentation has taken over, making the whole soundscape oscillate and vibrate. each side is one long piece unfolding, an ocean of tones and frequencies, a catharsis of sound, dynamics and power. “muen” is a vitally sonic experience from a true master and innovator of electronic music for followers both new and old. “muen” is limited to 375 copies

the eclectic limited 002 delivery is on the launching pad! it contains 4 amazing tracks full of energy and groove. your sensations will be captured both by the etd and the kenny dahl original tracks, being full of strength and sound lightning. it will feel like a deep immersion into the dark and mysterious sonorities of the night. 2 fantastic remixes of 2 great artists round up the project. in fact, radial and ken karter hit your feelings with 2 elegant inspirations unchaining the energy of the sound.

mihkel kleis, man behind the ratkiller moniker, listens to music on the verge of human capacity. and from what he hears, he compiles top 500 end of year lists to his friends. big tip - incredible talent from talinn... do not sleep on this taped nightmare.. cult! comes with insert. limited pressing.

various is a good word to describe this escales vol.2 from croisière musique crew, the second various e.p. from the label, which seems so diverse that it almost could seem inconsistent to someone not familiar with the label. at the same time this e.p. summarizes perfectly a collection of different styles and aspects of croisière musique, from some heavy dancefloor-friendly house and techno to more abstract acid grooves, going through breaky minimalism. a1 – the e.p. starts with battle of wits from sebastian eduardo which is a direct uncompromising floor-oriented piece of house, setting a filtered atmosphere, bouncy bassline and a filtered synth which reminds us of a dubby atmosphere. a thick and compact atmospheric part progressively takes on the middle of the track and suddenly fades to let the main dancing pattern return. a2 – lowlifequalitys is a spatious acid piece which contains elements that are close to the aesthetic of video games. all synths coming together give a sense of confusion yet ordered by the repetitiveness of the loop. the sensation of something nerd and muddle rise from this experience, a expression of weirdness by the member of les points.b1 – programming behavior sets a step back in the ep, evolving around an hypnothic vocal piece which is extracted from an old interview of george clinton, heavily chopped and processed. on top of the simple breaky drum pattern which recenters the experience, gets added an arpeggio and a modular synth sounding sequence which progressively dramatizes the track. rx delivers here a mysterious piece of minimalism, bitter yet swingy. b2 – the e.p. ends with catan, the first appearance from françois, who co-founded croisière musique with rx. starting with an ambiant and breaky atmosphere, catan quickly evolves to a drivy four step techno piece. on top of the leading synth comes different glitchy elements, aerial pads and a disturbing shamanistic glitch in the middle of the track that announces a break which confuses the listener. the track follows-up on this contradiction between the hypnotic grooves and the solid drivy techno.

kunst marks the first collaboration between these two heroes. john cunnane, p.k.a. dgohn & jodey kendrick, a.k.a j.k., black narcissus, lord of the d. both gentlemen have appeared on rephlex and weme records. it s strikingly original, great listening but hard to describe accurately with attention-grabbing pidgeonholes: -from ambient, moody soundscapes to rinsing, hi-tech workouts.. and beyond.-

the very first release from the parisian hbt. the co-founder of the french record label dement3d took inspiration into ambient and techno music

slamming raw techno cuts, special backstock

limited 250 copies worldwide. as was the case with ‘timeslip roadmender and follow-up an outrageous fate type, htid is a chomping, foaming, kinda nutty set of industrial techno-jungle halfbreeds.

rawax welcomes the electronic vikings bjarnar jonsson (ohm), jónas thor gudmundsson & michael sickinger (octal industries) to the family!

(limited to 300 copies) this 5-tracker across two slabs of vinyl is deetrons round-up take on house music as it stands today, from the hands and ears of a well-medalled and highly fielded dj.

out now the first 7inch release 200 copies ltd vinyl only on letters from jerusalem: non lasciarmi andare-ep. it includes: asylum italian duo s original deeply dark track and the remix signed by the uk techno legend regis! the planet doesn t need more successful people. the planet desperately needs more peacemakers, healers, restores, storytellers and lovers of all kinds. supported by: rebekah, dvs1, and, vril, ben sims, silent servant, ancient methods, luciano lamanna, bas mooy, violet poison and more.

persistence is back with the third release, a new split ep with manuel di martino and the italian duo asylum with remixes by johannes volk and jeff rushin. the a side contains the original track of manuel di martino called necessary phase, engaging groove and hypnotic synth are the right adjectives to describe this track. volk,s remix is inspired to the new york techno scene with stomp drum, raw groove and marked synth. side b open with substance by asylum, this track contains dark and closed sounds, a real trip into shadows. jeff rushin revisits this creating a very functional tool, and especially the right mix of dark and dancefloor s sounds.

receptive visions returns with it’s second release, the trademark sound of milos is apparent on both sides of this 12 inch. a tale of two cities with a distorted 909, acid lines and ravey stabs is pure peak time goodness. while shifting perspective revolves around quirky keys and military style drums.

the zzz master boyz no vocal necessary&#12510,,&#12490,,&#12540,,&#12395,,&#21063,,&#12387,,&#12383,,&#12488,,&#12521,,&#12483,,&#12463,,&#12395,,&#12289,,20&#24180,,&#12406,,&#12426,,&#12395,,&#12510,,&#12452,,&#12463,,&#12434,,&#25569,,&#12387,,&#12383,,&#26576,,&#12521,,&#12483,,&#12497,,&#12540,,&#27663,,&#12398,,&#12522,,&#12495,,&#12434,,&#12481,,&#12519,,&#12483,,&#12497,,&#12425,,&#12379,,&#12390,,&#12418,,&#12425,,&#12387,,&#12383,,zzz&#26032,,&#26354,,&#12392,,&#12289,,

if you missed ep vol. 1 dont get caught without vol. 2. the return of chapter two recordings next vinyl ep release is sure to be a smash. this time around santonio, moire patterns and orlando voorn have teamed up to produce the vol. 2 ep. these producers need no introduction featuring sounds of deep house to techno. this quality release will feature four banging tracks. two of them are written and produced by moire patterns entitled ninties 2 love, and hear no evil. orlando voorn has written and produced the track let it go, and santonio echols produced the other track titled detroit brass. this vinyl ep will be available for purchase next month.

this is cómeme bringing more hot rhythms to the dancefloors of 2017 and beyond – this time starring charlotte bendiks from tromso, norway with her smashing and generous ep: hidden tracks – the first comeme ep produced north of the polar circle! charlie is a spaced out chica doing dark humour techno hotness - scared and attracted by encounters with ghosts and ghouls, lost souls, insomnia and aurora borealis frenzy – these mystical experiences drive her to do her own take on physical dancefloor pleasure and pain, spinning records or playing live alongside jon-eirik boska, who also features on this 12inch. lets dive into a parallel world of gothic ukuleles, isolated villages and their myths, juvenile silliness and arctic deepness.

john heckle last released an album on tabernacle three years ago, but he s been far from quiet since then with his head front panel project diverting his attention towards blistering hard techno. tone to voice then represents a return to more melodic pastures with a more diverse selection of tempos and moods to choose from, but still heckle s innate gift for expressive, dynamic machine music shines through. -sonic spectrometer- is a joyous slice of techno-jazz, while -potential life- whips up stunning cascading synth lines and pattering hats. at times, there s no need for a kick, and with ample ambient excursions woven into the mix this stands as one of heckle s most accomplished releases yet.

new one on a colourful storm from soon-to-be-known artist tackle. insane breaks and bass programming over humorous sample placement. but theres nothing funny about its take-no-prisoners approach. one of the heaviest releases weve heard in a long time. fans of a colourful storm will recognise grondman from moopie’s mix on dommune late last year. vital sales points: fourth release on australian label a colourful storm first release since benzedrine, which was number 20 of resident advisors 2016 top tracks premiered on dommune in tokyo last october. richie hawtin’s favourite artist. (probably).

after 18 12- singles and eps, cgi has finally found a record suited for its first full-length lp release, hurt plaza from atlanta s own pamela_ and her sons. pamela_ is the solo music project of alessandra hoshor, an atlanta-based multimedia artist, and 1/2 of evil dance project big ded. their microtonal compositions build up from slow perceptual movements into heavy dance sets full of deconstructed vocals. pamela_ is microtonal, cerebral dance music. fragmented, off-kilter anxiety techno with an emphasis on texture, pattern, and rhythm. familiar palettes are rearranged and presented in a form completely alien, opening new pathways to what is possible within the realm of electronic composition without ever underestimating the power of suggestion…effectively like looking into the eyes of your best friend for the first time agai

titonton duvantes first release from 1998 on residual recordings in the rebound!

the fifth modern cathedrals release by altstadt echo seeks to exhume genuine, complex, and often contradictory human emotion from dead samples and broken beat structures. throughout the 1905 ep, the artist crafts melodies that embody a tension between nostalgia and frustration, supported by carefully textured and relatively functional percussion. the remix of dry despair by abdulla rashim (ar) strips the original of its lofty chords, instead pursuing a focused and bone-dry experimental techno approach. in contrast, the remix by stave combines elements of the original’s drifting atmosphere with violent industrial percussion.

athmospheric techno

for its second chapter xcpt music delivers a collaboration ep by label heads nothus and delikwe. original drumbreak centred with echoes of astral techno and pulsating uk vibes coming out with a ’footworking’ warehouse remix by detroit based mgun and a no prisoner taking hardcore-dnb rework by dj plant texture.

the eccentric producer and resident dj of the phormix parties in athens, morah, after his releases on return to disorder, berceuse heroique and lux rec, returns with a fourtracker ep on vanila, delivering the sixth release of the label. slow and steady!

undefined is back and extending the legend saga with the highly experienced, creative genius todd sines. todd began creating music in the late 80’s, ranging from post-punk and industrial, to techno and house. while digging through his material on discogs, one can easily notice the great variety of sounds he has developed throughout the years, using multiple aliases like .xtrak and enhanced.

the berlin based russian artist alexey volkov appears on sacred court with a mesmerising 4- track ep after his previous releases on planet rouge and jealous god. broken beats, voices and strong rhythms stand out on this wax.

a dazzling awareness, an imperfect awakening of the senses. have you ever been in that situation, when you can’t percept anything all around you and your own mind is into a state of reverie? where you can only feel the pain of being lost in your own space? well, this is the moment to go ahead and fight face to face to your unconscious. meaningless ideas, coming to your head, stunning your feelings, and now you can feel a harbinger, to a dramatic state of life. be brave, be strong. wake yourself up in a way to escape and, find a meaning to feel alive and feel your senses once again. faith will guide you into the path of light, and then, that light will lead you to the journey of the perfect daydream.

after multiple cassette and 12” releases through kastil’s stale in 2016, it’s time for irazu’s latest addition to the series of complex techno works. “shtamm” is a package that contains four original cuts + a remix by specialist of high-end machine music regis. “refused to be found” is a soaring travel through moods and sonic landscapes which at times resonates like a helicopter flying through an inner city estate building. the aesthetic nature of the opening track is extended through “shtamm”. a multi dimensional piece of work that showcases a more submersive side of irazu s broad pallette. “last hours” is a cinematic stroke of vivid pads that sound like they were extracted from a remastered russian thriller classic. regis opens ups the b-side with a rework of “shtamm”. the off-beat machine funk of the remix leaves little of the original mix intact, yet regis has turned it into a staggering piece of ferocity. “torso” is another irazu original that sound like 7.5 minutes of vigorous rhythms and swerving perc elements.

felix fleer, jonas landwehr, rythen, environ., and alderaan feature on raw imprints third vinyl release. the five-track various artist ep

here is the debut release from the new label losers with attitude, a four track compilation we have nothing left to lose-that demonstrates the range of sounds you can expect from us in coming releases. the label is the brain child of aleksey ageyev, a successful la based film and tv producer in who was born in moscow before moving to nyc at age of 16. he has teamed up with his old friend jason szostek of serotonin/schmer records to explore the electronic sounds that emanate from the dmz between house and techno. alexi delano needs no introduction as part of the swedish techno mafia that took over new york techno scene in the 90s delano has been pumping out tracks that have keep dancefloors moving world wide. delano brings his awesome sense of groove to the opening track a.l.n. mike bryant is a well known dj in the new york city underground since he came from the midwest in the mid 90s. he s the label head for intrinsic design. with his a new low moniker he sets out on a dark and soulful journey in sound. lwa labelhead and prototype 909 member jason bpmf szoste s starts side b with a sprawling chill soundscape sunrise on mars from his abide the glide series of digital releases. legendary russian electronic music pioneer anton kubikov is famous for his acid adventures in scsi 9, his label pro-tez records and randomart store in prague. here he has given us a moody acid groove named we have a bridge to close out the compilation.

straight up raw techno from the feel music boss. for fans of his 11 51 26 41 2 ep from 2015 on running back. 3 of 3.

creating electronic landscapes since the late 90s matt flores is still searching the universe for the best soundscape. his new album sidechained escapism is not an album made for you. it is made by matt flores for himself and that makes it an album for you. simply a journey through a man’s mind who has been making music for 20 years now. from drum’n’bass, uk garage, trip hop to house. his countless releases, projects and collaborations have made his discogs-page explode. but still he cannot rest. this düsseldorf resident is always busy revamping genre expectations. sidechained escapism is matt flores second album and his forth addition to the o*rs cataloge.

british producer richard smith creates genre-bending techno that incorporates motifs from the past while presenting the tunes in a de nite forward advancing trajectory. by integrating in uences from 90s electronic music and classics such as daf and severed heads, l/f/d/m presents 4 cuts that are sure to pique the interest of fans of modern techno who have an appreciation for idm, classic detroit techno and are searching for something to diversify their repertoire.

after releasing two 12”s for lee gamble’s fledging uiq label, latvian artist n1l flits to where to now? to present four new compositions of smudged, innovative, and completely otherworldly bass mutation.

co-founder peter eilmes steps up for the second release by this new imprint.
opening the a side with a more hypnotic mind trip, the ep ‚states of matter’ turns into sequence driven dance floor tool. the record is consistent in its rawness and use of massive modulating hats and percussions which manifest the passion to analog gear. raw upfront techno trips. support by richie hawtin, francois x, marcel dettmann, angel molina, alex dolby, dj deep, rebekah, brian sanhaji, luke slater, florian meindl, shlomo, rodhad, arnaud le texier, unbalance, jonas kopp, milton bradley, dave miller, drumcell, chris liebing, audio injection/truncate, henning baer, donor, etapp kyle, nihad tule...

it’s hard to imagine being at the cutting edge of electronic dance music for over three decades, and never resorting to cliché or tired gimmicks in order to create unique and forward thinking music, but matthew herbert is still channelling original and thought provoking ideas into his projects all these years later. via his accidental record label, he has always excelled at left of centre productions, and through a variety of genre aliases (including doctor rockit, wishmountain and the matthew herbert big band), his imagination has always run wild, resulting in an infectious catalogue of music over the years. “brand new love-, featuring the vocals of rising star, zilla, finds herbert creating a dense and dramatic bass heavy cut. a steppers beat, utilizing herbert’s trademark sampling techniques, it’s a killer cut with sweeping cinematic qualities that sounds head and shoulders ahead of the rest. special request, the jungle heavy arm of paul woolford’s many recording talents, is enlisted to put his breakbeat spin on the original, and turns in an absolutely lethal version, choppy breaks, spinbacks and booming subs come with intent, whilst a sumptuous string arrangement accompanies zilla’s vocal for a truly uplifting spirit. “the peacock-, with its loose beats and opaque stabs, rolls along with its industrial undertones and ravey motif, discordant at times but a truly hypnotizing but in the finest of side b1 traditions. bringing up the rear, “cheekbone” is frenetic and charging micro tribal rave (a new genre classification right there), a glorious medley of percussion, earworm synths and guillotined vocal samples, showing just why matthew herbert is as vital an artist now as he has ever been.

work them records producer p. leone kick-starts his new brooklyn-based imprint e-missions with three animated techno tracks featuring a twisted remix from label co-founder caiazzo.

first opus of a two acts project dedicated to my daughters, the ep opens with romane a very personal track which samples were taken from important moments of my life. the ep continues with my old mind and its jazzy touch, tinged with nostalgia of a not too far rave past…like an echo comes stocker an introspective track with breakbeat rhythms.the ep closes the curtain on this intimate fresco with poetry of oblivion, a tribute to electronica.

fast zwei jahrzehnte nach dem letzten offiziellen gas-albumrelease kehrt wolfgang voigt mit einem brandneuen langspieler zu seinem legenda&#776,,,ren ambientprojekt zuru&#776,,,ck. narkopop setzt die klassische gas-a&#776,,,sthetik zwischen symphonischer gro&#776,,,sse und subtiler variation fort, eine reise zu den untiefen von rausch und entru&#776,,,cktheit. - erha&#776,,,ltlich als luxurio&#776,,,se hardcover cd oder vinyl artbook edition inkl. 24-seitigem booklet. die 3xlp vinyl-version entha&#776,,,lt eine cd mit dem gesamten album und einen vinyl-exklusiven bonustrack.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

for the launch of subapical we welcome a new project from greg schappert aka donor. greg is more widely known for his techno output on respected labels such stroboscopic artefacts, prosthetic recordings and semantica. eastern district blurs the lines between electro, techno and industrial across 4 tracks. vinyl hand stamped with full sleeve artwork by yamako king.

pinball machine streets.
teen age future.
molotov cocktails.
terminal electric voices.
unimaginable disaster.

bangin prime time techno

birth of frequency offered us 3 original tracks, just perfect to be played at the moment when the sky is changing from black to blue, when people on the dancefloor are stopping to fist pump, preferring to close their eyes and keeping their heads down while travelling through the hynotic vibes. in turn, luigi tozzi s remix is all about that moment when the sun is spreading its brightness all over the dancefloor, giving a new energy to all the last dancers. watch out! this ep will take over your feet and your mind

after successful releases on labels like rebellion or suara and several collaborations with pete tong uk based john monkman finally gets his first release for noir music.

here is the first musical highlight of enough! music in 2017.
the label owners of enough! music will tell the next awesome story with their music project. the following releases are bind together with each other through the same tale. each release gets you closer to the whole story.
enjoy listening to the invited third artist basti grub ( hoehenregler, desolat, baile musik). four excellent and magnificent tracks from danilo schneider and basti grub. the different but affectionate selection is the secret of the whole ep.
enjoy our third journey!

tokyo sapphire slows makes her debut for the always impeccable nous imprint and their new series mundus, with four exquisitely delicate, abstract studies in synthetic science. opener the role of purity is a mesmirising 11 plus minutes that drifts around in its own somnolent, stuporific terrain, gently fusing ambient devices into a seamless soundtrack. the b side sees a brace of slightly bolshier offerings in the form of speculation and mallets & marbles in which sapphire slows allows her machines to feel more mutinous, all the while savouring the sophistication of their euphony. the ep comes to a close with silent escape translucently stalking the eerie cosmos of electronica, outwardly tender, inwardly ferocious.

after kicking off the year with body reflections pt.1 on tresor, berlin-based, bournemouth-born ben thomas aka bnjmn is back with new label tiercel. as an outlet for floor focused tracks he kicks off the imprint with paean - 2 slabs of atmospheric, hypnotic, sci-fi techno plus an ambient excursion in true otherworldly bnjmn fashion.

the label from avion comes with its 9th installment releasing a full single ep from the canadian artist duo ’the automatic message’. the release starts with ’tessellation’ which brings up a dreamy atmosphere turning into a floor bomb with crashing analog snares a pushing drum and driving rides never losing its fragile built atmosphere. the b-­&#8208,side comes with a rough and storming track ’paint by numbers’ full of noises and driving percussions forming a killer of function to move the floor. closing the release with the ’towers of hanoi’ an acidic techno track creating an outer space full of noises and effects for special people in special locations leaving the world to be surreal.

smashing floorburning techno madness

jack patterns signature sound on lustpoderosa is getting darker like this world. 180g black vinyl, silk screen printed cover, with vocals from the legendary unknownmix singer magda vogel on a1. very limited - vinyl only.

echoplex is synonym of guarantee. he is back giving us a groundbreaking timeless peace of wax. the most intriguing records you will encounter in this life are the records who had insights about you, that you didn’t know about yourself. echoplex is here.

germany-via- artist osker offermann, the owner of leading label white presents us a quality dou-bled package on the mule, strongly effecting his meditated mindsets. as well as his dj sets, his crafted productions have a superb balance between being not too exces-sive, but not being too minimalistic - creating the dynamism which make people move, based on his own aesthetic featured with well-polished, functional electro phrases and raw machine beats. because of its floating grooves, will be nice for club use, but also surely will be a good accompany for the home-listening. oskar continually points forward us the fact, that listening to deep house is no longer meandering journey, but something meaningful and fruitful in your life.

tobias. returns to ostgut ton with his third full length eyes in the center and expands the musical narrative laid out by his helium sessions ep (o-ton, 2016). the berghain resident keeps exploring the vast modular synth-driven techno, experimental and ambient territories on a journey in-between genres. tobias freund is long established as an influential artist and has – since the early 1990s – been working as a professional producer, sound engineer, label owner and strictly live musician. besides his early solo projects (such as pink elln, metazone or phobia) he’s also been collaborating with dandy jack (as sieg Über die sonne), ricardo villalobos (as odd machine), max loderbauer (as nsi.), valentina berthelon (as recent arts) and atom tm to only name a few. with his vast experience, diverse output and interests, tobias. doesn’t tire to actively push against existing boundaries and explore new areas of electronic music.

discours proudly welcomes jacob cheneux & martyné from traffic records.
vinyl only - first come/ first serve!

unbalance is an artist that developed his sound douring the last 5 years. coming from russia this artist found home in monasterio (moscow).
and slowly crafted his own way of making things, this record shows how far he developed this sound untill the point of no return.
these 4 cuts are are functional, technical and most of all recognizable. floor fillers and hypnotic instruments for every situation of the night.

the label’s first reference, hooded001, is a two tracks ep called “los dinosaurios” by personal mythologies. the two cuts have been recorded from live improvs by the artist. the a side, homonym to the title of the ep is a slow, rugged and abrasive techno jam that passes the 11 minutes mark. the second extract, “cuando los dinosaurios dominan la tierra” is an ambient odissey of fourteen minutes that features a static melody around which different melodic and rhythmic elements are developed.

femur rec makes its debut as a recording label with a 12 by the scandinavian trio, frak. there is not much we can add about these three brilliant swedish artists, as their decade-long careers begin in the mid-eighties and is full of references in well-known labels as börft records, lux records or dark entries.

the seventh instalment in the rhythm nation series is by the uk producer isaac reuben. these jams are rough, raw and ready. they bear the bright-eyed and bushy-tailed signature of someone untarnished by exposure yet betray a complete vision and total control of the craft.

asteria is the new overwhelming mechanical power ep by tarvisium electronique. the vinyl consists of four powerful acid techno tracks produced by steve lorenz. the rude analog sound has been processed by a powerful valve system joining acid and hypnotic patterns created by a 303 synthesizer. white abstract is the new alias that lorenz will use during live performances.

estonian pizzaboy kadajane delivers five slices of super spicy pepperoni pizza directly to your door. these straight from tape house cuts will overheat every big room, narrow dirty club, and block party you’ll ever play them in. lard and fat trickling from the turntables all over the place.

after a prolific career releasing on platforms such as audio assault, token, perctrax, stroboscopic artefacts and the huehelix imprint go hiyama is back with an astounding piece of work that dictates its own path. ‘i am goodbye’ graces us with wondrous sound-design and drum patterns that are just as menacing as they are intricate. based on the concept of denial this full-length takes a steep dive into what here at parachute we cherish the most - individuality. steering away from what are his canonic approaches to producing he chooses to leave behind sequencers and synths to further explore the nature of instruments such as piano and vibraphone as well as an array of field recordings. the end result is remarkable proof of the concept behind this album, interpreting denial in an unusually positive course of action allowing him to explore areas of sound he had previously never visited. a definite highlight here at parachute and an exemplary release to kick off our 2017 schedule. the year couldn’t have started any better! ‚i am goodbye’ is designed by atilla fidan and released on lp

inspired by china mieville’s “the limits of utopia”, hence therefore sharpens his techno soundscapes - angling into the dancefloor. with clattering bicycle spokes, experimental choral dirges and polyrhythmic interplay, we are invited to consider how we deploy our dances and despairs, and against whom.

(12inch vinyl individually hand stamped center labels, and front cover) if music is a language that brings people together, then otb is a small dictionary of newly invented words, each artist having his own unique narrative.the stone circle ep, otb010, is aggboroughs fourth installment on the label and is a continued exploration of his signature style, full of field recordings to add atmospheric and percussive sounds

jos & eli might seem unknown to many electronic music lovers but they have been releasing great music since 2013. they have been sending me music for a long time and i think we have spend about a year developing this first release on noir music, making sure it represented their debut on the label perfectly.
when you hear the adrenaline hunt release you will notice that the 2 guys from tel-aviv have developed into a great production team over the years and these 3 tracks included here are not only cleverly crafted for the deeper dancefloors but can also be enjoyed on home stereo’s.

fedbymachines has been active for almost a decade now, lurking in the undercurrents of netlabels and digital releases. now shipwrec shine the vinyl light of this shapeshifting musician, an artist who has ably turned his hand to a dizzying spread of styles. this skill is amply shown on his first wax release, relapse ep, where a glut of genres are fed into the machine. ambient. electronica. techno. electro. all are combined to create a textured sound, one of delicate strings, ghostly clicks and static. ochre closes the quintet with a remix, one that amplifies the organic nature of this absorbing encounter.

floor fillers reminiscent of early prodigy-style breakbeat, accompanied by a neurotic acid gem and an ambient version of the title track. the r raves on! with whats going on, electronic emergencies turns back the clock to 1993. by then, dutch brothers the r had made a name for themselves with releases like rave the planet on legendary proto techno label esp, and the four previously unreleased tracks on whats going on were also created during the heyday of dutch pre-trance techno house

up next on 20/20 vision we welcome the ever-diverse and evolving nathan jonson. following a decade of producing and dj ing as hrdvsion, nathan has stepped out under his birth name to mark a new stage in his career. cross colours is a perfect representation of this new stage, a hybrid of all the styles he has become renowned for. when we heard cross colours we were all in agreement that luke vibert would be the perfect remixer. luckily luke agreed too and turned in a killer take on the original, flirting with early rave and hardcore whilst keeping the electro aesthetic. the b side is rounded off with a club focused version from ralph lawson & rui-z (which has already being championed by seth troxler on his most recent essential mix) and a dark techno rework from exciting new 20/20 signing dokta, who you can expect to hear a lot more from this year.

matuss takes techno and turns it on its head. the cybernetic sound has been filled with human emotion, giving it a more organic feel than much of the music that would fall under the genre. she opens her absence seizure 007 ep in trademark style, with a dark jacking cut entitled pitchureque, in which a pulsating bass line throbs alongside ominous acid swells and disorientating panning effects. next up, tektango takes a different route honing in on a set of live tribal tinged percussion, which sway and dissipate with hypnotic effect driven further into the depths with a bubbling synth lead and filtering atmospherics. this live percussion gives the track that organic feel mentioned earlier. escapade kick starts the b-side with a robust rhythm, built from the ground up with resonant hi hat stabs, echoing claps and sturdy kicks which forms the framework for a deranged lead melody laced with wide open synths and emotive chords to carry the groove. closing the package is fonque, where flanger-tinged snare rolls work in unison with driving rhythms, delicate arpeggios and an intricate 303 bass line to create an infectious closing cut.

the practice of pseudoscience, a three track ep by m parent, is the second vinyl release from the us based label chem club records. having been inspired by peripheral thoughts about pseudosciences, this ep is washed in steady emotional build ups using airy reverb, scattering percussion, throbbing stabs and solid kicks. the title track (a1) uses these elements to move towards a piercing synth peak while cycle of intellect (a2) spaces out these features as it creeps to a dubby impactful end. the b side temazcal rites was directly motivated by a scorching summer day when the intensity of the sun sparked an idea for a sizzling percussive experiment. what were left with is a funky but emotive soundscape that tops off the ep in a unique fashion.

who whom is a new label curated by scuba. the artists are various, the sound particular. the second 12inch comprises tracks by isaac reuben, glaskin, palendrone and markus suckut and is titled heavy on the magick.

four thirty two, the new record label directed and curated by richy ahmed, reveals its second release this spring with a fantastic new single from luca cazal. out on vinyl, be alone is backed with collaboration with italian producer, andrea fiorito. cazal has previously released music on crosstown rebels, classic music company and his own see double label, and once again displays his house music credentials on this four thirty two release.

the second release of samulis own label continues the analog excursions and direction set on the debut release. all tracks are recorded live performances executed with analog machines only. raw and functional techno without compromises. play it loud.

marieu is the otaku member of the analogue cops and restoration records -the drum island- e.p., his debut e.p. on memento is an compelling mix of three dancefloor-rollers. in full compliance with his trademark style, characteristic of the releases on his own label enlightened wax and on hypercolour, marieu artfully blends militaristic rhytms and heavy basslines with delightful funk and sideral atmospheres.

arttu presents the 2nd release on his own label cyblo. 4 prime time club cuts!

florian meindl surges ahead in 2017 as he returns once more to his home base flash recordings. he has been locked away in his studio and is now ready to unleash his new album ‘time illusion’. with these album sessions florian has created a special collection of analogue focused tracks which will be released on a double vinyl album and digitally in the spring. amalgamating his array of impressive hardware, he has refined his sound and crafted a selection of tracks that demonstrate intricate knowledge and mastery of his analogue equipment. his aim was to find the right balance between musical depth and sound design while interacting with the hardware. in anticipation for the lp release in early april, florian has prepared a unique live set featuring a modular system, the korg minilogue, effect boxes and a 909 drum machine which were used in the creation of the album and which he will be touring throughout 2017. electronic beats visited him in his basement at riverside studios berlin to record an exclusive live session, which you can find on youtube and his facebook page.

vol 7 with more slamming darkish electro / techno

at a recent gig in macedonia, he played an incredible “live pure data” set, using real-time graphical data flow programming to create all his own sounds. with this huge wealth of knowledge and a hard drive stacked with unreleased productions, his ‘spookz ep’ is long overdue. he describes his music as industropical or funkyndustrial and when you hear his two original cuts on this ep, these descriptions become more apparent. ‘spookz’ is dappled and harmonious with sweeping electronics and in-depth grooves. ‘prance for me’ is atmospheric and quaking in its deliverance, showing all his innovation and creativity. the ep comes with two stellar remixes. the first is by el prevost who delivers a grinding reworking of ‘prance for me’. el prevost has been forging his sound over the last decade, gradually shifting into the house and techno scene in particular for uk label, third ear and his most recent self-run label, no speakers, which boasts a varied artist roster that includes doorly, red rack em, wbeeza, 65d mavericks and gabbi lopez. rommek’s remix of ‘spookz’ follows and shows why this recently emerging artist is fast becoming a definitive force on the techno scene. fellow loose lips collective member, rommek made his production debut on weekend circuit, before joining james ruskin’s iconic blueprint label who released his ‘moth hole ep’, plus an appearance on their 20th anniversary compilation, ‘structures and solutions’ gaining him an admirable reputation for textured sound designs.

undersound recordings is proud to welcome to their roaster jasper de jong aka binaural, presenting his album and the first lp on this uk label. 4 punchy electro and 4 mellow techno tracks. while the 2 records are stylistically different from each other, they are clearly connected by an underlying theme that showcases some different shades of this very talented artist.

lost soul enterprises presents technology = garbage, an album by jl. recorded to tascam in 2015 on a variety of cheap and obsolete machines. for fans of swamp acid, cavernous drums, grainy synth washes, and reverb.

nach ihrem indian stories release auf lost & found setzen bruscagin & visnadi nun ihre saga über die mysteriöse zivilisation agartha mit der zweiten episode auf siamese records fort. während sie dabei den spezifischen melodic techno-sound ihrer venetianischen heimatregion repräsentieren, kreieren die beiden produzenten ein eigenes, selten zuvor gehörtes sounddesign

after a long break brüxsel jardin returns with its 3rd record coming from well-known dka & jon mosto, backed with a locked groove remix.

label debut from mysterious poland-based, always human tapes, recording artist. dark, atmospheric techno and heavy, gothic electro beats. stamped, white label release in custom screen printed jacket.

lenny limbs looks on as the time for automation draws nearer. what is our fate you ask? the robots are coming. banoffee pies records introduce the sixth insert to the original series with a mechanically inspired sample infused three track heavy weight. disclaimer: this record is for the dancefloor. tip. for the lovers. banoffee xx

coyus remix for natural blues was just the prelude for our big hommage to one of the biggest pop and electronic music artists of the 90s, moby. we are proud to have this great bunch of remixes of some of the classic mobys anthems, with different options from deep house to techno, for a wide range of djs and music lovers. four awesome artists, victor ruiz, julian jeweil, reinier zonneveld and oxia deliver seven remixes of tracks like natural blues, go, porcelain and why does my heart feel so bad . enjoy the package!