new blunetto album

remastered und stark erweitert: jubilŠumsedition zum 20-jŠhrigen mit 23 songs.
ok computer wurde ursprŸnglich am 21. mai 1997 veršffentlicht, in deutschland kam das album mit etwas verspŠtung drei wochen spŠter auf den markt. das von nigel godrich produzierte werk beinhaltet songs wie -paranoid android-, -karma police-, -lucky- sowie -no surprises- und gilt damit als der gro§e klassiker der bandgeschichte. mit -ok computer- feierten radiohead nicht nur ihren endgŸltigen durchbruch, sondern auch ihre erste nummer 1 in den britischen albumcharts. zum zwanzigsten geburtstag veršffentlichen radiohead das gute stŸck erneut, allerdings in einer aufgebohrten jubilŠumsedition. auf -ok computer - oknotok 1997-2017- befinden sich neben den originalsongs acht b-seiten-stŸcke sowie drei tracks, die bei den damaligen sessions entstanden, aber bislang unberŸcksichtigt blieben. das komplette material wurde aufwŠndig aus den alten analogen aufnahmen remastered und dŸrfte fan-herzen im 3/8-takt schlagen lassen.

the selftitled six-track ep by san francisco based artist dominga has a great flowing mood between shoegaze, indie, electronica and rock. listening to >dominga< is like drinking a great cocktail at the beach, mixed out of synth, psychedelic, electronic, stoner, a little breeze of velvet underground, sampling, distortions, even a bit pop, bass, orchestra, krautrock, soul and last but not least a small touch of wonder & lennonÉ
á cd in handcrafted cardboard-slipcase
á foldable double-sided poster (size ca. a3)
á printed and assembled by noorden/cologne
á including download-code for flac/mp3/etc.

tolle songs vom gitarre spielenden surfer

the band scarletts fall is a duo formed in 2014 by ruth childs (british-american performance artist and singer based in geneva) and ste?phane vecchione (swiss performance artist and musician based in lausanne). they define themselves as dirty-girlie-kitchen-pop mixing catchy melodies and repetitive looping with fragile vocals and provocative texts. out of their playfully ironic and poetic universe you can ear shades of can, broadcast and young marble giants.

post-punk, reggae afro, disco und balearischer stil im mix: can, unknown cases, desmond & the tutus, chris & cosey, brian eno & john cale

the needle-drop fuzz that cues sam amidon s fourth solo album of songs, i see the sign, raises the curtain on a world of little theatres, foretelling of an aural gut-grip that is fully human and wholly natural. amidons intuitive and often radical reworkings of age-old secular ballads, gospel, folk songs, and hymns render familiar characters new through his direction, vision, vocals, banjo, guitar, and stellar contributions from fellow musicians.

remastered rock legend on maxi cd !

rock

velvet desert music vol. 1 introduces a new compilation series on kompakt, curated by one of cologneÕs leading figures in electronic music, jšrg burger (aka the modernist, the bionaut, burger/ink and many more).

the story of skint & demoralised is too long and complex to go into here, but suffice to say it was quite a surprise to see a new release from skint & demoralised, let alone the bonus inclusion of the long shelved debut. made up of poet matt abbott and producer mini dog, skint & demoraliseds songs revolve around teenage pursuits like getting high, getting the girl and getting pissed as well tackling social issues like unemployment and alcoholism.

pilocka krach still means nothing but pilocka noise. sheÕs the charming queen of berlins post techno underground and a true recording & perfoming artist. her new release on her very own imprint greatest hits international is a conceptional framed double vinyl album and a journey diary of her last two years on tour around the globe, with mexico, detroit and her hometown roots in berlin as fixpoints on her neverending agenda. pilocka krach is ãsugar caneÒ & ãthe lost amigosÒ, her band and all at once. her style is pure electro post rave simplicity, where each single sound is either raw sampling cuts or deep growling synthesis. big basslines meet funky grooves and surprising hooks, grooving along with her own voice and a lot of other vocal features, whereever you go. each Ôn everthing gets the room it deserves and mingles alltogether to so much more, than just another stereo sum. never heard an album that dry and that wet at the same time, with an overall fun and jam factor, that is truly touching. she took her original style more than just a few steps further and sharpened her skills in an impressive and real straight forward way of raw funkyness and true storytelling. you canÕt listen to it without moving. pilocka is always surfing the right balance of how much, or better how less it needs, to keep it going, get down to the point of no return and beyond the miracle of repetition.

reggae und dŸsseldorf Ð auf dem papier nicht unbedingt die naheliegendste verbindung. punk aus dŸsseldorf? schon eher. the tips kšnnen beides - und noch viel mehr. hei§er reggae, knackiger punk und rock sowie eine prise soul sind die zutaten der spritzigen musikalischen geschmacksexplosion, die das trio auf platte und auf der bŸhne abfeuert. ihre neuste album-kreation, twistsÕnÕturns, die Ÿber long beach records erscheint, bricht nicht mit dieser tradition. nein, twistsÕnÕturns geht sogar noch einen schritt weiter, setzt zum gro§en sprung an und das erfolgsrezept der tips als rock-reggae-pioniere auf dem deutschen musikmarkt fort.

brand new album by tosca!

mit neneh cherry hŠtte wohl kaum noch jemand gerechnet. erst recht nicht damit, dass die stimme von 7 seconds an der seite eines free-jazz-trios suicide covert. zwischen neneh cherry und the thing hat es offenbar gefunkt. vor zwei jahren trafen die prominente sŠngerin und das radikale free-jazz-trio erstmals zusammen, nun haben sie gemeinsam ein album eingespielt. angesichts der hits von neneh cherry, die sich zwischen hiphop, soul und ethno bewegten, mutet ihr comeback-projekt abwegig an. betrachtet man jedoch die familiŠren hintergrŸnde, liegt die kollaboration eigentlich auf der hand: neneh cherry ist die tochter des jazzmusikers don cherry, der the thing mit einem seiner stŸcke zu ihrem namen inspiriert hat. der renommierte schwedische saxophonist mats gustafsson und das norwegische rhythmus-duo ingebrigt hŒker flaten und paal nilssen-love transzendieren das spektrum herkšmmlicher jazz-trios. neben einem cover von don cherry finden sich darauf songs von the stooges, mf doom, martina topley-bird und ornette coleman. wenn nicht alles tŠuscht, steht mit diesem album die †berraschung des jahres ins haus.(78sfm)

2011 mercury nominated band!new album <love letters< feat. >im aquarius< & >love letters<! deluxe digipack edition!

brand new album!

justice, the french duo formed by gaspard auge and xavier de rosnay, is the band of a whole generation. when the two friends were still bright students in graphic design, in 2003 they made justice a place to experiment a hybrid genre between music and image, which blends pop and electronic borders, and showcases the talents of 2 fascinating passionate pop culture craftsmen, bored with hierarchy. they met pedro winter who had just founded his label ed banger records, he immediately signs them after listening to >we are your friends< which, with its joyful and vitamin-enriched electro beats combined with exhilarating voices, became the hymn of a whole generation and one of the most important tracks of the year 2000, celebrating a reconciliation of pop music and the dancefloor.

the first live performance of the steve hillage band in 25 years!

theres rarely music coming out so intimate and life-affirming at the same time. all the more its recommended to enter the world of fetsum and to draw hope from his beautiful songs. this voice will find its audience. theres no hope for that - but certainty.

here we are again, another dose of unsung heroes from the past. all the tunes on here (bar possibly the opening tune) will be well known by the rockabilly world. however to those of you who have recently become, or are about to be infatuated with this music you are now holding a compilation of some of the rarest and desirable tunes known to the serious collectors

atlanta, ga. all-girl punk band the coathangers reckless energy from their half-serious roots is every bit as vibrant and rambunctious on their latest album, larceny & old lace. but this time around were hearing a band thats honed their trade and incorporated more stylistic variations. with this broadened artistic horizon, refinement of technique, and ed rawls production allowing every instrument to shine without detracting from the bands natural grit, the coathangers latest offering is easily their best record to date. join the party.

the album has a very fragile, stripped down and haunting sound and is being roundly praised for it s beauty and simplicity drawing numerous comparisons to his early work with the beta band on the -3 eps- album. having previously recorded as both king biscuit time and black affair, both largely electronic based projects, steve mason enlisted the help of producer richard x and consciously made a decision to go back to basics: the album was written entirely on acoustic guitar with many of the finished tracks stripped back to reveal his undoubted songwriting talent. this special bonus edition includes a bonus disc of the album -ghosts outside- which sees the original album given a dub reworking by dennis bovell.

limited edition! vince clarke und andy bell haben die musikgeschichte der 80ern,90ern und 00er jahre um zeitlose pop-hymnen wie a little respect, sometimes, victim of love, ship of fools,chains of love,the circus und breathe und tausend andere bereichert. in ihrer englischen heimat erreichten erasure mit alben wie the innocents, wild!,chorus und dem startschuss des weltweiten abba revivals abba-esque gleich fŸnfmal hintereinander die nummer 1 position.tomorrows world ist das erste studioalbum von erasure seit mehr als vier jahren.

ex-harry pussy guitarist bill orcutt s 2009 side a new way to pay old debts was an instant classic for those attuned to his brand of stomach-scrapingly raw, hoary blues improvisation. few could have expected the album to be subsequently issued on cd by editions mego, but the more you thought about it the more it made sense - though all-acoustic, orcutt s music is every bit as extreme, violent and threshold-testing as that of, say, florian hecker, russell haswell or mika vainio. as if to prove it wasn t a token gesture towards eclecticism, mego boss peter rehberg has signed a brand new album from orcutt, and what an album it is. for the most part it s in that visceral, coruscating style that he s best known for, all finger-bleeding fretboard assaults that manage to sound at once virtuoso and completely out-of-control, reaching a psychotic climax on the visible bosom: but there are some more reflective passages too, hell, the title track might even be the most chilled thing he s ever recorded. the album was cut at d+m in berlin, which really teases every last drop of blood, sweat and tears out of the recording, which took place at orcutt s home studio in san francisco in spring of 2011. brutal, bludgeoning but incurably romantic, how the thing sings demands your steadfast attention. mind-blowing.

2008 mini lp sleeve reissue of this album from serge gainsbourgs right-hand man jean-claude vannier, originally released in 1972. recorded during the same sessions as gainsbourgs highly acclaimed masterpiece melody nelson it follows in a similar avant-garde rock-opera vein. lenfant assasin des mouches (the child fly-killer) is a supernatural tale written by gainsbourg depicting the journey of the young child travelling through a nightmarish -fly kingdom-. vannier narrates the story with sparse music concrete sounds coupled with choirs, funky beats, cowbells, wah-wah guitars and ethnic strings. comparisons could be made with some of frank zappas hot rats material and alain goraguers creepy le planet sauvge.

you know the story by now, a string of super singles, a number one in the nialler9 irish song poll of 2010 (which turned them into temporary jerks kidding) and a constant string of live dates around the country have made squarehead one of the better bands in ireland and now, we re finally at the debut album chapter. its been a long time coming. squarehead initially recorded their debut album back in september and december last year with shane cullen in k9 studios and save for a couple of extra tracks and re-recordings of old favourites mother nurture and fake blood, the band have patiently been sitting on it since. yeah nothing is a dozen tracks of no-nonsense slacker indie pop, a fuzzy collection of lo-fi rock n roll inspired by surf-pop, old school rock n roll and bright guitars.

boundary-pushing, thrilling, unique: psychedelic horseshit blaze with a vitality reminiscent of fatcat alumni animal collective and black dice in those bands early, wildly creative incipience. laced marks a forward stylistic shift for the band, delivering a coherent set of bustling, hookladen, melted outsider pop songs. keeping a step ahead of the lo-fi scene they christened -shitgaze-, theyve drawn on a broad range of influences instead of the xeroxed anorexia of many of their peers, have ruffled feathers by critically speaking out, and carved out caustic, humorous social commentary.

das album enthaelt tonnenweise funk, die vocals sind staerker als je zuvor, es rockt, es poppt, es wird suess, wuetend, hart, soulful und soft, oft innerhalb eines einzigen songs. es ist das endergebnis eines grossen kuenstlers, der seine mitte gefunden hat. die limited edition enthŠlt eine zusŠtzliche enhanced cd mit 5 bonus tracks plus making of videoclip (7 min) zur entstehung des albums.

the new hit-album by kelley clarkson!

dance fever with florence + the machine :)

classic caribou album

the debut album from boston based heavy blues trio ga-20.

cd in paper sleeve.

21-track album!

strut present an exclusive new compilation curated by optimoÕs jd twitch, Ôkreaturen der nachtÕ, bringing together classics, rarities and oddities from germanyÕs original post-punk and diy scene.

the shadows is the new album from leeds-based six-piece tomorrow we sail. building on their debut release for those who caught the sun in flight (gizeh, 2014) over the course of three years, this new work combines perfectly the soaring atmospherics, gorgeously intertwined vocal harmonies and dramatic shifts in tone and dynamics that have come to characterise tomorrow we sailÕs sound. yet, there is a new sense of urgency here. very much an album of its time, the shadows draws upon the same sense of connection to both past and present that defined its precursor but features storytelling thatÕs even more defiant and deeply personal.
like its predecessor, the record features seven songs but from the chiming guitars of opening track side by side it is clear that the stately pace of for those who caught the sun in flight has made way for a far more dynamic and driving energy, perhaps best captured in the righteous anger of the ghost of john maynard keynes. tomorrow we sail still invoke a keen sense of measured grace in their songwriting - from the sweeping, elegiac title track, through to the sparse, restrained, yet haunting beauty of winifred and to sleep. urgent, yet assured, the shadows demands your attention.

spacetalk is proud to reveal its most exciting release to date: a collection of long-lost recordings from forgotten californian duo morrison kincannon, rescued from the dusty tape archives of the pairÕs lead songwriter, norman morrison... with only a handful of sought-after private press 7Ó singles to their name, morrison kincannon are all but unknown outside record collecting circles. yet norman morrison and terry kincannon wrote and recorded some superb songs during the 1970s and early Ô80s, desperately hoping for the break that would see them released on vinyl. now, at last, their time has finally come.

nominated for the french awards les victoires de la musique with her eponymous first album, actress and singer adrienne pauly will soon put an end to a 9-year hiatus with her new album a vos amours. famously known for her hit track jveux un mec, she has since gone back to her acting career, playing with some of the top french actors and directors, including claude chabrol, gŽrard depardieu, clovis cornillac and dominique besnehard. with ten brand new tracks, this long awaited second album will reunite us with the sweet and blazing personality of a songwriter who has clearly demonstrated her ability to enchant her audience, thanks both to her meticulous songwriting and irresistibly catchy melodies.

cd only, no digital! 2015 live recording from supersense festival melbourne, previously unreleased, featuring a supergroup around manuel gšttsching, ariel pink, oren ambarchi, shags chamberlain playing material from the classic ash ra tempel releases schwingungen and seven up! total time: 53:17

the new album by depeche mode

savage times fing als experiment an und dokumentiert die unmittelbare, kŸnstlerische entwicklung hanni el khatibs. ursprŸnglich wurde der gro§teil der songs auf savage times bereits zuvor auf fŸnf eps nach und nach veršffentlicht. diese compilation vereint alle eps und enthŠlt zudem vier weitere, neue bonustracks. el khatib startete das projekt im dezember 2015. die aufnahmen zu den songs wurden in jonny bells (crystal antlers) jazz cats studios aufgenommen. dafŸr fuhr hanni el khatib tŠglich von l.a. nach long beach. auf der stundenlangen autofahrt kamen ihm oft die ideen fŸr seine tracks. hanni el khatib wollte sich nicht mehr auf ein genre festlegen und lie§ sich einfach von seinem musikalischen instinkt leiten. sobald ein song fertig produziert war, veršffentlichte er ihn. savage times zeigt, wie wandelbar sein sound ist: garage rock, punk, disco, grime und hip hop fŸgen sich hier konsistent ineinander, Ÿber die eigenen grenzen hinweg

half speed mastered by miles showell at abbey road

>a 1000 keys< is a fatal hommage to minimalism and a consequent denial of virtuosity and the idea of creative genius. paraphrasing the romantic idea of human perfection, brinkmann found a way to create sonic algorithms of tenderness and brutality, establishing dramatic expressiveness in his constructivist analytics. the result is of radical beauty.

les sans pattes is the rock band of robert combas (world renowned contemporary painter and creator of the free figuration movement) and lucas mancione. both are all-rounder, multi-instrumentalists, rigorous and nutty at the same time. they handle plastic arts, are musicians, video makers, actors, performers in short, complete artists. theyve got a rich and eclectic repertoire of more than 100 songs, and no limit: youÕll hear them moving from rock to techno, from a love song to punk, with the same dexterity in each and every register. if you have the chance to be in paris around june 24th, theyll deliver a live performance during michel houellebecqÕs exhibition, at the palais de tokyo, to inaugurate the release of their album. tracklist dvd: 1.ta peau (feat gael manangou) 2.animal, cuir noir 3.une fin de quelque chose 4.la danse de lamour 5.ta peau (live)

god, reviews can be lol. so we ll presume you know your own mind and taste. let us scrub all metaphor. we ll resist comparison. today s musical tenor overlooked, we ll refuse to dissect. moments preferred are muted. we wont highlight respite or forgiveness. theres no considering of geographical fact. we ll shut our ears to technology.

two and a half minutes of drums rolling under a whirlwind of cranky guitars and vocals arguing from the bottom of a 1990s boom box, thats 51 black super. 11 tracks and 30 minutes to cross the usa, from california with pavement and weezer to ohio with guided by voices and the raspberriesÉ 51 black super isnÕt a band to get lost on its way, or in futilities. written, composed, recorded in an emergency, with short and intense sessions, the debut album by 51 black super is made in the image of its creators: spontaneous and eager to get things out there. sounds like the strokes with less cocaine and more facial hair, said a californian rock critic after listening the two first few tracks

performed by love of life orchestra and produced by jeff jones the jedi master, with peter gordon. artwork by kit fitzgerald. album duration: 40 mins. comes with cd & cd booklet, download codes for wav, flac, mp3 files + dsd (sacd) files & video extras including live concert footage.

auf seinem debuetalbum Ÿberzeugt das britische duo mind fair, bestehend aus dean meredith (chicken lips) und ben shenton, mit einem psychedelischen ravesound aus knarzenden gitarren und groovigen bongos. elemente aus krautrock und psychedelia mischen sich mit dancefloor-styles zu einem funky rock-groove-amalgam. spaet-60 er treffen frŸh-90 er und gehen tanzen!

das mystische, urspruenglich 1979 veroeffentlichte synthpunk kultalbum von c.o.m.a. erscheint nun erstmalig auf cd mit 4 unveroeffentlichten bonus-tracks. bevor er mit charles de goal ein franzoesischer popstar wurde, war patrick blain teil von c.o.m.a., die nur ein einziges album veroeffentlichten. das von sammlern gesuchte album mit aehnlichkeiten zum sound von metal urbain enthaelt eine schraege mischung aus punk-gitarren, proto-industrial synthesizern, mundharmonika und elektronischem schlagzeug. inspiriert von bands wie devo, wire, xtc, kraftwerk, the residents und magazine, sind c.o.m.a. soetwas wie the screamers diesseitig des atlantiks.

jimi tenor and nicole willis sublime herakles label returns with haunted by hallucinations, the new bandproject from petri tokkannenm mastermind of the fabolous finish soul investigators group. guitarist petri toikkanen, who graces the liner notes of nearly all the soul investigators (home cooking, keep reachin up) releases, as one of the formidable composers of the musical group, makes the debut on this self titled new bands album.

produziert hat sie krautpop- und noise-gott schneider tm. *nervšs*, ihr name, ist programm fŸr chris imlers wesen und wirken. nervositŠt als angemessene haltung gegenŸber einer gleichzeitig bedrohlichen wie aufreizend šden wirklichkeit. die songs auf dem album klingen wie alan vega, daf, silver apples, hasil adkins und joe meek gemeinsam - aber gespielt von einer person.
die vinyl-lp erscheint inklusive cd-version des albums.

valentin offers his interpretation of classic indie rock, influenced by british shoegazer and 90Õs american noise rock, mixed with his fondness of the melodic and refrain orientated rock hit. the culminations heard on the single beyond or below. a heavy bass line serves as the foundation of a dreamy yet explosive rock hit, on which cascades of expressive guitar noise and musical know-how reaches a higher purpose. on the contrary, abstraction best defines the concept of before f after c.

nachdem kris needs mit den beiden -dirty water- compilations die geschichte und einfluesse auf die punk musik aufzeigte, widmet er sich mit dieser neuen reihe der fluechtigen magie new yorks und dokumentiert dabei bedeutende musikalische entwicklungen und wendepunkte. der erste teil ist auf die 40er und 50er jahre fokussiert und enthaelt jazz, blues, latin, rock n roll und doo wop songs von kuenstlern wie miles davis, duke ellington, dizzy gillespie, harry belafonte, john cage, cab calloway, nina simone oder billie holiday. die 2cd enthaelt 32 songs und beinhaltet wie -dirty waters- ein 72 seitigiges booklet.