yama music kehrt diesen februar mit seiner sechsten veröffentlichung zurück, einem paket verschiedener künstler mit dem titel -the tomodachi- und material von vlad arapasu, frazer campbell, oddmann und yama music selbst. in den letzten jahren und mit seinen bisher fünf veröffentlichungen hat sich das yama music-imprint als treibende kraft in der stripped-back-micro-house-welt etabliert.

yama music returns with tripped out micro house and minimal cuts.

the uk based label will offer up several releases throughout 2018 and yama music 001 perfectly sets the tone of what’s to follow. taking the lead here is ‘margaret made me do it’ which lays down woozy synth tones and modulating glitches alongside a snaking sub bass groove, shuffled minimalistic percussion and an amalgamation of contemplative spoken word vocal cuts to create a tripped-out opening to the record. ‘ddderlooon party’ follows and retains a similar aesthetic with swinging drums and ethereal atmospherics at its core whilst hypnotic, billowing synths ebb and flow dynamically across the composition, again creating something raw yet refined. then lastly to round out the package ‘moon boots’ tips the focus over to a more straight percussive groove and stirs in vacillating low-end pulses, murky, evolving stabs and mind-bending electronic blips.

phat minimal groover

yama music returns this september, with two minimal groove-infused cuts

3rd yama output