after the monumental success of >heavy< which saw ravers across the globe throwing some serious shapes, crystal clear and zen are back with the much filthier remix. enticing the listener with the ominous echoing of vocals and slow paced introduction, >heavy vip< takes virtually no time at all to break out into dance floor destruction. mercilessly brutal percussion is teamed up with a powerful bass line in delightfully disgusting composition. if you thought >heavy< was rude, just brace yourself for >heavy vip<.

having been in the game since 92, potential is a producer who knows a thing or two about how to make tracks to get people dancing, and >lock em off< – featuring long term collaborator junior dangerous on vocal duties – is no exception. as usual junior does a fine job of adding some essential swagger to a trademark potential badboy dancehall influenced backing track. catchy hooks and understated basslines are the order of the day, creating a classic sound that any d&b fan will love.
flip over and >the real< takes things on a deeper, darker and more experimental tip. saw-toothed grizzles off bass and hip hop vocals are chopped and spliced together, offering a taste of the late-90s with up-to-date production values. this one will have the old skool heads bouncing along while the newcomers will get a taste of classic drum & bass.

>heavy< gets right into the action with two-step beats and an eerie atmosphere. snippets of vocal punctuate the end bar phrases while train track percussive breaks keep the energy moving right up to the drop. warping bass combinations take their place and you better watch your bassbins as the super-low sub wobbles its way into your chest. backing it up is >settle down<, another dancefloor favourite packed with cheeky samples and big, skipping beats. call and response bass combinations and synth stabs will have ravers popping casual gun fingers each and every time.

crystal clear steps up for the next 12 inch on dj hype and pascals legendary ganja label, and as expected its a banger!

sub zero made a large impact on dancefloors on the last 12 inch and here he puts some more serious smackdown into action with a filthy rework of >spin doc< and a fresh piece in the form of >dodge city<.
the former is a growling, warping beast with pounding bass combinations and clattering drum edits. the flip, >dodge city<, has a string sample made famous by busta rhymes winds its way through the intro. when the bass drops its all over with grinding notes and heavy low-end subs.

old skool legend and nu-skool rave hero potential bad boy brings some ganja flavours once again. taking almost two decades worth of knowledge of how to get floors moving, pbb sticks to his musical guns while giving his tracks a modern sheen.

jaydan makes his solo debut on ganja recordings with this 4 track, double pack >driller killer< ep. as always hype has once again proved he knows exactly how to pick them. jaydan has been climbing his way up the ladder for a number of years and with this ep is heading for the very top. every tune is a dance-floor killer, you have been warned.

banging jump up material!!

hazard dons his dirty harry guise once more for this latest outing on hypes ganja imprint. fools intros with hazards trademark film score stabs before the unmistakable we ll have to kill off those fools vocal leads us into a massive bass drop and its rinse out city!

streethawk may conjure up images of a coiffed pillock from the 80s, this sample happy number has all the speed and firepower of its namesake and has no hesitation in dropping bodies all over the rave with its immense bassline. flip over and cold blooded keeps things from straying too far from the formula with more punchy beats and a hideous sub bass that ll rip your chest out soon as look at you.

oh. mi. gosh! now here is a pair of g dub?s biggest tracks of the last year getting the vip treatment and this 12&#8243, will provide every dj with a great way to incorporate two huge tunes with a new spring in their step into their sets. both reworkings stay true to the originals but with enough subtle changes to make the dancefloor panic when they?re dropped on an unsuspecting crowd and as always g dub destroys the dance each and every