Releases from artist / Veröffentlichungen von : Trux

trux new album on the office label

trux’ second ep on berlin based record label office is a bow to the many outstanding moments in the history of ambient music. allusions to brian eno are just as recognisable as to the charming concepts of pop ambient or clicks & cuts. it’s between these poles that the four tracks on the a-side oscillate and manage to capture the listener with vibrant and diverse soundscapes. the flip side sees trux drop a stunning melodic breakbeat tune besides remixes by workshops premier techno chef lowtec as well as a freestyle electronica version by o$vmv$m. the much loved super quiet tops the record artwork off with another remarkable example of his casual and airy black and white photography.

lp theres been an air of hypnagogic mystery surrounding acid tests sublabel avenue 66 from the start. joey andersons oblique, prince-inspired incantation above the cherry moon set the tone for a label thats sound that has found beauty in the furthest recesses of the dance floor, in the murkiest decay of kick drums and rave stabs. fitting then, that the first album on the imprint comes from trux, an artist who has chosen to reveal nearly nothing about themselves. following a cult classic mini-lp for office recordings, orbiter bears out the anonymous producer as a master of liminal, conceptual dance music. orbiters ten tracks have a vaporous, shape-shifting quality, threatening to topple over into full-on kick drum bliss or vanish into ambience. opener, with it, moves from heady ambient rush to skeletal piano, while blinko and roys garage spell out a hazy memoriam for the uk continuum. forlorn pianos ring out amongst the field recordings, excitable toms and jungle bass all softened in the enveloping gauze. orbiter positions trux as an unknown auteur who puts evocative world of tone and echo into dizzying motion, content to watch from the wings. track list with it orbiter blinko roys garage third glow in my world my row odd u agoma

office recordings introduces trux with office 07, an extended ep tinged in a smokey blue hue of low-fidelity candour and aberrant compositions. blankets of white noise and distortion, lap over renditions of hazey house, stripped synth arrangements, jungle breaks, and queer patterns.

ein re-issue der legendären 3 track ep von royal trux auf domino! neben dem single-hit deafer than blind finden sich ein cover von richie havens run shaker life sowie eine schöne jam-session namens the united states vs one 1974 cadillac el dorado sedan, der mit abstand längste royal trux song in der geschichte der band.

domino macht das dritte kult-album von royal trux, welches erstmals 1998 veroeffentlicht wurde, wieder auf cd+lp verfuegbar. das den 80ern gewidmete album accelerator vervollständigt damit die trux trilogie - nach thank you und sweet sixteen, welche jeweils tributes für die 60er/70er jahre darstellten.

royal trux war eine einflussreiche us-amerikanische rockband der sp?ten 80er und 90er jahre. kernmitglieder waren jennifer herema und neil haggerty, vormals mitglied der avantgarde-noise-band pussy galore (andere ehemalige pussy-galore-mitglieder gr?ndeten sp?ter the jon spencer blues explosion und boss hog). >cats and dogs< stammt aus dem jahr 1993 und erscheint nun, nachdem es mehrere jahre vergriffen war, als wiederver®ffentlichung auf vinyl im old-school tip-on sleeve mit einem einleger, der beim original nicht enthalten war.

first vinyl pressing of twin infinitives since the original vinyl issue in 1990. after moving to san francisco, royal trux released the highly experimental double album twin infinitives. this album remains an extreme work on the periphery of rock music, worthy of being compared to lou reeds metal machine music and suicides debut album. at only four subdivided tracks, none of which clock in under 15 minutes, the record has plenty of time to weave a mesmerizing web that is sometimes menacing, sometimes startling. for all of its high brow allusions, twin infinitives nearly reeks of vice, a dark, sordid feel pervades the record, and the listener can almost picture the band recording in a filthy apartment in the middle of the night in various states of intoxication and debauchery.

first vinyl pressing since the original 1988 royal records lp issue. started as a rumor, or more likely a threat, royal trux burst from the belly of nyc cum dc scum punks pussy galore in 1986. disinclined to follow the path of their host group, royal trux began the process of exploring their own identity, starting with recordings given to the end of music as we know it compilation. the idiosyncratic album offered skeletal projections of songs that betrayed a singular logic groomed on bizarre and previously unconnected realms of the rock canon.