Releases from artist / Veröffentlichungen von : Credit 00

abwechslung ist programm!! great

credit 00 kommt auf dem höhepunkt der festival-saison mit einem traurigen singalong, der die langen sommerabende untermalt, auf die wir uns das ganze jahr über freuen. achten sie auf die gefährlich eingängige hook, die sie so schnell nicht mehr loslässt, wenn sie einmal in ihrem kopf ist!

credit 00 is back on mechatronica with a new ep.

credit 00 is back once again

beats for the streets from credit 00. repress is here!

limited edition of 500 hand-numbered and hand-stamped copies, no repress.

credit 00 returns to pinkman.

we welcome fm label to the clone distribution family. kickstart with credit 00 and egyptian lover!!

limited edition of 300 copies.

freaky wired sample music

vor zwei jahren hatte credit 00 das glück, inmitten der konkreten weite der stadt eine wohnung mit wintergarten zu finden. dort sein atelier einzurichten, umgeben von pflanzen, gegenüber der hinterhofoase mit ihren bäumen, büschen und vögeln, die den ganzen tag sangen, war das gegenteil von seiner üblichen arbeitsumgebung. der kontrast, in der natur zu sein und gleichzeitig von einem städtischen viertel umgeben zu sein, wird auf dem neuesten ausflug von credit 00 im uncanny valley untersucht.

from conrad schnitzler in the 1960s to the pioneers of detroit techno in the 1980s, experimental sonic artists were often inspired by the metallic noises of industrial factories. schnitzler wanted to recreate the sounds he heard in his apprenticeship as a locksmith with musical instruments, and the sons and daughters of the midwestern automobile-industry generation programmed the motown soul into japanese electronic music equipment. with his new piece the metal beat ep, credit 00 wants to get in line with this tradition of transforming factory sounds into music. each of the three tracks reflects on the role of the human being in an industrial environment. the never-ending movement of the machine becomes the rhythm, while the melody embodies our forlorn voices in the vastness of the factory site. the blues played by machines--modern work songs for a post-industrial society!

introducing some new signings, poverty is violence return with a killer 5 track v/a ep limited to 300 hand-stamped white labels poverty is violence is the surface offshoot co-owned by nick dunton and charlton
lovingly mastered with an all analogue signal straight to vinyl at the exchange in the uk.

having established himself through a consistent stream of quality releases for uncanny valley and the immaculate collection of rat life, credit 00 - real name alexander dorn - bring sthe heat on nyh81. these are recordings taken from his old apartment, and feature a heavy dose of reference to classic gertronica. from can to kraftwerk to neu! to (now) munich s dopplereffect, this is some really nifty classic electro.

whether it is hip hop,techno, electro boogie, new beat, italo, jungle, reggae, house or chill out. though, all those different sounds and styles do not tear this album apart. it s a bit of a miracle that it feels so flawless for what happens between the appetizing -level one- and the final track -the last march-.

rawax proudly welcomes alexander dorn aka credit 00 to the rawax family!
back in the days at the west-saxon highlands there was a missile, which marked the starting point. when credit 00 saw the legendary rocket rise on tetris’ final screen, it was the first time he became aware of electronic music at all. since then it actually hasn’t changed that much. he keeps pushing that buttons that belong to the impressive pool of music machines towered up next to his bed. after moving to dresden in 2000 to study fine arts, his passion for synthesizers and drum machines got nurtured through visits of dresden’s club-canalisation. he quickly made himself a name as a dj, who is just doing his own thing and got popular for that reason. as a part of the idealfun-crew he started hosting parties always in the twilight zone between legal and illegal. this led to “robo dance”, dresden’s only and (also for some other reasons) best electro club night featuring guests like dmx krew, luke eargoogle or imatran voima. the track credit made with randy barracuda of imatran voima has probably been created some time after the show. apparently, randy was not in good shape anymore and so “lebensraum” unmistakably bears credit’s hallmarks. for his own music he’s inspired by cannibal movies, number theory and birds. still, his music is not easy to pigeonhole. after all, he loves synth wave, electro, afro, kraut, kosmische, disco, italo, miami bass and other proto stuff – a lot of machine music.

credit 00 strikes back with four cuts between jungle funk and sublime party bombs. -tribal rhythm machine- starts off with subtle but effective drumming that works on the dance floor as much as it could be the soundtrack to your road trip to utopia. then there is -curse of the medusa-, a pretty rumbling track that takes full advantage of its super-funky vocal samples and almost explosive percussion action. -voodoo soup- fishes in muddy waters with credit 00 s distinctive drum work and tribal sounds from outer space. the final track -snake charmer- is building things up nice and steady. but when the hypnotizing synth melody breaks ground neither serpents nor dancers can resist. the artwork was created by alexander dorn a.k.a. credit 00 himsel

leibniz and credit 00 team up for more basement toolz on rat5. three home made bangers to rock every party like its octoberfest all over again. buy two copies!

here are some plain and simple cuts by yours truly credit 00 that push just the right buttons to make people move. the tracks were made exclusively for his live set but they are too good to keep them back. without superfluous frills these four bangers scream party in every note but as usual with credit 00 theres also a melancholic side somewhere behind those tricky beats. house is a feeling!

three is the number, basement toolz the titel. once again rat life records is taking mickey on a night out to the sewer. here are two tracks made by credit 00 with a borrowed tr 909 drum machine. side a is called korg the groove, as the title already reveals, its inspired by a classic detroit techno cut. can you tell which one it is? on the flip side you will find 909ish, one drum machine and one synthesizer, which is not much but all you need and more, plus there is extra noise on the clap to amplify your face slapping pleasure.

on uncanny valley s catalogue number 18 we finally welcome back credit 00 who is a man in charge of a decent collection of those dusty machines we all love. after the ice cold the living room life ep from 2012, his brand new record ice cream is easy to fall in love with. packed with tunes to suit various moods in life, it will be a faithful companion in dark basements or lonesome hours. ice cream starts deliciously with its sleazy sample choice. with the distinctive drum work it builds up to a true chicago-inspired dance floor banger. round n round hits hard with a harsh kick and cowbell action before it shows off slightly melancholic lead synths and a subtle but effective bass line and puts the emphasis on the fact that things go round and round. life s a dizzy affair. east of nowhere with that bass line-sound is credit 00 to the core. and with spooky synths he puts you to an east of nowhere-place where you will lose yourself in manic trance-like dancing. the record ends with red wine , a slightly different electronic love song sung by credit 00. the cover artwork was created by alexander dorn.

uncanny valley continues to introduce more artists from the valley with their own solo ep.with uv008 its credit 00 whos put on the map. the dresden resident delivers four ice cold chicago inspired cuts, with hints of acid and electro,straight out of his machines which will make every synth aficionados mouth water.another me is, by credits standards,an almost intimate jam, which shows that house can be a decent funky affair.in the cave problem youll get an extensive bassline before synths that seem to come directly out of a hurdy-gurdy from hell add the right dose of gloom.the b-side is started off with the living room, a hard rocking track that comes like an acoustic exploration of sophisticated sound and drum ideas. the final brios theme is a weird and slightly menacing sci-fi work that only needs a proper movie.and again a new cover artist, credits longtime buddy geprg hpfmann.

next big uncanny vally with a great jacob korn track featuring kelli hand - thank you dresden for this 12inch!

4 tunes, die die elektro-Ära mit der grundlegenden herausforderung zwischen old school und new school verbinden, dunkle atmosphären und killer-beats, um dein gehirn zu füttern.

schwere fracht, falsche lieferadresse, unaufgefordert geliefert. fracht 01 ist eine abwechslungsreiche künstler ep auf lunatic, die alle kästchen ankreuzt, die sich durch die vergangenen veröffentlichungen ziehen. tracks, die die zahlreichen wege der heutigen gesättigten gesellschaft repräsentieren, die die prophezeiung einer dunklen zukunft erwartet.

electro compilation out of the city of leipzig.

june records presents concept 1210, a collaborative project between we are monsters, ratlife records, nation and june records. represented respectively by all the wild eyes (solar), credit 00, naughty wood, traxx, the pedestrian, villan x ,trenton chase and june. concept 1210 is a contemporary take on diy electronics, introducing nu-no wave made with the original rhythm machines, synthesizers and sequencers that became available between the period of late 1970s to mid 1980s. “my sin” by the pedestrian with credit 00 is a recording from a live performance in 2010 at hellerau festival in dresden. june s -the legion- is a studio recording made with a korg kpr-77 and a modular system that transits to electronic chaos. “character” is the result of the uninhibited collaboration between aficionados villan x and naughty wood offering a new demented take on diy electronics. * protection* is the outcome of the first collaboration between june and traxx resulting to riot electronics. *all the wild eyes* offers doggo with vocals by credit 00, a psychedelic - 10 minutes long - boss dr-55 driven piece. trenton chase s * prowler* is a home recording that transfers angst through a hypnotic maelstrom of noise and grainy atmosphere. limited double vinyl edition of 250 copies (12-inch pressed on black vinyl and 10-inch pressed on grey vinyl).

next 5 years part.. congrats...

the lunes de fiel compilation kicks-off with an extended uptempo trapped-in-a-maze hysteria set in a psychedelic 90s norwegian remake of potemkin in the harbor of bergen. in the woods of woody lithuania it continues with a road movie starring a young smugglers couple and arguably the most legendary love scene in film history. the story ends at night with a directors cut of a downhill indiana jones on lsd fighting hungry alligators at the riverside of the elbe valley. a definite must have on the new bitter moon imprint!

after take 1 comes take 2, it sometimes really is that simple. together with the pre-take that came out before the summer this third volume in wphs our beat is still new project completes the 12 tracks that form the album. more members of the core wph family are on board here, but we also welcome some newcomers to the label.