Releases from artist / Veröffentlichungen von : John Tejada

ltd repress , 200 copies , 2lp + dl, an unabashedly dreamy collection of 11 expertly crafted cuts that rank among the artist s best work to date

ltd repress 200 copies , 2lp + dl ... expect the unexpected, they say, and it should come as a surprise to many as we warmly welcome to the kompakt family one of americas most celebrated producers in dance music, john tejada! born in austria, he relocated to his current home of los angeles at the age of 8 and, following a brief career in hip-hop, found his home in electronic music. if you are even the slightest fan of the genre, you will be hard-pressed not to have heard his music over his decade+-long career. >parabolas< is a true highlight in john tejadas deep catalogue. bold words indeed for a producer who is known for unexpected variation and tremendous musical imagination

2021 album of john tejada!

john tejada with his unique style again on his own palette label

great john tejada & arian leviste vinyl only ep

as palette recordings approaches its 23 year anniversary, john tejada returns to the label he started in 1996 with a new 4-track ep entitled “performance review.”

heko records presents, never before released on vinyl, essential classic cuts from 1999 by john tejada

vinyl only! for the 3rd release, we are more than happy to welcome the legendary john tejada alongside his forever partner in crime arian leviste. we asked this special duo to dig in their archives and heres what they delivered! 4 old school flavoured bomb tracks!

slices of life celebrates the 10th release with a two-part vinyl compilation: sol10.1 and sol10.2! for the 10th release label owner barbara preisinger is gathering seven unreleased tracks on two seperate 12inches, by previous slices of life artists as well by producers who have a relationship to the label through frindship, events and personal support. each track presents the personal unique style of its producer, but all have a feeling for warm sounding organic house grooves in common, what slices of life stands for since the beginnings in 2009. on the first 12inch, sol10.1 the mole, baaz and john tejada excite us with an extension of their previous slices of life repertoire with 3 further timeless pieces of house music: trippy and soulful (come on kid), deep and percussive (fitzy), minimal and playful (how i used to). dana ruh celebrates her debut at slices of life with out of ada20: an upbuilding sunrise track carried by a driving beat and thrilling string lines. november 9th 2018 the 2nd part, sol10.2 will follow with exclusive tracks by dj deep, cab drivers und oscar schubaq.

slices of life celebrates the 10th release with a two-part vinyl compilation: sol10.1 and sol10.2!

following up to three albums on kompakt since 2011, the latest being signs under test (kom321/komcd119) in 2015, los angeles based house and techno producer john tejada returns to the cologne-based imprint with his thirteenth full-length, dead start program - an eleven-track journey spanning a prismatic array of styles and patterns, from john s signature soulful techno tunes to the further mazy, hypnotic motifs of his trancey electro hybrids. be it solo or through a host of multifaceted collaborations, tejada keeps himself busy on all fronts in and off the club environment, be it by contributing the 44th number in fabric s seminal mix series, playing drums for detroit legend daniel bell (as dbx), testing the limits of acid with tin man or joining forces with the hilarious self-proclaimed disinformationist reggie watts as wajatta. since his beginnings and the drop of his debut 12inch, waxing , released through his own label palette recordings over twenty years ago, john has been carving out a lane of his own combining and assembling elements from all ends of his wide-spanning spectrum of reference in a way that allows a more direct transition from the realm of the mind to the circuits of the machine, as confirmed by the deliberately limited studio setup used in the making of the present album. navigating across the lines, from the arrhythmic machine spook of the album s opener autoseek via the straight out thumping and jacking pulse of hypochondriac and heavy-lidded breakbeat of sleep spindle onto the kosmische-infused vibrations of telemetry, vibrant slo-mo inertia of loss and wistful club-ready winds of duty cycle and heal, john threads his way through genres and tempos with optimal chameleonic effect. cloaked in a beautiful sleeve art courtesy of johns long time friend juan mendez aka silent servant another key contributor to the los angeles scene worldwide

sein ruf als einer der produktivsten elektronischen musiker nordamerikas eilt john tejada aus guten gründen voraus: einer wäre der stete, seit über zwei jahrzehnten andauernde strom an veröffentlichungen auf legendären underground-labels wie etwa 7th city, plug research, tigersushi, playhouse, areal, pokerflat recordings oder seiner eigenen plattform palette recordings, ein anderer die schiere qualität seines musikalischen outputs. klassische tracks wie “timebomb”, “mono on mono”, “the end of it all” oder “music for doubles” sind zahlreich in seinem hochgeschätzten portfolio vertreten, was einen künstler mit ernsthafter hingabe an die eigene zunft verrät. als mitglied der kompakt-familie seit dem 2011er album “parabolas” hat t ejada weltweit die plattentaschen ambitionierter tanzflurkuratoren mit zwei weiteren kompakt-langspielern (“the predicting machine” in 2012 und “signs under test” in 2015) und einer reihe eps wie etwa “lakewood drive” (2016) gefüllt. vom sorgfältig vermessenen schub des titeltracks ceol zum zackigen roller prelude to madness und aislings impressionistischen, melodischen grooves pflegt auch seine aktuellste 12”einen unbachahmlichen sinn für die balance zwischenden treibendem t echnoschlagwerk und house-synthies, knackiger produktion und hypnotischen texturen. beseelten verträumt

the playground is proud to present it’s 10th release by john tejada & arian leviste, two long standing & revered american figures who have been producing together for over 2 decades. tejadas signature sound mixed with levistes musical background makes them a strong team. they deliver a well rounded four track ep that spans from the minimal sounds of empathy for sensors to the driving energy in -rock the transport .

next up on the docket for acid camp records is a record created by duo john tejada and justin maxwell. the pair came together to make acr iii with two things in mind: creating sounds that put a smile on their face while possessing as much character as possible. the opening track, -i ve got acid (on my brain)- is a mind-bending wavetable freakout, the likes of which tejada and maxwell have been striving to do for years. using a vintage ems vocoder to create an original vocal sample, this track is bright, playful, & vivacious. -the name rolls in- is layered in an acid playground of sounds. a rhythmic track with a potent 303 bass line, prominent percussion, and that infamous vocoder back at it to create a distinctly groovy track. -field notes-, is a composition of celestial arrangements that is completely beatless. carried through by tiers of sounds, filters, and noisier elements, this track lulls the listener into an alluring sonic dreamscape.

after a first collaboration focusing on the city of angels, la legend john tejada and acid innovator tin man (johannes auvinen), this time brooding on the latters home city, and formers birthplace, vienna. the austrian capital is known as the city of music and the city of dreams, two broadly aligning concepts that go far in describing this beguiling 12-inch. the four songs were mixed down live to 2 tracks, created in the real world without a daw, or multi tracking, which has really captured the spirit of performance and improvisation. succeeding railjet, a tense drum workout, comes bim, referring to the colorful trams that run through vienna. here, auvinen sculpts his 303 into near-pizzicato form. the acid box is accompanied by stately pads making for one of the duo’s most memorable tracks yet. the next cut, danube nights, references the mighty, ancient river, the flow motion mirrored by a couple of widescreen acid lines. a pensive lead and some melancholy chords emerge, but the drums roll right along like the water- tough enough for a heaving floor with a hint of fragility for the headphones. the record concludes with the acidic prater allee, named after idyllic, sprawling park on the banks of the danube. the duos love letter to vienna is well-suited for travel, for the dance and for dreaming.

the latest sonic adventures from the master

hot on the heels of refraction vol. 2, residual welcomes the return of long time friend john tejada. the prolific programming master serves up salacious selections that are searing to say the least. the lead track jaco is a pepe bradock influenced piece the twists and turns with breaky beat work. the numbers on the b side are firmly focused on filing the dance floor. round the outside shows tejada in top form. upfront drums and basslines perfectly paired with flittering melodies. repurposed is more minimal in form but no less effective. quirky tweeks along cascading riffs.

john tejada and arian leviste are back on areal after their much celebrated release “reactance“. these guys are working for 25 years together meeting up weekly in the studio to try new things. they say themselves that it is their longest and most special collaboration. they use mainly hardware with an old school mind set that comes more from the early 80s nyc hip hop culture than anything else. early pioneers misusing gear and making the best of their limitations. their newest release “hysteresis“ comes along strongly functional for the club.

in celebration of palette recordings 20 year anniversary, palette releases a special re-issue of john tejadas timeless classic timebomb and the timebomb vip mix. both versions were originally released in 2001 and 2002 on daniel bells 7th city records. with permission we now for the first time have them together on the same 12inch release. remastered by stefan betke at scape mastering they now sound better than ever. both versions became instant classics, have been played over the years by the worlds top djs and have been licensed to numerous compilations. timebomb original and vip are 2 classic tejada tunes that have stood the test of time

mit zusammen mehr als 80 eps und lps im portfolio, seit 1995 stets mit grossem enthusiasmus von der fangemeinde aufgenommen, hat techno-koryphäe john tejada bereits einen platz im olymp der elektronischen musik sicher für einen der zu recht meistrespektiertesten produzenten der usa ist das ein produkt von zwei dekaden allumfassender leidenschaft. mit seiner aktuellen lakewood drive ep schliesst der in la ansässige tejada an den erstaunlichen langspieler signs under test (kompakt 321 cd 119) an, den er letztes jahr auf kompakt veröffentlicht hat bereits sein drittes album für das label. das neue material gibt sich robust, aber gelassen, ganz im sinne des energetisch-melodischen minimalismus, für den der künstler bekannt ist. dicht bespielt mit drei könnerhaft ausgeführten tracks, gebietet diese elegant verspielte ep selbstsicher über den tanzflur ein weiterer erfolg für den herren über kurzgeschlossene synthies und funkelnde beats

the latest missive from acid test has the label identifying with its hometown, los angeles, more than ever. la-born vienna resident and label mainstay tin man takes vienna-born angeleno resident john tejada along for a four-track journey which dwells on the activity which defines life in the city of angels, driving.

this version of the end of it all will ensure the tracks legacy as one of johns most valued classics

hot off the heels of his latest album signs under test, john tejada quickly follows up with pal 065.

it was a hot summer day, no clouds in the big blue sky, as i suddenly got up to return my friends basketball after not returning it for more then 10 years

poker flat recordings has been dealing out underground house music with a unique twist since 1999, from the defining debut loverboy through the bugnology series, acclaimed albums and worldwide club hits, steve bug’s essential imprint has unearthed new talent, developed rising stars and welcomed veterans into the fold. steve bug’s reputation as an exceptionally gifted dj, producer and music connoisseur is about to carry the beloved imprint to its 15th anniversary, which will be celebrated with its finest collection of raw talent yet, starting with this first instalment of the anniversary series called four jacks.

john tejada does not really need any introduction - he is simply a phenomenon. starting with his first releases in the mid nineties, he has been constantly expanding on his massive catalogue of singles, remixes and albums released on well known us and european techno, house and electronic music labels and there seems to be no end in sight. in addition to his output on prestigious labels such as playhouse, plug research, defocus, moods and grooves, 7th city, kompakt, and others he has also been running his own palette recordings imprint since 1996. john tejada s ep for slices of life make reference to his earlier releases that were beloved by dj s for their driving energy and an occasional wink of humor. the three tracks on -times like this- combine a musical glance back to earlier times, while showcasing tejada s high level production skills of today: a slice from the past without being nostalgic

dort einsetzend, wo er mit somewhere (kompakt 264) aufgehoert hat, verfolgt kompakt schrauber und modular-hexenmeister john tejada auch auf we can pretend seine recherchen inmitten des zeitgenoessischen clubgewuehls: das mondsüchtige trackduo bringt soliden wumms zum einsatz, weiß jedoch ebenso gut mit den sensiblen problemzonen des tanzflurs umzugehen

tejada delivers two eruptive grooves with a focus that has earned tejada the respect of listeners & peers.

last years universally acclaimed full-length the predicting machine found musical mastermind and producing demigod john tejada in full gearhead mode. hunched over a plethora of synth modules, the la-based sound wizard dug deep into the circuits and put together an expertly crafted album driving both lab rats and floor lizards in a glorious frenzy. now, the puppet master returns with somewhere, a double headliner 12 inch relighting the fire and putting the beats where the mouth is.

pulse locker refers to the analog method of synching analog modular instruments and drum machines, a method of working john tejada & josh humphrey have embraced to generate their trademark sounds and grooves. preferring to work away from the computer as much as possible, john and josh have adapted a more old school approach to their work, syncing analog gear together, not from a computer, but the way it was synced back in the day. the results are a tight, organic analog sound showcased particularly by the 2nd track >bifur gates<. with a tr-808 as master clock, syncing the modular system, the sound takes you back to the mid 90s era of techno. real 808 beats, punchy bass and an ever so shifting classic chord line will leave you lingering for the days of old. on the a side, >pulse locker< with its big and warm groove, gets things moving with a blend of house and techno. rounding out the ep, >unanimous arc< showcases the mad acid sounds possible on the sh-101 while modular chords elevate the track to a manic pace. >pulse locker< marks the duos third collaboration on palette recordings.

a glistening highlight and stand-out track including two expertly crafted remixes by simian mobile disco

excellent john tejada double vinyl , pressed on 180gr vinyl, incl cd album

ltd nice price action

limited nice price action

ltd nice price action

john tejada & justin maxwell are at it again with a new 3 song ep. following in the footsteps of their classic release >mindbend<, the duo continues their unique approach to collaboration using a hardware modular synth setup. the title track >our gigantic mistake< is a unique blend of 808 beats and screaming modular synth lines. the b sides >whoops (there it is)< and >wheres the cable?< explore a darker side of dark acidic late night techno.

the welcome return to form of john tejada! also features droid/modularz artist truncate feat. extra support from silent servant hand stamped custom embossed sleeve design historia y violencia 7 is brought to you by technical maestro, john tejada and rising talent, truncate (david flores). this release showcases both artists talent for classic production and forward-thinking sound design. the a-side is tejadas maximiliano (6 july 1832 - 19 june 1867),and includes a nod to the only monarch of the second mexican empire. it brings classic depth that only john tejada is capable of. the b-side is truncates.venticinco which brings classic futuristic dance floor sounds to the here and now with additional sound effects provided by our very own silent servant juan mendez. this is los angeles first and second wave at its finest.

john tejada and justin maxwell have been floating on top now for more than 10 years taking into account that an army of hungry music programmers have tried out every trick to motivate the masses and to become the new stars. john tejada and justin maxwell can afford the luxury of not needing to do that, since they have written techno history. their education which started with hardware in the earlier techno days ... gives them the privilege to accomplish also this release with machines only. so you will witness 3 raw and beautiful tracks that activate our minds.
played by: secret cinema, yousef, martin eyerer, agoria, laurent garnier, stephan bodzin, alexi delano, sian, umek, dj 3000, dave seaman/ steve parry, john digweed, igor tchkotoua/ pig and dan, jeff samuel, orde meikle/ slam, max cooper, ryan davis, phil kieran, microtrauma, mauro picotto, dixon, onionz, fabrice lig, phonique, philip sherburne, alland byallo, mihalis safras , maxime dangles, coyu, patrick pulsinger, goldfish, deepchild, tom leclercq, stefan gubatz, marcus sur, scott byrne, zidan, taster peter, freska, luca agnelli, toni d, andrew technique ...

2011 repress !! was für eine granate!! frischer techhouse mit dem nötigen schuss säureanteil !! sure shot

whatpeopleplay reels in another biggie for their second release: >western starland< is surely one of the signature tunes by tech-funk luminary john tejada and his long-time collaborateur ariane leviste. originally released in 2001 on his palette imprint this is one of those tunes that never leave the crates of many djs and if you have been dancing anywhere in the last 10 years you will surely instantly recognize those synthetic string chords. tejada himself gets busy here and revamps the also included original with a brand-new 2011 mix: the original signature elements are right there from the start but fused with a beefy house beat, a new bassline, a hissing soul organ and lifted to the next plateau by thundering staccato chords in a classic detroit style. the flip holds the glorious original plus the not any less brilliant john tejada vip mix from 2003.

lonesome hero is the vinyl-only project spawned from a love of technos vinyl purism by a collective of artists growing tired of technos current cult of celebrity. first in the lh catalog comes a split ep featuring techno stalwart john tejada, and scene newcomer david joseph. though never released, dan bell grabbed tejadas track as part of his tresor mix cd back in 2000, while josephs first contribution to modern house music injects some timeless quality back into dj culture. we hope you enjoy!

expect the unexpected they say and it should come as a surprise to many as we warmly welcome to the kompakt family one of americas most celebrated producers in dance music, john tejada! you are hard pressed not to have heard his music. whether on his own palette recordings, poker flat or plug research plus a fabric mix cd under his belt, its thanks to a steady stream of massive releases (think >mono on mono< and >sweat on the walls<) ...

poker flat classics proudly presents the first ever remixes of one of the biggest poker flat tunes.

tejada and humphrey made their debut together late in 09 with their >marooned ep<. >assimilation< continues the theme of being marooned in los angeles. the four works compiled here are the result of the best moments out of 20 recording sessions. the music is for the most part assembled with analog instruments with humphrey and tejada bringing their modular gear together for the sessions. humphreys knowledge of synths and programming is quite extensive. he until recently helped operate la based big city music, a dealer of modular and boutique synthesizers.

palette recordings celebrates its 13 year anniversary with a release by the duo that started it all for the label. no giant mix compilation or collection of remixes, just another example of what has built the foundation of palette over the last 13 years. john tejada & arian leviste have been collaborating for over 18 years now. with this release the duo in a way come full circle, combining some of their oldest production techniques with newer ones. its been a long road for these 2 seeing styles and trends change, equipment and technology come and go over the years, but what has remained a constant is their vision of electronic music. >messenger< with its subtle intro of modular synths and rhythmic pads breaks out of its sinister drop full force into a multi dimensional crowd pleaser. the stabs continue to build energy while layered drum programming and modulating synth lines escalate the tracks energy. on the flip, >observer< continues with a fierce pace that harkens back to the days of palette 4, combining vintage synth stabs and drum machines recreating that classic vibe which is gaining such momentum again these days. the difference here is these guys were around at the time already releasing music that would garner them such high acclaim over the years.

john tejada was marooned in los angeles in the summer of 82. a strange place to grow up coming from vienna austria. even stranger considering the lack of techno there in the 90s. in a land of glowsticks and desert parties, tejada stuck to his love and development of his own unique electronic sound. fast forward to 2007 when detroit area native josh humphrey was also marooned in los angeles. it didnt take long for the two to meet and connect the cables on their modulars into a system twice as big. the result is marooned, palettes newest collaboration between john tejada and josh humphrey. the trio of songs reveal three sides to the duos work. the title track, marooned, joins humphreys modular synth work with tejadas beats and soothing pads, the result being a slice of beat-driven melodic techno created in a city where such sounds are rarely heard. melodiac continues from there with a lighter mood, with humphreys modular melodies and tejadas signature stabs and rhythms. rounding out the three is concrete safari, which largely focuses on humphreys modular fm synth work that slowly evolves into a cluster of tribal sounds, modular birds and grainy goodness. humphreys knowledge of synths and programming is quite extensive. he currently works with la based big city music, a dealer of modular and boutique synthesizers. it is also a place tejada frequents to test most of his gear

released in conjunction with john tejadas lucid dream: recovered data 95 full-length album as part of the phthalo origins series, reworked data is two singles and eps featuring (as the release name implies) updated remixes, reworkings, and versions of john tejadas original electronic compositions by his contemporary peers in techno and house production.
reworked data vol. 1 features bodycode applying the house and techno sensibility of his recent immune album for spectral sound to tejadas production, followed by labelmate broker/dealers sophisticated melding of the source materials nearly fifteen-year-old anvil vapre-era sense of melancholy to an insistent 4/4 rhythm. traum schallplattens dominik eulberg continues his tradition of developing elaborate, drawn-out explorations of the ebb and flow of techno dynamics by adapting the asymmetrical idm sounds of tejadas source into a persistently propulsive techno narrative. finally, ninja tune and plug researchs daedelus applies the accessible synthpop template of last years love to make music to to tejadas melodies — almost crafting another >fair weather friends< in the process.
reworked data vol. 1 is available in a limited edition, hand-numbered run of 300 12 inch eps.

a stunning floor smasher. dry pounding bassline, clicking retro effects , sampled snares , present airy sound. mono on mono more reduced . chorgs on b offers some pitched chord so beautiful it will be a sure alltime jt classic. 2 tracks of the highest calibre

vertex is an exploration in two parts. the a sideÆs vertex and the locus of points explore the trackier side of tejadaÆs work meant mostly for vinyl play. both tracks make good use of strong wavetable chorded sounds, which are modulated throughout. the rhythms of the chords make up the identity of the track with elements coming in and out. vertex showcases a more layered approach to take the track from a percussive to a smooth feel. the locus of points follows more of a straight up techno approach sounding simple and effective. the b-side explores the more melodic and arrangement based side of tejadaÆs work. liquid mirror is a track rich in layers. 3 modular synth layers provide the initial modulating melodic ground work which is then complimented by lush tejada keyboard work bringing the song to itÆs apex and then reducing it back to itÆs start all while backed by tejadaÆs powerful drum work. p.l.l. (which stands for phase locked loop, a process explored here) continues this theme in a less obvious way. modular synths and drum tracks start things off while midway a modulating melodic phrase is introduced playing back a bit differently every time. four songs in all showcasing tejadaÆs simple and complex approach to dance music.

remixes by john tejada and frank hunter

after lots of single collaborations over the last years this is the full-length-debut of john tejada and arian leviste.

featured on mr tejadas fabric mix cd ! >fractals< explores the inner musical geometry of john tejada’s electronic productions in 3 varieties. the opening track >fractals< builds driving, rhythmic layers, evolving modular blips and atmospheres which then reduce to reveal the elements that lie beneath. >the open< is a featured track on tejadas fabric 44 mix. just like a warm cup of morning coffee in your hand, it gives the feeling of a fresh new day and the possibilities that lie ahead. an ethereal piece that may remind some of tejadas classic melodic moments. continuing the nostalgic theme is the aptly titled >better days< a piano chord driven track which brings to mind classics from long ago, but with a tejada twist.

after 17 years of working together, tejada & leviste are back in the studio again putting their modular synths to good work. m tracks (m as in modular) features 4 analog workouts in varying styles. m track 1 features a melodic deep, yet driving track reminiscent of the duos best known work. m track 2 and 3 showcase a trackier sound focusing on basic elements while m track 4 turns in a much more experimental direction. the approach to this ep was a very fun, hands on process. analog sequencers are used to drive the various modular synths and their components. this process allowed for a more organic feel as the unstable electronics change over time as well as the manual changing of parameters over time. systems used include doepfer and frostwave sequencers, and modular systems consisting of cwejman, doepfer, harvestman and bananalogue modules. analog drum machines aided in the rhythms, however m track 3 was generated from pure modular hardware including the drums.

over the past few years john tejada has been splitting his time working with long time collaborator arian leviste and more recent collaborator justin maxwell. why not combine all 3? palette all-stars is just that. a collaboration between the 3 main palette artists, each (tejada, leviste and maxwell) playing a particular role in each song. from the ep opener, >after school special< you get a sense of the trio each working on a particular element. tejada’s driving drums, maxwell’s modular synth work, and leviste’s bassline elements sculpt a driving track with a classic feel. >the pilot< features leviste’s smooth melodic synth work while maxwell processes through the modular and tejada privides the dubby beats. the ep finisher >downtown hotel< features a mad maxwell modular freakout and driving 808 s

john tejada & arian leviste from 2001 with great deep techno to techhouse

>where< marks tejada’s eleventh full-length release. in it he ventures away from many of his own trademarks and journeys into an intimate vibe of warm pulses and bright energies. the tracks take expectations and enlighten them with a collection of grooves and tweaks that are spacious and rhythmic while being devoid of predictability. further support comes from reynold, sebo k, adultnapper, giles smith

john tejada returns with a stomping slice of in your face techno. >labyrinth< is a winding journey through modulation and filter trickery reminiscent of his >infected< single from a couple years back. in your face drums and synths control a steady building energy that will spiral you into the labyrinth. balancing out the energy of the a side is >the tyranny of choice.< a signature syncopated melodic slice of tejada that layers melodies and rhythms in classic tejada fashion

three tracks pulled from john tejadas & arian levistes current live set. >lost in thought< will remind many of tejadas smash hit >end of it all<, with its strong drums, sweet melodies and positive emotions. on the flip >forbidden planet< is a mysterious detroit flavored track with dark chords and classic build ups. >half live< finishes off the ep with a bit more shuffle and more of the duos signature synth work

this is volume 2 of 7th citys classic series. it features one of seventh citys best selling releases, john tejadas funky anthem >timebomb<. when originally released in 2001 it became a massive track played in all the top clubs worldwide. despite having a incredibly prolific catalog of releases, timebomb still remains one of john tejadas biggest and best known records. also included is a special edit of paris-based producer jean guillaume cabannes (better known just as cabanne) >cant stand<. as with so many seventh city artists, his release on the label established him with a wider audience and he continues to have success to this day with his own-imprint minibar and as well with his collaborations with ark and david gluck. this version of >cant stand< is an edit by daniel bell, which emphasizes the tracks loopy flow. the original version of the track was released in 2002.

first outing for tejada and maxwell since 2005’s largely successful >100% post-consumer< track. the duo best known for 2004’s >mind bend< single strikes again with a 4 tracker of stripped down ultra phat analog tracks. in a time when much of techno is losing it’s focus and being replaced by soft bubbly, busy, trance like mutations, the guys saw it fit to return to a more honest approach with their beats.

john tejada wieder (wie immer) in bestform ! da hat er 3 tracks so locker aus der tasche gezaubert wo manche nie hinkommen werden. 3 kracher mit crazy / twisted sounds , die jederzeit die tanzfläche sicher im griff haben ohne sich plumb angebiedert zu haben. top !! 10 von 10 punkte von mir und ab in das dj case.

mysterious restock from 2000 !! 4 track ep with his cool detroit like techno

it took a good one and a half years to see these two gentlemen reunite again. pro s may know why. you can only create so much quality work that it s good to take some time off now and then to get back on it with refreshed senses, new gear and new ideas. this 3 tracker is the start of a string of new 12s and simply >multiplies< everything good in john and arian s music. the motion, the funk, the accurate timing, the control, the tension, the groove, the deepness, the classic techno-ness, and the oh my goodness< kick assivity! :) check out the ultra intense, sturdy >multiplier,< a hard rocking deep dark tune layered with modular synth madness. flip to the b for >mathemagician,< the >mono on mono< update youve been waiting for. closing out the single, another analog scorcher >synthescheizer< does it s damage with 2 ms-20s side by side. no plug ins on this release, just good old dirty hardware... already support from anja schneider , karotte... and of course myself too...

b ware - cover defekt .. prall gefüllt mit fetten modernen detroit angehauchten tracks für die tanzfläche !! das ganze zum 10ten geburtstag von palette recordings !! tips: >paper jet & calculated time< unbedingt anhören !!

mit >eurotunnel< fährt tejada mit vollgas in den bahnhof techhouse, bevor er die glöckchen zur abfahrt läutet

mr tejada all-time-classic the clickety, euphoric mono on mono gets a competent make-over by some of electronic world s most unique sound-surgeons plaid and pole

big city music has this very special hip-shaking beat construct. the track just starts with one hihat, one short shaker, dry claps paired with two simple lead sounds. one of them repeating itself until the end and one to be morphed up and down, increasing and decreasing all the time. an exciting journey through changing tone lengths and different faces of at least one melody. on the flip side you find >asanebo<, another unique smasher. again this funky groove, but the sound surrounding comes a bit more spheric and mystic. an excellent track to loose yourself on the floor

detroit classix from 1998

'voyager' perfectly takes you through different phases of tension and release starting with a irresistible build-up where just the distortion of a simple chord raises the electricity topped for even more intensity by frantic hi-hat action in jazz-drumming style. for 'sucre' he teams up once again with qzen who already refined 'sweat' on pokerflat and 'paranoia' (palette034) and gives another alluring performance with understated, teasing spoken words over this gliding, liquid cut. whos the sugar daddy now?

back in stock.. palette classics..

john tejada rolls out another highly epidemic groover with 'infected' that starts out like a mutilated old school funk break with a guitar-like riff before falling into an unstoppable groove with trademark sharp-cut beats, rumbling bass and mad frizzling sounds. on the flip tejada teams up with justin maxwell for more bouncing electronic goodness with mind-bending sound gimmicks- both sides are simply massive and truly essential

back in stock !! super percussion - funk - monster ala tejada .. natuerlich bleibt die entspannung nicht auf der strecke ..

back in stock !! ein knaller für alle john tejada fans !!!

amazing 8 track ep with fantastic jackin minimal techhouse monster tunes. big cinema

2 stunning floorshaking tracks from techhouse to acid...paranoia with same voice like 'sweat on the walls' (his pokerflat release)...big tune alert !!

ultraphat minimal techhouse tracks, mind bend with vocals by daniel bell (dbx - losing control)

sweat (on the walls) is a slightly darker, powerful and minimal-acid-driven track. the spoken word give the track its special attitude - a sure shot for the dancefloor. steppaon b1 comes in a very reduced sound-outfit with abstract spoken word fragments and a slightly broken, cristal clear rhythm construction

this is the 2nd of 2 remix eps taken from john tejada's solo immigrant album 'the toiling of idle hands.' he offers another previously unreleased track with 'the display,' while bio's paul mac remixes tejada's original version of sounds of possibility

this is the first of two remix eps from john tejadas solo immigrant album, the toiling of idle hands. tejada offers a previously unreleased track with abandoned things, while bio's vince watson remixes tejadas original version of a fading memory. support from all the usual suspects

excellent movin minimal tech phunk traxx...10 track album

a stunning floor smasher. dry pounding bassline, clicking retro effects , sampled snares , present airy sound. mono on mono more reduced . chorgs on b offers some pitched chord so beautiful it will be a sure alltime jt classic. 2 tracks of the highest calibre

brill 2 track vinyl compi!!!

brill deep minimal tech tracks

excellent minimal kickin stuff / john tejada rmx

slammin detroit like tunes ,incl steve rachmad aka sterac remix!!

slamming bassy techno / techhouse

phat phunin detroit styled

brill clubby phunked up tech house/tip

2 new cuts from mr. tejada, showing yet again his never-ending ability to turn out sublime techno for the later crowds. merging of realities is a lush slice of techno, with tight beats and a rumbling bassline, while analog squelches sputter in and out of the mix and a stabbing vocal keep the interest levels high

es ist doch immer wieder eine freude seine platten in den h§nden zu halten. diesmal fl§chiger als sonst.

3 tracks of dubby, funky techno and techouse with quirky riffs and chunky beats and basslines. motorized and high densed picking up the the pieces, playful and nevertheless always focussed on the main thing,electronic and tough but danceable, irritating but rocking.simply john tejadaesque. for sure another long time contender.

tejada provides an update on the original idea giving it a bigger bassline and an updated drum track. on the flip, dominick martin delivers with his take on the track, keeping the feel of the original but giving it his own signature sound. dominick appeared previously on palette with his ep >tell me< and is also better known as soulful drum and bass producer calibre

excellent minimal tech house monster !!! sicherer schuss !!!

2021 album of john tejada!

triple-lp compilation ten years of acid test

incl extrawelt & john tejada remixes

killer melodic techno

incl. john tejada remix