SENEGAL 70 (2X12 LP + MP3)
SENEGAL 70 (2X12 LP + MP3)

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Artist

Various Artists

Titel

SENEGAL 70 (2X12 LP + MP3)

Label

Analog Africa / aalp079


2x12 inch lp
"a1: fangōōl - mariama
a2: orchestre groupement mobil d’intervention - africa
a3: orchestra bawobab - thiely
b1: la sourouba de louga - bour sine
b2: king n’gom et les perles noir - viva marvillas
b3: orchestre laye thiam - massani cissé
c1: amara touré et le star band de dakar - el carretaro
c2: le jazz tropical - kiko medina
c3: orchestre laye thiam - kokoriko
d1: gestu de dakar - ndlourel
d2: orchestra bawobab - ma penda
d3: orchestre laye thiam - sanga té"

4 years in the making, in partnership with Teranga beat the current leading label for Senegalese music, Analog Africa proudly offer an insight into the musical adventures that were taking place in the major Senegalese cities during the 60s and 70s. This compilation, reflects the unique fusions of Funk, Mbalax, Cuban Son and Mandigue guitar sounds that transformed Dakar into West Africa’s most vibrant city.
The double vinyl release comes in a gatefold sleeve and includes a download code.

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2x12 Inch LP
Vinyl
c6x-op
Black
Afro
Funk
Jazz
World Music
Black
pos. 102
peak pos. 5
14.03.2016
06.12.2016
-


It all started in 2009 when Adamantios Kafetzis travelled from Greece to Senegal with a brand new tape machine that he used to digitise the musical treasures he had discovered in the city of Thiés. These treasures took the form of reel tapes, and had been recorded by sound engineer Moussa Diallo, who had spent the previous four decades immortalising, onto magnetic tape, the bands that would perform in his club, the legendary Sangomar.

300 Senegalese songs that nobody had ever heard before were discovered - five of them were selected for this compilation.

Thanks to its history of outside influences, Senegal – the western point of Africa - had become a musical melting pot.
Cuban and American sailors had brought Son Montuno from Cuba, Jazz from New Orleans and American soul tunes: sounds that were swiftly embraced and adopted by urban dance bands and intuitively merged with local music styles.

One band in particular excelled at this fusion. 1960 marks the formation of Star Band de Dakar, a milestone that left an
indelible imprint on Dakar’s musical landscape. Indeed, the whole country was soon grooving to their intoxicating mixture of Afro Cuban rhythms and Wolof-language lyrics.

The 1970s brought a new generation of stellar bands,
Le Sahel, Orchestre Laye Thiam, Number One de Dakar, Orchestra Baobab, Dieuf Dieul de Thies and Xalam1 who fused traditional Senegalese percussion instruments such Sabra, Tama and Bougarabou with organs and keyboards, giving birth to new hybrids. Merging the folkloric and the experimental, these sounds, embraced by the youth, took centre stage and gave the previously dominant Cuban music a run for its money.

With this burst of musical and artistic creativity, driven predominantly by the modern vision of President Senghor, Dakar
began attracting international stars. The Jackson Five, James Brown, Tabou Combo (Haiti), Celia Cruz (Cuba) and an array of African stars like Tabu Ley Rochereau (Congo), Manu Dibango (Cameroon) and Bembeya Jazz (Guinée) joined in with the local scene, improvising jam sessions and bringing new flavours to a music scene that was always open to new inspirations and influences. Johnny Pacheco immortalised his passion for the city with a song called “Dakar, Punto Final”.

The comprehensive booklet that comes with the CD - 44 pages and with the Double LP - 12 pages LP size - is a precious
document attesting to the decades of transformation that led to modern Senegalese music. Featuring biographies of music producers and a legendary record cover designer, as well as the life stories of all the groups represented here, the booklet also includes a fantastic selection of photos that have never seen before.
(added: 2016-03-15 10:16:30 )
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