ETHIOPIAN MODERN INTRUMENTAL HITS (180G LP)
ETHIOPIAN MODERN INTRUMENTAL HITS (180G LP)

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Artist

Various Artists

Titel

ETHIOPIAN MODERN INTRUMENTAL HITS (180G LP)

Label

Heavenly Sweetness / HS092VL


12 inch lp
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1. a1: mulatu astatqé - munaye
2. a2: mulatu astatqé - meche dereshe
3. a3: tèsfa-maryam kidané - yetesfa tezeta
4. a4: mulatu astatqé - kasalefkut hulu
5. a5: mulatu astatqé - tezeta
6. b1: bahta gèbrè-heywèt - ewnet yet lagegnesh
7. b2: mulatu astatqé - yegele tezeta
8. b3: bahta gèbrè-heywèt - bmgnot alnorm
9. b4: mulatu astatqé - yekermo saw
10. b5: tèsfa-maryam kidané - heiwote

Reissue of the original ethiopian vinyl compilation on 180g vinyl in heavy cardboard cover.

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GER

12 Inch LP
Vinyl
c7u-ba
Black
Afro
Soul
Funk
Jazz
-
-
05.08.2016
27.09.2016
28.09.2016
23.08.2016 backordered

also available as:
Vinyl (EUR )





"Ethiopians' deep-seated ethiocentrism, the legacy of a thousand years of history, has contributed in no small way to their music's strong national identity, particularly impervious to any African influences. Latin influences, so pervasive in the great musical centers of West Africa and the Congo, have been similarly rebuffed, despite the brilliant attempts of a musician like Mulatu Astatke. He was the first and for a long time the only Ethiopian to have studied music abroad (England and USA). In the late '60s, he brought back 'ethio-jazz', as well as a passion for Latin rhythms that was not readily shared by the Ethiopian audience. As early as 1966, he released a single and two LPs in the US entitled Afro-Latin Soul (and a third LP, Mulatu of Ethiopia in 1972), with his Ethiopian Quintet composed of American and Latin-American musicians (Worthy Records). That was three years before Fela's first American tour and six years prior to Manu Dibango's key breakthrough with the release of Soul Makossa in the Western 'pre-World music' market. All this goes to show how much the history of the African continent's musical modernity should be reconsidered in light of the Ethiopian adventure, even though this lone spark bore little relation, musically or ideologically to the musical revolutions initiated most notably by Ghanian highlife, South African jazz, Congolese rumba or, much later on, by Fela."
(added: 2016-08-05 14:26:24 )
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