LIVE 77 - 79 (CD)
LIVE 77 - 79 (CD)

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Artist

Teenage Jesus And The Jerks

Titel

LIVE 77 - 79 (CD)

Label

Other People / OP035CD


cd
less of me
my eyes
popularity is so boring
orphans
eliminate by night
freud in flop
burning rubber
i woke up dreaming
crown of thorns
baby doll
race mixing
dont talk about love
no morality
instrumental
baby doll
freud in flop
race mixing
crown of thorns
red alert
the closet
instrumental
freud in flop
burning rubber
red alert
orphans
eliminate by night
the closet

Teenage Jesus and the Jerks began to formulate their visionary brand of aural catharsis sometime during the first half of 1977, amidst the sordid ruins of a then fully down-and-out Lower Manhattan. The mastermind behind this juggernaut of sonic libertinage was a barely pubescent but world-weary runaway who called herself Lydia Lunch.

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CD
CD/DVD
c64-xp
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Indie
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30.11.2015
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also available as:
Vinyl (EUR )




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Influenced strongly by the Marquis de Sade and Henry Miller, Lunch shrewdly decided to graft the existential horror of her own writing onto harsh, atonal music after being exposed to the room-clearing live output of other contemporary rock-music deconstructionists like Suicide and Mars. With an agenda of conjuring nightmarish intensity in lieu of technical instrumental ability, Teenage Jesus instantly made the supposedly “nihilistic” and “raw” current wave of so-called Punk acts sound like slick, good-timey pop music by comparison. Teenage Jesus and the Jerks were The Texas Chainsaw Massacre, lisa, She Wolf of the SS, and Salò, or the 120 Days of Sodom, transliterated into a blatant mockery of the increasingly tired, basic rock-band format. Posthumously, there have been numerous reissues of the primary Teenage Jesus corpus, namely the first side of the Lydia Lunch double compilation album Hysterie (CD Presents, 1986), a very incomplete anthology titled Everything (Atavistic, 1995) and Shut Up and Bleed (Cherry Red/Atavistic, 2008), which also featured Beirut Slump tracks. These less-than-fastidious documents contained reverb-laden transcriptions of the studio cuts directly from vinyl copies, as well as random live tracks of mediocre fidelity. This particular collection about to be released on Other-People is meticulously edited and mastered from rare bootlegs taped during the initial 1977-1979 period of classic band, and only one title (Crown of Thorns from January 17,1979) has been legitimately released to date, albeit in a completely different sound quality.
(added: 2015-10-20 14:54:23 )
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