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Known for his lyrical and hypnotic pad use, Pheek throws in the first track Hyperpad as an opener. The track itself is unsynchronized melody, as a complex pachelbel effect of percussive sounds layered over melancholic melody. The result is a very eary but reassuring, warm atmosphere. The b-side is a collaborative effort with Stephen Vitiello, a sound design artist known for his works on 12k and Subrosa, as well as artists Andrew Deutsch and Sawako from Japan. Textures are rearranged by Pheek who sculpt half dreamy, half dancy moments of pure delight.