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Following up is “Karma", a tune again well-balanced between the House and TechHouse side of things but clearly focusing on the deeper end of the spectrum. Spatial effects and mellow, slightly dubbed out chords meet muscular drums, dreamy, balearic sample work as well as scenic string arrangements all serving perfectly for latenight sets and epic transitions between night and dawn. Opening the “Silver Door” Okain’s sonic journey leads him straight into the jackin’ zone. A Chitown-reminiscing phonk, stripped down production and an almighty Acid-line are the weapons of choice to hype the crowd right before floating synths really mark the point when things are about to get intense. Timeless as timeless can get and a future classic for sure. Finally with “Untitled Three” things are getting a little techy for a reason. Banging drums, razorblade hi-hats and woodwork percussions are setting the pace for the ultimate seduction brought to you by Yello’esque male vocal bits, more Chicago referring basslines and on point chords reverberating and bouncing off each other into spiralling eternity.