following windom’s ep of boisterous bangers, pater noster is proud to introduce the debut lp from swedish synth wizard christian Åkerström. produced under the alias folkvett, tröskelvärk is a collection of ten infectious, hypnotic and cinematic frost-covered nordic synth jams. analogue and uncompromising melodic minimal synth, this is music for the ice-cold punks.

supported by raresh. 10th release from soulsity comes with 2 tracks by mp, moving the hq(the head rather than the >quarters<) to deutschland , no need for further more details, long awaited house dancefloor bombs.

cocoon recordings is back with another limited 10inch edition! scotsman vince watson and frankfurt cocoon family member frank lorber are in charge for our latest baby and with no exageration we feel this is going to be one of this years highlights! although hailing from erskine in scotland and meanwhile residing in amsterdam speaker freaker by vince watson appears like a detroit house gem in perfection! this is planet e, this is electronic art, this is a deeper than deep tech-house-lovers delight! if you missed the high times of detroit techno maester vince watson beams you straight back to it - however not without adding up to date soundscapes and frequencies. you might guessed it already and we have to admit: we really fell in love with this one… big time!

archie hamilton released on much respected underground labels such as fear of flying, tzinah, moral fiber pleasure zone and of course his own imprints, moscow records and moss co. along the way he has gained strong support from the likes of marco carola, tini and robert dietz amongst many others.

the glaciers of the arctic circle. within the past 750.000 years, eight ice age cycles took place, separated by warmer periods called interglacial periods. glaciers affect our everyday lives, even if the nearest is thousands of miles away. ranges presents a new package of dreamy and timeless deep dub echno tunes for your listening pleasure. vinyl only – limited pressing!

for the hundreth release on boxer recordings the label owners were able to find someone very special. someone who impressed and characterized them already 20 years ago when both were working in the groove attack warehouse responsible for packing boxes mostly with kruder & dorfmeister records and cds. peter kruder - known as producer, dj and one half of the electronic super-duo kruder & dormeister - delivers the perfect soundtrack for the 100th boxer anniversary party. stylistically confident hes crossing the areas of house, techno and dub and touches even the border of dubstep on the track the sign. the release with the plainly title boxer 100 is not a knockout nor a right punch - boxer 100 is a fleetingly skipping athlete whos strength comes from his verve. just like a certain mr.martiniq 100 catalog numbers earlier.

this is an official reissue of what am i gonna do for fun by the band pitch (1982 - new york city). this release also includes a fantastic remix or rework by tolouse low trax (toresch, salon des amateurs, düsseldorf). a few words from stuart shape, the producer: feels like it was done by another person. i remember getting the serge synthetiser to stay in tune was always a problem. we were fascinated with the new sampling that were just coming out, and kind of got carried away on the vocals. not sure what i was thinking about with the lyrics, guess maybe trying to figure out what i was supposed to be doing when i wasnt working or playing music unfortunately no other finished tracks from that era have survived. they recorded a lot, but finished and saved very little.

the argentinian based ngly had seemingly appeared out of thin air landing on the brooklyn based l.i.e.s. label in 2014 with an untitled four track white label ep. on this ep, the unsuspecting track -speechless tape- ended up becoming a cult hit with select djs in the scene (i-f, mick wills, intergalactic gary...) eventually leading to it being voted as intergalactic fm s #1 track of the year in 2014. on the heels of his successful debut rudolfo could have stayed the path and produced an easily digestable follow up dance record or two, instead he chose to take his time and reflect. sitting back in the studio tweaking his live act, recording endlessly, transforming and refining his sound.

why making a techno record in 2016? in the vast stream of new releases and the everlasting quest of new musical boundaries, blint002 tries to focus on the essentials of pattern-based clubmusic. both tracks started as late night studio jams, using only a drummaschine, a synth and some pedals. while 92 avenue ended up being a straightfoward technotrack, including a massive breakdown for everybody still awake and dancing, you have i dont have is incorporating some boomy hiphop aesthetic without loosing its connection to the dancefloor. both tracks are linked by their unresting synthlines, straying around, trapped in a noisey room full of smoke and distortion. bouncing back to the inital question, the answer with this record seems pretty clear: techno is still nothing but pure dark fun.

following the excellently received dilation lp on film, the duo return to the berlin based imprint for a remix package featuring faltydl, grand optimist, djrum & portable sunsets. erol sarp & lukas vogels ingenious use of the grand piano has won them many plaudits over the years. working solely with the sounds of the grand piano and a set of 20 self-built hammers hitting the piano on different parts - filtered & warped in an extraordinary fashion, the pair craft dense, rousing music - kept fresh & current with nods to idm, ambient & techno. as such, the original recordings are fertile ground for remix opportunities, and the film label call on a whos who of left-field electronica to reimagine the work. nyc native faltydl takes on newtons cradle, flipping the original and turning in a stepping, psychedelic slice of half time proto-footwork while both phillip otterbach, operating under his grand optimist alias, and 2nd drops djrum offer tripping, ambient reinterpretations. 1080p s portable sunsets reimagines key lp cut neon as fuzzy beach house jam, reseting the original & eeking out a wholly different energy with driven drum machine hits & a soothing vox line.

vakant comes back with a very special release from an unknown group of creative entities. three cuts of tribal space techno weaponry aimed at the dancefloor. we have received a message from entities lost in between the stars in the vacuum of interstellar space. the transmission was encrypted in an ancient code we were able to translated into frequencies understandable to earthlings. a psychic telegram has been sent to us, activating the body and the mind, divided into aggregations of codes that form three tracks of straight in your face, high-octane fueled, acidic tribal techno, riding on solid bass lines, trippy synths, shiny percussions and abstract ambiences.

for the first time ever caught on wax 2djur delivers four strikingly hypnotic tracks. primitive and raw yet gentle and loving, lo and behold the great beast.

growing more deeply into raars punk ethos, maelstrom and louisahhh s tracks on the labels fourth release are as much about process as end product. several days of one-room, one-take live sessions involving guitar feedback, machine cacophony and endless growling and shouting resulted in hurry and listen. these song were molded into work that is at once unconventional and club-ready with much effort in preserving the feral qualities of the original material.

originally released in 2014, lucianos ‘the great amael is an enchanting and endearing trip, a lo-fi bubbling groove and dusted hammond organs that hustle along whilst live percussion cuts through the oceanic atmospherics. two years on, and cadenza music call upon a brace of remixers to provide fresh and unique interpretations of this hidden gem in lucianos catalogue.

or its 33th release,etruria beat welcomes diego amura.the italian prodigy already released on french nowhere label (synchrophone paris), planet rhythm to only name a few.here are 4 pure techno cuts:2 originals,peruana with its characteristic distorted bass and unmissable 909,lost which is a classic techno tool with an hypnotic synth. on the remix duties,lost got a reinterpretation from dutch twr72 with an intense and strong groove,while label boss luca agnellis rework of peruna brings the music to another side of the dancefloor with an explosive restart

moon is a discovery of iron curtis & johannes albert. before them boys drop their album they tease us with some rave informed jungl-ish techno (fyi - working title -shed-). the break? yes it is just long enough to go to the loo. flip comes with proto appealed trance in a classic executed electro-vain. so hop on your spacecraft and join ze ride.

resopal presents swiss mastermind edelstahl with his dynamic ep. carlos weber aka edelstahl had residency at legendary club rohstofflager and is one oft he leading techno producers in swizerland.

tough techno versions, derived from stefan goldmanns synth-heavy a1 film soundtrack. five cuts remixed into the mighty 4/4 grid (mostly). free wheeling hardware synthesis and heavy-handed beats line up for concrete-blasting impact on constructor and a-drive. the b2s spikes is a more loose affair around a scintillating analogue synth riff. contrastingly, inward slope features a warped beat layout and wavetable splashes, sounding like a weeping robot fighting with a cat. roadside lot is a soothing ambient fm tech tool. thats it. on to the next fifty.

constant variables is the new techno offshoot of the enigmatic electro label expansion unit. cv’s inaugural release comes courtesy of berlin’s pascal hetzel, who is one of the driving forces behind the label. the ep features two expertly layered exercises in techno hypnosis as well as a slamming white-knuckle remix by luis flores and a murky excursion into drone-y ambient territory. watch this space!

with new wake up! ep further apart lerosa s mark of fluent, elemental and strong work offers increasingly deeper sulphuric and acid sounds. down reaching, complex grooves and rhythms give direction into solid moving tracks - where i want to dance. currently located in the emerald isle of ireland, you wonder if context gives form to lerosa s sound, a permanently sodden landscape offering the backdrop. weighty tracks such as terza persona seat layers of digital, organic beats, peals and stabs that contain the same sort of dark nourishment that staring at a black bog in connemara* might evoke. despite its wide, dark tones, lerosa s tracks always contain a dimension of upbeat empathic elements which make it so attractive, the kinda pelvic push and pull where you wish you had the foot work to pelt out some shapes. *connemara is a district in the west of ireland, the boundaries of which are not well defined

with their debut lp corolla for antime, the berlin-based trio soft grid captures the explosive energy of its celebrated live shows. soft grid was started in 2014 in an abandoned hospital ward by jana sotzko (of dropout patrol) and theresa stroetges (alias golden diskó ship), who had previously been working together in the improvisation project epiphany now.

limited remix ep ft. kiasmos and rival consoles remixes. white vinyl with picture sleeve.