with her debut “my shadow was a nun”, maj rachel creates anamalgam of soul, musique concrete, sound design experiments and classical. coloured vinyl release.
mézigues drittes album -qui existe- ist eine dynamische erkundung verschiedener musikgenres. von hämmernden house-beats über dschungel-drum-and-bass bis hin zu hip-hop und experimentellen elektronischen klängen zeigt das album die vielseitigkeit des künstlers.
gonzales bringt seine handschrift in den 100 limousines-katalog ein, ein label, das schnell anerkennung für seine kühne missachtung von genre-zwängen gewinnt und ein muss für alle ist, die die verschmelzung von detroits robustem underground-erbe mit innovativer, avantgardistischer elektronischer musik schätzen.
re-recorded in 1990, which was included in the program novi pestunchiki (the new sissies), which was later included in the manirna muzika (mannered music) compilation
heinrich mueller takes his musical journey further away from his welknown early dopplereffekt releases and several side projects and merges those early projects with hi-technology applications available for modern studio engineering. re-issue from the dub backcatalog with a remastered
dialogues and shadows von goncalo almeida & pierre bastien lädt zu einer transzendentalen musikalischen reise ein, die über bloße noten und klangfarben hinausgeht.
electro producer and cultivated electronics label owner phil bolland aka sync 24s highly anticipated debut album is coming up. inside the microbeat is a triple lp with esoteric and futuristic dance floor tracks mixed with enchanting experimental melodies.
early support by alienata, blue hour, dax j, december, etapp kyle, farron, laurent garnier, jon hester, a, marcel dettmann, slam, tommy four seven and many more.
alex ketzers newest ep >fourth face< follows up right in the footsteps of his previous installments, continuing the cologne-based producers endeavour of blurring the line betwixt abstract-adjacent techno and moody atmospherics through intricate narratives and vibrant motion. as ever with ketzer, sound design is a matter of vital balance and focussed devotion, and no effort is spared in the sculpting of this dialogue between complex, slo-evolving soundscapes and surgically executed rhythms that unfolds as one fascinating audio-origami of sorts.
marco shuttles erste veröffentlichung auf seiner neuen -solo-dedicated--plattform, die sich auf seine eher dancefloor-orientierten produktionen konzentriert.
lp, includes a 16 pages booklet with an original text and drawings by arto lindsay, plus an essay by thibault walter, curator and senior lecturer in sound studies.
the 3rd album from submechanical and the hardest, most forwards and dense collection of audio devastation yet to be released. 10 tracks of unrelenting driven beats, noise and bass with little space or respite. also included are 2 remixes of submechanical tracks: -mash - up - inna - speaker- by shelley parker and -raw- by 3.14.
alex deforce & charlotte jacobs are overtaking emptyness in shades of silence. language has something to say here. voices combined in poetic levels of belgitude. poetry rewriting days and nights