WIND ON WATER
12 Inch
08.12.16
following on from the very successful re-issue of the ‘little i ep” by fresh and low, foul & sunk records are proud to announce the release of fresh and low’s seminal deep house classic ‘wind on water’. originally released on chicago’s guidance imprint in 1996 this record put the glasgow producers firmly on the deep house map with it’s soulful blend of sparse beats, emotional pads and funk-laden fat bass-lines. re-mastered and re-cut with care and love, this release still sounds contemporary and yet retains that special vibe from the time it was created. a true house music classic.
ltd repress !! after a string of successful disco and funk releases on editorial records, the owl is back with his very own label. these sample heavy gems from the funk forest of yesteryear will soon see this nocturnal avian soar to modern disco peaks.
LOST FUNK & DISCO GEMS VOL FIVE: CANADIAN DISCO BOOGIE EDITION: OFFICIAL EDITS EP (12 INCH)
12 Inch
08.12.16
three track ep with tracks taken from the rare 1980 disco /boogie la walk album from estiban lindsay from canada. come to me has had recent wider exposure from dj hunee who has been caining in his dj sets causing the value of this rare album to rise over 3 figures.the tracks have never been available as a single in their own right and have been officially licenced for the very first time. limited edition 180 gram vinyl ep
BEAUTIFUL / ENERGY / MAYAN SKY
12 Inch
08.12.16
warehouse find! mint, unplayed copy on this now defunct detroit label... act now!
GREEN ROOM
12 Inch
08.12.16
grab-bag 12” ep of electro, idm, breaks and house from montreal via ottawa producer riohv (aka braden thompson), which follows up the similarly map-jumping 1080-released “moondance” cassette from back in 2014. finding more confidence and proficiency in his own abilities as a producer, thompson was able to have a lot more fun and subsequently revise and update his sound to reflect his own tastes in records. the ep was made in one burst in montreal over the winter and spring. on “green room, it comes down to creating what he wants to hear—atmosphere through dreamy or moody pads, layered percussive elements, to pay tribute to the euphoria of early rave music.