180 gram / vinyl only release.

making their debuts on crosstown rebels one of the undergrounds favourite twosomes gavin herlihy and laura jones unite on >witching hour / inner place< - a double a-side that sees their smooth and intricate styles collide in an immaculate execution of modern house music

excellent remixes from simian mobile disco, playgroup vicarious bliss, vector lovers...

the archaic course is the third studio album by norwegian avant-garde metal band borknagar. limited picture vinyl release.

we are absolute pride to announce this fantastic group from ecuador - ter bandits as our twentieth release.

ltd coloured

part 1 of a retrospective of sorts

limited triple vinyl in signed tri-fold cover.

incl. central remix

five years after “beautiful lies”, birdy is back with her new studio album “young heart”. the double vinyl comes in a gatefold sleeve.

2020 alblum incl. >cola<

the debut album of original material from echo collective.

50 minutes of abstract freeform structures from andré bratten.

new wormhole wisdom is coming up!

tief bring together axel boman, mark e and mr beatnick for volume 1 in their dancing from.. various artist ep s. boman s we are the key s heads the ep with trippy baselines, off kilter chords and rhythms. mark e comes correct with the appropriately named jungle ufo , an atmospheric jam suitable for a warm up. tief mainstay mr beatnick delivers an acid tinged dance floor weapon with signature mpc programmed beats to round the ep off - essential!

returning home after the acclaimed holding ep and the highly regarded clap clap remix, lurka continues with his journey into sonic bat country. partials kicks off with lurka’s typical intrigue, pads swell with distant spectres of percussion build into the most saturated kick of the year slapping you in the face like wet rag, while an architecture of syncopated hats and bit crunching snares lock the angles a shower of haunting bells falls. dancehall for witching hour. mach steps in with an equally holo-deck soundscape. drums swing in awkward alliance with dry wooden blocks and woozy binary language. both tracks united in their skewed viewpoint and distinctive awkward funk.

raucous, volatile, crackling brilliance from north japan, testing the monster-infested electric fencing between techno and noise. plus some witching, spasming, dancefloor eomac to polish you off.

the man from marseille vernon dropping his second e.p for dabj here, building on the groove of his debut >chicken dance< but adding an extended palette of sound and taking things in a slightly tougher direction. >how to travel the universe (without a flying saucer)< kicks of with >ignition<, an eerie ghost train cut ripe for an lsd-fuelled danse macabre through the town after the witching hour. >one night in tanzania< rolls out into a rugged, clave-led jacker: a perfect mix between the deep and the tough that vernon can deftly muster, seemingly with ease. flip the white wax for a run of jagged, acidic noise on >how to build a pyramid<, a perfect soundtrack to getting >the acid life< tattooed on yer forehead tebori-style by a crippled ex-yakusa in a back-alley whorehouse...

direct to you from mickey de grand ivs private miami studio. featuring cecilia de cardenas and mastered by dave cooley. miamis finest electronic funk.

london based james what is a well known musician treading the more left-field and creative end of the tech house spectrum. his numerous eps alongside dan berkson have become poker flat classics in recent years and so we are happy to welcome him in his first solo effort for the label. lead cut >it feels wrong< fuses classic analog bass with lively synth work and satisfyingly complex question-answer passages that whisk us away into a sweaty, late night vibe immediately. berlin based lord of the witching hour lee curtiss adds his touch on the remix side with a killer acidic treatment of >it feels wrong<. tense, soulful and teasing, this warm and super playable version will no doubt find its way to freaky dancefloors everywhere. >in the dark< slowly builds edgy, spooky elements in a deep, dark and sexy trip. combining smooth chords and keys, with trippy synths and sinister vocal snippets, whats bright and clear production works wonders in this slow-burner.

behind the name >vism< stands an east-german graffitti-projekt,that was founded 10years ago. as there was the possibility to make a record for winsome music of course we couldnt say no. the fruit >win 005< is moderatly doleful, sometimes playful, with emphasis on the base, but the main focus is minimalized to the essentials.the record with its haunted synths is redoled of grandmas old spine-chillers

the debut album of original material from echo collective.