chicago warehouse infected tracks

ltd to 275 copies - for the eighth release on roberto’s fossil archive imprint, a very special collaboration which was produced by roberto and the late trevino (aka marcus intalex) shortly before his tragic passing in 2017 is poised. the release features three original cuts, along with a previously unreleased remix roberto put together of ‘black cat’ which featured on trevino’s album ‘front’. the music speaks for itself. however, to honour marcus, a short poem has been put together by one of his closest friend’s.

a smashing piece of vinyl ... two prime time techno monster, ltd to 245 copies

both roberto and his own fossil archive label continue to go from strength to strength. roberto has consistently delivered at dj bookings that have seen him return time and again to the likes of tresor and fabric, while the label has fast become a favourite in dj boxes and amongst techno heads. the label closed 2016 on a high with its first set of remixes from two techno legends, sterac and rolando. and now for the first release of 2017 roberto is thrilled to draft in the refined skills of fachwerk’s roman lindau. roberto has of course released on fachwerk in the past and been featured on the bill on more than one occasion when the berlin label have taken over berghain, so roman is a fitting and very welcome addition to his uk imprint. teaming up for ‘nerinea trinodosa’ on the a-side, roman and roberto’s production styles complement one another perfectly on this solid peak-time offering, bringing a depth and power that continues the fossil archive dedication to raw and unfaltering beats. roberto then goes it alone for ‘triage’ on the b-side, a track which was already featured on alan fitzpatrick’s recent fabric mix cd. with its tough tribal sound and deep bass, there’s some serious funk in the groove, completing another essential release from the fossil archive camp.

knallfette remixes von
ronaldo ( ur , knights of the jaguar) und
sterac aka steve rachmad ( klockworks , delsin, sino etc)

as 2016 rolls through, so does fossil archive with its 4th release since its highly acclaimed beginnings in february 2015. with fossil archive’s previous release featuring as “tune of the month” on mixmag’s november 2015 techno page, this next two-part ensemble sees two very different tracks leave you with little doubt that fossil archive remains inspired to be at the forefront of all things techno.

ltd to 300 copies , highly anticipated by both fans and music critics, fossil archive 003 is a blanket of techno adulation, full of sky-high feeling through its warm and expansive energy. ‘perisphinctes’ which received a radio exclusive on b.traits’ bbc radio 1 show in august, marks itself as part of the vanguard of modern techno. purposely incompatible with the masses, it clearly lends itself to the underground, pushing its charisma in the direction of the label’s earthy vociferation. with its driving montage, its monolithic kick and general depth, it holds its own in any given setting. evoking a weighty hospitality of sound, ‘tiziani’ supplements bleak with feel-good synth exertion. straying from the conventional framework of techno, this is a stripped back, atonal portrait of effectual techno culture. without confusion, this unblemished and wholesome howl of voice brings with it a rich, affable buzz, perfectly suiting both the big room and more intimate homely surroundings. for roberto, this far-reaching release imposes on none and invites all to clinch its hauntological embrace, and with previous releases gathering support from the who’s who of techno, it’s sure to do just that.

for the second release on robertos new fossil archive imprint, he teams up with artforms jamie anderson. technology is fine, but music production is a human thing. a social thing

with a firm nod to the community, revered techno aficionado, roberto reveals the launch of his new record label, fossil archive and its first release *prolecanites gurleyi*. roberto has already built quite the discography with previous releases on fachwerk, affin, artform and be as one, as well as establishing himself as a dj with gigs at the likes of fabric, berghain and tresor and recently took time out from his busy schedule to talk to marcus barnes for the independents blog.

new appian sounds!

disco 7 inch

house edits

rare 1985 jazz fusion album from detroit by tribe founder wendell harrison. limited edition of 500 copies on black 180 gram vinyl.

dais presents the 3rd longplayer from nyc producer hiro kone. the vinyl lp includes a download code.

red vinyl version. minimal and dubbed out techno has become the signature sound of the german andre kronet, who eschews the trend for fanfares and unnecessary frills often found in modern techno, on a super pair of tracks originally release on danse and pika kneaded pains. the >purpose< single comes with added remix pressure from fossil archive aka roberto.

minimal and dubbed out techno has become the signature sound of the german andre kronet, who eschews the trend for fanfares and unnecessary frills often found in modern techno, on a super pair of tracks originally release on danse and pika kneaded pains. the >purpose< single comes with added remix pressure from fossil archive aka roberto.

jacob long aka earthen sea is back on kranky with a new album.

the first full longplayer from anteloper, the long-time collaborative project of trumpeter jaimie branch and drummer jason nazary. limited pressing on deep blü kudu color vinyl.

the first full longplayer from anteloper, the long-time collaborative project of trumpeter jaimie branch and drummer jason nazary. regular pressing on black vinyl.

immersive audio experience for both the dj and the collector. pre order adviced as usual with survive ltd.

reissue of arca’s 2013 mixtape. single sided vinyl with etching on the flip. comes with download code included.

great ambient album by raymond richards

2lp in gatefold sleeve with black paper inner-sleeves.

„spectral decay” is a collection of musical reflections about the paradoxical contemporary state of humankind, whereas its own technological, social, cultural and economical development seems to entrench the possible points of a structura downfall. the narrative of „spectral decay” starts with heavy, mesmerizing industrial vibes. due to the notable sound design techniques of japanese artist tetsumasa, his hefty piece „nex” evolves into a harsh but still amazingly cinematical music sculpture. subsequent mid-tempo composition „onzour shayatini” by meer dynamically follows the dark, experimental path of drone and noisy structures. violent accents smoothly lead to the deconstruction of drum & bass patterns and turn into strident 90s metal riffs. the track progressively penetrates obscure subterranean abysses and becomes a perfect introduction to the next theme by yuji kondo – „hades”. in greek mythology hades was the ancient god of the underground kingdoms, darkness, death and metals. therefore, kondo’s music piece turns into an infernal portrayal of the underworld where tenebrous layers of bass frequencies, raw textures and drexciyan sounds build up an enormous and lasting tension. side b begins with the track „anthropocene” produced by arboretum co-founder – mogano. the whole composition refers to the present geological epoch we live in, characterized by environmental pollutions, depletion of fossil fuels and accelerated urbaniza- tion of the world. it is a deeply conceptual soundscape of a powerful system, that incorporates both – the destructive forces of technology and the infinite energy of the whole universe, that interweave in a devilish dance of post-techno, breakbeat and dub tones. thereafter, ~raw in his piece „poly bios” pictures the interference of human structures in the nature. creating a mosaic from indus- trial and tribal, organic sounds, he tells a mystical story of fear, hope, escape and primeval instincts. the narration concludes with an atmospheric composition of nwrmntc – solo project of ana quiroga from experimental ambient duet lcc. „beyond” is a boundless, spectral reflection on collective human consciousness, where haunting vocals evoke a recon- dite, ineffable pain, leaving the listeners in a profoundly meditative state. laura polan&#769,ska

“i’ve spent many days wondering why unfortunate things happen. wondering why things didn’t work out, why i deserved a broken heart, or why the world is the way it is. every song on my album points to an underlying gift in the painful experiences i’ve endured. without the hardships, i’d lack the lessons i’ve gained that have cultivated who i am today. i hope “pendulum” opens a window that allows my listeners to see how the dark and light aspects of life form a marriage that serves as a catalyst that initiates tremendous growth.” - aisha badru

following a trio of instantly sold out 45s on polytechnic youth, between 2015 and 2017, the home current finally channels a full length album through this bounteous and blossoming uk imprint for select experimental and diy electronic music.
“another way of falling apart” aims to build a wider audience for singular music adorer, martin jensen, a cosmopolitan copenhagen-born artist whose music follows an emotional route that meanders back ultimately to analogue and electronica inspirations of myriad treasurable kinds. this incursion into lp territory follows a decade or more of jensen s passionate engagement with music as the creative force behind singles on static caravan, and as the co-founder of the label second language (until 2014), for which he was the wings behind the celebrated “music and migration” series in support of “birdlife international”. he has also remixed colleen, dollboy, and ellis island sound.

the procedure club is a collaborative -bedroom-pop- project founded by andrea and polish emigré adam malec in new haven, connecticut in 2008. the two began recording as a natural progression from their boredom with living in poverty in new haven, sharing musical tastes in shoegaze and pop bands of the 80s and 90s, such as black tambourine, and the jesus and mary chain, as well as a common admiration for baroque artists such as purcell and bach. out of this god-forsaken alliance comes procedure club, in which adam and andrea have combined melodic song structures with heavily reverbed vocals, stuttering mechanical drum beats, dirty bass, synths, and alternately washed-out and jangly guitars.

th ep of the french label plaisir records made by their new artist giash !!

deluxe lp on 180 gram vinyl with printed inner sleeve and mp3 download code.
kranky, idle hands, 100% silk, endless flight, and entr’acte recording artist strategy with his 2nd further release after his 2015 album *noise tape self*.

techno exists in a distorted field. what is wrong elsewhere is right here. what shouldnt work works. awake at night and asleep by day. rough is beautiful, slick is rotten. with macro, things are always a bit more wrong than usual. and thats how they also end up being a bit more beautiful than usual. stefan goldmanns fossil water: fender bass tones weave a pad, from the thumping bottom up to the silky top, congregating into intense moments of dance floor bliss. the b-side throws us in at the deep end, with the tense yet laid back workout of nephelin, tipping over into the sheer techno claustrophobia of de-gauss. dark and warm like a stockholm syndrome: feeling cozy while the horror comes upon you.

ruff records unearths a rare australian (com)oddity… the self titled ‘flat static lp recorded in reservoir, melbourne in 1985… originally privately issued in miniscule quantity, ruff gives this weirdo post-punk fossil its first proper edition

stuck in time is a personal statement on a particular time and of particular experiences in my life. the sounds codebase choses to use on this album point towards an alternate universe of where music may have gone instead of where it is now, fusing analog disco bass and electric piano sounds reminiscent of the 1970s with sampled electronic percussion sounds of today. this juxtaposition crystallizes the temporally frozen sonic landscape of the album a musical fossil from somewhere outside the linear progression of time

with 13 brand new songs dust, fierce, forever wonderfully demonstrates the strength of the duo: playing with familiar tones, euro-dance references, hints of hardcore, and combining them into an addictive chemistry.