fauxpas musik welcomes mastermind anton lanski

light on his feet but not afraid to throw a punch when required, robin ordell rustles up three insouciant but meaty groovers for his second discobar release. auguste iii stretches languorously across the a-side, skippy hats cutting through the rolling, bass groove in his now unmistakeable style. lost in misty byways goes for a more sprightly walk in the park, but its nonchalance becomes increasingly threatened by dissonant voices and faulty background circuitry. finally, the sauntering bass on chelbergerho gives momentum to atmospherics that inhabit the border between dark and light harmony, never quite resolving but always pushing forwards into the morning sunshine. for robin ordell and discobar, the summer has definitely begun.

generic sleeve, pvc outer sleeve, 180g vinyl

150 copies only

hard-hitting house

breaks infused techno from oblique.

a new project from two anonymous aussie veterans. melbournes smouldering underground turns up two untitled cuts from bad channel, named for the faulty mixing console they were produced on, with a cheeky nod to mark and moritz. organic late night tracks, soulful and dub wise. they passed bradley zeros litmus test, so now they come to you cut deep on rhythm sections twilight sister imprint international black. the a-side keeps it spacious, a relentless stepper for the early hours. side b is music for autobahns, starlight soul for the post-club cruisers.

incl. downloadcode ... unnatural, uneasy, unexpected. the great filter keeps you on your toes constantly, it makes your fingers tingle with anticipation and the hairs on your arms stand up from the tension. it is eerily calm and controlled, while it takes you to faraway places in the twilight, that dont actually exist. subdued, bright yellow light with no sun in sight. wide plains with an inherent structure that can only be illogical. unorganic sounds, alien voices, excited synths and sobering organs. reality is so mundane. the way we are now expecting it from krink, he does what is unexpected and stretches conventions somewhere around techno and deep house. the music is driven by imagery rather than song structure. the ep puts cutting rhythms over comfort and sound over beauty. like a focused dream, it is concrete and abstract. lets get found in the universe

first release for the newcomer athens based recording label lower parts. tendts first ep slow years is a musical journey. a journey full of disbelief, experimentation and questions. nostalgic in the beginning, with slow chopped up beats, samples that play their part right by creating an atmosphere and suppressed bass that lie hidden in the back. as we come one step closer to reach the end of our journey the landscape starts to transform. the sound becomes a bit more static with intense need for self-criticism. melodies start moving spasmodically full of errors in a faulty random route. stacked on top of each other, they are trying obsessively to keep up with the flow until they reach climax, if they will ever do. 200 pieces cut / hand stamped labels in a printed recycled fine carton. artwork by tendts

second release from audiofugitives recordings. 6 tracks ep by schizolectric. electrical trip developed with hardware. only vinyl. 300 copies limited. enjoy.

pop in großbuchstaben: zweites album des stereolab-keyboarders als 12 inch lp, inklusive cd.

at the forefront of the new wave of german techno, p.toile and her co-producer alexander krueger (aka tigerskin, aka dub taylor) have created a jittery, bubbly bomb without a piano in sight. propelled by chopped up vocals and rolling snares, >piano piano< conjures up images of an 18-wheeler chugging down a lonely highway on a rainy night, receiving fractured instructions over a faulty cb radio. midway through the track, ethereal pads pierce through the darkness. the rain stops, the clouds part, and the melodic percussion hammers back in. sven tasnádi has dominated cargo editions recent release schedule with his own unique productions as well as collaborations with daniel stefanik, so we are understandably excited about his first contribution to mothership. svens >adventsfrequenz rimüxx< pulls us even deeper, exploring >piano pianos< main chords from a percolating underwater world. a steadily building groove unfurls majestically on the ocean floor, punctuated by rolling congas and sudden crashes, as if a hurricane raged on the waters surface

der kanadische produzent bt schrieb den score zum bollywood-mystery-thriller ittefaq es geschah eines nachts von regisseur abhay chopra aus 2018. die 29 tracks bilden eine ausgezeichnete klangkulisse aus downtempo-electronica und orchestral-symphonischen, klassischen instrumentals. bt bewies sich bereits in der vergangenheit mit arbeiten fŸr go, the fast & the furious, monster und diverse pixar-kurzfilme als hervorragender soundtrack-komponist.