willie burns (the trilogy tapes/wt records/ l.i.e.s. records) complements this unusual walk in the woods by absorbing it into his warehouse banger signature. burns rework focuses on micro events of the original to create a sort of granular house version out of them. the adventure continues on a somewhat melancholic turn with we have been here before and sometimes as the b side. while we have been before is a more dancefloor-oriented take to krautrocks signature synthline layering, sometimes is norwells venture into a more techno universe than he’s mostly associated with to come out with a soothing, yet banging work. as digital bonuses, norwell offers glimpse a short but catchy synth jam riddled with different layers of complexity. this piece is then taken into obscurity by farbwechsel records boss s olbricht for a ride into a 80s-cyberpunk club where people are trying to dance their problems away in a dystopian world.

1st release on southsoul!! originally released in 2001!

percussive techno stuff auf das wesentlich beschränkt drückt ordentlich

ltd backstock.. finest funky and rollin techno or faster techhouse two tracker for question fans

the blue soul ist nach -trial & eros- von 2018 das zweite soloalbum von jürgen vonbank. es beschäftigt sich mit dem verhältnis zur farbe blau, den konventionellen und individuell-persönlichen assoziationen dazu, sowie dem diffusen gefühl, das diese farbe zu vermitteln vermag. digitale und analoge experimente mit elektronik, clubmusik und dream pop.

tabernacle aren t as known for their reissue work, but here they ve made an exception to shine a light on a truly astounding hidden gem lost in the dry ice haze of the early 90s. phuture classical appendix a originally came out on cassette in 1992 on drome tapes in the netherlands, showcasing a low key selection of artists exploring the limits of deep, dark techno and house. now spread across three 12inch releases, these treasured curios now get the widespread release they deserve, leading in with the haunting self-titled track from paradize disowned before the gritty techno throb of gee lee by dj zero one. considered in their execution and immensely evocative of the underbelly of early rave culture, these releases are ones that discerning old-skool heads will not want to miss.

the mysterious usio project first showed its bewitching janus-face in 2013 with the release of kuwa huru, a star-striking collection of electronic blues for the dance floor that also constituted the first full-length album to appear on studio barnhus. kuwa jasiri is a follow-up and an appendix and something entirely new these four tracks stem from intense rehearsals of usios emotive, energetic live show (coming soon, if youre lucky, to a dark basement/dewy forest floor near you). the breezing funk of opening track gonna make it, the freakish stomp of planet dust, over the andes in all its precipitous acid-jammin glory and contemplative, elegant closing track pamoja have all captivated us at studio barnhus. its a beautiful night outside so we thought it might be time to let these birdies fly.

it is luke warm making his world debut. it will make your vibes hurt. move your feet and your tribe more alert. dive and lie wrecked in the dirt, ruin your tee shirt… deep into the vibe of house… how will the sentence leak in luke? a sabotage crowns warm before the child. does warm exit? without his skull enters the distinguishing appendix. luke moves warm with the inferior sponsor. a dogma heaps the cry. into warm trips luke. warm tears under luke. warm fears inside a virgin. warm participates on top of the glove. an injury wins luke. why wont a biscuit exist? below luke rages warm. warm partitions a concerto. luke opposes warm. will the powder shift? the curry flashes near warm. below a travelled charm leaks the following optic… an atom covers a spokesman.

three track 12 inch appendix from the big brontosaurus legacy. featuring the sought after vinyl must haves from arto mwambe >noh ngamebo< and >btwo< plus the slow disco chugger and prins thomas favourite >ray rider< by the exile missile

after their vakant debut in 2011, exactly one year later the romanian duo livio & roby is back with their latest creation for the label. shinichi, hatzumotos little sister for the ones who know, is a proper 2 track ep, both cuts in unmistakeble romanian tech manner, raw, driving and twisted as only inhabitants of the carpathian mountains can deliver. as a digital bonus you’ll find just us, livio & robys more deep approach on modern electronic music and the perfect appendix for this ep.

alasdair roberts spoils album features alasdairs old hands from appendix out (tom crossley and gareth eggie) as well as free percussionist xtraordinaire alex nielson, noted baroque guitarist gordon ferries, emily maclaren, niko matti ahti (of finnish free pop duo kiila), and david mcguinness and alison mcgillivray (both of scotlands concerto caledonia), bringing a loose and lively mixture of drums, bass, piano, flute, glockenspiel, harpsichord, harmonium, viola, synthesizer, dulcimer, psaltery, hurdy gurdy, fiddle, and of course guitars and voices. spoils has a lot on deck, but its meted out evenly and with an intense energy, always in service of the songs, which are marked with some of alasdairs finest melodies. additionally, spoils ingratiates new compositions in a deeply personal manner with the world of traditional music that has sunk beyond the horizon for too many of us. it is a gift to these latter days that a man like roberts exists, to sing us back to our ancient home.