excellent schizophrenic electro dub

luke viberts first wagon christ album since 2011

the bass heavy >mallorca< is featured in remixes by mood music head honcho sasse and composts newcomers marbert rocel, while llorca from paris has turned >incredible< into a club banger. the brothers javi and luis aka wagon cookin are lucky buggers. their recent album >2faces< is getting tons of props from illustrious supporters like osunlade, king britt, laurent garnier, rainer trüby or llorca. then christian prommer picked up their first single >start to play< and conducted a true remix masterpiece reaping even more flatteries from ben watt, jimpster, ashley beadle, markus enochson… in summer time you can find the guys chillin on their favourite mediterranen rock: mallorca. they like this place that much that they even made a song about it which turned out to be the best kept secret from >2faces< - a bass heavy groove monster and deejays fave which finally sees its well deserved release on vinyl to be played out loud in the clubs. and as this wasnt enough reason to celebrate, mood music head honcho sasse lindblad and french connection ludovic llorca (of f-com fame) check in to deliever top notch remixes of >mallorca< and the b-side track >incredible<. last but not least compost newcomers marbert rocel join the gang to make their debut as remixers, and the result is quite impressive - althought their version of >mallorca< is a little bit more dancefloor orientated than their >speed emotions< album material. enjoy!

compost black label #25 is some kind of premiere, because this is the first remix ep in the whole black label series. the protagonist in this one man play is the bavarian jack of all trades christian prommer in a new staging of wagon cookins start to play. in the past prommer has been co staring in classic performances like trÜby trio, fauna flash and voom:voom. right now he is stirring up waves of enthusiasm with his own drumlesson project on sonar collective and his floorshaking tech jazz meets classic house reinterpretation of koops drum rhythm a. but now draw the curtain and experience prommers play going through a real strong development giving each of the three acts a significant and distinctive character. from the slowly building ecstasy in the main mix and the uplifting joy in the piano scene to the sublime floating and jamming in the closing act he convinces in every role. great deep house theatre!

b-stock! cover with bent corner. vinyl unaffected & mint.

rock

as yse saint laur ant, ant plate (one half of ever productive duo rhythm plate) takes some time out from crafting refined deep house music to indulge his more wayward tendencies. amongst the music coming to light in this intriguing diversion from a prolific artist is the fantastic just because, which comes on like early wagon christ material with a modern production sheen. space is defunct meanwhile slaps down some chugging 80s flavoured grooves, 2106 reaches for the boogie and dont make me think channels a laid back balearic mindset. it s a mixed bag of a record, make no mistake. that s also what makes it marvelous.

mega classic luke slater & dave angel & wagon christ remixes !!

the last 12 months have been a boon for fans of luke vibert, with the veteran cornishman delivering a killer acid album for hypercolour, and a slick, melodious set of disco-inspired jams under his kerrier district alias. here he returns to regular home planet mu with another typically entertaining set inspired by classic british electronic music. utilising his battery of vintage music-making machines, vibert giddily doffs a cap to early 90s intelligent techno, rave-era hardcore, bleep, chicago acid and braindance, occasionally veering off track via easy listening inspired future jazz, wagon christ style hip-hop head-nodders (the title track, which doffs a cap to a forgotten, mid-90s remix he did for ninja tune) and squidgy, synth-propelled mutant electrofunk.

>the black label dilivers once again!proper deep and rolling vibes to hypnotize the dancefloor!< (jimpster)