mormorio records is back with their third release. mor003 by mjulev is coming with 2 dubby tunes and remixes by vern & mikhu. full cover art, 190g, colored vinyl, limited copies.

great minimalism!, comes complete with fizzing electronic noises, very strong energy and acid moods.

seaswept beats from tom vernon, pressed on white vinyl.

super limited 12 from rob mellos no ears outlet. we literally only have a handful of these. reminiscent of classic landshark jams, this punchy 808 led, quirky vocal house workout has all the trademark no ears elements.

rockin mixture of electro house and nuskull breaks

abient stuff

minimal grovin track 2000 feeling

single lp in coloured printed inner and reverse board outer sleeve, retail sticker on overwrap + download card

soul / funk

black 180 g vinyl

tom vernon returns to lost palms with a blissed-out 5-tracker, taking us on a journey through rural and suburban japan.

das 3. album von helene fischer erstmals auf vinyl erhältlich! das doppel-vinyl erscheint im klappcover.

cassette / tape

one of the most important trance samplers in this great best of 25 years version ! incl must have classics like beachball, on the beach , adagio for strings and more !

2021 repress ,allen saei, also known as aubrey, has the experience of a record shop owner mixed to the one of a warned label manager. his music tastes are very varied. with his first love of hip hop as a teenager moving quickly onto the emerging acid house scene from chicago, then to detroit techno and new york house, his music productions testify the perfect knowledge of all three genres.

next uz mi release with 5 quality cuts from label founder james vernon.

stag-o-lee presents the 5th gunsmoke compilation, compiled by hank ray.

a deep and dreamy album from james vernon on uz mi records.

with a live act running three-year strong and two bold digital compilations, vernacular is proud to present its first vinyl release.

after three major releases by tell, nachtbraker and s3a, its time for debuting italian artist verner to close our beloved trophy quartet. this milanese key virtuoso is ready to blow your mind with this eccentric yet humble ep, taking you on an emotional journey. long stretched pads, playful chord progressions, organic percussion all produced with analogue 70s and 80s vintage synthesizers and drum computers in verners studio reminding us a bit of harvey sutherland and nu guineas style. were talking groove, funk, jazz but also house and soundtrack style compositions which together form a very complete record carefully a&rd by nachtbraker. drop the needle on the a side and youll start off with linizio, a majestic piece of synthwork. hurdling through different emotions and vibes, this could easily be the intro of one of your favourite 80s tv series. upset takes you on a happy groovy tour whilst crash of the web era and the motion pictures take us on a trippy and ambient voyage that is hard to wake up from. when flipping the record to the b side, verner is stepping back into the groove and funk with tecladista, arguably the dance floor hit of this debut ep. starting of with again a majestic synth intro area drops into a festive funk and jazz bomb with some intricate synth work treating us with some lovely solos. closing this versatile ep is late night job, a deep, deep tune with a thriving baseline and mesmerizing synths. we suggest to dont sleep on this one and have a listen to this piece of art by the very talented verner.

the exlusive vernon felicity comes with a stark and stomping 4 tracker for the basement series. motorcity meets harbourcity...

-how to be- ep is brought by izhevsk based band, cetranger. the band s name is a combination of french «c etrange» and english «stranger». two deep and emotional songs accompanied by two great remixes. perfect for understanding yourself and strangers

low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.

hat barrington levy seinen charakteristischen ohoho molldreiklang in absteigender tonfolge eigentlich jemals als markenzeichen schützen lassen? der reggae-saenger ist mit dieser stimmlichen signatur jedenfalls auf anhieb zu erkennen, nicht zuletzt, weil er von diesem gesangs-jingle ausgiebigen gebrauch gemacht hat. am legendärsten natuerlich auf seinem dancehall-hit here i come, mit dem diese werkschau seiner fruehen karriere von 1979-84 gewissermaßen abschließt. zu beginn war er uebrigens noch zarte 15 jahre jung und hatte mit songs wie shine eye gal schon ordentlich vorgelegt. ein zu unrecht vernachlaessigter klassiker. >d:bug<

flying lotus alben sind für metaphysiker puzzleteile auf dem weg zur weltformel und für normalhörer grandiose geistererscheinungen. sein neues werk, eine kollage aus mystischen zuständen, träumen und schlafliedern, wirkt wie eine nachtreise. das aufeinanderprallen von kosmischen bassgewichten und computerisierten arrangements klingt musikalisch griffig wie nie zuvor, was auf eine beträchtliche entwicklung als produzent und komponist hindeutet, wie auch auf stets neu spriessende entwürfe von songfundamenten. bei der realisierung wirkten seine beiden gesangsmusen niki randa und laura darlington mit, thom yorke (radiohead) sowie die queen of leftfield r&b, erykah badu. flying lotus unternimmt seine intellektuellen sprünge, ohne dabei musikalische details wie das gewicht einer bassline oder den swing eines drumbeats zu vernachlässigen, so wie es viele master der soulmusik seit jahrzehnten vor ihm tun. >until the quiet comes< folgt dieser tradition, während es neue pfade für sich eröffnet - eine kombination, die einen wahren klassiker ausmacht!
doppel-vinyl, inklusive code für freien mp3-download des albums.

digital remastert, in aufwendiger deluxe verpackung!

limited edition for italian tv 2008 phenomenon!!

experimental stuff

austro pop

limited coloured vinyl

der talentierte rumänische produzent hat drei verträumte, druckvolle tracks voller tiefer, ätherischer klänge geschaffen. abgerundet wird das ganze durch einen sehr starken remix des einzigartigen mjog.

warm and analogue sounding house album by vernon felicity

2022 repress! finest deep floating open air tracks incl cosmjn rmx

ltd vinyl only , 180 gr, new recordeep sub label

nice price deal !!!

vern on lokomotiv with remix support from silat beksi. 180 gram vinyl in printed sleeve.

finest deep floating open air tracks incl cosmjn rmx

raw and dirty analog sounding house music

a special treat for all acid house lovers - three dixon avenue basement jams bundled up for the price of one! contains releases dabj-1203, dabj-1221 & dabj-1225.

for pressure traxx011, we are really pleased to welcome one of our favourite artists to the label. barac first caught our attention as a member of the romanian supergroup noi doi, but he decided to go solo to perfect his vision of the finest electronic music. having already released on some of the coolest record labels and with an ever presence in the record bags of your favourite dj s. it is with much anticipation that we present barac and his first ep on pressure traxx. his verniana ep is due to be released in april 2015 in a record shop near you!