2019 repress the elusive and enigmatic brazilian producer ‘coastdream’ resurfaces on x-kalay with his third ep, and arguably best work to date. coastdream has garnered something of a cult following throughout the burgeoning underground music community, his instantly recognisable brand of woozy 5am power house and diy club tracks form a signature sound few can come close to.
classic piano stabs, dreamy pads, punchy drums and some real basement grooves all feature prominently across the four tracks in play here. proper capri-sun business this one...
travel agents for inner journeys seahawks take us on a voyage ever deeper into the new age vortex. their last album ‘escape hatch’ described by vice as a ‘modern masterpiece’ only hinted at the transcendent power of seahawks music. eternal beams goes ‘further’ to create a whole new harmonial experience. side one: the listener immersed in a soft storm of tape saturated raindrops and distant thunder…numinous waves of sound cascade to create whirlpools of womb-like warmth with gentle pulsations. side two: enter laraaji… flocculent flows of golden zither, rich vocal vibrations, dolphin tones in phantasy phase - all coalesce generously, bringing feelings of rebirth and light. to conclude: a wondrous journey of resonant oscillations, inner exploration, a portal to other dimensions.#
repress with black sleeve , you remember that kung fu kid movie, where he had to wash the motorcycles for years and then…whatever, constant dripping wears away the stone. dublin-manchester-nycs finest krystal klear (cold tonic, all city, tooth pick) has been honing his skills as a dress man for years and also made a name for himself as an expert in all things (electronic) boogie. the division is his dapper debut ep for running back. custom-made club studies shifting between sound factories, hot haciendas, heavenly lagoons and chrome-plated dance floors: fast, slow, hard and soft. a love letter to dance music written with pink ink. oh, and there is neutron dance on it as well…yes, the euphoric fun one. once again: dance!
repress with blue standard sleeve ! you remember that kung fu kid movie, where he had to wash the motorcycles for years and then…whatever, constant dripping wears away the stone. dublin-manchester-nycs finest krystal klear (cold tonic, all city, tooth pick) has been honing his skills as a dress man for years and also made a name for himself as an expert in all things (electronic) boogie. the division is his dapper debut ep for running back. custom-made club studies shifting between sound factories, hot haciendas, heavenly lagoons and chrome-plated dance floors: fast, slow, hard and soft. a love letter to dance music written with pink ink. oh, and there is neutron dance on it as well…yes, the euphoric fun one. once again: dance!
repress with red standard sleeve ! you remember that kung fu kid movie, where he had to wash the motorcycles for years and then…whatever, constant dripping wears away the stone. dublin-manchester-nycs finest krystal klear (cold tonic, all city, tooth pick) has been honing his skills as a dress man for years and also made a name for himself as an expert in all things (electronic) boogie. the division is his dapper debut ep for running back. custom-made club studies shifting between sound factories, hot haciendas, heavenly lagoons and chrome-plated dance floors: fast, slow, hard and soft. a love letter to dance music written with pink ink. oh, and there is neutron dance on it as well…yes, the euphoric fun one. once again: dance!
1st press full colour sleeve edition limited to initial print! you remember that kung fu kid movie, where he had to wash the motorcycles for years and then…whatever, constant dripping wears away the stone. dublin-manchester-nycs finest krystal klear (cold tonic, all city, tooth pick) has been honing his skills as a dress man for years and also made a name for himself as an expert in all things (electronic) boogie. the division is his dapper debut ep for running back. custom-made club studies shifting between sound factories, hot haciendas, heavenly lagoons and chrome-plated dance floors: fast, slow, hard and soft. a love letter to dance music written with pink ink. oh, and there is neutron dance on it as well…yes, the euphoric fun one. once again: dance!
four tracks of ny-flavoured boogie and house goodness - quality is the key word from copenhagen based music for dreams and here is another home run. willie graff splits his year between dj residencies in new york and ibiza. in this new outing with studio partner darren eboli, the influence is, as the title suggests, clearly ny-based. over only four tracks, the pair manage to craft a stunningly comprehensive exploration of the essential elements of dance music. opening track -love flight- staggers into a lush string-driven groove that recalls the glory of metro area meets wally badarou vibes. minimal yet playful, it lounges somewhere in the depths of the house tradition, calling on familiar sounds while throwing in odd details along the way (harmonicas?). it takes both skill, devotion and a sense of humor to pull this track off, making for a strong opening. -moon tan- lingers on a metallic hook that drags you into a plethora of percussion followed by a rubbery soft baseline. dubby key work would suggest this was a new wave band jamming at compass point, while the icy chill of the xylophone transports you into 80s italo territory. -second sun- pulls out the bag of boogie tricks, relying on a firm but humble baseline and smattering drum machine claps. nile rodgers-style guitar licks guide us onwards into a well-orchestrated jam that builds up and breaks down with perfect timing while dreamy chords reach for the sky. -first light- keeps the groove tight while dipping over towards more balearic temperatures. steeped in a watery atmosphere and gentle organic percussion, it focuses in on a trance-inducing arpeggio that lulls you in to the swaying badarou-style synth swirls that intercept it.
elephant moon proudly welcomes one of our good friends from barcelona, sonodab.
sonold is the starting point for this four-track ep. there’s a distinct air of mystery looming over this minimal workout. the globulous bassline bounces along supporting by clapping beats with an eerie tone that prevails throughout.
this is followed by more alluring atmospherics on ‘aporia’, a track that has an elastic b-line and every once in a while an enchanting melody drifts in, switching up the vibe turning things a little more dreamlike.
turn the record and prepare to embark on a ‘random night’. this is sonodab turning up the energy levels and taking you on a trip into another dimension to close out the ep ‘elecmann’, plays out like an ode to the good old electro days, slightly reminicent of juan atkins’ early work as model500. like the rest of the tracks on this release, sonodab adds soft pads in places to change the mood and keep things moving.
whilst he is primarily recognised for his bond with detroit and its varying strands of house and techno, seth troxler is an artist whose taste and collection spreads much further afield. through his own imprint soft touch, seth explores music from way beyond the motor citys borders as he seeks to outlet left-of-centre cuts that touch on interstellar guitar, calypso disco and seductive techno tracks. with the project inaugurated by clarian back in august of 2014, the second instalment comes from the visionquest and playhouse affiliated trio rework who draw from their unique meld of synths and vocals and turn in their lovecall ep
bitter moon has criss-crossed europe to gather a trio of heavy house hitters for lunes de fiel vol. 2. creme organization prodigy innershades gets the show on the road with the synth slamming groove of -moments of euphoria-. new beat memories bounce alongside rumbling rhythms in track guaranteed to ignite speakers. next stop is germany with snuff crew and -your hands-. the jack experts fillet their trademark raw edges for a smooth and soulful piece of late night chitown. smoke curls around chords, claps are softened as samples turn in a twilight haze. the final destination, italy, is bathed in the 303 sunshine of -#acid-. the white rabbit recordings founder uses the building blocks of chicago to produce a fluid floor filler. cymbals, cow-bells, toms and snares are soaked in a devilish brew of acid. bohemian body jerk to a 4/4 beat to bring down the curtain on this latest instalment of lunes de fiel.
little do people know that coober pedy is an opal rich town buried deep within the red and arid outback of south australia. lewie day (aka tornado wallace) and tom moore may be from melbourne, but the duo make up the coober pedy university band, coining the term krautback to describe this moon plain ep. drawing upon italo synths and mid-tempo balearica as inspiration, the first release comes in 10 form via soft rocks kinfolk label. the reverb washed australian crooner chet faker appears on the title track moon plain alongside heavy struck piano chords, while sentenced beyond the seas is a flow of groggy atmospheres and downtempo beats. oblong is the the eps stand out italo track with short bass arpeggios a highlight, while soft rocks acperience mix of moon plain takes on an acidic and space western theme.
after the smooth sonic assault of invisible sunrise, seahawks dive deep and return with the immersive aquatic opus that is tender abyssin the tradition of oceanic soundscapes by the likes of dolphins into the future and jurgen muller, seahawks have created a deep listening experience that takes you way down beyond the mariana trench. part one reveals a world of storms, where wild encounters and unexplained phenomena precipitate aquatic hallucinations. part two illuminates an underwater world of wonder, a sensory cornucopia, where soft vistas unfurl as the mind relaxes in an ocean of bliss. take a deep breath and enter the tender abyss. as always with seahawks releases the album is beautifully packaged and extremely limited.
another epic seahawks voyage and this time theyre heading for the deep ocean of outer space. the results have been likened to the klfs chill out album performed by astroanuts. yep its that spacey but theres plenty of baked groove excursions along with the cosmic dinner jazz. imagine that instead of creating yah mo be there, michael mcdonald and james ingram hopped aboard a spaceship captained by sun ra and set the controls for alpha centauri. somewhere between the sea of tranquillity and the red heat of mars they find a party going on, klaus schulze is jamming with chic and peter frampton, kenny loggins is on bongos and the horn section from the doobie brothers are blowing soft and sweet but mike and jim have taken a whole lot of mind bending psychotropics and the music sounds like nothing theyve ever heard before. you are entering the seahawks universe, let your mind roam free. to ensure premium audio fidelity, the lp was mastered at abbey road and pressed at vinyl factory. as ever the artwork is beautiful and the edition is limited so get your skates on!
soft machine released their third album, surprisingly called >third< in 1970. it is a double album with each side of the vinyl consisting of a single long composition.
pressed on 180 gram audiophile vinyl, comes in gatefold cover.
after five years of experimenting with a string of different singers, chromatics introduced ruth radelet as the lead actress to star in their films in 2005. forever standing out from the crowd, chromatics imagined the soft rock focus of hall & oates stretched over a fleetwood mac beat. trading the dancefloor for gorgeous chords & melancholic strings. they lived where it was always late & neon lights glimmered across the wet streets. this record archives studio work between 2004 & 2006 leading up to the now infamous >night drive< album.
OF MOONS BIRDS AND MONSTERS (HOLY GHOST & SOFT ROCKS RMX)
12 Inch 15.07.09
new label lost in records drops a killer 2-track remix 12inch from red hot indie rock dance band mgmt. one side features the slow and sleazy late night screening mix from soft rocks while the flip upbeat electro glam remixes (vox & inst) from holy ghost
vol 3 of the excellent dark side of disco compilation feat some long lost dancefloor gems from the nu wave early 80s periode including soft cell, david byrne, the police, david bowie and many more a must have
travel agents for inner journeys seahawks take us on a voyage ever deeper into the new age vortex. their last album escape hatch described by vice as a modern masterpiece only hinted at the transcendent power of seahawks music. eternal beams goes further to create a whole new harmonial experience. side one: the listener immersed in a soft storm of tape saturated raindrops and distant thunderÉnuminous waves of sound cascade to create whirlpools of womb-like warmth with gentle pulsations. side two: enter laraajiÉ flocculent flows of golden zither, rich vocal vibrations, dolphin tones in phantasy phase - all coalesce generously, bringing feelings of rebirth and light. to conclude: a wondrous journey of resonant oscillations, inner exploration, a portal to other dimensions.
new land präsentiert mit stolz das erste box-set mit mehreren lps von dorothy ashby - einer der am meisten übersehenen künstlerinnen der jazzgeschichte. die 6 lps, die in diesem aufwendigen box-set enthalten sind, geben einen längst überfälligen rückblick auf ihre frühen werke: the jazz harpist , hip harp mit frank wess, in a minor groove mit frank wess, soft winds: the swinging harp of dorothy ashby , dorothy ashby und the fantastic harp of dorothy ashby wurden mit der vollen unterstützung des nachlasses von dorothy ashby offiziell lizenziert.
coastdream returns to x-kalay with the summer heaters! after over a year’s hiatus and much hard labour in the studio he follows up his hugely successful breakthrough record, soft moon, with the shine ep. picking up very much where soft moon left off, this latest offering is classic feel good coastdream - sun drenched house music inspired by the golden beaches of his native brazil.
index:records is moonstruck to announce the 12” release dorsal, by berlin based artist, vase. dorsal is a genre bending output that combines the carefully layered sound of ambience with rhythmic ingenuity. the tracks aviolet and kinto balance in the eclectic techno realm with a nod to a time when idm was taking form. the organic grooves on the ep suit many settings, from big industrial spaces to soft forest beds.
up next on hot creations is intrepid spaniard dennis cruz. the award winning dj and producer drops some heavy hitting dance-floor dynamite this june, enlisting the production expertise of new yorks joeski for the remix. title track freaks is deep and driving, with its almost slurred vocal, its perfect for those 4am vibes when the freaks come out to play. mother f..cker utilises heavier percussion set off by a pounding bass. the joeski rework of freaks adds a dash of prominent high-hats with the producer softening that unmistakable bass-line. dennis explains this ep is the style of music that i love to play and produce. it s what i feel more comfortable with and what i think defines my sound. dennis cruz has been firmly implanted in the music scene from a young age. he got his first taste for playing music at the age of 17. since then hes gone on to produce tracks for prominent labels such as moon harbour, solid grooves, snatch! and nervous records. his records have been championed by some of the industrys hottest djs from jamie jones to loco dice, and nic fanciulli to marco carola
cleveland is forever in search of the brown note. this is his second offering for the esp institute. side a’s tusk is a beautiful paradox—rhythm programs that churn like the inner workings of a grandfather clock, unmistakably mechanical, yet fashioned through muted analogue instrumentation that paints a deceptively organic picture. the crystallized jangle of fm synth voices toy with the softened drum patterns and vibrant animal-like chord gestures over nearly seven minutes of splendor. on side b, aku digs further into mysticism, manifesting digital jungle themes, cleverly abstracted through erratic bleeps, distant tribal drums, atonal flutters and synthetic bird calls. the cinematic quality of clevelands production shines through both tracks, but its aku that sweeps us from reality to embark on a moonlit expedition in search long lost treasures, proving cleveland a virtuoso skilled in building complex narratives with sound. these two songs will modulate your frequencies.
das darkwave elektronik-duo boy harsher aus northampton, massachusetts, startet sein eigenes label nude club. auf nude club werden am 27.04.2018 erstmal die beiden vergriffenen kult-alben „lesser man (extended version)“ und „yr body is nothing“ wiederveröffentlicht. am 11. mai folgt dann die limitierte, brandneue „pain ii“ 12“ mit einem edit ihres maschinen bangers „pain“ und einem ebenso knallharten remix von the soft moon.
tenderness is four cuts of emotional dance music from super tuff label head, m. vaughan. with galloping shakers underpinned by a weighty sub-bass, the a1 cut moon river is a blue-eyed peak time anthem. turn around! is an a2 track with heavy duty low end and a tender pitch shifted vocalia wonky patchwork of melodies that sums to something reminiscent of early herbert. for the b-side, tenderness at 117 bpm is a soft, opening tune that serves up a breaky drums, liquid pads, and a well-placed harp solo. -when it all happens. is a dj aakmael inspired groover that leaves the ep with a driving kick, chunky moog bass, and a vocal sample wailing out from the pains of heartbreak. dont cry! get intimate with a brand new copy of m. vaughans tenderness from super tuff.
lp theres been an air of hypnagogic mystery surrounding acid tests sublabel avenue 66 from the start. joey andersons oblique, prince-inspired incantation above the cherry moon set the tone for a label thats sound that has found beauty in the furthest recesses of the dance floor, in the murkiest decay of kick drums and rave stabs. fitting then, that the first album on the imprint comes from trux, an artist who has chosen to reveal nearly nothing about themselves. following a cult classic mini-lp for office recordings, orbiter bears out the anonymous producer as a master of liminal, conceptual dance music. orbiters ten tracks have a vaporous, shape-shifting quality, threatening to topple over into full-on kick drum bliss or vanish into ambience. opener, with it, moves from heady ambient rush to skeletal piano, while blinko and roys garage spell out a hazy memoriam for the uk continuum. forlorn pianos ring out amongst the field recordings, excitable toms and jungle bass all softened in the enveloping gauze. orbiter positions trux as an unknown auteur who puts evocative world of tone and echo into dizzying motion, content to watch from the wings. track list with it orbiter blinko roys garage third glow in my world my row odd u agoma
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