limited pressing on black 180 gram vinyl.

a warm welcome to lukas bohlender! für uns eines der begabtesten münchener producer talente für elektronische clubmusik, liefert er hier mit seiner -sublime ep- eine beeindruckende debüt 12- für compost black ab! abgerundet durch einen beanfield & thomas herb remix, die den titeltrack bis auf seine essenz runterstrippen und das stück noch zwingender in richtung dancefloor schieben, wird diese ep ihrem namen mehr als nur gerecht.

black vinyl edition.

black vinyl version. blue channel is a brand-new dub-roots collaboration between bluetrain aka steve o sullivan, and another channel — two titans in the dub techno scene. they are accompanied by prince morella, who adds his smooth vocals on top of the scapes of chords and delays. if you are into legendary labels like maurizio, burial mix, and rhythm & sound, then this one is for you.

classic black double vinyl edition.

limited edition tear drop coloured double vinyl.

10 soul classics from the shoestring label on classic black vinyl.

classic black double vinyl edition.

belgian independent label de:tuned celebrates 15 years with an expansive series of new releases throughout 2024. founded in 2009 by ruben boons and bert hermans, de:tuned and british influential electronic music pioneers the future sound of london team up to mark the beginning of its momentous 15th anniversary. classic black double vinyl edition.

180 g vinyl, full cover

fantastic tracks, exclusive floor_shaker made in berlin. czeck out the >do this gig< dubby edit by daniel paul, the house classic >rollo< in a mayan atitlan version or the tasty shake by snad & daniel paul. can u believe >gold< by flashbaxx is the first time ever on vinyl? however, >big fun< as always. kicking house tracks on one of the oldest and best house labels. since 1995 label owners cab driver submit straight grooving goodies on their very own label.

album nr 8

.. with gatefold

tracks from leonardo portela, barbara alvarez and gus bonani plus timid boy remix on the next release from mexican label borderline black. available on 180 gram vinyl only.

death is not the end s 333 sub-label drops a much needed reissue of rupie dan s my black race 12- from 1982. a huge shaka selection featuring one of the heaviest dubs available from this era of uk roots production. originally written and produced by rupie for his flag records label, with engineering from tony addis (later of addis posse and the warriors dance label).

black repress! grad_u joins the kontakt artist family with two amazing dub trips for the floor and the the opening track gets a dub-treatment by the mojuba label boss himself under the oracy moniker.

collectors item

b-stock! cover damaged! vinyl unaffected & mint.

great rave tracks on the new label. 3 voll treffer tracks von läserstein

rock

rock

written a few years ago, black pigeon is one of fonoms first produced tracks. freshly re-mastered in 2018, the track emerges as the first release of the new producers self-run label fonos. the original engulfs in deep and dark tones with synthesizer orchestrations vividly portraying talk, communication and agonizing cry of cybernetic pigeons, while the other tracks are variations of the original as reworked by eduardo de la calle. the remixer employs jazz elements to introduce further variety of rhythm and sense of floating through time while exploring monotones, layering and space in other parts of his two remix version work with thematic hints and references to space flights aboard the >nostromo<.

first output of the new label vault wax

this release is part of special double vinyl pack, sold separately. drone slow techno and 4x4 experiments by the owners of the label, f-on and urtzi.

this release is part of special double vinyl pack, sold separately. drone slow techno and 4x4 experiments by the owners of the label, f-on and urtzi.

etui records continues its 20th anniversary with the first full-length by label founder insect o. >atacama< is a compilation of 10 tracks showcasing his wide range of music production skills. beside his music he also shares a big passion for traveling and video filming. back in his studio he creates memories about his journeys. he combines analog synthesizers tones with sounds of his modular system, endless echoes and warm reverbs.

brothers black return with new york family label safer at night for a safer at night & brothers black collaborative vinyl release.

the fourth release on trevor jacksons pre- label is by skull. a visceral journey into experimental noise and no wave avant grade beatscapes the last skull release snapz appeared on jacksons own output recordings label in 1999. a seminal collection of tracks that had previously featured on the first two legendary mo wax headz compilations (also featuring autechre, beastie boys, air, and dj shadow) as well as tracks that had also appeared on kevin the bug martins notorious macro dub infection albums during the mid 90s. reactionary sonic statements aimed at the coffee table world of trip hop, fuelled by his dissatisfaction and dissillustionment with hip hop of the time, trevor pushed himself into uncomfortable and far more extreme areas than he had before, areas he felt unable to explore with his underdog productions, which were mainly being utilised for major label remixes at the time. influenced as much by the industrial pioneers, post punk and new wave of the past as the burgeoning post rock scene in the mid 90s, this new set of previously unreleased recordings originally produced between 1996-2000 are equally as intense and visceral as the early releases. dusty samples, raw beats, tape loops, and primitive effects combine to sound as relevant now as when they were initially created.

the late 1960s / early 70s brought about a change in sound for many gospel groups. producers and label heads at abc peacock recognized that the traditional sound of gospel needed to be updated to appeal to the younger market. the groups started to incorporate elements of soul and funk with arrangements influenced by the r&b records of the time. this compilation presents 13 striking examples of this seismic shift in black music by some of the greatest groups in gospel music’s rich heritage.

the much lauded no.19 music serves up another excellent all canadian affair for its next ep:behind it is producer & label co-owner nitin, with remixes from live specialist the mole and labelboss jonny white aka art department who serves up his own hypnotic take on things.no.19 music has been going back to its roots recently, bringing to the fore a steady stream ofincredible underground music from torontos sons & daughters. 2016 closed out with thestandout single, full circle from art department in collaboration with ad/d, seeing supportacross the board for the return of jonny whites much loved moniker. however it is the longstanding partnership of white & nitin that is the true central pillar of the no.19 story, and its thelatter that offers up here what is almost certainly his most impressive work to date

resolute label returns after a short hiatus with a stellar selection of underground cuts by a fresh artist collective.to kick things off we have nightdrivers - mass prod & rufus - who bring us driving on the wheels of love , a track fuelled by house, techno, raw 808/909 drum programming and quirky edits. noha drops a highly percussive dance floor number full of swing and garage vibes as our a2 with resolution . on the flip, serialism records head honcho cesare vs disorder & tolga fidan provide a beautiful number in take 2 , with its infectious groove and beautiful strings. our b2 and vinyl only exclusive cut from jack on black - joe le groove and jib rafill - turns up the heat as a full on rolling techno gem, driven by distorted toms and crisp drums. its a sure shot dance floor winner.

steve murphy presents his new acid and industrial-tinged techno project, the night flyer, on lobster theremin’s cryptic black label imprint. a fear-addled chill seething down the spine and a machine-grinding, acid terror-bird emerging from the deep night, the night flyer is an expectedly dark take on the seedier end of technoid nightmares, while hanging a distinctly cold (wave?) atmosphere over cobbled, crushed analogue structures.

the sixth release on deepa & biris black crow label welcomes another new name into the fold: nico campanella has been quietly building a stellar reputations for himself over the past few years, working under a variety of aliases to explore a sound that much like deepa & biri draws deeply from technos detroit heritage as well as the propulsive dub techno of basic channel.

the very first release on romanthony s cult black male label from 1991 now legitimately repressed, remastered and ready to do damage on the dancefloor once again! all the mixes present showcase romanthony s heavily gospel tinged, prince leanings to full extent, covering styles from new jack swing to deep house! this one is super rare, copies scarcely show up for sale and when they do they are usually over the £100 mark! now is the chance to obtain an early rarity from the amazing catalogue of one of house music s true originals!

after some time of successful clubnights sd is moving to the next level and takes the first step of journey to bring to surface music and share its sound. the sd label is now a reality. for the first release unc is taking the lead as original mix. it is a 2-track ep, consisting of the original by unc and a remix by sleeparchive. 43v3r. if we were to choose a color it would be black with bits and pieces of gold. yet, uplifting, the kind of thing you need to stimulate body and mind, wake up the senses, the desire to cherish the moment and surrender to the sound. sleeparchive s interpretation comes to enhance the beat leaving his personal stigma in a delicate manner

das prignitzkombinat ist zurueck mit einem neuen release ihres labels zum eigenen club, dem aggregat. nach dem sehr guten ersten release auf aggregat concept series mit dem schwerpunkt techno, rückt mit dieser veroeffentlichung house in den vordergrund. funk fetisch liefert hier mit dieser ep zwei feine tracks seiner definition von house ab. der track >gotta get down< zeigt deutlich seine einfluesse aus den verschiedenen genres des klassischen housesounds, typische skippy beats, jazzy chords und discofilter loops bilden hier das house. bei >black is beautiful< behaelt funk fetisch diesen charakter, allerdings wirkt alles insgesamt moderner. groovige beats und eine tiefe bassline bilden das bett für atmosphaerische warme pads, akzentuierte chords und verspielte melodielaeufe. james johnstons (no matter what) remix zu >gotta get down< geht direkt in die beine, straight, fokussiert und sehr kraftvoller house, der zeigt, dass der mann aus glasgow sein handwerk aeußerst gut versteht. danke james! p.s.: this ep is dedicated to all the lovely people from the diamond s kitchen in northallerton, uk

pitched black aka irfan rainy (rainy city) from the rainy city of manchester drops his new track on modelhart. already dropped two releases on his new sonic project and label something in the water. irfan continues his dark assault on the sonic landscape of house and techno. taking cues from berlin, detroit and manchester, the release features the track * when stars collide*, a version for the dance floor and a beatless version for the more experimental minds.

a new release by a new artist pitched black on a new label something in the water, a new division of manchester label rainy city music. a two track 12 inch that sits somewhere between deep house & techno.

the mangue labelheads are back with their new double a-side incl.a hypnotizing remix from mirco niemeier.

wir begrueßen auf compost black label the ohohohs mit ihrem einzigartigen disco angetriebenem analogen indietronic outfit. das paket kommt mit einem ueppigen techy remix von einzelkind & robin scholz, die entwicklung einer boesen verspieltheit. space coast liefert eine epische synthie-verpackte disco-version des originals. si tews remix ziert unsafe music mit perkussiven und bassigen eimlagen.

hollis p monroe kehrt unter seinem neuen alter ego the black 80s auf dem compost black label mit vier leidenschaftlichen deep house juwelen zurueck. schoen und edel. hollis p monroe ist fuer viele klassische songs in der deep house-szene und dem funky breaks genre verantwortlich. seit 1994 hat hollis sporadisch, aber signifikante musikalische beiträge auf hoch angesehenen labels wie ovum, defected, west end, stickman, soul candi und jive electro veroeffentlicht.

two dubby styled jungle tracks with firing beats with rolling basslines, combine for dancefloor good times. if you like the jungle cakes label check this out. dj support from nicky blackmarket, and ray keith

joashs debütalbum >dont fear it, fight it< hat sich längst zu einem geheimtipp entwickelt. es hatte sich in die herzen vieler produzenten gespielt, einige von ihnen hat es zu remixen inspiriert. drei davon finden sich auf dieser maxi: arto mwambe (aka lauer/brontosaurus), tj kong & nuno dos santos (compost) und till von sein (suol/morris audio/baalsaal).