2 x 140 g black vinyl, gatefold sleeve, 2 x black dust inner sleeve, sticker

hollis p monroe kehrt unter seinem neuen alter ego the black 80s auf dem compost black label mit vier leidenschaftlichen deep house juwelen zurueck. schoen und edel. hollis p monroe ist fuer viele klassische songs in der deep house-szene und dem funky breaks genre verantwortlich. seit 1994 hat hollis sporadisch, aber signifikante musikalische beiträge auf hoch angesehenen labels wie ovum, defected, west end, stickman, soul candi und jive electro veroeffentlicht.

some other kind of disco grooves from the 70s & 80s.

incl 80s monster hit owner of a lonely heart? !

incl ice mcs easy from the 90s and love is a shield , slice me nice from the 80s ! must have !

80s synth pop style

black 180 gram double vinyl in gatefold sleeve.

rsd release! lp, black vinyl with picture sleeve, 1 per customer

fulminant album by coyu! feat. moby and lazarusman

killer electro/wave tracks by black pond. black pond is a collaboration of underground star beta evers and jeff galea from the legendary eleven pond. known for her solo work as well as various collaborative projects, beta evers can be considered the godmother of german electro wave. her beats are strict while her voice is cool and deep. jeff galea, who founded eleven pond in the mid-80s, is the master of energizing bass lines and emotional synth melodies. deepest chasms reflects their shared darkness in four melodic and atmospheric synthwave tracks that won t let go of you.

strictly limited to 300 12” vinyls, 150 colored copies plus 150 classic black vinyls.
after the success of “your touch your eyes” the collaboration between ryvon and italoconnection finds his second release. two unreleased songs full of pure 80s italo- disco flavour, with the addiction of the vocal performance by annabel together with the great nu-disco touch of italoconnection (fred ventura and paolo gozzetti).

rafael da cruz 1st black label 12inch finally hits the streets, dipping into deeper, gloomier spheres of house. soaring synths cleverly trim the bed of fat broad baselines. the black 80s give the original a wicked analogue touch, with a splendid soulful vocal version as bonus track. cosmic cowboys and david hasert supply two impressive remixes that both create a dark, but uniquely vibrant scenery and complete the package.

sourced from previously unknown tapes and vinyl of the 70s and 80s.

woke rhythms and high-spirited grooves from the vaults of two seminal italian jazz labels, between the 70s and 80s. featuring the brightest names in creative jazz or the avant-garde of the era like archie shepp or sun ra arkestra. intensely curated by khalab.

excellent 80s-90s sampler including members of mayday, camouflage, masterboy, mauro picotto, gigi d’agostino and many more.

ltd handnumbererd black & white marbled vinyl!this release is 2xlp and it s individually 500 hand-numbered limited edition. the first 100 copies are pressed on white & black marbled vinyls (ar011). it s dedicated to the 1987 masterpiece played by the magic flute of roberto aglieri called by himself. la solitudine accompagnata, with the original 1987 lp + a bonus lp, containing unreleased material, other versions and unreleased tracks. archeo recordings is a reissue record label that regenerates old, lost, obscure (and forgotten) rare gems of italian music of the 70s and 80s, and not only. all outputs are licensed by the artists and the vintage labels, audio tracks are remastered in their original form, the sleeves and center labels are graphically recreated for today but all based on the original images. archeo would like to make the music available to a wider audience of collectors, djs, music lovers of a forgotten time. all releases are hand-numbered limited edition vinyl. the first copies of each release are pressed in coloured vinyls.

the 1980s. neo-liberal excess. crumbling communism. military juntas ruling with an iron fist. and of course, freaked out music. contort yourself are turning back the clock and returning to an unholy fount of inspiration with -80s underground cassette culture volume 1. a buffet of beaten up and brutalised tracks are on offer from unknown outfits and respected experimenters. across two lps expect to find noise reductions, post punk bitterness, no wave grunts, distortion soaked strings and vocals lost in a hail of pain. a road map into the weird and wild world of diy back alley artists who, armed with only a tape and an idea, gave the established music norms a sharp fist to the throat.

makes a nice overview of these times, incl. download code

the black 80s make a long overdue return to freerange following their 2014 release move on (from which the kollektiv turmstrasse remix become something of an underground anthem). the duo hailing from montreal and consisting of hollis p monroe and overnite have been responsible for some seriously influential tracks over the years, not least hollis bonafide classic from 1997 - im lonely.

ltd nice price ...a self-confessed fascination with 80s music and film scores from the same era..george thompson has an ability to approach music with a strong visual aesthetic which is a common theme in his work, first apparent in his role as part of the duo spectral empire, alongside kyle martin.

philadelphia native hollis p monroe is a man who has been slowly and steadily building a respectable catalogue of music since his debut on canadian label stickman in 1997. appearances on josh winks ovum and the legendary west end label have all helped establish hollis as a talented writer, producer, vocalist and dj having recently been drafted in for collaborations with the likes of kink, trickski and rampa. here we find him producing under his new moniker the black 80s in collaboration with frank julien, and following hot on the heels of a killer release for compost black label.

support from: stacey pullen, franck roger, tensnake, adam shelton, luke solomon, manik, dusky, walker & royce, severino (horse meat disco), diz, adam shelton and osunlade

full 3 years have passed since indy toureau released his last ep on solees imprint parquet recordings and after remixes for beroshima, xenia beliayeva or johannes heil hes finally back home on blackfoxmusic. melanchromantic is a kind of >retro-new-wave-techno< : melancholic and romantic at the same time! with an 80s-infected electrotech-style, the perfetctly setted movie-samples and his emotional melodies the track pushes himself on every technofloor to blow the speakers out and destroy it!

double 12 inch, one black & one white vinyl + download card.
>stereotype< the second single from bristol industrial dub pioneer mark stewarts recent album the politics of envy gets reworked by a host of guest producers. hyper dub duo hype williams unravel stereotype into a fiercely breath taking dub-spectacle, unfolding three-quarters of the way through into a sky-bound grand finale. fred venturas italoconnection remix radiates with a cosmic-coated, sugary burst of popular 80s synth and as expected plenty of italo spark & flair. daniel b of front 242 pulls the originals fuse, and rewires it into what you would kinda imagine a 31st century electronica frankenstein would sound like. renowned techno figure perc gets angst and intense with a heavy, mechanical but beautifully crafted remix destined for the most no-nonsense of floors. chicago native chrissy murderbot channels the same high impact baltimore sound that you will find in machinedrum and schlachthofbronx productions, carrying us out guns blazing with ballistic footwork drum beat firing. finally, mark stewarts dub version of the song and a taster from his upcoming >exorcism of envy< lp to be released later in the autumn.

yes! we are going back to the roots again! chicago producer ricardo miranda kicks it raw with this acid burner. this steady club track already caught the ears of rick wilhite, who will include ricardo miranda in his upcoming vibes compilation album. on the b-side we have chicago head legowelt doing a remix, which is a tribute to the late 80s chicago era. deep and moody. essential house stuff!

amazing dark and hypnotic sci-fi techfunk with detroit / old skool electro soundscape... (80s synth sounds)... already huge dj support: troy pierce, magda, shinedoe, kiki, karotte, jimpster, ivan smagghe, ewan pearson , dirt crew, audiofly...

anything goes vol.7, the latest vinyl release ep from rollover edit service is back. delve into the italian music scene of the 70s and early 80s with four meticulously edited gems.

beautiful compilation with six sought-after pearls from the late 80s

originally recorded in the 80s

second part of soul jazz records’ cold wave compilation. a showcase of current electronic artists, influenced by 70s and 80s cold wave. regular pressing on black double vinyl.

the procedure club is a collaborative -bedroom-pop- project founded by andrea and polish emigré adam malec in new haven, connecticut in 2008. the two began recording as a natural progression from their boredom with living in poverty in new haven, sharing musical tastes in shoegaze and pop bands of the 80s and 90s, such as black tambourine, and the jesus and mary chain, as well as a common admiration for baroque artists such as purcell and bach. out of this god-forsaken alliance comes procedure club, in which adam and andrea have combined melodic song structures with heavily reverbed vocals, stuttering mechanical drum beats, dirty bass, synths, and alternately washed-out and jangly guitars.

back to back 70s roots shots from joe morgan, his first and second ever tunes. while many know joe from his wackie s anthem basement session, joe was already producing himself in the mid 70s on his own afro black label in jamaica before coming to nyc. both of these tunes are stone cold classics long hunted by roots collectors, and the rhythms used should be familiar to astute listeners from other brilliant cuts. joe continued to record and produce himself and other artists on his own main imprint fish tea, and other labels label thru the 80s. the two tunes issued on this fish tea 12inch both originally appeared as afro black label 45 s in jamaica, and the b-side also on a pet shop label 45 in nyc

invisible city editions is proud to officially re-release the sublime extended 12inch version of praise jah with soaring vocals and wild electronics. big tip!. oluko imo was a trinidadian born multi-instrumentalist, founder of the legendary spiritual afro jazz groups mansa musa and the black truth rhythm band. he moved to new york city in the 80s and divided his time between teaching music there and touring africa with fela kuti as both his manager and part of the band. praise jah is imo’s crowning achievement. an elevated electronic mantra that perfectly fuses synthy soca disco with his spiritual afro-trinidadian leanings. its a timeless piece of music that sounds as visionary today as it did when it emerged from the aether back in 1979. limited pressing with embossed sleeve, designed by zeitype.

four never before released or publicly available demo cuts from the writing sessions of craig peyton and jolyon skinner circa 1983-1985. the duo produced and wrote hits for artists in between working on their own projects. these songs survived the past 30 years on a cassette tape, which was lovingly transferred for this exclusive to peyton records release. after their short but fruitful collaborative period, peyton went on as a writer and band leader and skinner went on to have a career as a songwriter for pop acts such as joe, nsync, and freddie jackson. in the words of craig peyton: “jolyon skinner and i met in the early ’80s through our mutual friend keith diamond (the trinidadian producer of hits such as “caribbean queen” by billy ocean). after we met, jolyon and i started regular writing sessions at my nyc p-factor studio. our first break came in 1983 with howard johnson’s “let this dream be real-. that was followed up with “love of a lifetime” by melba moore and “where ya gonna be tonight” for will collins. after this we were offered a recording deal by april blackwood music, but due to my contract with profile records at the time we couldn’t accept it. shortly after skinner got signed to zomba and we stopped writing together around 1985.

last autumn the long-awaited debut “colour” by pete josef saw its release on sonar kollektiv. now the first 12 inch with four fantastic remixes arrives.

reissue / repress , the artwork is presented in its original form, a gatefold sleeve with those typical 80s styled black & white pictures of michael, badder than ever!

der klang records is a disordine sub-label. this album will be available in a couple of months.vinyl only - limited to 200 copies on black vinyl and 75 numbered red vinyl. active on late 70s / early 80s teknospray were formed by andrea costa, mauro tavella (who later formed monuments), andrea lesmo, alberto ramella (who later formed carmody) and lucio lesmo they recorded few demos and an album which they never released until today as *god in land* is now reissued on disordines sub label der klang for the 1st time.

the mortimer trap is an epic 77min variation of morton feldmans for bunita marcus constructed by german experimentalist and techno icon thomas brinkmann and australian sound artist oren ambarchi. pulsating waves of claustrophobic ambience generated from who-knows-what patiently builds into a throbbing rhythmic pulse of gorgeous sonic density. since the 80s thomas brinkmann has experimented with sound, its textures and its construction methods. his custom built two-arm turntable on concept 1, the sampling of damaged records on klick and various experiments with carved-groove vinyl are just a handful of career highlights that mark brinkmann out as a true musical pioneer. oren ambarchi, primarily known for his solo guitar records for the touch label, has worked with a diverse array of artists such as keiji haino, fennesz, phill niblock, jim o rourke, voice crack, keith rowe and sunn 0))). ambarchi and brinkmann first worked together in in japan in january 2011 in a trio with mika vainio. the mortimer trap is their first collaborative work as a duo.

august darnells swaggering alter ego kid creole dons his famed fedora and gets back in stride with his first high profile studio album in over 10 years: i wake up screaming. darnell first came to prominence during the mid-70s in new york, forming dr. buzzards original savannah band with his brother stony browder before producing a slew of eccentric projects for ze records including cristina, don armandos seventh avenue rumba band and gichy dan, as well as sporting his trademark zoot suit and fedora for the first time for the debut recordings by kid creole & the coconuts. signing on to chris blackwells island records and seymour steins sire imprint, darnell would become one of the 80s most unique and recognisable figures, scoring a brace of unforgettable chart hits mixing heavyweight tropical grooves with plenty of lyrical bite: -stool pigeon-, -annie, im not your daddy-, -im a wonderful thing baby- and more. with cover artwork echoing his love of 1940s film noir, this album explores the vibrant mind of darnell with a variety of themes and styles. recorded at darnells own studio in sweden and mixed by brennan green (chinatown recordings), i wake up screaming is an essential return from one of the truly unique characters in the world of music.

back to the roots! gut, besser, boa! diamonds fall ist das neue album von phillip boa und das wohl beste werk in der karriere des deutschen vorzeige indierockers. es fŸhrt das fort, was er einst mit diversen singles of the week im nme begonnen hat: gro§er, bildgewaltiger und lautmalerischer breitband pop rock.

40th anniversary edition clear vinyl lp + bonus 7 inch, featuring four tracks recorded live at crazy al’s, september 6th, 1980.

incl us 80s monster hits rhythm nation, black cat !

black 180 gram double vinyl in gatefold sleeve.

the 2nd album from 80s italo-disco project rainbow team back on vinyl.

after the success of “classical 90s dance”, alex christensen and the berlin orchestra go on with orchestral conversions of the greatest hits from the 80s. pressed on black 180 gram double vinyl, housed in a gatefold sleeve.

limited edition of 2000 numbered copies on pink coloured 180 gram double vinyl, housed in a gatefold sleeve.