dutch sp1200 wizard kid sundance delivers pure heat to the ilian beat series.

japan import. explore s first release is an ep -sundance- by tasoko, a dj/producer based in okinawa, japan. the ep features three tracks with different textures that reflect tasoko s own texture and worldview, as well as an amazing remix of -sundance- by the genius efdemin.

tool tracks as new album following tanakas previous right moment (2019 released on perlon).

disco-jazz

a reissue of a project last front debut work on torema records which was sold only in japan in 1993, now remastered for 2021 release.

great 4 track ep by fumiya tanaka

modern synth-space disco, ready to beam away...

sundance presents three tracks from fumiya tanaka.

sundance presents three tracks from fumiya tanaka.

dies ist die erste von fünf, mit einer limitierten auflage von nur 100 exemplaren. jede dieser veröffentlichungen wird von einer reihe von kunstwerken begleitet, in denen wir die von künstler meesh nah entworfenen raumfiguren interpretieren.

sundance presents two extended track.this is one part of the project beautiful days

we have new release of project as dartriix (fumiya tanaka and yoshihiro hanno).

gobble gobble is a majestic and pulsating force drawing as much from the visceral and poetic indie rock of pixies as the electronic production of dan deacon or crystal castles, while remaining entirely unclassifiable. these canadians have created a grass-roots movement with their mobile rave infinitour 2010 which lasted from june to november and saw them playing suburban gardens, private homes, small indie venues, as well as pop montreal and cmj. hundreds of blog posts by the likes of stereogum and nme, a series of amazing singles, an appearance on debontons 2nd compilation, and a nomination by pitchfork as best new hope of 2011 have secured their position as poster children for the brave new pop scene. with boring horror they give their listeners not just the single by the same name, but also a b-side (eat sun, son) and two other original bonus tracks (seizure to the metronome, as well as two remixes commissioned by debonton to spice up the package. generous, emotional, exciting, and completely avant-garde, gobble gobble is a hurricane of freshness for the audience and the listener. limited edition of 500 units worldwide.

please welcome the very first release from >sundance<, which is fumiya tanakas third and newest label following >torema records< and >op.disc<. this ep contains two tracks by fumiya and ricardo villalobos !! no available as a digital release !! physical only !!

black 180 gram vinyl in gatefold sleeve.

new album by fumiya tanaka

his past release is black gate town ep (2016) and evil soroway ep(2018) from untitled records

sundance presents three tracks from fumiya tanaka and kuniyuki.

all tracks are from tanakas archive (2010-2015), which were produced since he had moved his base in berlin. the idea of the dj mixing with only his own tracks has been gestating for sometime and with his trials during his dj dates in europe, south america and japan the selection of the tracks and combination has been made. the thought process of mixing his own materials could be similar to preparing for his own live set. this recording was done at this home in berlin. all tracks has been released on 12inch vinyl (snd 06.07.08 on 2017) except track 6.

sundance presents two extended tracks. this is the second part of the project beautiful days

sundance presents two extended track. this is one part of the project beautiful days

the third ep of the trilogy works following the releases d6&d7 from sundance in 2012 and flying one hand from op.disc in 2015 comes this one. a) side is the unreleased dub version of the previously released same titled track. b) side is the fine interweave of radiqs percussion + fumiyas base/beat groove with soul vocals. the sound is different from the style of dirtriix works and the each has its distinctive own groove.

sundance is back with the new release. we had our first release in 2009 by fumiyandric (snd001) and the second release in 2010 by fumiya tanaka (snd002). in 2011, here we bring the new release by a new project called tofu productions. this project is operated by thomas melchior and fumiya tanaka.

superb reissue of an amazing lost boogie gem from 1981 hailing from sweden, an unlikely hub of funk excellence in the early 80s. originally released on tiny label newlock, both sides of this 12 inch are fantastic - side as >supercool< is a tight funky workout with laidback vocals and a super-summery feel while side bs >percussion sundance< more than lives up to its cult balearic reputation, with six minutes of blissed-out soaring synths, heavy syncopated percussion and smooth bass combining to create one of the hottest things ever to come out of scandinavia. you must have this!

a1 fur elodie is a cheapy guitar tune combined with the piano to form acoustic sound. other elements are also quite cheapy but sounds very good altogether as a confortable track. a very atmospheric tune to hypnotize people into fumiyas deeper side. the original version is on his album unknown 3 released in 2008. b1 ring bell is a track combined an acoustic loopy drum with a modular bass sound to form a kind of rare groove. a kind of chant starts coming in out at certain points to take you somewhere you have never been before. b2 dealer trick (short version) has got a kind of old school flavour and sounds quite like 90s house with fumiyas dirty, cheeky, and loopy groove. a trick for jack in the box

tony lionni is back to mule! 2008 was a big year for him by the release from versatile,wave,mule and name a few and he became the one of best new comer. the title track “sundance” is a jazzy tech house with a female poetry.if you like the style of chateau flight or that kind of style,you will like this song. a2 “satya” was already released on the compilation cd “my favorite things (mule electronic cd 11),but it’s a longer 12inch version. b1 “cloudy” is a detroitish tech house with a melancholic piano sound. b2 “divine being is a unique rave feeling deep house tune.very playfull! this single is a more house side of tony lionni than other his release

supported by misjah, koen groenefeld, oscar and liz cirelli !! damm records is a new label from north germany and starts with the debut of newcomer josh!! he combines driven minimal techno & tech-house with some melodic synth workouts and a more deeper glanz & ledwa remix!! check

cynic returns with a great 12inch of disco tastic madness. the grooves are loose, the riffs low slung and the beats punchy. just the kind of stuff we re used to hear from the cynic stable. proper bomb. this e.p features three hot tracks in a tribute to the sundance kid, the a side the sundance kid, comes complete with galloping horses, rattlesnakes and gunshots this track is the wild west meets the mirror ball. the first track on the b side westbound 23, is named after the first train robbery that the sundance kid committed in his early years before he joined the wild bunch, the blaze of glory that finishes the e.p. is a reference to the well documented last stand, where butch cassidy and the sundance kid were surrounded by the bolivian army

ltd to 500 copies

houseworx presents the next lost housetracks release. vol.8 incl tracks from hmsa, glo my on side a and collaborations of nicola brusegan & carlo di roma and pat lezizmo & dsitb on b side house music all night long!

hedonistic highlights from the lowlands 1990 - 1999

limited collectors box edition, including 4x 180 gram vinyl, 2 art prints and download code.

decks tipp

the second part of soul jazz records’ guide to krautrock and german electronic music gets a well deserved reissue.

limited crystal clear 180 gram vinyl in gatefold sleeve.

farrago created a name for himself in this short time taking back the real roots of techno and rave and putting them in a new context... we said new, not different. this is his 3rd record on the label, and this time he goes beyond the idea of reminiscing the past, “hard light” shows how the rave can be alive in everyone of us, and absolutely not changing the formula he gives us this beautiful feeling of being back in the past, while you dig in a record shop and you find something that hits you, in our past was that record that gave us memories. in this case the work of this record is almost double, the record itself reminisces the past, but gives good hope for the future of genuine rave music without compromises.

generation next returns with his 6th solo ep on the 7 days entertainment label titled phoenix. the ep opens with the song sundance kid, a tune that carries a high-spirited synth and bass throughout mixed in with a simple kick drum, high hat and snare combo. next up on side a is roseland, a cool, smooth house track from gn. a funky baseline accompanied with a warm piano, some complimentary synth and a clean rhythmic drum kit pattern. on the flip side, the first track is jungle 10.10.15. the recording used at the opening is from a voicemail received on the date 10/10/15. this track is pure memorization. the voice of a woman over a frantic high hat pattern and knocking kick drums. the last song of this 4 song ep is gold scorpion. a simple dance tune with high- energy percussion, piano, and kick drum. this dance floor mover will definitely be a favorite.

the first in a series of compilations by jura soundsystem is a blend of dub, ambient, downtempo, boogie and proto house with a focus on music never before released on vinyl, sought after out of print titles and some special versions edited specifically for the album. . the intention with this project was to delve deeper into the reissue pond and unearth some lesser known tracks and artists. highlights include smackos (aka legowelt) ambient epic ‘we can watch alf in the hotel room’, never before released on vinyl, the dub / psych hybrid of minus group’s ‘black shadow’, kash’s sought after ‘percussion sundance’ and special edits of ken dang and tabou combo. the end of the album includes some soothing ambient tools.

nino delivers his first well-deserved solo ep on batti batti. originally from bosnia, but based in brussels (belgium), nino s tracks have always been a perfect representation of a purely deep underground sound. starting off with a soothing piece of ambience to set the mood , odysseia ep is aimed for club use and hence depicts ninos evolving style yet maintaining his secretive and atmospheric element as a common factor.

having been staples of his dj sets over the past few months morning fnally sees release on redlight music. berlin-based label boss denite delivers 2 tech-house killers alongside 1 remix from italian duonice7 and 1 special edit.

180 g heavy weight gatefold 2lp with liner notes) lost 70s gems from hammond virtuoso andré brasseur.

musique electronique: robert ohm und jens strüver zwischen ambient, krautrock und electronica.
inklusive code zum download des gesamten albums als mp3.

hier kommt die 2011er compilatoin zum groessten elektronischen festival der schweiz, dass jedes jahr waehrend 3 tagen ueber 20000 besucher an pfingsten ins casino montreux zieht und mit einem weltklasse lineup glaenzt. topstars der elektronischen musik wie david guetta, martin solveig, laurent wolf, remady, dj antoine, avicii, afrojack uvm. geben sich ein stelldichein der extraklasse. die compilation enthaelt die aktuellen titel aus den charts und hits der grossen headliner des festivals. zusammengestellt und gemixt wird erneut von igor blaska.

repress - the tone always makes the music. but only those who actually make the sound? an ancient-house-avantgarde dream has always been there since the legendary warehouse days of ron hardy, to bring more sounds and tones constantly to an independent, repetitive development. and thus beyond the limits of an executive creative artist on the otherwise purely commercial sense what we call in common beyond imagination. raw footage, the latest album concoction of chicago house legend ron trent (prescription) on his new imprint electric blue works in the best sense of stanislav lem heroes trurl & klapauciusals, cruising like those two metal brains frantically invented by the universe of 4/4-sounds to get insane tracks out of the new material matter located there, and put them together to brand new ones. this trackwerk varies as well as of course between classical chi-town to the context of contemporary, epic house dubs and lives in a perfidious manner from the interaction of various computer modules that constantly spits out new and exciting interactions. in the end, the software sings only as digital output of great analog sounds, which may well be understood as a mocking voice to the majority of contemporary homeboy wackiness format

reissue