bruno pronsato returns with his new album, a face wasted on the theatre, written & produced in collaboration with the israeli musician, yonatan levi.
pronsato and levi have been collaborating intermittently since 2014, with levi adding bass guitar to tracks on both pronsato’s us drag lp from last year and 2016’s ndf ep, cruel is the color, as well as contrabass on a track on pronsato’s archangel lp from 2014.
written in the afternoons and between two different studios in berlin’s prenzlauer berg, the album spans eight tracks, with yonatan levi playing on bass guitar on six of them. it also features guest appearances by downtown composer/producer peter gordon and israeli saxophonist yonatan yudkowitz on “bring me a kill.”

studio bruno is the joint project of johannes beck as well as his friend musicians and producers. the concept of studio bruno is based on a one week stay at studio bruno in an old farmhouse in steigerwald, franconia, a lovely nature park in north bavaria, where each musician invited brings a machine or an instrument of his choice. the focus of that week is the common producing and live improvising.for the first record steffen bennemann (nachtdigital) and sevensol (kann) were invited. sevensol brought his tr-707, his monotron delay and steffen bennemann came with his field recorder. the result of this one-week session is a deep house track with a distorted synth line and a krautrock-slash-funky jazz track!

its no secret that in recent years brazil has become a breeding ground of sorts for dirtybird talent, and two artists at the top, bruno furlan & dj glen, come together for the massive another planet ep. truly sounding like they were made in a studio from a different world, both the title tracks and the flip side, ducking, will stop your feet in your tracks when you hear it, and then get them going full speed when it comes back end. colossal basslines, mammoth breakdowns and a bunch of extra terrestrial sounds and rhythms make this one of our most unique releases of the year, and will surely be on of the biggest.

multi-platinum artist awolnation announced the release of their third studio album, here come the runts, on february 2, 2018. bruno spent 2016 crafting the album in his home studio nestled in the coastal mountain range separating the pacific ocean and the suburbs of los angeles where he grew up. the secluded location is reflected throughout the album. “the record definitely has a feel to it that seems parallel to the vibe of this mountain and the land,” bruno notes. “it’s like a non-gmo record. there’s no fake shit on there, none of the vocals are tuned. it’s all real playing.”

brooklyn duo xeno and oaklander are a minimal electronics girl/boy duo from brooklyn, ny. they began writing music and soundtracks in 2004. liz wendelbo is french / norwegian and sean mcbride is from maryland. they record their songs live in their brooklyn studio and play analogue synthesizers and instruments exclusively. this summer, xeno and oaklander bring their minimal electronic sounds to ghostly international with new album par avion, their first for the label.
the vinyl lp comes with download code for the full album.

dj support by laurent garnier, cassy, raresh, frederico molinari, camea, arnaud le texier... based in beautiful country side of florence, bosconi records represents the freshest vibe of the new electronic tech house movement from this part of italy. the first release of the label has the pleasure to introduce you the collaboration between two big friends, representing of the finest contemporary electronic house scene, minimono and bruno pronsato. the a side, arianna and i, has the classic brunos touch, always moving forward to his research into musical experiments. following the success of his latest longplayer on hello?repeat why cant we be like us , bruno is back now with a superb sound designed track: big subbasses, tiny sumbliminal percussions, and spectral talking voices, one for the fat dancefloors and the spooky minds. on the flip the florentian duo minimono, after their acclaimed release on love letters from oslo , drop out a jumpy track with a caribbean rocksteady feeling, dubby and funky house in the groovy vein of a modern soundhack and studio one release. baby come back is happy, loopy, plenty of positive musical colors, tropical, funky and properly made for your legs, your smile and your party time on the seaside

two companion pieces make up the new foom 12inch. on the a-side, ostgut ton regular tobias freund artfully reframes patrick cowley & jorge socarras you laugh at my face. it was produced by patrick cowley and recorded in his home studio in california in the late 1970s. on the b-side, elegantly balanced between euphoria and melancholia, half hawaii (bruno pronsato & sammy dee) share watch the flash with us

originating from lima, peru - sabor y control has been holding the torch for classic salsa dura and descarga in their home country for the last 17+ years, churning out an unprecedented 7 studio albums and countless live shows and festivals. led by saxophonist bruno macher and a talented orchestra of the highest order, the group maintains a steadfast dedication to the roots of the genre while maintaining a particular vision and style throughout their own original compositions. they have been a rare beacon of light for modern salsa peruana and salseros throughout south america. now, they ve teamed up with brooklyn s names you can trust to produce their first ever vinyl release to showcase internationally. this pair of sure shot salsa bombas feature incredible arrangements & writing that are at once deep, uplifting and primed for the dancers. it s a superb taster of tunes remixed and remastered exclusively for 7-inch vinyl play.

drummer amir bresler, born in 89, has been established as one of the most sought after israeli drummers, performing in israel and abroad at prominent local and world stage jazz festivals. starting his musical education at the age of 13, amir was first exposed to jazz music at the age of 15 upon his enrollment for the jazz program at the thelma-yellin national high school of the arts from which he graduated with honors. in 2010 amir joined the world renowned bass player, singer and composer avishai cohen, in concerts globally. avishai cohen is considered to be one of the most successful jazz artists in the world today. amir also performed alongside visiting musicians like sam yahel, joel fraham, mark turner, kirk lightsay, dwayne bruno. in addition, amir played with various israeli artists among these are, daniel zamir, omer klein, kutiman, nitai hershkovits, yotam silbrestein, amos hoffman, gilad abro, shai maestro, to name a few. this release is comprised of two tracks, originally composed and recorded for meinl cymbals drummers-videos-series. these tracks were later chosen by amir to be officially released. the first track, afro golden line, is inspired by 70s african high-life music (specially from ghana and nigeria) this is an odd-meter afro-beat track. featuring sefi zislings distinct trumpet melody and uzi ramirez s playful guitar. the second track, fish, is taken from lbts old mixtapes (originally with vocals by kerendun). it was re-recorded at amirs studio while bassist beno hendler & keyboardist nomok composed the third part of the track. both tracks were produced with rejoicer.