the roots percussionist with a new solo ep.

stro elliott’s classic flip of soul ii soul’s “back to life” has been burning dancefloors down for a few years now. previously available on his debut self-titled street corner music lp, it will now available on 7”, backed with his flip of “walk like an egyptian” from his follow up ep coming later this year on scm, this 7” is a must have for dj’s worldwide.

the hamilton mixtape ist ein hochkarätiges mixtape mit sia, the roots, wiz khalifa, busta rhymes, nas u. v.m. als spin-off zum gigantisch erfolgreichen hiphop broadway musical, das vom grammy-, tony- und emmy gewinner lin-manuel miranda erschaffen wurde.
das doppel-vinyl erscheint im klappcover.

brand new album from kaidi tatham!

limited and numbered mint green double vinyl, including poster and code for download of the full 31 track compilation.

rising young talent, elliot adamson, has been on the edible radar for a couple of years already, so it’s fitting that his debut for the eats everything curated imprint marks the label’s tenth release. the newcastle born producer has been gathering an arsenal of some of the freshest and inventive house music for some time now, and two of these cuts are ripe and ready for consumption on this tasty edible release. with its insatiable jackin’ vibe, “still workin” has already become a firm favourite in the dj sets of eats everything, the dj deeon sampling track keeps pumping pure energy and classic chi- town house troupes from start to finish, with a rasping bassline riff worming its way around the solid kicks and clattering hats. the fantastically named “where the fucks my flanger at?” clearly represents his love of raw and undiluted house music. coming from the cajual/relief school of trax, this is another crafty and playful club cut from the house of adamson. having built up a strong following already, and support for his music from djs like jackmaster, skream and patrick topping,

jäfar make a rapid return to the label and are back to grace the a side of fragil 019, while one half of the duo (elliot sindall) also pairs up with constantin nakov as seura on the flip. black mamba recalls certain aspects of jäfar s previous work on the label: the broken drum line, the subtle vocal samples and the global hypnotic aspect of the music. yet it is also radically different from marzsia. black mamba is a subtle but direct club track, aiming to get the dancers down through its heavy groove. the kick drum and low toms are strongly suggesting leg movement, joining forces with the snares and hats which call upon some serious head nodding.on the b side, white chapel is another broken beat club piece, but this time feels crafted for the afterhours. the groove is lighter and the heady feel is strong, closing the dancer s eyes and inviting them to drift through the music. once again, fragil comes up with original, well produced and highly danceable content, highlighting unsung talents for every versatile dj out there.

the debut album from french producer j-zen as 12 inch vinyl lp plus download code.

ostgut ton turns zehn with label compilation and thirty new tracks

first in a new vinyl series from reel people music. all 4 tracks have never been released on vinyl before.

first word records is thrilled to announce the next lp release of 2019.14kt presents iamabeenie: for my sanity.

we welcome elliot litrowski as newest member of the moustache records family. his debut called schmock machine ep will be released as moustache records 037. the ep title track song schmockmachine is an uptempo tr707 beat, a really strong arpeggio, deep smooth strings with top break. a2 arpeggiophobia moog synths, deep basslines and deeper strings topped with hipster plastic drums. b1 he somtimes goes out at night is a powerfull track with pumping tr-707 beat, obvious italo strings, some acid, a mega party break and an alden tyrell kinda bassline already played by label owner david vunk himself a numberous parties. b2 patrique,s world a more slower beaytifull track with cowbells, sharp snaredrums and a very niche bassline, some flanger hi-hats and there you go. again a top quality release for the dancefloor.. be prepared for the killer ep. do not play this under 16 years old. gone is gone. this is a top hit!

following the success of our recent reissues of classic tracks from the vaults team-jalapeno decided to start 2018 strong with another 7inch release of two certified bangers from our very own breaks legends skeewiff. our dear label co-founders and creative minds whose four skeewiff albums set the agenda for the jalapeno funk machine that you know and love alex rizzo and elliot ireland have never been found wanting. these guys are the godfathers of the lounge and breaks scenes, they put the fun into funk, and if rumours are to be believed they could mix before they could walk! from the very first opening horns salvo on mexican flyer you know this track means business. a driving bassline and in-your-face drums provide the backdrop for all sorts of sonic madness with dj cuts, horn solos and breaks galore. it s a bona-fide fiesta that fits neatly in your 45s bag. with this little number in the arsenal the only worry that the djs will have is the stampede to the dancefloor. over on the flipside delta dawn sees the guys get a little help from a famously little lady with one of the most recognisable voices in country music. but make no mistake this is no barn dance… breaks, bass and a healthy dose of hammond wizardry inject the funk into proceedings to complete this 7inch club weapon of mass destruction. it s a double act that s up there with the best of them and a must have for fans of jalapeno and high quality party music

with spring well and truly in the air and party season in step, mosaic records boss steve o sullivan launches mosaic s 38th release - joining forces with fellow londoner frazer campbell for a new studio collaboration. not content with letting the dust settle from his recent work alongside ricardo villalobos, o sullivan has stayed a little closer to his london home to work with frazer campbell for this latest tag team effort. a dextrous hand in the mix and producer in his own right, campbell has a passion for all things that sit on the deeper end of the house, techno and electronica spectrum. in his own words, thought emoting music is central to his mission having launched open recordings and elliot project records last year: a worthy sparring partner indeed. since the start of the year, the pair had their heads down focusing on finding a happy medium between deeply swung grooves and the airy influences of detroit - shaking out an interesting trio of tracks for their label debut. far from treading the obvious path, the main event a1 hypnotonic revels in a lighter touch as metronomic beat programming cycles endlessly to a held set of notes. off-kilter bass pulses, warped out vocals and effect splashes all intersect to keep the energy input constant as they capture one of those less frenzied moments where the very notion of time seems to hold still. make no mistake, this is a slow burn vibe. head to the flipside b1 soultonic to plunge yourself straight into hip twitching mode when the lights go down. a deep chord, syncopated hats and deftly tweaked synths echo as a full dose of shuffle inflicts its move. simple yet so effective, this track will not let you down. winding things back up a touch, the tougher edge of alleyway funk pushes the feeling on thanks to a thumping kick and a deft nod towards uk garage. met with a soft glisten of a rhodes piano and tweakish melody, the pair round things off in a boyant mood - fans of soul capsule and schatrax will no doubt agree. repeat play of this ep is recommended as its all the more rewarding for it.

the record cover shows a woman walking towards dusk - or is it dawn. two years after the success of night moves, a wander through a threatening nocturnal los angeles, h burns returns with a new record for twilight. kid we own the summer finds its identity between a few landmarks such as david lynch and angelo badalamentis california, the intimacy of bruce springsteens darkness on the edge of town, the relative calmness of suicideÕs second album, and the elegant melancholy of the national. in order to compose, renaud brustlein aka h burns decided to reinvent himself once again. he didnt repeat the live configuration that he used in 2013 with off the map, an electric storm recorded in chicago, with a band, in a single week, with the legendary steve albini. for kid we own the summer, the composer started working in his home studio, by gradual touches, because thereÕs no place like home. the result? a melancholy cinematic stroll across stories of misguided couples, unspoken words that end-up ruining peoples lives, the pursuit of dangerous situations, like an elegy to the end of adolescence - leading to a place were unsure of. born from a keyboard, a piano and a beatbox, these ten songs were brought to light, as always with infinite delicacy, by impeccable guests-friends strings by bertrand belin and vaporous keyboards by denis clavaizolle (bashung, murat, daniel darc) mixed by rob schnapf (elliot smith, beck) and mastered by the great greg calbi (springsteen, dylan, paul simon). noisey said of night moves that it was the perfect record for all the cold and sad months to come

• finally here - the new 4 tracker from jonas kopp
• beautifully marbled black and white vinyl – see pics below
• fully printed sleeve
• played and strongly supported by the likes of: marcel dettmann, anthony parasole, pfirter, etapp kyle, perc, rryan elliott, psyk, rodhad, bas mooy, chris leibing, gary beck, kriz, aiken...

it s a big honor that the former member and -minister of information- of underground resistance from detroit alan oldham aka dj t-1000 does a remix for this release. living between berlin and detroit, alan is a mastermind in electronic music and has pitched this track to a strong minimal -detroit meets berlin- version. the gunman remix is a more dramatic sub bass story. with snipped parts of the sigrid elliot vocals, a volumized organ and fx sounds, gunman gives you a blast for the dancefloor peak time. simon beeston, a music lover from new zealand who s also living in berlin, does a deep remix. with drums and a nice sub bass, he s showing his style.

lets start with the italian ilario alicante and his dj-mix to get the immediate scoop of what makes this guy so special: we cannot describe it other than saying this mix rules! strong but relaxed at the same time with a good variation and xxl deepness in the selection makes this mix a great house-excursion. this is the sound of hot summer nights and happy people dancing til the morning. you can imagine this very special summer party vibe while listening to ilarios mix which incorporates the right elements such as emotional piano-breaks, cool vocal-samples, kicking house-beats and hypnotic basslines.

mote-evolver welcomes back psyk (aka manuel años) after his strong label debut release, distane. for his second mote-evolver release, psyk delivers yet another standout effort with four tool-oriented tracks of clean, tight, yet powerful minimalistic approach.
early support from: adam beyer, rolando, brendon moeller, ryan elliott, pär grindvik, scanmode, stray landings ...

strong techno release! big with surgeon, ed davenport, psycatron, ben sims, perc, james ruskin etc.

supported by: ben klock, marcel dettmann, ryan elliot, derrick may, cassy, rhadoo, zip, sven väth, pedro, raresh, dana ruh, davide squillace, radio slave, vera, dorian paic, spencer parker, tato,..edec is back to deliver a second offering of floor destroyers. this ep combines the forces of jon hester and the remix skills of dvs1, two purveyors of rhythm hailing from the hidden techno gem of minneapolis, usa. shouts in the dark (original mix) tough concrete beats pump the speakers with urgent rhythm to get pulses pounding. a danceable jack vibe permeates a punchy kick and ricochet percussion, with building pressure in undercurrent noise setting up a strong break. shouts slice through the percussion to make this an upbeat techno burner. shouts in the dark (dvs1 found the light mix) by adding some moody synths, noise, and reducing the percussion, dvs1 (transmat, klockworks) lifts this interpretation into beams of light. no more words to speak as bright versions of the original sounds weave their way into a tight groove under smooth, shimmering synth waves, punctuated by sharpened claps. shouts in the dark (dvs1 lost in the dark mix) dvs1s darker interpretation strips back to sparse synths, snapping highs, a deep kick, and pushed into the shadows.

high demand us yielded us volume 3 very quickly. slight bump up for the dancefloor vs volume2. wiggling its way around the decks. function, ryan elliot, galuzzi, etc support strong.