merak ep by sev dah marks the debut release on the berlin-based, vinyl-only label dust in grooves. comes in an augmented reality cover.

11th release of proletarijat

the bin001 is the first release on the binÄr-label by sev dah. the ep includes different facets of techno starting with a groovy, tooly sound over rough flows and ending with dreamy chords. the tracks are mastered by nihad tule.

detroit influences to shaking 909 sexy-vibes over to machinery working-class techno

stanislav tolkachev, nihad tule & skudge remixes

vinyl only - limited

unis aka nihad tule & sev dah

8th release of proletarijat

vinyl only, 4 track label compilation

for the fourth vinyl release on his label nord ltd, shkedul welcomes on board sev dah, specific objects & keikari. the result is a dj-friendly record, composed by heavy, mind-blowing techno tools.

technopartisan sev dah bringt uns hypnotischen tool-techno vom aller feinsten.

3 new uncompromising banger tracks on vinyl by sev dah oozing of nineties techno nostalgia, but not because of some stylistic choice. rather nostalgia as a form of dedication and belief.

with this release, sev dah continues to celebrate those who dedicated their lives fighting fascism. two old-school techno beasts as a nod to those who came before us, finishing with a futuristic space-traveller on the b-side as a reminder that the fight never ends

sev dah and his label proletarijat. rom the near intimidating gravity of strah to the dystopian fight music of zastava m48, via the solemn yet commanding hymn for fallen comrades in tovaris, sev dah manages to create somethingthat is as personal as it is universal. techno with a firm standpoint and loads of force to back it up.

the 3rd release on proletarijat is about to continue the story about sev dah’s vision of todays values of techno. mental and driving but simple and yet emotional is the concept of proletarijat003, and sev dah did the job on the a side with -pledge- - the synth is hypnotising but yet forward going, a true techno banger that’s order is to transform your reality.
-the universal mother- on a2 is an emotional experimental/ambient vision of unity and brotherhood.
b side’s -sloga- is the more simple side of 003 but also the most powerful story that sev is telling here.

three long years after it last graced our ears, the parallel series is back with a new pair of well-established producers. this fifth edition sees sev dah and jeff rushin take on a side each, the result being four expertly crafted pieces oftechno aimed straight for early mornings on darker dance floors

sev dah is back with his 2nd output on his label proletarijat with similar mindset as in the first ep. simple as it is:
- techno!
- resistance!

prime time techno

snaga the angry hungry acid monster wants to hurt you bad. he/she/it is joined by tezina, a highly useful techno tool that puts a beat to the voices in your head. on the flip, super production duo johanna knutsson and hans berg tame the beast and send him/her/it on a solo mission to a galaxy far, far away

sev dah brings his brand of powerful, no-nonsense techno with the mighty, pounding xanax. life of the unborn takes a more experimental approach and offers a dark and haunting soundscape. inter gritty is on remix duty, stripping it down and turning the ep around with his jacking, chicago-inspired take on xanax.

phat prime time techno / incl antigone & jonas kopp rmxs

sev dah makes his debut on komisch with three unique club tracks. the mysterious producer has been making waves with releases on naked index and gynoid, but he has reserved his most individualistic music for komisch. lead track otit revolves around a surging, powerful bass and subtle metallic percussion. its a prelude for a doomy synth line that gives the track an intangibly eerie feeling. on the flip, disciple is led by heavy claps and a more stepping rhythm, but the lunging bass and eerie synths ensure that itll have maximum impact in a club. >tension< also travels a less obvious route thanks to its offbeat rhythm. but its beats are stomping and the dark, churning filter, coupled with sev dahs haunting synths, means its getting support acoss the board

including remix by brian miller aka detroit people mover.
supported by: darko esser, lee holman, dvs1, jeroen search, jonas kopp, dimi angelis, paul boex, markus suckut, sebastian bayne, echoplex, go hiyama, miss sunshine, samuli kemppi, philippe petit ...

stunning minimal techno !!

fifth k s r release with tracks from kwartz, sev dah, diego amura and label head kaiser. repress on black vinyl in generic sleeve.

k s r is celebrating release nr. 10 with pressing this limited 2x12” by various artists. repress incoming!

reissue - the final album recorded by coltrane under his own supervision for atlantic records, ole coltrane features several of the players from africa/brass, which was recorded two days earlier, and is widely considered one of the premiere statements of avant garde jazz as well as the moment that coltrane moved from an accessible artist to a more daring and complicated one.

das forgemasters-trio: winston hazel, sean maher und rob gordon wurden erstmals mit ihrem mittlerweile legendären track with no name gefeiert und haben als erste veröffentlichung auf warp records (wap1) prestige. skies over sheffield wartet jedoch seit seiner konzeption in den frühen 90er jahren in den startlöchern. fast zwei jahrzehnte lang war die sonne über der strecke untergegangen, die in einer alten aufnahme von winston hazels sheffield community radio aus dem jahr 1992 eingebettet war. daher sind wir sehr stolz darauf, die lang erwartete morgendämmerung von skies over sheffield auf seven hills records anzukündigen.

second of two releases, celebrating 5 years of float records.

radio slave’s colossal ‘the revenge’ track now gets expert remix treatment from klasse wrecks label head luca lozano. luca has also released on the likes of optimo, sex tags ufo and unknown to the unknown and brings a raw, acid tinged sound to his beats. as a performer lozano’s versatile dj sets span between raw house, cosmic disco and dynamic breakbeat selections, which is why he’s become a regular at key clubs across europe and tasteful festivals like houghton. his ‘how bow dis’ remix’ is solid and features wild old school flavours in its huge drum breaks, a monstrous bassline and dark filtered vocals. it bangs for seven superbly heavy minutes with plenty of twists and turns along the way, and will transform any club or warehouse into a writhing, sweaty mass in seconds. on the flip, his ‘how bow dah’’ version is based around elastic drums and rumbling bass while a loose synth line darts about up top. some distant synths bring a sense of serenity to the madness and so despite the physical impact of this one, it also has real emotion to it.

nice price deal !!! italic s neuentdeckung kommt erfrischend oldschoolig daher. acid house modern verpackt & ein popnoname remix für dein sonnenaufgang set

third instalment of the unknown entity series, this ep delivers four tracks of science fiction and horror soundtrack inspired techno. the a side is dominated by two floor ready cuts, lurching thumper feart and a devastatingly broken remix by serbian producer scalameriya. side b trips into leftfield territory with sleep deprived creeper peripheral visions. the serbian connection continues with lag delivering an offkilter franticly driving reworking of the original.
support from orde meikle // rivet // mike darkfloor // norman nodge // scalameriya // lag // martyn hare // surit (nx1) james ruskin // sev dah // takaaki itoh // par grindvik // kwartz // markus sukut laurent garnier // roman rubique // hd substance // nihad tule // xhei // patrick seich ryuji takeuchi // sandrien // p.e.a.r.l. // joton // twr72 // ctrls // truss // dave tarrida patrick dsp // patrick walker // ingen // clouds // substance (dj pete) // perc // zenker brothers // forward strategy group // bleaching agent // rod

limited vinyl lp in gatefold sleeve with album-cd included.
on the cover of their new album malamore, their first album for because music, lionel and marie limiñanas are back in black, and looking ineffably cool, standing next to a classic silver fifties trailer, shot at a beach festival in the french town of paulilles by the spanish border, just 30 minutes drive from the duo’s home town of perpignan. they’d been playing a dj set, “only with 45 rpm vinyl - sixties punk, italian pop, movie soundtracks and seventies rock tracks,” they recall. “the picture syncs well to the colour of malamore, like the artwork of a movie soundtrack. the lettering on the cover is significant too.

von zeit zu zeit kommt ein dj, sänger oder produzent daher, der zwischen den unterschiedlichen szenen wandelt, der die brücke zwischen den einzelnen bewegungen schlägt und deren musikfans vereint. seven davis jr hat diese qualität. seine produktionen haben eine rohheit, einen losen, hoppelnden groove, der selbst die hartnäckigsten hüften in bewegung bringt

highly limited vinyl only release to accompany theory 044. strictly limited to 150 copies on transparent vinyl. dj support from: rolando, truncate, clouds, luke slater, dj deep, dvs1, ben klock, dave clarke, surgeon, marvel fengler, skream, sev dah, marel dettmann, kryptic minds, benjamin damage, gerd , j tijn + ben sims.

theory is back with a super solid release and lil something for everyone! heavy machine funking jams from ben sims get the remix treatment from mighty marcelus plus a bonus dubbed out (vinyl only) club groove. enjoy! early support from: rolando, truncate, clouds, luke slater, dj deep, dvs1, ben klock, dave clarke, surgeon, marvel fengler, skream, sev dah, marel dettmann, kryptic minds, benjamin damage,gerd,j tijn, ben sims

progressive minimalism in finest italian style, delivered by oliver dahl and andrea bertolini.

in 2001 >the difference< was released on dk recordings as the seventh release and it later got licensed to output recordings,thus the project was called dk7. dk7 recordings was funded by jesper dahlbäck and mark o sullivan and is not to be associated with dk recordings

jori hulkkonnen is back on fcom after several acclaimed releases in collaboration with jesper dahlback and tuomas salmela on get physical and rekids.

loved by: laurent garnier, dave clarke (top 10!!) and funk d void, featured on bbc essential by deep dish !! the third installment in the dk7 remix series. an across the board affair where scene stalwarts slam take the dark path to the floor with heart like demon,steve rachmads two schools of thought on life is everywhere and 6am weather girl fan phil kieran dubs it up. in 2001 >the difference< was released on dk recordings as the seventh release and it later got licensed to output recordings,thus the project was called dk7. dk7 recordings was funded by jesper dahlbäck and mark o sullivan and is not to be associated with dk recordings.

tommy four seven is a young successful and prolific producer : not only has he had tracks signed to labels like brique rouge, catwash records, io music, love minus zero and jm recordings, but he has also remixed artists such as mike monday, fex, tom pooks and mark o sullivan. being a permanent member of the br mob, hes the future of the label. mark o sullivan is half of dk7 with jesper dahlbäck and member of the mighty quark. hes currently leaving in sweden where hes listening to too much electro-house. but mark is a clever producer. together they teamed up to offer kill brique an absolute monster ep for the dancefloor. joining in is tag-team of.

belgium is back! besides activists like the gimmers, marco bailey and spirit catcher there is a new star rising up in the landscape of electronic music. besides releases on labels like turbo, blue fin and king kong, kolombo has founded his own creative cell called vice versa. >seat back< is the original version produced by the loulou players member himself and >back seat< has been remixed by swedish top producer david ekenbäck who has already made several great productions with stockholm wunderkind john dahlbäck. definitely something to watch out for

-limited one sided release- miami summer hit !!! hammered by pete tong, steve angello, axwell, eric prydz… this release is the highly anticipated john dahlback track >everywhere<. after a mammoth seven plays from pete tong (including being the essential n

dj fex is an accomplished produced and dj. having released tracks on such labels as serial, brique rouge, hypnotic, dessous, visitor, gourmet or systematic, his reputation is not to be done. as a dj, fex is a resident at mix club in paris and resident of the famous parties kings.fex gives us one of his best work so far, totally in the vein of what he does on his own label robotronic. acid forever is a moody yet obsessive track with a strong melody. its not particulary acid sounding but the vibe is here and it stays forever! on the remix tip, man of the moment tommy four seven, always on top form when it comes to make people dance and mark o’sullivan, half of dk7 with jesper dahlbäck and half of mark & john with his cousin john, member of the swedish mafia, who has recently remixed mike monday and had a release on plastic city lately. overall a strong package of mixes again

remix-package with mark o sullivan, john dahlbaeck and tommy four seven !!supported by tiga, abe duque, david duriez, dave tarrida, mr c...

the belgian multi activist, dj and producer kolombo who released several massive productions on labels like king kong records, loulou records, jackmoves and under water, has now finally decided to start his own imprint called vice versa. the first output on the label is this collaboration with swedish mate and fellow staffan linzatti who had his debut release together with john dahlbäck on pickadoll in 2005

a highly twisted electro house bomb here with all the trimmings 2 very fired up and supercharged mixes from john dahlback on this rooster and peralta penned number that features spoken vox as well as totally demented electro synth hooks

garden of love one of the first single tracks feat peter hook (new order) on the cover of their new album malamore, their first album for because music, lionel and marie limi–anas are back in black, and looking ineffably cool, standing next to a classic silver fifties trailer, shot at a beach festival in the french town of paulilles by the spanish border, just 30 minutes drive from the duos home town of perpignan. theyd been playing a dj set, only with 45 rpm vinyl - sixties punk, italian pop, movie soundtracks and seventies rock tracks, they recall. the picture syncs well to the colour of malamore, like the artwork of a movie soundtrack. the lettering on the cover is significant too.