tracks and dialogues from the 1974 movie “the internecine project” on 7 inch vinyl.

ultra limited 2x7 inch vinyl collection

ultra limited double 7inch collection

ultra limited 7 inch collection, soundtrack

tracks from the 1971 uk movie “get carter” on double 7 inch.

tracks from the 1974 uk movie “the black windmill” on double 7 inch.

tracks from the 1975 movie “diamonds” on double 7 inch.

low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.

stag-o-lee presents buzzsaw joint cut #9.

2x12 inch gatefold lp

a pure goa-trance-classics compilation, back on vinyl with astral projection, mfg, xenomorph, shakta, oforia,... !

limited 180 gram black double vinyl, housed in a gatefold sleeve

arttu is back on royal oak after his critically acclaimed nuclear funk / get up of it release late 2011. another split single featuring two detroit jazz and funk vocalists. the female poet diamondancer on tune in and the his buddy from jerry the cat on move! arttu smoothly blends his roots in the best house traditions with contemporary influences on these two tracks. recommended!!

big 3s three-disc set buddy holly & the rock n roll giants devotes two of its discs to buddy s classic recordings and gives the last disc over to the rock n roll giants - a collection of sides from the likes of fats domino, elvis presley, jerry lee lewis, gene vincent, little richard, carl perkins, eddie cochran, bill haley, roy orbison, and the everly brothers that also finds space for bobby charles, johnny burnette, big joe turner, lloyd price, the robins, and tommy scott, among others. not every song selection here is spot-on, either for buddy or for the giants...

after many huge works in others labels as off recordings, disco royal, natural rhythm, religio audio and many others, supported by loco dice, nick curly, sis, audiofly, shinedoe, dj t., robert dietz, david labeij, dan ghenacia, gel abril, lauhaus, markus fix, andre crom, aldo cadiz and many more … its time for >triangle disco< b< paul cart & manu-l, the debut release of the cool fresh label triangle records, the bright levels issues by the forward producer michele pinna. the release comprises of 2 tracks from paul carts typical style, processing elements like house vocals, organic drums and percussion maintaining ever up the groovy trademark with fat sub baselines and banging breakdowns, and an huge remix from the long time buddy manu-l.

small low profile run of this reggie dokes >until tomorrow< remix 12. a-side is done by serge who finally did hit the studio with his buddy gerd and played around a bit with the lovely original version. flip side is done by the talented ben sun (known for his tracks on the new voyeurhythm label). two fine house version approaching the original on two different ways. highly limited copies with simple black label and royal oak stamp.

blinding, melodious deep-tech 4 tracker from dave barker who already can boast impressive releases on imperial dub, classic and collabos with his buddy brett johnson. jump right in on last train outwith its rattling, metallic rhythm, sweeping pads, a catchy piano melody and smooth key changes or get into a skanking mode with the off-beat, resilient roy roosterwhich bears a ressemblance to late 60s / early 70s reggae instrumentals not just because of the beats but also for the exotic spaghetti-western-like melody