limited black 12inch vinyl lp in handmade white cardboard box, black inner sleeve, including 40-page magazine english/german.

b-stock! cover with seam split. vinyl unaffected & mint. atomtm and x1n are back

italian songwriting with an electronic influences

remix album

experimental music

aka eva geist and donato dozzy, ltd 2021 repress

experimental

since the last senking album >pong< (r-n122) was a great success in 2010 and sold out quickly raster-noton swiftly asked for a follow-up of massels sound cosmos. on >tweek< senking again reveals his sense of cineastic atmospheres and dark abysmal depths of sound, which are subordinate to extremely slow choky basses and delayed beats. references to dubstep are rather the result of testing the outlying areas of the frequency spectrum than a direct relation to the genre. nevertheless it seemed very obvious to release senkings sound on 12inch vinyl to follow the footsteps of >plasticstar< (r-n081) and >pruitt igoe< (r-n124), >tweek< is meant to be a dj-tool for a club environment. >tweek< refers to a character of the well known us series >southpark<, who plays with feelings of incertitude and nervous decease. the album documents the eagerness to experiment and indicates astonishing ideas shining through the dark substance. the tracks even reveal cheerful and comical features.

debut lp

italian songwriting with an electronic influences

fist solo album of danish alexander tillegreen

electrnic album

electronic album

originally released in 2005

experimental

frank vigrouxs presents magnetoscope

limited to 500 copies!

new raster

atomtm and x1n are back

experimental

new atom tm stuff

sichten 1 new on raster

masaaki takes his musical cue from natural phenomenon and laws of nature by trying to reconstruct them.

byetone s new record symeta opens with a combined track - a transit - since topas and telegramm could be seen as one single piece. both tracks convey the atmosphere of a live session rather than the character of a studio production. the tracks are quite long and deal with repetition, layers of sounds, density and energy, more than melodic and engineering finesse. the whole album follows this approach, as it was fashioned within the context of live performances during the last two years. neuschnee Ð the third track Ð has an obviously reduced tempo, creating a wide landscape of sound with an intimate aura, which works as a counter draft to the other tracks of the record. with opal, the tempo speeds up again, a polyrhythmic phrase whirls around a straight beat, filters are turned, all that evokes the impression of early-90s minimal techno. byetone is basically interested in remembering, in a way to preserve, in citing rock/pop styles, without getting stuck in the past, whereas non of the tracks really fit into a specific genre. seen from this perspective, helix opens the final, more rocky block of the album. here, the tracks are offensive and rude and sound like a band in a rehearsal room. this part peaks with black peace in a high speed heavy metal session. finally, golden elegy closes symeta and a band-like situation occurs. the track ends with a wired lament, presented by jan kummer in the tenor of chemnitz, hometown of both artists. in former gdr-times, they started their musical activity with the brilliant-dilettantish ag geige, together with frank bretschneider (komet). symeta , the title of the album, appears mysterious. this synthetic word arouses associations with symmetry, synthesis or (meta-)structures. it doesn t stand for a definite object, there isn t any solution, and that is the reason why the title has been chosen. byetone s music tries to create such associations without really fulfilling these expectations. in this sense, symeta consequently follows death of a typographer (r-n92), the well received predecessor.

debut album

repress, electro, experimental

cranky, glitchy digital funk on raster noton.

atom tms ep riding the void is, together with the visual works of hd+, the conclusion of his critical yet

after a break of 5 years, alva noto continues his xerrox series with »xerrox vol. 3«, entitled »towards space«, a journey that started with »xerrox vol. 1«, referring to the »old world«, and »xerrox vol. 2«, heading »to the new world«.

after successful ep collapsed (r-n116) the bristol based project strikes back with a full length album on raster-noton. once more james ginzburg & paul purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound

vladislav delays ep >espoo< features two new conceptual, rhythm-intense tracks. whereas the groove of the opener >olari< derives from a sound loop which is manipulated by filters and echoes and finally brings forth the intensifying beat, the reverse is done with >kolari< on the b-side. starting from an impulsive, staccato beat, a sound carpet is woven by means of modifiers which gradually shape a permanent vacation-like melody, close to terry rileys minimalistic concepts. both tracks share a linear increase in density, and because of their break with the common four-four time, they create a certain folkloric atmosphere. like with >vantaa<, the experienced music producer vladislav delay continues his search for dance-floor compatible, yet unique and fresh music.

>univrs< follows on from and develops the concept of the album unitxt (raster-noton, 2008). whereas the focus of unitxt was on the processing of rhythmic patterns (unit = unit of measurement, element) and information (txt = data, language), with univrs the focus is on the conceptual differentiation of a universal language (universum/universal = unity, entirety). the 14 tracks of univrs have evolved from a live context, hence the approach is more continuous and dense.

pruitt igoe is more than a post-modern icon, it represents an ancestral movement of hope and disillusion, of perfectly planned models and evaporated dreams

grischa lichtenberger is a new artist on raster-noton. for >treibgut< he recorded sounds from the world around him like a sliding tabletop, the noise of a radiator or the humming of a broken device. by means of digital manipulation these sounds are transformed into sound-giving instruments

new album >pounding< by frank bretschneider

radial alias esplendor geometrico and atomtm

cd incl booklet

nice price deal !!! hd+ is a data dvd, documenting uwe schmidt s aka atomtm s visual aesthetics for the first time. the conceptual engagement with and the critical yet diverting examination of pop music that s always delivered with a twinkle in the eye is a central topic of the musician s diverse creative work and cer- tainly included in this visual presentation of it. together with the second remix ep riding the void to be released this summer, hd+ marks the provisional completion of atomtm s hd cycle

mantle is already pixels forth release on raster-noton since his debut in 2003 and a further exploration of his approach to rhythm-driven, electronic music.

now raster stuff

atom tms >hd< showcases his huge muiscal versatility, decks tip!

re-release of the record originally released on 2014-02-24

experimental muisc

aka eva geist and donato dozzy

limited double vinyl edition including a handmade and signed silkscreen print

lena andersson is a fictional character created by berlin-based japanese artist kyoka and irish producer eomac.

nach ihrem vielgelobten debütalbum decadent yet depraved luden sich die aus berlin und los angeles stammenden produzenten verschiedene remix-künstler für ihr remixed 01 projekt ein.