incl skins junglist crew remix

atomospheric longplayer!

fresh and 90ties feeling:)

fragments of reality vol. 3

perfekt ausbalancierte mischung aus modernem, innovativem und vertrautem, aus altbewährten und technisch ausgefeilten.

detroit project pits presents a new ep from marshall applewhite. vinyl only release.

die in leeds ansässige partyreihe >on rotation<, startet ihr plattenlabel. adam pits sein debütalbum -a recurring nature- ist inspiriert von der zeit, die er mit freunden in der natur verbracht hat, während eines jahres, in dem clubbing ein ding der unmöglichkeit war

a compilation of breaky warpers, trancey sounds and driving basses, here comes spacelab.

adam pitts remixed by bliss inc

incl tape fear remix

incl. wonderful remixes by dj central and priori.

incl. seb wildblood remix

2x12 inch, 180 g vinyl

excellent versatile release from techno, bass , breakbeat to house , tip!!

adam pits drops out 4 real club weapons

mitreißende, gutterale und basslastige space cadets bekämpfen den prädisponierten anschein von weltraummusik mit einer sammlung schneller, packender und kompromissloser clubmusik.

incl ocb remix

wow, how time flies. i can’t believe i am putting out record number five already. this release comes from star of the future adam pits. i have known adam for a long time as he was a few years below me at school and then proceeded to go to uni in leeds like i did. he is from the same crew as breaka, and there must be something in the water up there because these guys and the rest of their mates are producing the best shit in town right now. it is a privilege to put out adam’s first piece of wax because these two tunes are dynamite from start to finish. all three tracks are produced and sculpted for the club. they want big sound systems and dark rooms. close your eyes, hold hands and experience transcendental space flight...

between house and techno!!

proper 4 lp box from kalahari oyster cult .. strong!!

incl adam pits & armec mixes

shouts 2021 vol.2

new album from weezer on vinyl lp.

dj life on dansu discs incl remixes from ciel and adam pitts!

new no moon on x-kalay and also features a remix from adam pitts

1st decade of one records , huge four track vinyl - thank you, this is part 1 of 3

dancefloor-filler !

collectors edition / 8x12 inch box / 180g vinyl

amidst the chameleon-like output of his many monikers such as ontal and figure/ground, brooklyn-based brenecki releases as his own name for the 3rd time in 10 years. mutated funk techno under skilled hands, out to thrash pits across 5 tracks reneging against modern technology manipulation.

garage bands suddenly obtain cult status and become the antithesis of their initial appeal’ garage class were a group of reluctant outliers who produced one of the finest contributions to the wave of uk diy music that emerged during the late 70s and early to mid-80s. hailing from alsager in north west england and comprised of tim shutt (vocals) phil murphy (lead guitar) clive williams (guitar) lynne sanders (bass) and phil bourne (drums / bass on studio recordings) garage class originally went by the name of the pits before their then manager steve hurt imposed an alias which, though unpopular within their ranks, would nevertheless reflect the shambolic art they would eventually capture on their first and only single.

continuously reimagining his sound and style, the grammy-winning artist sharam digsdeep into his bag of production tricks for his new project collecti, drawing heavily from the darker influences of techno. the album is comprised of a host of new material that he has been field testing with incredible response. -collecti is a culmination of work that represents my endeavors into a sound that has always been near and dear to my heart and central to my sets: techno. for my last album retroactive, i was fixated on all of my influences over the years, for this album, however, my focus is on the darker realms. these records are my dance floor experiments, my secret weapons, tracks that have been driving my sets and i m excited to share this body of work with everyone.- - sharam æspaci is the closest the album gets to house territory, with a groovy bassline and scattering drum fills, while a remastered version of sharam s 2010 tour de force hemi populates this single s b-side, a spastic eight-minute epic that pits chaotic synth squeals and chopped up noise against trudging, liquified bass. dj support: alan fitzpatrick layton giordani andres campo boris sam paganini arjun vagale

lessismore record label, founded in 2003 by the dutch dj and producer alexis tyrel together with mbc, has been home for mostly his own releases under all his monikers and various artist compilations. “return to planet alpha” continues in this tradition, being a second long-player of alexis tyrel after his debut “newtradition” from 2011.
“return to planet alpha” is a collection of elegant techno tracks which instead of following the now so popular dark and destructive path focuses on daily moods and airy atmosphere, which is closer to open air and lounge than to sweaty pits of contemporary rave. but that doesn’t mean that the twelve tracks are just indistinctive background music. for one thing, tyrel is a master of slick and tight beat foundations of kick drums and bass, often smoothed out with cool synth pads, onto which he layers all kinds of rhythmical chains, subtle melodic ideas and sounds ranging from vintage synths and industrial bits to organic textures and even field recordings.

up next on good company records is tourist kid s under armour suite , a power ambient head cleaner in four parts, built for the club, and best enjoyed at high volume. originally recorded in a sweltering bedroom in hawaii, the a-side pits rolling virtual piano against heavyweight clouds of crisp dsp that jitter and jostle at 125 bpm for this, local audio/visual artist rory glacken s first vinyl release. on the flip, the suite is reworked by basic mind, one half of gcr alumni long body, who lures a blowfly house stomper from the original s minimal, digital dusk. packaged in a disarmingly plain black sleeve !

two years on from his critically acclaimed self-titled debut lp and 2016’s similarly transcendent club hit safe/multiply, ghost culture is pleased to announce his new ep nucleus. due for release on phantasy, nucleus, captures the enigmatic london artist’s signature sound in the reflection of unexpected, vibrant new lights. leading with the understated groove of ‘coma’, ghost culture quickly reaffirms his unwavering ability to hold the collective energy of a dancefloor, yet colours his latest work with a sense of intimacy and experimentation that resonates stronger than ever. ‘ico130’ explores almost every facet of ghost culture’s electronic form, as gasping synths and stuttering drum patterns flirt with an aching, unfurling emotional vocal sample, acknowledging both classic idm influences such as aphex twin and authechre, while subtly nodding towards contemporary, crystalline rnb. the ep’s centrepiece, ‘ngc1275’ adds flavour to a stirring, reflective acid line, amid a complex flurry of minor deconstructions and distortions, highlighting ghost culture’s unique, contrarian ability to inspire both beckoning darkness and escapist fantasy through his work. while the opening half of the five track ep is more primed for the night, nucleus’ leads to an introspective denouement. ‘perseus’ pits raw electronics against a framework of loose, lucid drums, before ‘ngc1265’ delivers a wistful, brooding conclusion that makes an emotive case that impacts powerfully across just a short sketch.

„after impressing with releases like high times and the hustle ep, young berlin talent vincent vedat returns with what might be his best release to date. mixing equal parts sleaze and sensuality, the porn-themed 69 packs in six delicious dalliances into one tidy package. the title track kicks off in heady fashion, heavy on the atmospheric layers, trademark vedat replayed samples and throbbing kick drums. moody porn goes for that heavily swung, wonky / woozy house sound. gmym gets more energetic with infectious percussion, rough tape sounds and soulful vocal cuts. unisex channels classic us garage swing and bump in a wonderfully deep way with gorgeous chords and no need for a bassline. dreamy porn steps things up a notch again with hazy vocal samples, detuned bass warbles and sweet synths. sweet agony pits heavily distorted electric piano chords against a dulcet vocal refrain, a truly beautiful juxtaposition.“

death waltz recording company is proud to exhume another classic from the hammer horror stable in the shape of “dracula a.d. 1972”. bringing the legend of bram stoker s immortal creation into then-present day, the film pits the charismatic count up against the disco decade after being resurrected by a group of hippies performing black magic, with cristopher lee and peter cushing reprising their signature roles. composing this madness was mike vickers, former member of 60’s pop quiet manfred mann, who provided a suitably contemporary score that followed in the footsteps of jazz scores from that era.

the original version is nothing short of a classic, but its as if the song had never been invited to a louie vega post-midnight global extravaganza. was the song not aware that spellbound dancing and high bpms were the standard for house music? normally, such a blaring disregard for nightlife decorum would relegate a song to the pits of sonic hell, but we’re talking about george clinton here! the original opens up with a g-funk groove that screams westside and lowriders. the listener is then blessed with clinton as he adds his sage, soulful and pimpadelic vocals, complemented by funkadelic singers asking him about the pains of the funk. the semblance of a beat that could drive the dancefloor into the morning hours is there, but in no way has it blossomed into its full glory. enter louie vega.

after 4 years, lowroller comes back on future sickness with his renewed vision of crossbreed. in this latest installment, hardcore and drum & bass stand in perfect balance creating unexpected combinations. despite the dark nature of this release, it already received support from both underground and mainstream deejays like evil activities, hellsystem, negative a, ruffneck, miss k8 and more. with *heartless machine* and *dreams of violence* lowroller pushed his sonics to the limit alternating disturbing atmospheres with insane dance floor drops, engaging with the crowd in brutal mosh pits. if you are looking for a shot of sickness look no further, we have your fix.

are we all tired of the *artist returns after number years in obscurity* headline yet? because michna sure is. nearly seven years following the nyc dj/producers debut album for ghostly, magic monday, he has finished the official follow up to that record, but adrian yin michna doesnt want to overstate what happened in the interim. *life just moves,* he starts casually, *there has been a lot going on.* dj gigs, music production for video games and commercials, and film scoring have kept him busy, along with a healthy balance of painting, biking, and other non-musical endeavors. in light of michnas sophomore lp, thousand thursday, though, it all seems beside the point. simply put, his latest record is a celebration of the producers love for vibrant electronic music, bothering very little with conceptual or contextual baggage.
the vinyl lp includes a code for free download of the full album.

short black are very happy to present sb002. two originals tracks by time division with remixes from amir alexander & dakini9. time division supply two raw deep techno cuts, phat, warm and dope. amir alexander s remix is a techno bomb and should work wonders on the dance floor. dakini9 goes deep into the pits of techno showing us why she believes in deep.

femen is the second ep from hound scales on fifth wall, the brooklyn imprint he runs with divvorce. a dedication to the powerful women that have sculpted his life, the release sees the artist setting out to create the story of their impact on him by distilling these and other major influences into a techno format. the result is two originals blending amen-style jungle rhythms with collapsed industrial squeals, each with its own sense of beauty clawing upwards towards the surface.on the remix front, japanese producer and 10 label head honcho yuji kondo delivers an incredibly complex, layered interpretation of *a clique of tough women*, while mira and opal tapes affiliate bleaching agent pits the elegiac chords of the original *throated* against a repeated, mangled vocal motif, imbuing the remix with nostalgia while remaining an effective dancefloor instrument.
support includes marcel dettmann, norman nodge, sunil sharpe,tommy four seven, perc, and, forward strategy group, sigha, darko esser, mosca, shadow dancer, and sinden.

limonada 05 is an amazing ep by mindreaders, aka fred.h and william wild. they deliver their first ep on limonada, after their much noticed remix from francisco allendes & aldo cadizs >ya tu sabes<. with >marimba<, the two french producers take us on a long hypnotic, deep and percusive journey which intoxicating texture perfectly blends their musical influences. its the perfect track for after parties on the beach when the sun is rising. as for remixes, a very funky one by our freak n chics friend djebali, a nice deep house mix from aldo cadiz. supported by : loco dice, jimpster, karotte, silicon soul, shonky, matthias tanzmann, davide squilace, djulz, arnaud le texier, richie hawtin, luciano, nic fanciulli, tim green, psycatron, xpress2, mirko loko, natalie coleman, yaya, alejandro vivanco, oxia, toni rios, franck roger, claude monnet, plain pits, roy brizman, dj linus, mirco violi, jerome pacman, po missive, miguel lobo, andré butano, dj maiki , sergio parrado, miguel lobo, psykoloco, jesus gonsev, miguel garji, scan mode, sami wentz

bedroom community broadens the scope with their newest release: en garde by puzzle muteson, a mysterious, intimate record by a fearless songwriter and lyricist from the windswept isle of wight. arranged and produced by collaborators and labelmates nico muhly and valgeir sigurdsson, en garde is a strange, comforting and alarmingly personal record. driven, spare lyrics are hoisted high by vocals of steady, sturdy tremble. each tune swells with plush guitar pluck in a sea of orchestration and electronics. recorded in the greenhouse studios in iceland, the album collects puzzle muteson s odd and beautiful stories - about love and horses, rust and polar bears, heartbreak and birds. puzzle s songs are curious sounds from a troubled heart and his lyrics are urgent and open, striking a note with their vulnerable memories. i was once a horse is an unforgettable song about nostalgia. the first single and title track, en garde , pits puzzle s longing against waves of dense strings and jagged rhythm, while perspex disguise sets his naked, translucent vocals against shimmering piano that refracts off epic chords. in flamingo head he sings, i left your house. you let me. i left you ugly , buffeted by guitar and distant murmurs. not a single thing could take this magical sight. i ll find you still , he sings in medusa , the story of a man tracking down a lost love. like many bedroom community recordings, en garde takes an unexpected and unique voice and elevates it out of any easily discernible pocket. puzzle muteson could be folk or something completely different - instead he s an intense stranger from the isle of wight - at once both familiar and unfamiliar. en garde heralds a haunting and essential new voice, beautiful, earned and yearning

>en garde< is the first single from puzzle mutesons debut album. the music was arranged and produced by nico muhly and valgeir sigursson and recorded in the greenhouse studios in iceland. the title track, >en garde<, pits puzzles longing against waves of dense strings and jagged rhythm. with it comes the bonus track >brittle beak<. en garde takes an unexpected and unique voice and elevates it out of any easily discernible pocket. puzzle muteson could be folk or something completely different - instead he is an intense stranger from the isle of wight - at once both familiar and unfamiliar.

nice price deal !!! nastynasty a.k.a. jasper reeder is a us bay area dubstep producer whose planet mu debut pits a slither of pitch-altered mournful vocal melody against a rough modulated bassline and 8 bit chimes, to catchy and memorable effect.
on the b side - heterotic - a.k.a. mike paradinas and lara rix-martin put together a remix that is altogether more upbeat, pitching up and looping the sample while building loose panned drums and a rushing arpeggio into an optimistic almost romantic crescendo with sweet chords and glassy tones that sit somewhere between juke and synth pop.

bad chemistry is already on its 3rd release and none other then spktrm is on the case to break a new kind of branch to the bad chemistry sound. anomalous singularity is deep, broken and darker then the cave it was made in, rattling drumfunk esque patterns immerse out of the dark pits sucking you into brand new territories, f.w.c. is totally different, staying true to his roots spktrm goes in with guns blazing. hyped up kick & snare switches make sure this one will go down with the core posse with ease!

straight outta the grimey pits of glasgow comes taz buckfaster... don rwina akkachar has picked up this young moroccan producer after hearing a few of his astonishing productions. by having the same background it was clear that these guys needed to work together, and this 12inch is what hard work and sweat can deliver.

twenty years phonica rec