ricardo villalobos remixes !!!

180 gr pressing

following releases from huerta, mandar and makcim & levi last year, oscillat kicks off 2019 with an assured, brooding club 12inch from long-serving producer matthew dekay.

the mighty huerta is now part of the very intimate oscillat family.

no need to introduce makcim and levi, the two talented amsterdam based producers. a massive dancefloor burner 12inch, heavily played by lazare and his mandar mates, oscillat records is back!

ltd edition, taken from the mandar album , only 1 per customer

ltd edition, taken from the mandar album , only 1 per customer

!! repress !! , following a recent outing under the mandar alias alongside studio pals samuel andre masden and charlie naffah, nick putman presents his first solo single under the malin genie guise for two years. predictably, he explores a range of deep house styles over the course of a four track ep thats both quietly confident and largely impressive. theres a real bump to sense of swing, despite the presnce of warm, fluid keys, while propter successfully joins the dots between loopy tech-house and shimmering deepness. the techno influence is more obvious on the flip, where redskap and ulux both derive potency from the hypnotic nature of putman s immaculately produced groove.

the mandar project, produced by lazare hoche,malin genie & s.a.m. announcing a serie of 12inch for this fall/winter. after the powerful 12inch marabouda ep, oscillat music is back to provide you a endless deep & wide record: antithetical affrimation ep

for their debut album ,the french-danish-dutch trio are among house s best-loved producers :mandar comprises 12 tracks and arrives as a five-disc vinyl package.

1 per customer / third of a three part ep series leading up to a five 12inch vinyl box mandar album!

oscillat music is back with the mighty danish producer, kasper marott...
only 1 copy per customer / nur max 1 platte pro kunde

repress 2015 - the oscillat music label kicks off the marabouda ep, featuring a killer set of deep house grooves from sam. from the opening title tracks, with its breathy chords and jazzy keys, which reference classic chicago house with a uniquely modern flavour, through the joey anderson-like weirdness of -storm refuge- and pumping rhythms of -decoy-, the producer demonstrates his killer ear for classic deep house textures. a must-check release from a label to keep tabs on.

the mandar project, produced by lazare hoche, malin genie & s.a.m. announcing a series of 12inch for this fall/winter. after the powerful 12 marabouda ep, oscillat music is back to provid you a endless deep & wide record: shrim ep.

red vinyl edition.

classic black vinyl edition.

the producer, multi-instrumentalist, dj and record collector gabriel cyr aka teleseen releases 5th album ‘the emotional life of savages via french imprint goldmin music. african rhythms, latin heat and otherworldly electronics collide like neurons, processed through a new york state of mind. the pancontinental sounds are mirrored in his own life, which has oscillated back and forth between various countries. a jazz background combined with a love for house and techno are ingrained in the grooves. also key is the samba, baile funk and mpb that inspired him while living in rio de janeiro, plus the sounds he reabsorbed on returning to nycs club scene.

ori alboher, a.k.a. ori, a berlin based singer/songwriter and producer from jerusalem releases his second solo album “1986”. after his move to berlin, influenced by the city’s abundance of scenes and anonymity, he returned to his very core. “1986” creates a genre somewhere between electronica, r&b, pop and ambient, blending organic soundscapes with electronic influences, exposing his fragile and disarming voice with modified human vocals, loops and beats. ori builds up melodic, rhythmic and repetitive structures that pull you into his music, creating moods that oscillate between intimacy and distant depths. like swimming in a pleasant ocean yet struggling to keep your breath… the vinyl release includes a download code.

in order to get lines of perspective moving, aufgang transcend their instrumentarium. from this organic corpus, they manage to extract a hand-stitched, deeply human kind of music. this exhilarating craft builds bridges between disciplines, skilfully pulling together acoustics and electronics while making bold connections between different eras. ancestral pianos are groovier than any sequencer, the synths they use are antediluvian and the drums are constantly oscillating between metal and skin. they may well be the first truly accomplished and unabashed explorers of the channel connecting various approaches which, so far, had at best only been piled up. aufgang transcend the confines of time to bring the past back into the future.
180 gram double vinyl cut at 45 rpm - download code, a3 poster and embroidered shield (patch) included.

alleviated veteran ben jenkins launches his new vinyl label partial magic with pittsburgh s chase smith. chase turns in four cuts of percolating-hissing drum machines and squirting- gibbering oscillators. the whole quivering ensemble chugs with an electro snap and a steady dance mania clip until the cool- down of silky and sensuous pads on the closing track.

we play the music we love is an italian and uk based party that after 7 years of activity has decided to start with its own vinyl only label. the first release comes from one of the founders and resident dj of the collective: rills. he clearly stamping his mark on the label with two solid tracks to launch things with some claut. the two original tracks, one featuring sinderesi, explore some dubby house territory with mesmerising chords that will be appreciated on any demanding dancefloor. the additional remix is from the producer of the moment: samuel andre madsen a.k.a. s.a.m. (oscillat, delaphine, mandar, fathers and sons).

2015 was probably the busiest of my career, during the course of the year i lived many hours of flights and delays at airports, stayed at hotels with wonderful views immersed in nature and others, on the contrary, very urban. i must admit that many of these scenarios were the kick start of the creative process of oscillators ep. this is an ep conceived strictly for the dancefloor, and its creation was a perfect combination between air and land, as all the tracks began on a plane and were developed on land. a very important part of the creative process when youre working on a track is the mood youre in, and there is always an extra excitement before, during and after each show, the space where you work. i take advantage of that moments and translate those feelings into music. - flug

scaled to fit is the debut ep from london s shift work. four tracks plus four interludes. machine music for hypno dance floors and home listening tranceouts. live shows forthcoming. in their own words: shift work wring everyday sounds into something you can dance to. snippets of woven speech, audio fragments stitched with waves of pulsing mid-priced synths - the noise of syncopation, cheap art, ringing ears, cracked snares, accidents and oscillations. and some very tidy wiring.

following on from killawatts bring down the walls ep at the tail end of last year osiris music continues to expand their sonic boundaries as they move in 2014, with their first release of the year coming in the form of sleepers simulation theory ep. experimenting for the very first time with fm synthesis, the ep features seven tracks of thunderous production the majority of sounds for which sleeper drew from a mere four oscillators in a bid to recalibrate his production skills. the resulting record is far more than the sum of its component parts and, save for the skulking, static soaked tension of meth, moves with relentless force and purpose throughout.the simulation theory ep sees sleeper taking his already deft grasp of both dubstep and techno production and fusing them to a body of pummelling forward momentum perfectly suited to set osiris music off on what promises to be a bold and progressive year.

2013 is the debut album from justin velor, a vibrant technicolor collision of styles (you might call it a musical dr. frankenstein, he says) incorporating everything from vangelis-inspired synth drones and nocturnal acid house rhythms to tender folk melodies and psychedelic flourishes. >i wanted to make a fantastical soundscape with colourful dynamics and a soul,< he explains.

deep house emporium ornate music cast their worldly gaze to the far east, calling on japanese producer sai, a graduate of agness sthlm audio imprint, for a killer four track ep entitled bedroom eyes. the sultry, suggestive nature of the title is translated into the tunes on offer, with opening cut >2am< offering the most subtle of acid lines alongside piano flourishes and a spoken word vocal snippet. better still is the afterhours bump of >blue lingerie<, while >mr< toughens things up on the flip with a analogue grit and cooing vox. the 12 inch is rounded off with another original cut in >another myself<, which is dripping in classic motor city house vibes with gently oscillating bass tones reaching deep down inside.

following his two recent singles on scubas hotflush recordings, london based george fitzgerald is back with his much-anticipated third release and his debut for aus music. titled silhouette, the three-track ep includes two originals and a remix from american producer john roberts. fitzgerald once again manages to create a world in which garage, dubstep, house, r&b and a host of other musical influences happily co-exist. on silhouette hints of warm acid, layered oscillating synth lines, propulsive beats and fitzgeralds signature use of vocal samples make this a peak time affair, albeit an incredibly lush one. reset is eight minutes of forward thinking uk garage combined with the melodic sensibilities of detroit techno. for the silhouette remix, roberts develops a relentless broken groove, occasionally punctured by brief piano interludes that recall the sounds of his 2011 debut full-length on dial records, glass eights. a breathtaking remix that sounds like nothing else out there at the moment. in addition to silhouette, fitzgerald currently has remixes out for french house producer brawther on secretsundaze and uk bass artist throwing snow, as well as an upcoming ep on hotflush and a track on the labels recent compilation, back and 4th. this year will also bring the founding of man make music, a new label fitzgerald is starting with friends.

big with: adam beyer: >..summer anthem!< , joseph capriati, samuel l session, davide squillace, danny howells, sian, karotte, laurent garnier, joel mull, marco bailey, sebrok, gregor tresher, diesel, alan fitzpatrick, ... with barely a breath after dmb004 comes another exclusive release from alexander kowalskis new label damage music berlin. the 1 inch >random pleasure< is the work of swiss electronic music dj, composer and producer david durango. in his numerous releases (pokerflat & mescene records) durango balances between deep and dark grooves to melodious and quirky dub vibes: here he oscillates between both levels. starting with the title track, the structure reveals consciously tight and multi-layered percussive hooks under the blanket of a substantial, dreamy bassline. the addition of a subtle, melancholic vocal sample ensures hypnotic effect. >ambivalus< walks right into a rather old school vibe, gathering strength with ever-increasing, spiraling keyboard stabs reminiscent of earlier rave eloquence that compels certain dancefloor revelry. the flip side sees the title track remixed by kowalski who treats the matter with his vivacious bite, stretching the voice, injecting a warbled fuzz bass and after a sublime break, enlarges the work to infectious dance dimensions. respected frankfurt artist patrick lindsey (terminal m & funkwelle) remixes the track additionally: he dissects the vocals, keeping the bass and keyboards minimally tight and sharply symmetric for a very mesmerizing treatment.

alex kork, founder of 9volt presents 4 great minimal-techno tracks on plattenbau-music. alex also released on relax. he did his first steps producing electronic music already in his youth. experiments with self-made oscillators, noise generators, synthesizers and sequencers he was always in searching for new sounds. as techno found the way in his hometown in the early 90s he was flashed by the new sound. as hydro he played on a lot of events and also he organised own parties. since founding the cannibal cooking club together with error in 1999 they play as liveact in the clubs. the own label for their crazy and unique sound was born in 2003. his label 9volt-musik was founded in 2006. focussed on the sound he likes, its a platform for his own productions and friends.

there is a new label in town! young belgian producer compuphonic is launching his own project to express his vision of house music: union match music. talented and confirmed artists have already joined in, such as spirit catcher, fabrice lig, kolombo, and ante perry. the magic words in the name of which they all stand united are eclecticism and quality. first release loved & played by laurent garnier, darko esser, sebastien san, ken ishii, motorcitysoul, llorca, charles webster, chymera, electric indigo, d-pulse, to name a few.

very talented minimal artists, and already receiving support from richie hawtin, grey comes storming out of the gates with this minimal gem! keith kemp (grey/ferrispark/frik-n-frak) is featured on a1 with a steady, groovy jam that slowly builds the tension with an oscillating synth stab that morphs into a full on experience of a tune. luke hess is up next with >dwell< a deep and moody track that has attitude as well as emotion, taking the listener on a real ride. on the flip, ryan crosson (m_nus/trapez/grey) flexes his minimal muscle on this bouncy and energetic late night workout using great percussive elements as well as a big analogue bass stabs that carry the tune into the depths

alexander flood, one of australia’s most creative and versatile drummers and bandleaders, forges a new direction in his sound with third outing “oscillate” – a synthesis of club music and jazz, bringing together australian & european energies and sonics into an lp that is music for the whole body

repress - future music duo second woman’s sophomore full-length for spectrum spools further hones their distinctive fusion of shapeshifting software sculpture and tessellated footwork. shivering digital textures oscillate with and against algorithmically mapped percussion samples, smeared synthetic chords levitate in the distance, stabs of digital noise punctuate the mix in twitchy, time-distorting patterns. their anamorphosis verges on ascetic: stark, splintered waveforms rendered into unique fiber optic hieroglyphs.
multi-instrumentalists josh eustis and turk dietrich share a deep history going back to their days in the new orleans ambient electronic community, as part of telefon tel aviv and belong, respectively. even so, s/w pushes beyond their combined discographies to date, flexing impossibilities, building rhythms from arrhythmia, teasing veiled emotion from bold iterations of cold code.

tm shuffle & monoder join kontakt with two strong dubbish-detroit tracks, both taken to the level of perfection. malin genie, known for his work together with the guys in mandar and also the man behind various solo projects on labels such as oscillat music and berg audio, reshuffles the tracks and comes up with three new tasty cocktails which sends the release into orbit. limited coloured vinyl.

various creatures of the native flora and fauna are interpreted musically on dominik eulbergs label apus apus. the music pieces are thoughtfully presented with 2 tracks per ep. his first ep features the track bienenfresser (eng. bee-eater) on the a side and blauracke (engl. blue roller) on the flip side. the bee-eater is the most colorful bird of our native lands a quality which is echoed through the piece of the same name. the composition oscillates from one color into another without losing its significant habitus. it is a musical journey through the color scheme of the bee-eater, through which dominik eulberg takes us by way of his iconic style. he succeeds at a striking balancing act between sensitive subtlety and steady pressure, in order to offer us a satisfying share of hedonism. it is a piece of music that provides an intimate listening experience, while simultaneously supplying listeners with a collective, mobilizing anthem. the long introduction of the track emulates the agile flight for prey of the dazzling bird, but then it fervently taps out the stinger of the captured bee, and finally nothing can stand in the way of the massiveness of the celebratory bass drum. intrepid, yet with a high degree of ataraxia, dominik leads us through the skies on an expedition into the colorful land of the bee-eater. the magnificent turquoise blue plumage of the blue roller glimmers green or blue, depending on the quality of light. these colors, translated into worlds of sound, are reflected in this piece of the same name. sparkling melodies intertwine gracefully along musical chains, and create a constant redefinition of the theme. the piece is inviting and catchy in the typical eulbergian manner submerging into the auditory tract and manifesting itself with much elegy in the deepest cortex. the blue roller is a sit-and-wait hunter at first occupied with idleness, until finally capturing its anticipated prey. this imperturbable serenity is felt in this piece of music and illustrates eulberg s many years of knowledge and experience. he steers his audiences through the true essence of music, while always keeping both hands firmly on the wheel.

fabrizio rat starts his own techno label la machina. the label will be the platform for music oriented to the dancefloor as well as to the mind. the first release, the double bind ep, includes 4 tracks of uncompromising analog techno, labyrinthine sequences, hypnotic textures and banging beats mixing modular synths melodies, drum machines and acoustic piano sounds. on the b side, a phenakistoscope completes the experience, as the artwork animates when the record turns. hand and mechanism, oscillator and string, man and machine have rarely been so close.

travel agents for inner journeys seahawks take us on a voyage ever deeper into the new age vortex. their last album ‘escape hatch’ described by vice as a ‘modern masterpiece’ only hinted at the transcendent power of seahawks music. eternal beams goes ‘further’ to create a whole new harmonial experience. side one: the listener immersed in a soft storm of tape saturated raindrops and distant thunder…numinous waves of sound cascade to create whirlpools of womb-like warmth with gentle pulsations. side two: enter laraaji… flocculent flows of golden zither, rich vocal vibrations, dolphin tones in phantasy phase - all coalesce generously, bringing feelings of rebirth and light. to conclude: a wondrous journey of resonant oscillations, inner exploration, a portal to other dimensions.#

boris brenecki and darko kolar (aka katran) regroup as ontal for a horo ep that combines their instinctual brutality with a deeper probe into their penchant for experimentation. lead track ikari’s flickering storm unfurls a rhythmic rage that rolls over you like a turbo-charged synapse exciter. at its peak ikari feels as if it’s about to explode into shards of jagged, forged synthesis, but pulls itself back from the brink to reignite its hostile oscillation. r-amen bends the famous breakbeat over a concentrated twin-drop, peak-time 130bpm eruption, while vigilante is a punishing machine, built to instil palpable tension. in blinding form, headless horseman takes apart ikari and reconstructs it as a hyper half-step technoid stepper, complete with a guttural drop reminiscent of the more advanced strains of 170bpm music.

boris brenecki and darko kolar (aka katran) regroup as ontal for a horo ep that combines their instinctual brutality with a deeper probe into their penchant for experimentation. lead track ikaris flickering storm unfurls a rhythmic rage that rolls over you like a turbo-charged synapse exciter. at its peak ikari feels as if its about to explode into shards of jagged, forged synthesis, but pulls itself back from the brink to reignite its hostile oscillation. r-amen bends the famous breakbeat over a concentrated twin-drop, peak-time 130bpm eruption, while vigilante is a punishing machine, built to instil palpable tension. in blinding form, headless horseman takes apart ikari and reconstructs it as a hyper half-step technoid stepper, complete with a guttural drop reminiscent of the more advanced strains of 170bpm music.

an introduction to zru vogue’s world. a percussive no wave, minimal and funky electro. oscillating between psychdelic rock and modern postpunk. “assembly for body movements” regroups tracks composed in 1981, 1984 and 2011. m.e.a tends to develop an interest to music that never seen light, through the most large electronica spectrum. here’s mea-0002.

“phase” sees a debut outing on vinyl from err rec label head gilles mate’s dialectric project.
impressed by the wealth of wonderfully varied analogue electronic music being released by this small, fiercely independent french label, it was surely a matter of time before py & errs’ likeminded paths crossed- and following a “cold wave” styled small run cassette release, gilles releases a full length on py for august.
“phase” is a timeless, minimal electronic record, heavy on hypnotic, emotional tonal arpeggios and sequences. dreamily crafted introspective pieces, and short “broadcastian” interludes, using a semi-modular system. comprising of various analogue oscillators, effects and sequencers (pittsburgh modular, moog, arturia, yamaha, korg to name a few…).

synkro aka joe mcbride teams up with veteran arovane aka uwe zahn for a sublime collaborative ep on apollo. refractive (index) sees the duo exploring their shared love of broken beats and dreamy soundscapes. the pair are also connected through their affection for yamahas venerable handheld sequencer, the qy700 (also a favourite of dutch lo-fi house master legowelt) arovane a long time stalwart of the acclaimed city centre offices imprint explains: everything started with a detail in an interview with joe that grabbed my attention. i spotted a qy700 sequencer from yamaha on one photo. i used this piece of gear for decades to sequence all of my hardware and to produce my music. its part of my trademark sound of rhythm programming. one of the factors that makes the qy700 beloved is its ability to change parameters in realtime to shuffle, shift, expand or compress the timing of each pattern independently. its touch can be felt throughout the oscillating rhythmic figures that wend through the gauzy pads and drifting melodies. we share the same wavelength when it come to breakbeats, musical taste and melodies, arovane continues this ep is the beginning of something special!

trux’ second ep on berlin based record label office is a bow to the many outstanding moments in the history of ambient music. allusions to brian eno are just as recognisable as to the charming concepts of pop ambient or clicks & cuts. it’s between these poles that the four tracks on the a-side oscillate and manage to capture the listener with vibrant and diverse soundscapes. the flip side sees trux drop a stunning melodic breakbeat tune besides remixes by workshops premier techno chef lowtec as well as a freestyle electronica version by o$vmv$m. the much loved super quiet tops the record artwork off with another remarkable example of his casual and airy black and white photography.

osaka based producer 7fo. having previously released a cassette on rvng international, and a 7inch single on bokeh versions in 2017, this is the japanese producers debut full length vinyl release. the tracks, recorded between 2012 and 2017, have been tweaked, remastered and recorded to vinyl for the first time. the mysterious figure recorded the tracks at home, processing guitar sounds, using a sampler, synthesizer and junk equipment. following in the footsteps of the ambient giants of his native lands, 7fo’s music continues this illustrious heritage whilst offering something fresh, modern and beautifully rendered. he describes his own sound as gorgeous sustained tones and dreamlike oscillations that drift through the inorganic/electronic world reverberating through our subconscious creating sonic fables in our minds. the 12inch comes with artwork designed by label head & visual artist jack hardwicke. to accompany the release greek filmmaker george kountouras, who also collaborated on the artwork, has directed a gorgeous video for the title track moment