omni am brings some no-nonsense tough rhythmic workout business to was / is, leading in with the tool tones of tubes for allah. while it may be heavily focused on the drums, this stormer of a track has the right ingredients to get people freaking, and mark ambrose follows the same path with his almost tribal remix. hit that shit and pyramids both appear in edited form on the b-side, providing a fresh perspective on the sound omni am was exploring back in 2001 when tubes for allah was first released.

it s all about omni a.m. coming up in chicago, pioneering american tech-house duo omni am relocated to new york where they refined their uncompromising style of psychedelic dance music. -smurfette s big night,- ridiculous title and all, appeared on the group s 2000 ep, -new york sessions- - the first in a string of critically acclaimed underground classics recorded in their brief but prolific time in the city. this rare and much-coveted track has finally been remastered and released with new remixes by spacetravel and dewalta & shannon.

vinyl only

belgian producer and curator sofa launches from strangelove once again, this time with his celebrated compilation series

original 90s jungle and drum & bass

detroit techno, jungle, ambient

index:records and opal tapes present the new album from vase in 3 parts.

limited full cover edition only available here at decks...awesome soundwaves from julien chaptal on double vinyl.

awesome soundwaves from julien chaptal on double vinyl.

a malicious statement of intent from pact infernals altar label, mors omnibus i is an assemblage of amenable architects of dread summoned together to create a collection of ominous rhythmic rituals.

full 2x12 inch remix package , incl mixes by ricardo villalobos, tuff city kids, butch, ingo boss

ltd 2xvinyl incl. popular trance trax of 2018 mixed by armin van buuren !

omni music returns with a brand new vinyl release, featuring 4 more choice cuts of deep music. the ep starts out with bad twin, whose members will be well known to any omni fans and any oldskool heads. they launch the ep with a classic summer-sounding breakbeat trip down memory lane with beautiful rhodes, delicious harmonics and crisp breakbeats. continuing the ep we feature the amazing talents of the drumkilla with an new edit of his omni classic event horizon a string-laden epic amen voyage to the stars. side b starts with the atmospheric kings pariah teaming up with label owner eschaton to produce a stripped down and hypnotic head-nodder swimming with celestial pads and space-age bliss. finishing the ep we have the always magnificent rainforest who also teams up with eschaton to continue the journey into deep space with an at times frenetic, but always intelligent, collage of amen rhythms, pounding basslines and otherworldly atmospherics.

om:nia is a record label for artists we believe in to release a wide variety of music, everything from psychedelic jazz to drum & bass, threading a flow and feeling which will connect all the sonics together.
our first release is by one of our favourite artists and genius musician, stl. we spoke to stephan in great length about our concept and idea for the label, after some time he sent us these specific tracks. manoeuvring along dubby and dusty grooves, with dreamy melancholic ambient textures and a epic 17 minute -untitled dubscape-. this record is as much to dance too in a club as it is to listen too at home.
file under: mystical, ambient, dub, house, adventures

rather than rely on their usual full band, live performance, one-room live single recording session, the making of ‘dragonz’ was a departure for the apples. a multi-studio project spanning three continents, they assembled new instrumental tracks based on loops created in the studio and presented them to a wide-ranging selection of vocal collaborators to complete the picture with, and applied this method to the capturing of longstanding live favourites as well. the concept of a “vocal album” was implemented on non-vocalist songs as well, treating the omnipresent turntables’ sample work not as the central element to the band, but rather its frontman. though containing disparate influences, guests and production methods, ‘dragonz’ is undeniably apples, might be their most focused lp to date, and it is certainly their most middle-eastern. elements of the region’s indigenous genres have always been present in the band’s work, but never has their influence been as pronounced.

currently generating some serious heat and momentum amongst dance music aficionados, man power rocks up with a single for futureboogie that further cements the reputation of this rising british producer/dj. the two original tracks are also backed with a remix from ruf dug. alongside his own very excellent me me me label, man power has been delivering diversely epic releases for labels like esp institute, optimo trax, and correspondant. in its original form, barranquilla trifle features rave-lite stabs and deliciously sweeping pads over woody percussion and an omnipresent studry bassline. a dash of acid darkness only energizes the mood, for what must surely be one of the best ‘sunrise moments’ tracks of the year! ruf dug takes barranquilla further on its trajectory towards summertime vibes the sounds of the ocean sea gently breeze over the soca beat, as the ruf kutz main man adds splashes of percussive hits, huge m1 pads, and melodious keys to the party. more 303 business coats kaon from its opening bars, as man power delivers his second original track on the release. an urgent breakbeat and wandering mega-bass soon evolve into thunderous beats and heady synth arpeggios, an almost post-punk funk atmosphere creeps into the bustling yet succinct ambience.

remastered vinyl re-issue of the 1994 double album by experimental electronica group the future sound of london. with time, it has become their best-known album and is considered to be an important and influential classic of avant-garde electronic music.
comes on 180 gram double vinyl with download code included.

hola, amigos! our next 12- comes from mexico, delivered to you by the one and only rodrigo alvarez aka rainforest, known already for his output released through monochrome recordings, omni music, cadence recordings, skutta records, or 45seven. so once you’re familiar with the said list of his affiliations, you might imagine what to expect. the most appropriate term for a common denominator to describe the content of this ep would be, let’s say, jungle refurbished. feel more than welcome to explore rainforest’s world of beautifully-crafted complex drum patterns, low-frequency bass lines, and rich palettes of background samplework. we’re positive that your early-morning cup of coffee can be well substituted with the powerful, fierce-percussioned squad nights. the pensive, deep-end blu diesel euphoria will help you digest your daily concerns, and the exotic, desert-inspired sound tribe will give you a strong energy boost. given a bowl of so varied ingredients, you can be sure that you get a really wholesome treat, especially if you’re after something more organic. in terms of sound, that is.

we welcome gabo barranco to the omnidisc family. gabo has a recklessly curious ear for distortion. an enthusiast and creator of electronic music ranging from classic acid house to crackling ambient to venetian snares-style glitch bass assaults. on jazz d, aaaa channels his admittedly shy personality into an identity-hopping slate of ideas that s undeniably intense.

giant records 10th release is from new york born adam collins and limited to 150 hand stamped and numbered copies. adam is widely known for his work as one half of production duo omni am, along with marky star and counts derrick carter and evil eddie richards and a whole host of others, amongst their fans. adam’s release for giant is titled - day2day and has all the trademark’s of adam’s wonky, left of field, slightly off kilter grooves - day2day builds and snakes itself into a bottom bass heavy house jam - chicago style keys mould the snare and hats into an infectious work out - with an alien like hook that keeps it all slightly wobbly. the next cut is from the super talented carl finlow under carl’s random factor guise, a beauty in its own right ! super tight drums and a punchy random factor bassline take’s this mix on a journey through many shades of electronica - as the track swells nicely with warm atmospheric pads and sprinkles of emotive keys, with an electro style hook that keep’s it all swinging in carl’s trademark sound. the next mix is from la based producer mieka du franx. mieka’s mix strips the original down to the bare essentials and gives it a tuff minimal feel. the last mix is from echo of glory, which see’s echo take the track on a acid tinged work out - adding dubbed out vocals and super subbed out bass.

the debut album from swiss dj and producer gomorra.

seasoned memory athletes will no doubt recall the turbo’s past affiliation with the former soviet union (proxy, tiga tigayevich khristorozhdestvensky), and recent geopolitical developments have prompted the label to once again hedge its bets. our a&r team spent countless hours sifting through layer after layer of russian underground music, a shocking amount of which turned out to be fake soundcloud accounts from producers based in florida. in fact, our best intelligence suggests that dimitri veimar may be the only person making music in russia today. for the 30 minutes a day he is not trading in politically moderate twitter-bot futures, veimar produces dark, raw-dog electro. he has already released music with omnidisc and renate, so it makes little sense to us why we have to communicate with him via a mole in the canadian embassy in moscow, which is further complicated by the fact that the mole is also an aspiring dj/producer whom we have to keep happy at all costs. you have no idea how much has been sacrificed in order to shield you from the realpolitik of international dance music.

brand new transatlantyk release contains elusive synth works of sasha zakrevska aka poly chain. she likes to call herself a ukrainian ambient chavette and the title of her debut album is a tongue-in-cheek spin on eno s classic. music for candy shops is much more sticky and syrupy than its famous predecessor though. in every track on this record poly chain s rich and warm synth textures are glazed with another layer of radioactive sweeting. from atonal melodies on top to occasional spicing in form of odd reverbs, delays and drum sounds - it s all there. let me tell you straight up: this candy shop serves some weird sort of sweets, inducing hallucinations, anxious feelings of omniscience and transcendency. use with caution! available as a 200 copies only vinyl lp

if you‘re familiar with cvbox‘ music you know that he isn’t the guy for your average techno track. formalistic song structures aren’t his thing. when you’ll start to listen to a new cvbox track you’ll don’t know how it will end. his music derives from his deep love for analogue gear and a pretty unique way to deal with it.
on his first album “so ist es im nadelwald” cvbox rides between the corner points of techno, electro and ambient. the music is infused by an omnipresent darkness that isn’t just there as an end in itself but will definitely give the thrills to listener and dancers.

seige monstracity is an anomaly in the music industry. he rides the fence, providing the contemporary soundtracks for successful commercial artists such as yg, tyrese, keisha cole, and marsha ambrosius, as well as producing grimey backdrops for underground artists like bizarre, bad lucc, and namebrand.
this is a collection of the latter. seige’s debut lp contains 12 incredible doses of heavy beats, chopped up breaks, and obliterated samples. a detroit transplant in los angeles, both cities are omnipresent at all times on the lp.
“swahililand” is a west-coast interpretation of the classic “stakes is high”. “careless” revives a classic david axelrod moment. “dirt bag” sounds like a late night liquor store robbery. “doves” takes a classic from one of our all time greats who we lost recently, and transforms it into a ride thru the hood on a beautiful day in los angeles.
this is not to be missed. another classic collection of beats from street corner music.

celldöd, aka anders karlsson, has been releasing dirty electronic music since the late 80s, both small-run cassette tapes inspired by the diy ethos of his post-punk background, and pristine vinyl editions. karlsson s music is uncompromising and edgy, with roots in both early electronic and 70s industrial music from britain, as well as us techno and kraut-inspired german electronics. prior to releasing records under the name celldöd, he released music as the pain machinery (ebm), human experiment (industrial), preset (industrial/breakcore), and hbt (proto-techno/industrial) among others — all unified by an omnipresent diy-punk attitude.

throughout the ages man has been obsessed with the idea of the dead coming back to us, either through the power of faith, magic and/or science, or as (horror) arousing visitations from beyond the grave. but cold hands like these neednt be physical: an ambiguous childhood memory, a few burning phrases from a book, or a short but powerful patchwork of tones and rhythms can also come back and haunt you when you least expect it. ritual malmö 02 consists of three such works that have haunted us for some time now, beseeching us to share them like cursed japanese vhs-tapes. who we are is not important - this is forever yours now.

from piero umiliani, legendary soundtrack composer for numerous italian movies of the 60s and 70s, and the man behind mah na mah na (muppet show, benny hill, sesame street), the omnicron label (sound library works) and the sound work shop recording studio. for fans of experimental music, avant garde, synth experimentations, ennio morricone, riz ortolani, giallo movies, mondo movies, soft erotica, and wonderfully weird stuff. the album is fully remastered for new levels of enjoyment.

bit of a special release we have here with a new collaborative project from belgian duo fcl joining the omnipresent danilo of motor city drum ensemble for some seriously raw, stripped back and undiluted house music. most people will know san soda and red ds fcl project following the brilliant lets go seven release on their we play house label last year as well as their remix of proof for trunkfunk. mcde has become one of the biggest and most revered names in house in recent years having produced the amazing raw cuts series as well as compiling the dj kicks lp which spawned the mcde single l.o.v.e.

analog raw and dubby techno by the finest techno artists from amsterdam , dimi angelis & jeroen seach ! they have been released in labels like figure , smallville among others. tip!

light sounds dark combine forces with fellow marshmallows psychemagik on a ride to the other side and as one would expect from these two a variable treasure trove of a selection plucked from all corners of the known galaxy and far beyond.

after releases on jeff mills axis sublabel mission as counterpart and amazing eps on figure, run by len faki or audiosculpture and outland records, these two guys from the netherlands are not a secret weapon any more: dimi angélis & jeroen search. sending greetings to robert hood, smallville explores deep looptechno with this three highly kicking tracks. dimi & jeroen are smartly driving the dancefloors with this perfect ep: a serious hit on the a side, b1 as a powerful tool and an ultradeep technotune with a touch of house for b2

in the a side, undo & vicknoise, the masterminds of the label deliver their most tense and baroque track ever. to the simple kick-snare of the beginning they add progressively a distorted and powerful bassline, and omnipresent xylophone and some sub-aquatic melodies factor city school that will give you the creeps. sistema and his other self in full-moon nights, show in >te tazas< its best-known face: dark and epic tunes with a slight taste of 90s sound. hands up for mister coromina with >dancing and confused< he delivers what will be a sure hit forgetting the sound we were used to listen in his productions alongside undo. as you hear the track and its persistent jaw-dropping bassline, the best productions of carl craig and Âme will pop up to your mind showing clear influences of the new generation house music. youll dance more than c3po in a gargantuan spin-dry machine !! supported by: laurent garnier, funk d void, kiki, the youngsters, stefan goldmann, donato dozzy, mathias kaden, sian, glimpse, jesse somfay, karotte and angel molina

phat kickin technotrax ! the hits! // repress

re-issue of the 1994 album by experimental electronica group the future sound of london. with time, it has become their best-known album and is considered to be an important and influential classic of avant-garde electronic music.

sommerausgabe der a state of trance-reihe aus dem angesagten ushuaia club auf ibiza, armins aktueller dj-residenz, der bei den international dance awards in miami zum besten club der welt 2015 gekŸrt wurde! armin liefert wieder bis ins kleinste detail prŠzise qualitŠtsarbeit in form von zwei neuen burnersets mit den derzeit hei§esten floorfillern plus exklusiven tracks von andrew rayel, arty, ben nicky, cosmic gate, ilan bluestone, jason ross, khomha, omnia, orjan nilsen, marlo, simon patterson, super8 & tab sowie bislang noch nie gehšrte remixe eigener armin van buuren originale.

the roaring sound of jungle has been tearing up the clubs and airwaves for years and with the recent rise of drum n bass storming back into the charts ministry of sound has decided to take you back to the roots of where it all began. jungle classics features over 40 huge tracks from the pioneers of the scene including godfathers shy fx, roni size, zinc, hype and adam f in addition to todays headline artists pendulum, chase & status, dj fresh amongst many others. take yourself back with anthems including m-beats incredible, uk apachi & shy fÕs original nutt...

originally created in 1994, christian smiths tronic label holds a special place in techno circles. with the momentum of his recent successes behind him and the strength of fresh inspiration driving his ambition forward, 2010 promises to be a vintage year for the new, super-charged christian smith. having recently made his second appearance on bbc radio 1s essential mix, spring 2010 will see christian embark on a world tour to accompany his soon to be released debut solo album >directors cut<.

great longplayer