high roller records, first time on vinyl, black vinyl, ltd 250, 425gsm heavy cardboard cover, insert, mastered for vinyl by patrick w. engel at temple of disharmony.

yellow vinyl

first time on vinyl, yellow vinyl, ltd 250, 425gsm heavy cardboard cover, insert, mastered for vinyl by patrick w. engel at temple of disharmony

first time on vinyl, black vinyl, ltd 250, 425gsm heavy cardboard cover, insert, mastered for vinyl by patrick w. engel at temple of disharmony

reissue / white vinyl

reissue / black vinyl

limited red coloured vinyl

black standard vinyl

fresh dj gravit-e remixes of 2 classics from dj vibes.

new dubbyman, tip!

raw and cool various styled - ltd to 300

joining the unknown precept forces are c.g.i. records label head matthew wei- ner teaming up with christopher daresta as pyramid club. being known for their t.w.i.n.s. and anticipation solo activities, cyclic obsession comes as the debut re- lease of the four-handed formation taking its name from the eponymous venue which helped define the counterculture and queer sound of lower manhattan in the late 70 s.

belgium based invade records invites a guest artist for the first time. the fourth release will be from german producer danilo schneider (enough! music) supported by einzelkind (la pena) with a remix and a club tool!

solo debut album from erika angell of thus:owls.

the return of guy contact to craigie knowes. on the energy obsession ep, guy contact presents his masterful interpretation of progressive house.

following the split ep with yør for obsre002, primitive world returns with a first solo 12- release since turning heads with singular debut danceteria on black acre in 2012. worship / premonition offers up a pair of new productions that once again capture the off-kilter rhythmic sensibility and canny way with a sample that has so far seen primitive world attracting the attention of tastemaker djs including untold, tessela, nick höppner, lowtec and joy orbison.

nice price deal !!! this is the first in an occasional series of dissident special projects. >i was recently asked to do a remix for a brand new tune by italo legend alexander robotnick< the result was 15 minutes of 808, burbling acid bass, pro one and heavily effected chicago style spoken vocals which was deemed too long to fit on the commercially released 12 so the label (this is music - run by simian mobile disco) thought it would be a good idea to release a very limited number of 12s as a promo only. so thats what this is, a joint dissident/this is music release of a remix that wont ever be available on any other vinyl issue. limited to 200 copies, one sided

excellent deep groovin hypnotic techhouse, sounds timeless

perfect house sampler by andrew macari feat manuel sahagun

nearly 15 years have passed since the original release with all tracks lovingly remastered for this new remastered edition, which also includes stl s first ever remix and sounds just as beautiful as the day we first heard it! as bleep so elegantly stated, -deep, reduced dub-techno with ethereal production nuances from stephen hitchell and rod modell. both original tracks here reveal the duo s obsession with the likes of maurizio, basic channel and chain reaction. features a dreamy, minimal house reduction from stl

incl edm megahits piece of your heart, loose control & paradise !

rebecca delle piane arrives at emerald and takes front and center with her nervine ep.

incl feat. havoc & wiz khalifa

2lp + including mp3+wav version, hq art with gold print, black polylined innersleeves brand new 2017 album on very own new label - prins thomas musikk. after the slightly more conceptual principe del norte-album, 5 takes two steps forward and one step back collecting a batch of tracks that was recorded right after it s preceder and in tandem with the recent square one-album with bjoern torske. a freedom-album of sorts, beyond the slightly misleading album opener here comes the band there s a variety in these tracks tracing inspiration from 35 years (unhealthy)obsession with all things good music played enthusiastically. 5 also marks the launch of my new label prins thomas musikk

glass ist der versuch einer stilistischen manifestation. ein unbewusstes konzeptalbum als zusammenfassung der letzten zwei jahre. dramaturgisch und auditiv mutiger als zuvor. die kombination aus persönlichen eigenschaften, neigungen und prozessen in form von individuellem sounddesign, autarker materialbeschaffung und sanft souliger stimme. i see my life through milky glass. (aparde - glass) trübes glas, steht für eine undurchsichtige, zerbrechliche barriere, für einen diffusen blick auf das leben. dabei geht es um zwang, obsession, maßlosigkeit, bewusstsein, entfaltung, befreiung, ausgleich, innere konflikte, bewältigung und den umgang mit diesen themen, die maßgebend für die entstehung von glass waren. das debut-album von aparde.

bartellow has long been associated with the esp institute though tambien, a trio formed alongside bavarian cohorts marvin and valentino, who have released seminal dancefloor material over recent years. with his debut album panokorama, we are invited into a completely different world of bartellow s creation a place where influences become a melting pot of mood, nuance and texture, and where instrumentation is abstracted from a variety of cultures, including those that exist solely within his imagination. bartellow has found a way to merge primitivism with retrofuturism, identifying their point of intersection and reveling in their union across ten songs. while his academic background as a jazz musician certainly informs both his progressive approach to composition and non-linear production, it is his obsession with electronics and synthesis that shape his current musical climate. the title panokorama stems from bartellows visualization of the album, a surreal landscape with a foreign presence centrally embedded, a panorama punctuated by a ko, although a hybrid word that reads as nonsense, it somehow feels and sounds just right.

following on from last years exceptional ‘obsession ep’ from art crime is a budding young talent by the name of will lister. originally from lyme regis, will moved up to london to attend goldsmiths university and in his spare time he helps us out behind the counter here at the shop. when he’s not here at the shop you can also hear him playing records on his balamii radio show or his monthly club night, ‘the aten’. ‘the phantom ep’ is his production debut and we’re extremely happy to be putting it out on our main imprint. the title track opens up the ep with heavily reverbed pads, echoed claps, crunchy percussion and repetitive synth stabs that all work together to create spaced-out atmosphere that’s full of twist and turns. flipping over to the b-side, ‘after the light’ picks up the pace with a driving high-hat rhythm and full-bodied kicks that underpin warm piano keys and smooth synth lines. ‘agency’ closes proceedings by turning up the intensity to full with a masterclass in building tension.

next up on creme organization is gavin guthrie aka tx connect with a searing double album of analogue tracks aimed at the dancefloor. it follows dallas man guthries excellent outings on dixon avenue basement jams, l.i.e.s. and other efforts on bad mums club and again showcases his classic midwest style run through with plenty of acid goodness

limited edition of 500 copies in gatefold sleeve ¹ 24 x 12 inch professionally printed poster ¹ white vinyl - download card.
kenneth anger may not necessarily be the name that will come to mind when listening for the first time - distracted, confused, disoriented - to puce moments debut album. yet it is the only one that will seem relevant upon second listen -narcotic, infernal, fascinating. puce moment does not only borrow a title (of his eighth short film, made in 1949) from the baron noir of experi?mental cinema . ghostly wanderings, satanic masses, mystical romances, mechanical hell: eve?rything in the duo from lille (france) and their album in form of an invocation to ancient sybarites authorities refers to the californian filmmakers obsessions.

our third release is introducing to you more intensely the musical personality of dairmount, founder & a&r of our the label. longtime independent music activist born in belgium (formerly known as philarmonix), dairmount is a natural born “freestyler” who embraced anything soulful & groovy since the late 80‘s, playing & travelling the world for 15 years. hamburg is the city where he settled down in the last 6 years and 2009 marks the accomplishment of his personal dream to found room with a view, shelter of his musical fantasies. friendship & challenge are two values that defi ne phil pretty well so it is no surprise that musical collaborations & versatility tightly express his musical approach and personal ethic. after displaying bass-ment tale, an old school house tribute produced with his partner in crime marino berardi, on the fi rst episode of the perspectives serie, dairmount is presenting subakuatik blues on his fi rst ep. recorded in 2007 with his good friend ralf petter, an “old cat” of the hamburg music scene, this track managed to capture the essence of these great studio sessions : phil’s natural obsession to create hybrid club material & ralf’s amazing engineering skills matching perfectly to create this sub-aquatic dream that resulted in the track name. lost in the world of analogue synths of ralf’s studio, they created a 9 minutes odyssey crossing the lines between deep house, disco futurism & detroit infl uences topped by a surprising “ravy” breakdown. phil approached naturally two of his longtime favorite producers to give their own perspectives of the timeless feel of the original : russ gabriel, who phil has always admired for the depth of his output on ferox, planet e or his own soul on wax, has signed a beautiful version of the track. extremely subtle & hypnotic, this remix is a true blessing & a great pride. mood music’s honcho sasse, old friend of phil, retouched with lots of love & care the track that he went crazy for and even realised 2 vers

miracle wax steps in with tommy vicari jnr & audio werner for their first release. vinyl only - no repress.

incl radio slave remix, decks tipp

incl the hacker & dj loui remixes

acieed

club / dj support billy bunter, the fat controller, glowkid, slipmatt, dj jedi, dj luna-c, dj brisk, clayfighter, jimni cricket, bustin, sc@r, doughboy, saiyan, dave skywalker, ponder and many others

following a recent schedule of club shows across the globe, belfast’s jordan serves up an infectious ep that leans towards shades of house, italo and the 80’s on the latest for abandon silence.

harrison bdp aka harry webber is up next on the stamp edits series with two big hitters! the first, a housed up interpretation of a certain brazilian artist s early 80 s disco floor-filler, while the flip features a more subtle yet just as effective take on an american producers disco smash from the same era. two sure-fire party starters on one 12inch!

pioneer dj, guy cuevas made his name by being one of the first residents in the famous parisian club le palace, shortly after it opened in 1978. attracting some of the biggest names in the entertainment business like prince, madonna, kenzo, serge gainsbourg, the location was a must-go for any one wanting to party over the paris adopted cuban expat’s amazing selection.
released in 1983, guy cuevas’ 12” single “obsession” is probably one of the best french disco-boogie records, enriched by jean-paul goude’s artwork for the cover.
the a-side’s nassau mix by françois k is a sensual and airy journey, while the b-side’s london mix offers a more realistic approach that will please the more classic-listening disco enthusiasts.
to this day this is a limited repress to 1000.

released in 1983, guy cuevas 12inch single -obsession- is probably one of the best french disco-boogie records, enriched by jean-paul goude s artwork for the cover. the a-sides nassau mix by fran?ois k is a sensual and airy journey, while the b-side s london mix offers a more realistic approach that will please the more classic-listening disco enthusiasts. huge tip!!

uber bring the new mushrooms project ep. a slight diversion for uber into the cosmic afro infused musical stylings that the mushrooms boys are masters. madrugada s tribal energy is reminiscent of tony esposito or tullio de picopo. the italian afrobalearic groove that we at uber love so much. the big boobs is a slower more contemplative track, still holding onto the percussive feel but with hints of the east. i suspect the title is influenced by last summers trip to the great outdoors in birmingham. finally we come to the epic musical journey that is african obsession. continuing the fine italian tradition of tribal dance music this is a tight superbly produced trip into afrocosmiche. 15 minutes of hypnotic beauty. uber hitting the spot again.

next up on obsession recordings is a new one from label co-founder primitive world (sam willis of walls/ecstatic) following up from his excellent previous release ‘worship / premonition . fast falling hands , has a relentless, almost abrasive groove, offset with a staggered insolent bassline and jagged percussion which see primitive world further developing his off kilter sensibility and sense of texture. on the flip, ‘rush’ twists proceedings up with its humid atmosphere, heavy breathing, and the unique sense of restraint seen demonstrated in his previous work.
early support from barnt, john osboure, laurent garnier ...