deep purple live in stockholm, 1970. limited edition of 3000 numbered copies on orange 180 gram triple vinyl, housed in a gatefold sleeve.

triple vinyl release, packed to the brim with dr. dre instrumentals.

clear marbled vinyl written, produced, arranged and engineered by joseph longo iii | pal joey music aka earth people. new york finest joseph longo iii (aka pal joey / earth people) presents an excursions into deep & soulful house, downbeats and electronica.

hot coming straight from the moustache records building is this moustache techno series 006 made by the notorious berlin based trio -third side- (marieu, lucxrietio and steffi). a big club banger for big sound systems. minimal is maximal. 4 tracks that will fit perfectly in your dj mix. deep strings, fat drums, moody samples and some acid bleebs. pure non compromised techno house dance music at it s best, play it loud! you won t regret... limited! gone is gone.

new lana 2023 & her piano!

restive plaggona is the music project of the corfu-based artist dimitris doukas –also producing under matriarchy roots, leftina osha and plaggona-. after releasing a series of cassettes in different labels along 2016 and 2017 –including his own several minor promises- “leaving the body” arrives as an electronic composition of beats and synthesizer bodies disguised as a sense of provocation and mystery. each of the seven pieces offers more than a smattering of interesting textures separated by spans of great decline, but a master class of permutations in-between accompanying sounds, stretching rhythms and viscera-and- violence noises. driven by a deeply expressive narrative, restive plaggona makes a strong statement about his post-industrial vision adding technoid inclinations in a delightful dystopian world.

local actions seventh vinyl release is the official follow-up to t. williams and terri walkers 2010 anthem >heartbeat<, and comprises three of t. williams heaviest instrumental tracks to date. >break broke< is the sound of williams getting darker, with synths that glow like an overcooked power grid and one of the most ruff-neck drops you will hear anywhere this year. >go in< is for the djs, a palette cleanser that is tailor-made to mix long and deep, but its >analog tour< that is arguably this records stand-out – opening with a two-and-a-half minute intro of acid ambience, electro claps and super-heavy 808 kicks, and climaxing as a full-on 303 hydra.

the 2017 album from ex stereolab singer laetitia sadier finally back on vinyl.

did you know that (ltd. mc alt cover 4) (mc / tape)

neck-breaking swing and deep moody pads from nayba.

limited indie edition on light green double vinyl - new lana 2023 & her piano!

scone cash players is a super human supergroup featuring adam scone (sugarman 3), tommy tnt (menahan street band, budos band), eric kalb (john scofeld, deep banana blackout), homer steinweiss (sharon jones & the dapkings, amy winehouse, the arcs). together they deliver a tasty dose of hammond funk/soul/boogaloo.

listed as one of the best clubs worldwide, not to mention best club in romania, midi started their own label with a bang early last year. this time its g76s turn to make you dance with his two tracker.
* timber so* is definitely the melodic one with subtle sweeps and resonated percs running smoothly along a trippy voice. the warm bass will keep your feet warm.
* a fractured neck nock* is the dark one. synths are lurking behind the sick percussion. the guitar riff and a kids voice increase the mystery as the track progresses. this might seem dark and deep but its pumping as well.
released on vinyl only

usb stick - kein vinyl !! (usb stick - no vinyl)
2014 is the year of degree records first anniversary celebration. after three highly successful eps, which all hit the top 10, the label owners veitengruber and 212fahrenheit give their love back to the audience with the most sustainable and utterly stylish gimmick - a wooden 8 gb space to race usb flash drive with 16 exclusive tracks by the best national and international deep house and techhouse artists. it will be delivered in a precious box together with a necklace.

83370 is the first transmission from ollie viero and nico serrus, a pair of french brothers who grew up in a beach town along the coast of the french provence, saint-ayg, which has since become the basis for their name: sinteg. now based in montreal, their collective output has made up the bulk of fur trade recordings signature sound - this sixth label offering is the third to feature one of the two brothers at the helm. they are fresh and prolific and, as such, they are the sound of a new generation of montreal producers. vieros version of house music is upbeat, fiercely layered with percussive latinized shuffles and necksnapping samples. meanwhile, brother mindbend is one of the labels co-founders and has been designing its style and directions since the beginning. together, sinteg is a breeding ground of propulsive dance music punctured with tiny shards of detroit funk and chicago soul, but with the brittle dryness of techno substituting in for the deepness of house.
comes on transparent dark green / smokey marbled vinyl.

formed by snow patrols gary lightbody as an outlet for his fascination with country music, tired pony began taking shape in may 2009. by october, the solo project had grown into a full-fledged supergroup featuring another snow patrol veteran, iain archer, his wife miriam kaufmann, producer/musician jacknife lee, belle & sebastian percussionist richard colburn, auxiliary r.e.m. member scott mccaughey, and troy stewart. peter buck joined several months later, and tired pony traveled to portland in early 2010 to record the debut album. featuring guest appearances by zooey deschanel, m. ward, and editors frontman tom smith, >the place we ran from< was finished in one week and released later that year.

the soul clap boys from boston who come up with the next airdrop outing, outdoing themselves every single time. it’s becoming increasingly hard to hammer them down to a certain sound or aesthetic as their thirst for innovation is just unquenchable! >puppy crack< is a potent dance drug and should immediately be banned to avoid further brain damage. dripping into your drainage like some highly potent acid, the track breaks down into the wonkiest mayhem that clubbers ears have heard in a long time!for those who like it darker, the ragged >beat the puppy< tool is the one! not beating around the bush but rather beating the poor squelching animal, the track rages subliminally, gripping tight around the neck with a metallic beat that should have any old party dog wagging its tail rhythmically while the voice filters in causing uproar with its build-up.call in the ambulance and hope the doctor saving you when your overdose is mikael stavöstrand: he is just such a fine balancer and knows how to dose right: >puppy crack< becomes a deep entrancing affair with squelching noises and hypnotic synths that underline squeaking and clicking effects. slowly the whole affair culminates in an evil addiction you did not even notice you developed!

fimo is the project of three guys from the music city of mannheim. each of them has a variety of musical roots, which in combination developed to an ambitious and productive trio. the influences are ranging from deep house enriched with jazzy and dubby elements to minimal groovy tunes. these guys have been musically active in the rhein/neckar region for many years. with the pollenflug ep they present their first release and allow for a small view on their interpretation of electronic music. besides djing and studio work, fimo are currently working on their live performance. the ep already got huge support from loco dice, luciano, ray okpara, johnny d, nekes, federico molinari, pablo bolivar, lars behrenroth!

after the genre-smashing, seven vinyl pressings deep (and counting) success of viktor casanova, there is no way that the italoboyz could possibly top their first appearance on mothership, right? wrong! we are happy to report that they have created an organic techno masterpiece in >bahia<, enlisting the help of one of the greatest jazz musicians of our time - john coltrane. youve never heard the master like this - the italoboyz have molded the original >bahia< into a stomping peak timer as only they can. their trademark monster kick underpins stuttering jazz kits, a playful piano line, and an insistent, soulful tenor sax sample from the man himself (cleared after four months of intense negotiations). bahias intro leads into one of the most surprising and euphoric breaks you will ever hear. there are two versions to choose from - the party swing mix gets right to the point, grabbing you by the scruff of your neck. the flip sides mucho lungo mix is perfect for those late night warehouse moments, taking its time to deliver the sweet payoff

2022 repress - invisible city returns with the hotly anticipated reissue of amajovi jovi by durban’s o.g. kwaito giant, sandy b. originally self-released on cassette and a white label 12”, rumour has it sandy had to remake the tracks from memory because even he couldn’t find a copy. . in its original post-apartheid context, amajovi jovi was a sign of youthful subversiveness, rebellious creativity and a neck snapping rejection to the fascist groove of a silenced nation. while the pantsulla hustler nods to house legends like jamie principle and pal joey, its hip hop breaks and interludes show a clear affection for snoop dogg’s doggystyle. at its slowed down tempo however, this low-fi kwaito masterpiece turns away from its american influence and looks towards baldelli and his cosmos. best of all are sandy’s vocals— deep, melodic zulu rap, sung flippantly—the way that only a true gangster could. it now stands as one of the finest glimpses of 90s party music to ever be blasted at the underground parties of the south african townships. a huge fave of jamie tiller, tako and ice, we are proud to present a limited vinyl and cassette reissue from one of the godfathers of kwaito. remastered and restored from the original cassette tape. designed by zeitype.

soulful deephouse.

neck-snapping soul masterpiece from freddie scott, famously sampled by biz markie for his melancholic pop-rap hit “just a friend” and a surefire piano-driven basement party anthem in its own right. the work of the legendary producers gamble & huff, the track was also sampled by ghostface killah for the wonderful “save me dear” with jay dilla also utilising the crunching drums to lace many memorable productions for a tribe called quest and slum village. a peerless piece of deep soul and hip-hop history, here’s your chance to own the first ever officially licensed reissue on 45. on the flip, “powerful love” is uptempo guitar-soul with finger-popping swing. featuring delicate horns and gorgeous backing vocals, it’s an unfairly slept-on gem but, given the weight of the a-side, this is perfectly understandable. this special 7&#8243,, single comes housed in a heavy duty custom printed full-colour company sleeve and is limited to just 500 copies.

deep house legends craig smith and andrew mcgroarty finally let their long running instrumental hip-hop project out into the world. inspired by their love of soul, atcq jay dilla, and vintage drum machines. the sense of funky detail woven by craig smith/signal sounds imagines the world of patchwork hip hop as made famous by no-id & dilla. incredibly soulful very warm with a bounce in the beat femi fem (young disciples) craig smith is a og. coming back to his roots of chopping samples and adding drums with an ear that has been trained and sensiblilized for the soulful boom bap 30 years in the making. classic golden era break ya neck shit. marcel vogel (lumberjacks in hell) dj support femi fem (young disciples), phil asher, lay-far, afronaut, thatmanmonks, marcel vogel (lumberjacks in hell)

5 dirty tracks by gbo for a new 7- from bmm records. if this disk does not break your neck it will be refunded ,) 5 tracks ep, deep, phonk and ghetto af. boris lodel (aka gbo) is a drummer / producer based in strasbourg, in eastern france. drummer since his childhood, it is at the corner of a cloud he met the -giant mic Ô-, his nebulous mentor. following this mystical experience he took the name of gbo and was introduced to the art of sampling to complete the quest entrusted to him: to produce the perfect beat. at the controls of his mpc, he travels today the galaxy looking for the pearls of soul, jazz or hip-hop.

originally released by the legendary uk house label black vinyl in 1999, “the power ep” quickly became karizma’s breakthrough anthem, showcasing his trademark balance of infectious beats and deeply soulful melodies.
this first time re-issue finally gives those that missed out the chance to experience karizma at his raw best. alongside the anthemic “the power”, (all 8 minutes 84 beautiful seconds of it), it’s the b-side that has the hidden jems.
“the sea” is a classic karizma house workout, flipping beats and groove and giving you that lift of spirit you get when you take in that fresh sea air on a sunny day.
“k ii s” is simply karizma going all out to make sure anyone in the vicinity is irresistibly drawn to the ambient melodies giving way to the body booming, neck-snapping beats. rough, rugged and raw.

we are proud to present our second release by beat pharmacy aka brendon moeller aka echologist, a singular voice in contemporary electronic, techno, and sound system musics in his various guises. beat pharmacy tunes begin life as live hardware jams where reverb, echo and delay rule the day, and rugged textures rub against digital processing. in “density,” bass, kick and heavily reverbed piano skanks anchor an instantly enveloping soundworld of deepest dubwise ambience. from around hidden corners emerge the hiss of distant pistons and valves, sentient machinery working in complex relationships. wobbles, wubs and sweeps communicate across cavernous spaces, as strange rhythmic elements sputter and spatter, tangling and massing in double-time to the point of rupture, only to resolve into crystalline moments of suspension into gorgeous, neck-snapping drops. simply mesmerizing, and heavy in the dance. “everything to gain” is spun from the same heavy metals, with a sparser feel, processed voice, and a buzzing, repeating alarm figure that sounds like a submarine warning that the dive is getting too deep, too dangerous… music that is moving, powerful, evocative and kinetic, slotting beautifully into 140 sets while defying easy categorization or description, always following vision over fashion. this is why we love beat pharmacy.

time for a little neck bulging, slimy skin hip-slinking summer fun as a true craftsman steps from the studio shadows: jay shepheard, who’s back with a track that’s so infectious if you licked its back you’d trip for weeks. prepare yourselves for ‘bullfrogging’: wry funk, warmth and humanised technoid soul. taking a vocal texture then processing, harmonising and splicing the spawn out of it, jay’s precision balance of electronic hustle and anthromorphised action has all the hallmarks for a summer anthem. ‘early doors’ follows suit and there’s a massive clue in the title… soft-focused, warm, rolling and laced with textured chimes, it’s definitely tailored for those key transitions between warm-up and second gear. deep, trippy but coded with a hookiness that grabs rather than soothes, once again it’s classic shepheard but with a revitalised 2017 twist. hey, he didn’t lock himself away in the studio for twelve months for nothing, right? neither did jay’s long-time friend and neighbour mark henning, a man who hasn’t taken on a remix since the early 2010s. his return to the remix game is as poignant and powerful as jay’s return to releases as he removes around 70 percent of the frog and maximises the bullishness of the elements, creating a relentless tribal slammer of a version that still retains the warmth and soul of jay’s original. two returns to action, three killer tracks, one label you can always count on as your friend and no frogs harmed during the whole process. we’re pulling out some serious stops here.

arthur forests name should be more widely known in the world of dance music, the man lent his expert to touch to more than one classic record emanating from detroit during his time and has quietly left an indelible fingerprint on house and techno history. here at mint condition and for our third release we are extremely proud to present one of art forest s (in our opinion) finest moments - the majestic, futuristic expectations ep. released in 1992, this 4 track ep has always been sought after by detroit lovers worldwide. often very difficult to track down and commanding high prices on the second hand market, this 12- is a real rarity. showcasing a style that stands out from a lot of records released around the same period -expectations- still sounds so killer today. listen to -flow with me- on the b-side, an insanely deep, melancholic piece of detroit house, steeped in motor city futurism (those synth pads!) and with an otherworldly vocal performance from dan carter it ticks all the boxes, absolutely sublime and worth the admission fee here alone. stunning. if you re up to your neck in the history of detroit dance music, or if you ve literally just stumbled upon this entire world of amazing music (welcome!) you ll want a piece of this. beautifully crafted deepness from a quiet master of the artform, what s not to dig? mc003 has been reissued with the permission and involvement of arthur forest and remastered by london s very own curvepusher. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

nice price deal !!! like the alien skull that adorns its cover, voodeux’s bones ep is certainly from another place and time. picking up where their 2007 the curse ep left off, sonic madmen tanner ross and kilowatts have refined and sharpened their signature sound into 1.000 needlepoints, bound directly for the back of your neck. this is techno for a horror movie set in deep space. reach for bones if you have a crowd peaking and you want to rip their heads off. burly slabs of bass rain down like easter island statues, while relentless crystalline atmospherics splinter endlessly towards the horizon. skeleton key is no less ominous, broadcasting its spidery main theme over an ever-evolving, increasingly paranoid chord sequence. once the kick drops back in, the chords frost over with a layer of ice, smashing through the frame with all the subtlety of a yeti attack

trolldans once again opens its musical tome of fairy tales, this time featuring the gif-ted sound sculptor edanticonf. in his chapter of the trolldans volume, edanticonf presents us with the three crying fairies. it is a tale in four parts of desire and tears - as every good story should be. the first fairy tells us about a lake in the deep woods where a young princess called tuvstarr once lost her gold heart. no creature of the forest could convince the princess to let it go, and so she stayed there by the black lake until she turned into a beautiful flower. the second fairy tells us how the princess, before she lost her precious necklace, would ride like the wind through the forest on the back a grand elk. the princess loved the thrill and the elk loved the princess. vril steps in and actually lets us hear the noble elks heart racing from both the pace and his devotion to tuvstarr. the third fairy ends endanticonfs beautiful but melancholy tale with a glimmer of hope: by the darkest of lakes, the loveliest flo-wers grow. the end.

a distant shadow of a woman with jet black stringy hair glistened through the nearby shrubbery. was it her, or was i again lost in my own dementia? how in the living world could this be? i sipped on my medicine and fell into a deep sleep. i awoke days later to see her sooty eyeballs rolling over my entire body. her black wings seemed to stretch over a mile wide. they ever so subtly fluttered from the slow wind that was creeping in from the north. i startled when i realized what was happening and sprung up from my chemically induced coma. i grabbed her by the neck as tight as i could, only to realize that i was holding a black birds tail feather in my hand.

yet again the leafs are turning neon golden, reminding us of the change of seasons lying at the edge of our doorstep. the first cold breezes and the fading warmth of the sun, which we just took for granted so easily, sketch the outline of that mild and soothing melancholia resting in autumn s palms. a mood we can very well enjoy to bury in deeply and with luise s newest release listen to closely. -mentis excessus- is a tenderly crafted tale, a musical journey that paints broad images of false memories and blurry resemblances. like a déjà-vu that lasts too long to put aside, it crawls up your neck to give you that eerie feeling of curiosity with which you look at the uncanny world that suddenly surrounds you. we are very pleased to welcome -wide awake- as the most recent addition to luises s sheltered, little family, a project that has its foundations at the talented hands and hearts of -niju-, -ninze- & -okaxy-. these three banded together for greater good to provide nothing less, but their as well as laut & luise s first album. not restless, no insomnia, just wide awake.

a real thick baseline - a fabulous ep start. of the same title dragon fly comes along with dizzying, but best placed sound effects und a bashing buildup. we love listening to that great sound. neck breaker - not neck breaking but with a most impressive vocal and creative seeded sound expericence. makes us fancy for more like this. and bäms - the ep continues with a track called roll on. quite deep and initiated with a cool vocal - very british - the composition ist a bit more funny - a good mood sound creates an appetite for more. we are hot for the release on stylerockets.

droid recordings presents a new 12 inch from dj hyperactive, whose jacking chicago sound has evolved over the years into a deeper sound that maintains his signature infectious drive. on 25 hours, an undulating, bassy synth line builds into the machine-voiced partiers dream of 25 hours in a day, before the track takes off with neck-breaking snare and clap combos and proceeds to rebuild. raíz pulls the track from the depths to deliver something more brash and energetic. there is more at play here, with the 3-note riff tweaked throug the tracks duration, and the words 25 looped through a series of insistent, smashing snares. in the final mix, newcomer markus suckut follows his recent remixes of xhin and pfirter with an unexpected and idiosyncratic interpretation. tonal elements are drawn into the lower registers, while the vocal sample slithers around the mix. the syncopated elements of the original surface with in an alternative mode, dark and driving.

fluxus is danny scrillas first transmission for civil music and the munich based producers second release. following on from 2012s flash powder ep for om units cosmic bridge label, *fluxus* sees scrilla in expected fine form, and takes in four original neck snapping instrumental tracks plus two remixes from japans deep medi member goth-trad and london producer and one to watch deft. on fluxus scrillas productions run at 80-90bpm / 160-180 bpm exploiting slowfast halftime tempos yet are seemingly engineered from the sonic essence of 06 og dubsteps dark sparse dreadnought sounds, with waves of quaking bass growing under iced-out percussion accentuated by toiling snares. floating chords and hypnotic melodies drive skeletal riddims, sci-fi synthlines arc over the spacious heavyweight ruffage built for towering stacks and pitch black rooms.

exploited serve an ace from consistent, a group of well known producers working under the cloak of anonymity. previously having released on frontroom and boe with remixes for tartelet and man recordings, consistents track >feeling high< dices vocals and disco vibes into a house heavyweight something like hot city meets soundhack, coming with certified anthem status. get involved for the polished berlin-meets-chicago modernism thatll get you sweaty as a taxi drivers neck in july. its difficult to say whether this is tech house or deep house, strictly speaking, but either way the title track bumps. it funks and, although were told it comes from berlin, its damned chicago. this is the 2nd single from consistent (remember aint no bump?) on exploited. early support by kink (rush hour), optimo (jd twitch), laurent garnier (f-com), dj t (get physical), dj hell (gigolo), erol alkan (phantasy), brodinski (turbo), feadz (ed banger), round table knights (made to play), ian pooley robert dietz (cecille), till von sein (suol), adam port (liebe*detail), lee jones (watergate), stuffa (trunkfunk), mosca (nightslugs), lazer sword (stonesthrow/numbers), pezzner (freerange/om), acidpauli (console/notwist), jamie anderson (artform)

played at panorama bar !! already played by hans nieswandt, vera, serafin, matthias kaden... drei farben house bringt den soul in geschmeidigen oberflaechen und sanft leuchtenden toenen zu uns. crew neck ist in der tat eine wunderbar runde house-affaere, die mit dezenten discound soul-referenzen glaenzt und ruhig, aber kraftvoll ihre kreise zieht. und auch sartorial realism schneidert ein herrlich funky beat-kostuem und schmueckt es mit klassischen house- chords und traumhaften frauen-vocals aus. zwei deepe house-bomben und eine gelungene fortsetzung des tenderpark musikverständnisses.

nile delta is dancefloor wizard joel dickson, former member of riot in belgium and current member of cutters dynamic-duo, voltage. having spent the past year neck-deep in other peoples music – it was only a matter of time before this, nile deltas debut ep emerged, shimmering, from the water. channel sounds like a late 70s house party. except the house is actually a warehouse and the late 70s are actually the early 90s. an almost paradoxical blend of filtered piano stabs, party whistles, endless delays, a squelching acid lead, horns, bendy-breakdowns, you name it. channel sounds like moodymann at his rawkus best. no party will be complete without this house gem. all this on the flip, sees cut copy bassist ben browning provide an otherworldly vocal hook over nile deltas inescapable rhythm. and the crawling baseline will have your hips doing obscene things. guaranteed. remixes include longtime favourites chicken lips, who take their invincible track record on an italian holiday – and tornado wallace who takes us deep, deep into the night.

steve summers is back with his third ep, this time around for greeces echovolt label. summers continues to play with his main inspirations, the energy and grit of hardy tape edits, melodies of larry heard, and deep bass tones of william s. this four track ep manages to capture a feeling of experimentation and authenticity thats often missing in modern dance music. strong 12 with timeless chicago house tracks! very cool!

support comes from tiga, jedi knight tom middleton, dj naughty, warren fellow, makossa & megablast. the track >disconnected< is a groovy house workout that is typical of mr van moll. it starts with an excellent rhythm track that hooks you in straight away and then drops a deep, rich bass reminiscent of some of the classic house records from eindhoven produced in the mid 90s. this is quickly followed up with a breathy, seductive female vocal that leads you into the synth parts that propel you throughout the rest of the track until the 303 drops at the end. on the flip the track is reworked into a much darker affair with the 303 playing a central role from the beginning. >disco necked it< builds slowly with dubby synths gradually joining the 303 and throbbing bass before a filtered string part straight outta detroit creeps in creating a late night thriller thats sure to have sweaty bodies grooving!

if youre fed up of looking out your window onto grey dreary weather and desperately need some sunshine in your life then you are in luck. chris lakes new track >carry me away< does just that... described as being >reminiscent of a hot summers day dancing on the beach< this track is tipped for huge success. featuring the sultry voice of emma hewitt, an uplifting piece of blissed out electronica, you cannot help but fall in love with emmas beautiful vocals over a hooky piano riff that is chris trademark. complimenting the original, there is the sébastien léger remix which tears apart chris mix that gives you a deep, dark, electro-twisted journey, still keeping the vocal with a soaring orchestral break that makes the hairs on the back of your neck stand on end