repress - pursuing their explorations in the vast corridors of international funk and disco music, favorite recordings and bruno patchworks hovart present us voilaaa. with this first single composed of 2 tracks that clearly reveal the afro-disco inspiration of this new experience, favorite also expands its new series of disco 12inch singles recently launched with several fine reissues, but this time with one of its special homemade production recipe. under the imprint of the label and after their long years of collaboration in the achievement of projects such as the dynamics, mr president, mr day, patchworks galactic project, or taggy matcher, the insatiable french producer therefore returns to his first love and specialty, disco music, staring this time at the african and caribbean influences. indeed, as everywhere in the 70s and 80s, funk and disco movements were extremely influential in these regions, and in most cases, the combination of the festive, yet sometime futile nature of disco, and the instinctive, deep, sometimes rough nature of african music, sounds like a perfect balance. aiming to find back this energy and specific sound, patchworks quickly began producing a few tracks, using his unique and ruling beats and bass lines as foundations, this time he dresses all with guitars, keyboards and brass distorted with vintage and diy effects pedals and boxes. with a very dynamic music scene around him in lyon, where there is no shortage of artists with african origins, he decided to surround himself with singers from the region, even if it means to accompany them on unusual musical paths. a more than successful bet with a result surprising of authenticity, as it’s unveiled by these first two titles alongside sir jean and pat kalla, both from a musical background as rich than different. with an album planned for the end of the year, that promises to be as explosive and magnetic, patchworks and favorite recordings make a strike again and confirm them a little more if needed, as the true warrant of the modern dancefloors loyalty, to the spirit of their mythical ancestors

off the back of their first ep release, super fun bumper editions trends, which received support from the likes of xl8r, thump, future classic, and bradley zero, beats of no nation is now gearing up for its second release by the chord memory band. chord memory band is a recent collaboration between michael medlycott (from the band vulture street tape gang) and dom bird (bonn co-founder and member of the live disco 4 piece mitzi). at the end of 2016, michael and dom caught wind of a cave, nestled beneath a sacred mountain, deep in the australian outback. the rumours described a cave filled with nocturnal animals and ancient flora, but more importantly, a stash of vintage synthesizers and drum machines. guided by whispers and caught up in the mystic mystery of it all, the duo set off with a dusty four-track tape recorder in an attempt to capture these mythical cave vibes and place them on a record. michael and dom surfaced several months later, with four recordings and no memory of what had occurred. these recordings became their synergistic third eye ep – an analogue journey into the spiritual world, with one simple message, the answer is inside.

shedbug from australia is kicking off our newest release on deeptrax. four trax for the heads and for the floor. screaming acid with deep rhythms full of mesmerizing chords like these old detroit warehouse vibes meeting ultra dope bouncin beats going into dreamy breaks. all captured in sonic waves from this melbourne salt mine bloke on a heavy mythical mental mission.

ltd repress !! contrary to the songs name, this interpretation of a traditional afro-brasilian candomble song, appears to be forged from mythical lost amazonian gold. recorded in sao paulo with an allstar cast of arteria fm (on vocal duties), salvador araguaya (caressing the viola caipira) & spaniol (stroking the baixo), steered by nicola s production prowess, this quartet delivers a melodic enhancement to the summer sun. as if the sun wasn t shining bright enough already, the single comes backed by a remarkable remixer ensemble procured from their duties as fellow sun-worshippers: xique-xique s dragonfruit mix is a wondrous journey full of surprising leaps and bounds, alternating between hypnotic electronics and organic song structure. saving the best til last he raises the energy whilst keep the beats low and the vibes ecstatic. hit ! crussen s creamy cocodub raises the energy whilst concentrating on a dubbed out groove, (that) classic crussen bassline and carefully sliced & re-appropriated vocals. finally in-house poster-boy carrot green s granola mix combines disco, deep grainy bassines, juicy bells and signature flourishes into a bowl of magical mind-whirling hip-spinning edible sex.

invoking the power of a stampeding herd of mythical beasts, the animais soar o alarme 12inch is a carnivalesque dancefloor exploration that highlights the unbridled percussive sound for which ninos du brasil have become known. according to the label: the a side presents the shadowy duos original track a rollicking and propulsive explosion of beats unified by steady stomping bellows of unknown origin. the b side sees the bunker resident dj patrick russell providing the first ever remix of a ninos du brasil track, imbued with the precision, discipline and restraint for which he has become known, making animais soar o alarme seem all the wilder for his skillful steadying hand

after delivering the 8th polybius trax’s release under myriadd s alias, craig stainton strikes again. and this time he does it under the name of mantra with 4 tracks of jackin , acid house and acid techno. besides publishing as mantra in mythical labels like bunker, solar one music and abstract acid, he has done so in djax-up-beats, crème organization, chiwax, gnosis, boe recordings and many more with his other alias and projects: acid phreex, craig stainton, monofonix, myriadd, modular men and nite vision. with this ep and with its predecessor in the label -a new day- (pt008), shows us of his mastery in the art of invoicing dance music under the different strands of acid.

the long awaited reissue of the mythical 1979 australian private press. recorded in sydney by a group of mysterious japanese jazz musicians and an unknown mauritian session vocalist, six to six is an amalgam of balearic disco, haunting soul and hectic funk reminiscent of electric miles davis.