two mixes on this remake of a tune by a famous jazz singer....produced by a certain man we know, who wants to remain nameless, this soulful 12inch has two mixes - a soulful house groove and a more garage-type roller on the b-side. pure summer-bliss. hit!

ashley beedle, along with keyboard player and producer/artist, uschi classen turn >blessings< into a ten minute monster fusion, with the beedle beats and strings along with the tough bassline and effects, on the flip, manchesters unabombers deliver pure boogie bliss..

grooving funked up tracks with a big electro touch and sexy soulful female vocals by the marathon men

this selection is based on over two decades of deep dj experiences. the impact of seeing jazz dancer, michael knot of idj, dancing to acid trax by phuture, in the back room of a pub in teddington, produced one of those seminal moments that, gilles maintains, radically changed his view of acid house. it is important to say that this is certainly not a club album as some of the predecessors in this series have been.

multi instrumentalist j todd has been amassing quite a fan base of late thanks to his unique production approach which effortlessly spans hip hop and that genre not genre of mid tempo disco influenced 4/4 electronic funk this 12 is taken from his much anticipated debut album and includes an uptempo filtered broken funk remix from wave makers the marathon men this will go off

musik krause 08 und 37 special pack

das britische dj/produzenten-chamŠleon midland aka harry agius, der seit 2010 die clubwelt mit surrealen tracks bis modernem pop begeistert und u.a. darkstar, mano le tough und flume remixte, legt mit -fabric live 94- einen faszinierenden mixflow vor, der keinen anfang und kein ende kennt, stŠndig zwischen verwirrung und †berwŠltigung, zwischen momenten totaler klarheit und begeisterung hin und herwechselt und als fixpunkte die tracks von roman flŸgel, lfo und daphni setzt, die dem hšrer/tŠnzer immer wieder orientierung geben.

there are still around, real environmentalists for whom the term preservation means more than just a trend. paul-david rollmann alias even-tuell belongs with his artistic productions (among other things, one of the creators of the enthusiast label workshop) to the class of those who answer the call for effective art, design and indulgence. the maxim is always the free will, emancipated from szperfluous market mechanics and the falsehoods of the zeitgeist. for musik krause, his activity is recorded on 2 releases. a split with metaboman and a formidable remix for ian simmonds adorn the catalog. with his quasi-first complete musik krause ep he shows a raw and coarse club music sound without losing even a breath of the aesthetic and compelled movement. all three pieces sound as if they were crafted from centuries old tools, in the way that his music is filtered through the machines humanizedm discharged in a kind of essential honesty.

mixed by roberto rodriguez