does spring hide its joy is an immersive piece by composer kali malone featuring stephen o’malley on electric guitar, lucy railton on cello, and malone herself on tuned sine wave oscillators.

atmosphere’s “lucy ford” double ep / album available on vinyl for the first time. the black double vinyl is housed in a gatefold sleeve with download code included.

original soundtrack

ltd to 200 copies

yung dumb records returns to japan for their 20th record. lucy time is a versatile 4-tracker by burgeoning producer house violence

the first two albums from lucy liyou together as one double vinyl releae, housed in a gatefold sleeve.

lucy and xhin back on clr.

dark 80-ish synths, guitar riffs, dubby basslines and aggressive percussions.

classic crossover

lucy aka luca mortellaro

limited 12 inch

“cliché’s principle” exhibits the two-sided aura of an artist long familiar with the cultivation of diy ethos: an effortless expulsion of playful immediacy and the unfolding of a musician well versed in unpretentious composition. lucy cliché’s five track ep for fleisch records is a jacking romp through 120-125bpm electro/new-beat, swooning through downcast ambience, lobotomised vocal samples and sweat-drenched hardware rhythms.
lucy’s musical oeuvre piles high, as a figure in the sydney underground for the past 15 years she has always explored sounds that playfully antagonize the status-quo, the dysfunctional no-wave approach of her band naked on the vague and the manipulated tape ambience of half high echo throughout cliché’s principle in the form of chorus buzzed synth chords, abstract drones and ethereal evocation. while there is the strong presence of a live veteran at work behind the machines, cliché’s principle holds five tracks produced purely with the intention of paving the dance-floor.

(2lp+dl) lucy and rrose, now coming together as the lotus eaters, have established themselves separately as techno artists who are just as comfortable operating in the uncharted area of experimental music. running their own labels (stroboscopic artefacts and eaux, respectively), they have gained a cult following, both influencing and challenging the direction of techno.

as part of longstanding no wave duo naked on the vague, murky girl group knitted abyss and extraterrestrial drone project half high, lucy phelan has been a critical force in the sydney diy scene for over 10 years. under the solo veil of lucy cliche, she annihilates with these four wavey techno tracks that honour her noise and punk ethos. with pounding drum sequences, draining synths and emotionless vocals echoing cosey fanni tutti, her dark dreams sabotage our calculations of modern dance while demonstrating how physicality and the ethereal can interact.

stroboscopic artefacts is releasing its latest addition to the forward leaning edge of electronic music with the totem series. unfurling as a chain of transparent 10 vinyl, each of the totem releases will have a subtly divergent take on the aesthetic space defined by techno and club culture.

taking charge of the first release is lucy, who has evolved his distinct sound signature by reconciling the deeply personal with the esoteric, and by harmonizing the spheres of technology and biology. whether he is acting in the role of producer, dj, performer, or stroboscopic artefacts curator, lucys clear passion for creative evolution and mutation is something that continues to attract new listeners, and keeps giving his current supporters new reasons to continue tuning in. ep opener the hermit is eight minutes of spacious and cerebral techno. rolling drums are buried deep as little flecks of sound design peel off the groove. occasional bell hits bring a sombre and languid feel despite the drive of the drums, and it is the sort of perfectly absorbing track that will suck you down a 5am rabbit hole. on the flip, ‘the high priestess’ is a similarly mental work out that is empty and eerie, with distant drones and yawning pads outlining a vast underground space. the drums here are again rubbery and rolling, but a little more prominent, and the whole thing manages to be both soothing and unsettling. after this fine ep starts the label in style, a remix ep from blawan will follow.

in 2013 drumcell debut his first full length album sleep complex on clr. around the time of the album release drumcell invited three of his close label mates luis flores and raíz truncate from droid and lucy from stroboscopic artefacts to create their own interpretations of his music. the unreleased tracks were constant dance floor tracks used within the teams dj sets and its about time to release these tracks to the public!

to start the year 2014, stroboscopic artefacts bring you sa021 - a remixes selection of tracks from lucys forthcoming lp churches schools and guns. in presenting four of the album cuts in altered impressions, sa021 helps the label keep on re-examining the timbres, tones and textures of techno

two producers at the top of their games. silent servants expert handling of noise and distortion and lucys ability to create narratives where you least expect them form a startling hybrid.

this is the 4th black catalogue release. >through the galaxies< was originally released on the modern underground music sampler. this version is a full release with some great remixes by both lucy from stroboscopic and shigeto from ghostly. these mixes are fantastic, and really show a nice array of sounds. i decided to add a dub version inna future reggae stylee, too. i hope you enjoy it! - monty luke

lucy the double a side is dedicated to a special one, near and dear to him and has quite an epic flowing sub-aquatic groove. we can see this track being prime warm-up or late night tackle for the likes of move d, lawrence and the smallville crew.

ground loops ampersand (i) is a release exploring contemporary techno by some of technos best contemporaries. the original fuses old school ideals with modern production techniques to create a floor friendly, groove oriented track that manages to maintain a sense of purpose and emotion. on remix duties are lucy (stroboscopic artefacts) who produces a seminal remix taking on the atmospherics of the original and building upon that to create a space and tension we have all come to know and love of his productions. samuli kemppi (ostgut ton, mote-evolver) who delivers a deep slice of dubby detroit influenced funk, perfect for that back room set and once again ignites the sound of that transatlantic relationship. the final remix comes from advanced human (aka. dj hi-shock), who instead focuses on the energy and emotion of the original and twists it into peak time material. already spun and fully supported by luke slater, james ruskin, donor/truss, damon wild, tommy four seven, audio injection, markus suckut, chris finke, go hiyama or raiz to name a few.

time 2 express is on a roll! sqeezing out harsh yet hypnotic techno of the highest order. the 4th instalment in the 61 center returning series is an all belgo-italian affair. as on vol. 3 the a side is taken up by peter van hoesen and donato dozzy. with >dock< they present a dense, psychedelic track: bubbling percussion works its way through swirls of oscillating soundscapes. >dock< envelops the listener in a thick, gentle blanket, slowly increasing the pressure as the track unfolds over 9 minutes. on the b-side stroboscopic artefacts main brain lucy reports for remix duty. >defense against the self> was originally released on peter van hoesens >entropic city< album. lucy provides the track with a solid dose of steroids, injecting cavernous kicks and bleeps. his version widens the impact of the original, while adding his very own personal take on techno. viva italia...

first on decks.de !! slammin remixes by tommy four seven , james ruskin , peter van hoesen , truss !!

incl. sasch bbc & casper remix! hammered by nick curly, oxia, dubfire, anthony collins, dubnitzky, monoroom, martin eyerer and many more. brise supports the quality stuff, this is it!

killer limited vinyl ! played by 2000 &one, joris voorn, timo maas, dj hell, laurent garnier, nic fanciulli, karotte , butch and many more…

incl remix by h.o.s.h.!! played by james holden, ripperton, phonique, someone else, stephan bodzin, mark august, sian. lucy builds up a menacing wall of sound in just under 8 minutes, inspiring the listeners imagination, like >summery drumming< before. oscillating melodies and strings condense to a dark blade runner type scenario, driven by a crystal clear snare drum

we are proud to welcome again two new artists to the curle-label. deep is the new high !! support comes from dan curtin, mark august, karotte, convextion and laurent garnier

lucy lee quality recordings is proud to present uno the second single of ebbro project of gianluca pandullo. gianlucas other projects include i robots (irma) and nemesi (relish). i robots came into the light with the vv.aa. italo electro disco underground classics, together with the nemesi tracks, they have immediately gained support among the most important djs around the world and from specialized music press, i robots frau (produced together with und from trapez records) was included on ivan smagghes fabric 23 mix cd. later, kid alex produced 2 remixes of the single for his berlin based label, boys noize. gianluca pandulo also released cosmica on relish which was remixed by the famous neo disco duo lindstrom & prins thomas.

translucent light blue coloured double vinyl.

techhouse / minimal

repress - j dilla is widely regarded as one of the greatest hip-hop producers of all time, having supplied timeless soundbeds for the likes of a tribe called quest, slum village, the pharcyde, busta rhymes, common, de la soul, the roots, d’angelo, erykah babu, madlib, and many more. in 2005, rumors began circulating about an album called “jay love japan”, a j dilla solo project inspired by one of jay dee’s favorite locations to visit on tour. after dilla’s untimely death in early 2006, the album became a lost classic shrouded in mystery, with only unofficial bootlegs and promo versions available. an official cd version was eventually released in 2008, but quickly went out of print. now, the album is finally receiving the official release it always deserved. j dilla’s mother ma dukes and her label vintage vibez music group are proud to present official vinyl and cd versions of “jay love japan”. with six soulful dilla instrumentals and vocal appearances from blu, miguel, j*davey, ta’raach, exile, baatin, and more, this 11-track collection is a perfect snapshot of late-period j dilla brilliance.

hard case box, lift off lid, each vinyl comes in it s own printed artwork sleeve.

live in vancouver 1981 !