after kicking things off in 2017, loop lf returns to well street bringing his unique sound design, broken rhythms and deep subs. martsman kindly pops back from the future to provide a beautifully technical dnb remix.

granny13 opens with nicola ratti’s “odd doubt”. with the use of a modular system and tape loops, a broken rhythm is obtained by parallelism between single sound signals as lfo one or processed tapes.
on the second side, giovanni lami’s “johnny leech” is made with a small bunch of equipment, just a chaotic hand-made synth (cacophonator) and a memoryman, working mainly on static electricity and leakage current in the synth used without any kind of power supply.

one of stockholm’s best-kept secrets is now out of the closet. with no information on the artist, what we get is two rumbling techno tracks with a cause. “grounded theory” builds on a ground loop layered with a bellish sequence, percussion and stabby hits. “furious dub” is a dubby take, made up by filtered chords and a bassline with an offbeat lfo. both tracks are aimed to make you move. it’s your body, you decide!

title track joyride kicks things off with a straight up 909 beat, complete with scifi sweeps and classic wood block percussion, quickly working its way into an very subtle groove with every element working effectively to keep it fully funk laden. sideways completes the a side of the release and gets going right from the beginning. pumping percussion takes hold and hits the ground running before a perfectly weighted synth hook lashes over the top with henning playing with the synths lfo to creative effect. dust takes things down a notch as swirling pads drape themselves over a serious 909 beat. henning lets this one loop out, letting the subtle variations in the synths do the work as the 909 holds the beat solid and reminiscent of early berlin/detroit dub techno crossovers. mars attacks closes of the ep and does so in particularly fine fashion. a more broken beat affair this time from henning and he really works his machines into a sonic warfare of bass tones and tweaked out synths that sear through the crashing percussion workout.

o.ton is still growing up! we have finally managed to get two hottest french producers, mik izif and funny ox, for this new and exclusive release on o.ton records. >run< is simply made to drive a dancefloor mad, with its lfo bassline and these steady climatic harmony loops behind. the flipside belongs to funny ox: a great and groovy remix of >run< with all it needs to keep a crowd pleased and aware. o.ton 04 is the perfect minimal techno record! but what else would you expect ... enjoy!

>fables and fairytales< is a deep, dark and aggressive cut of acid house from toronto-based producer murr, featuring the voice of rosina. with a vocal chorus that begs a closer listen - to the kind of bassline you’ll be humming hours after the club, this piece of lfo tech-funk brings adonis, kate bush and pal joey into the same room and melts them into one shining pitch black gem. a perfect anthem for a jamming summer night. on the b side, adam marshall stretches the loops and dubs the jazz deep into acidic house and dark techno territory.

ben sims_manipulated (adam beyer mix) ….fuse vs lfo !!! stunning classix