dj support from: disco sparks, dj pope, stardate, muzikman edition, saucy lady, paris cesvette

house masterpiece

b1 vinyl only remix, comes with picture sleeve

incl yoruba soul mix

cool big room styled electro house rocker

rsd 2018 title - 22 hits from bunny striker lee, made between 1967 - 1976, when reggae went international....to celebrate the 50th anniversary of top flight reggae producer and icon bunny striker lee’s involvement in the reggae business and producing one of its biggest catalogues, we are releasing his greatest hits package ‘reggae going international’ as a limited record store only release of 175 copies each on heavy weight red,green and gold vinyl in a deluxe gatefold sleeve.

the sound of studio one can be identified by the great singers that it cultivated along the many great songs that these singers released. but as studio 1 s dominance was slowly pulled away by the up and coming new breed of producers many of the artists would inevitably end up working for these new camps and so the songs and singers found a new audience. the reggae sound of the studio 1 would make a great combination and the man to pull this was together bunny lee.

delroy wilson the original ‘cool operator’ was also known to many as ‘teacher’. a title given to him as he unselfishly taught the up and coming singers including one youth dennis brown, the art and delivery of singing technique. delroy’s rich tone to his voice added a depth to any song that he chose to sing. delroy wilson (b.1948 kingston,jamaica) began his musical career at the school that was coxonne dodd’s studio one label. after a brief stop in 1969,which saw delroy working for producer sonia pottinger’s tip top label. again producing such hits including ‘it hurts’ and ‘put yourself in my place’. the 1970’s saw delroy wilson’s arrival at bunny ’striker ’lee’s door and what would result in a winning formula,scoring hit after hit. it is from this great period in delroy’s career that we have compiled this selection of killer tunes,cut with the drum and bass rhythm kings themselves sly dunbar and robbie shakespeare.such classis as ‘who care’ ,’can i change your mind’,’get ready’,’you must believe me’ and the timeless title track to this collection ‘here comes the heartaches’. an album of great tracks cut with ‘the hitmaker from jamaica’ bunny lee and his team. a match made in heaven….enjoy the set….

for their first outing in 2014, cult vinyl-only imprint a&r edits return with another double header of tried-and-tested reworks that have set the floor alight for edits maestro greg wilson in recent months.

with the help of bodie lee and his nuboogie series project we managed to lay our hands on the master tapes of this early 80s disco hit by beggar & co. (and with hit we mean hit... like top 10 positions uk and us etc). we already got some raving reactions from people who use to love this big brit funk tune back in the days... and this might even sound better! nice remix challenge for greg wilson and elitechnique... both delivered the works! we could write a long story about the remixes and the remixers... but just choose your favorite. 2 sublime nu disco funk work outs!

the sound of studio one can be identified by the great singers that it cultivated along the many great songs that these singers released. but as studio 1 s dominance was slowly pulled away by the up and coming new breed of producers many of the artists would inevitably end up working for these new camps and so the songs and singers found a new audience. the reggae sound of the studio 1 would make a great combination and the man to pull this was together bunny lee.

delroy wilson the original Ôcool operatorÕ was also known to many as ÔteacherÕ. a title given to him as he unselfishly taught the up and coming singers including one youth dennis brown, the art and delivery of singing technique. delroyÕs rich tone to his voice added a depth to any song that he chose to sing. delroy wilson (b.1948 kingston,jamaica) began his musical career at the school that was coxonne doddÕs studio one label. after a brief stop in 1969,which saw delroy working for producer sonia pottingerÕs tip top label. again producing such hits including Ôit hurtsÕ and Ôput yourself in my placeÕ. the 1970Õs saw delroy wilsonÕs arrival at bunny Õstriker ÕleeÕs door and what would result in a winning formula,scoring hit after hit. it is from this great period in delroyÕs career that we have compiled this selection of killer tunes,cut with the drum and bass rhythm kings themselves sly dunbar and robbie shakespeare.such classis as Ôwho careÕ ,Õcan i change your mindÕ,Õget readyÕ,Õyou must believe meÕ and the timeless title track to this collection Ôhere comes the heartachesÕ. an album of great tracks cut with Ôthe hitmaker from jamaicaÕ bunny lee and his team. a match made in heavenÉ.enjoy the setÉ.

3xcd - 40 tracks! incl. mark brown, kurd maverick, sam obernik, chickie, mync, carl cox and dj sneak!

limited edition reissue on red coloured double vinyl, download code included.

double vinyl compilation of classic songs from female jazz icons.

double vinyl compilation of 26 soul classics from the queens of the genre.

double vinyl compilation with 27 jazz classics from the queens of the genre.

disco

the best of dream dance volume 25 - 28 on double vinyl, housed in a gatefold sleeve.

a collection of 16 northern soul classics from legendary detroit label dynamo records. featuring songs from tommy hunt, the diplomats, inez & charlie foxx, stanley mitchell, barbara & brenda, kenny ballard and more

fifth in a five part series, documenting the birth and evolution of soul music. comes on double vinyl, housed in a gatefold sleeve.

psychedelisch-country-garage-soul kuriositäten aus den 60er und 70er jahren von meist unbekannten künstlern. die melodien auf diesem album sind so gut wie die von berühmten künstlern wie little richard, jerry lee lewis, tom jones oder jack hammer.

28 classics from 50 years of northern soul on double vinyl, housed in a gatefold sleeve.

along with his rival, cornell campbell, johnny clarke was one of the most esteemed singers of the roots reggae era. having grown up next door to a popular sound system on waltham park road in western kingston, clarke s early fascination with music led him to hang out at studio one with jacob miller while still at school. he then made the rounds of talent shows with barry brown, sugar minott and the diamonds, which led to a debut recording in 1973, for the pianist glen stair, which remains unreleased. an early effort for clancy eccles, ‘god made the sea and sun,’ was not promoted properly, though ‘everyday wondering,’ for rupie edwards, impacted in britain, ‘golden snake’ for stamma houghton and a cover of smokey robinson’s ‘you really got a hold on me’ for glen brown were also false starts. the breakthrough finally came in 1975 when clarke linked with bunny lee, who had him voice the rastafari landmark ‘none shall escape the judgement’ (written by earl zero, who failed to muster a credible take), which kick-started the ‘flying cymbal’ craze. clarke’s resultant debut album, enter into his gates with praise, mixed hard-hitting rastafari devotional material with sympathetic cover versions of classics by the likes of the paragons, slim smith and delroy wilson, along with a few reggae renditions of some vintage american r&b.

cementing his reputation as the star toaster with the small but popular el paso sound system, based in the waltham park area, dennis alcapone was one of the first deejays to rise to prominence following u roy’s breakthrough in the late 1960s. born dennis smith in the rural district of culloden, he became immersed in sound system culture after settling in western kingston. once el paso became big on the sound system circuit, dental technician-turned-producer keith hudson brought him into the studio for his debut recordings, which led to a debut album for studio one and hit material for duke reid, some cut in concert with his deejay sparring partner, lizzy. alcapones longstanding links with bunny lee yielded the excellent guns don’t argue album, first issued in 1972, on which the toaster raps with style over some of lees all-time greatest rhythms, including delroy wilsons better must come, john holts left with a broken heart and slim smiths rendition of the temptations soul classic ain’t too proud to beg.

tommy mccook to be leader of the skatalites in the early 1960s, he went on to become the chief exponent of rock steady as leader of the supersonics house band at treasure isle. mccook remained a key session player throughout the reggae era, and during the roots reggae heyday of the mid-1970s, his expressive melodies found particularly strong outlet, especially on the music he created for grassroots producer bunny ‘striker’ lee as a member of the aggrovators, the studio outfit lee hand-picked from the cream of jamaica’s musical crop. when enhanced by the adventurous mixing experiments of king tubby, the engineer that turned dub into an art form, instrumental aggrovators music became positively ethereal, yielding an exceptional listening experience. on king tubby meets the aggrovators at dub station, tommy mccook blows mean sax and flute over dubs of outstanding tracks by johnny clarke, cornell campbell, linval thompson, delroy wilson, and others greats. first issued on third world in 1976, this vinyl reissue comes complete with four thematic bonus tracks, and the whole disc makes for essential listening. reissued on lp and cd with bonus tracks!

praise poems vol.1: gilles peterson (worldwide / brownswood rec.): one of my fave comps of 2015. praise poems vol.2: oliver korthals (mojo / out of spectrum on byte fm): extremely well put together track listing of artists which i have never heard before. left me with my mouth open... - highly recommend! praise poems vol.3: dom servini (wah wah 45s): this is incredible.

fantastic voyage’s autumn 2015 release of soul for dancers proved so successful, that we didn’t have to think twice when lois wilson (mojo, record collector) asked if she could do it all over again. it turns out that there were plenty more classic sides in her dj crates, drawing on that rich seam of early soul and proto-soul rhythm & blues, of the sort that would have packed the dancefloors on the sixties club scene, or has been embraced by subsequent generations of club soul diehards.

the follow up to skyzoo’s acclaimed debut lp “the salvation”, 2012’s “a dream deferred” is finally available on vinyl. the fan favorited project includes guest spots from jill scott, freeway, talib kweli, raheem devaughn and more, and boasts production by !llmind, jahlil beats, 9th wonder, black milk dj khalil and a host of others. after three years it’s now available on limited edition translucent dark blue colored & smokey marbled wax for your collection.

after retiring from the jamaican police force arthur duke reid established his treasure isle liquor store and sound system in pink lane kingston and was crowned the undisputed king of sound and blues in 1956, 57 and in 58. the duke then moved into record production and after relocating the store to 33 bond street, he then built a recording studio on top of his new premises in 1966. according to the musicians and singers the wooden construction of the treasure isle recording studio gave the music a distinctive warmth and richness and with resident engineer byron baron/smithy smith at the controls, the sound of a bond street recording was immediately recognisable.
but the studio one sound is different to the treasure isle sound! the people have to know. - bunny striker lee
a glittering selection of strikers treasure isle recordings are featured on this compilation. so please sit back and enjoy the set!

der rhythm & blues-fachjournalist lois wilson (mojo, record collector) hat für fantastic voyage tracks aus dem chess katalog aus den genres blues, r&b und rock n roll ausgewählt. die vinyl edition enthält 32 clubtaugliche stücke und einen farbigen einleger. mit dabei sind songs von muddy waters, chuck berry, howlin wolf, bo diddley, john lee hooker, u.v.a.

a blistering collection of ska tunes from clement sir coxsone dodds legendary studio one records, jamaicas foundation label of reggae music. featuring classic cuts from the originators of ska - the skatalites, the wailers, lee perry - alongside a heavy dose of superb rarities from the might vaults of 13 brentford road - pure ska fever!

we call it hard records is a digital and physical audio label.the label was found by andreas florin and toni drogemeyer (userkiller). in september 2009 they had the idea to create a new label. both are well known as producers and djs. machienecode aka dean rodell vs current value,patrick dsp,a-brothers,kuniaki takenaka,vegim and brad lee are just a view artists of the label. the concept of we call it hard records is not only to release audio. they are going to start a party series at the tresor in berlin germany. we call it hard is allready supported by dave clarke. woddy mc bride, dj murphy ,sven wittekind ,glenn wilson ,dave the drummer , a-brothers, submerge, the anxious, 88uw, mad max, space djs, patrick dsp, david christoph, dj mita and more

five pals from leeds, england, who play scruffy but energetic rock & roll with no shortage of swagger, the pigeon detectives formed in 2002, but the group s members — matt bowman on lead vocals, oliver main and ryan wilson on guitars, dave best on bass, and jimmi naylor on drums — were mates from school and had known one another since they were 12.

the return of mr lee aka joey negro with his better days records inc series another 4 classics moments get a timely re work.kicking off with a edit of the clash classic ærock the casbah stretched and extended for the dancelfoor..botty beats is a percussion fuelled electro tinged monster that has been big for greg wilson etc.the flipside has more latin infused boogie feel on gonna getcha and a more downtempo feel to mellow mellow rap on. another quality ep from mr lee

superb 4 track ep with soulful deephouse

28 tracks state-of-the-art remastered! original 7 and extendend deejay cuts by dennis brown, gregory isaacs, freddie mcgregor, michael rose, junior byles, delroy wilson, sugar minott, leroy smart, a.o. - the next essential chapter in the reggae anthology quality series!

yin yang attracted a lot of great producers to its label over time. now the time has come to do a release on which some of those producers work together to rock tha house! ali wilson and lee osbourne created >amongst it<, an uplifting track that is bound to rip dancefloors apart! miche and mirzinho are responsible for >vanadium<, spiros kaloumenos for >vacuum< and axel karakasis for >at first sight< .. quality garanteed!

rmx by terry lee brown jr. !!q: what does the afterglow of this summer sound like? a: >its about love<, from silicon funk. it all began with a prerelease at radio stations >ibiza global radio<, >sonica fm< & >radio monte carlo 2<. even >ministry of sound< jumped aboard and took the terry lee brown jr. remix for their 2007 >la nuit 2< compilation. all the tracks on this record, arranged with the soulful and powerful vocals of jimmie wilson, will be a must-have for most djs. the real highlight is the terry lee brown jr. version (a1), remixing the original (a2) in a reduced and more uplifting form into a real dance floor experience.

keine gute party ohne den sound aus den legendären 90s! niemand kann mehr ruhig bleiben, wenn klassiker wir pump up the jam , hardcore vibes , more & more , l’amour toujours und freed from desire aus den boxen tönen! 90s party hits vol. 2 sorgt dafür, dass jede party ein erfolg wird und auch garantiert für gute laune, falls gerade keine party gefeiert wird. lang leben die 90s!

praise poems vol.1: gilles peterson (worldwide / brownswood rec.): one of my fave comps of 2015. praise poems vol.2: oliver korthals (mojo / out of spectrum on byte fm): extremely well put together track listing of artists which i have never heard before. left me with my mouth open... - highly recommend! praise poems vol.3: dom servini (wah wah 45s): this is incredible. praise poems vol.4:

after retiring from the jamaican police force arthur duke reid established his treasure isle liquor store and sound system in pink lane kingston and was crowned the undisputed king of sound and blues in 1956, 57 and in 58. the duke then moved into record production and after relocating the store to 33 bond street, he then built a recording studio on top of his new premises in 1966. according to the musicians and singers the wooden construction of the treasure isle recording studio gave the music a distinctive warmth and richness and with resident engineer byron baron/smithy smith at the controls, the sound of a bond street recording was immediately recognisable.
but the studio one sound is different to the treasure isle sound! the people have to know. - bunny striker lee
a glittering selection of strikers treasure isle recordings are featured on this compilation. so please sit back and enjoy the set!