supported by: gabriel ananda, kolombo, lars sommerfeld, carl cox, dole & kom, jennifer, patrick zigon, sei a, andrew grant à
laudert has a passion for music and classic funk and soul roots. it is also entered in the electronic music scene in berlin in 1998. he originally released aus der hüfte on boxer records in 2003. it was for many clubbers a dancefloor anthem, a classic burner, so beautiful. we do a reissue of this track in a 2009 version with 2 new remixes, beautiful and effective. and i.d., the greek artist ever seen on mobilee among others. and another of echonomist, our protected petros who deliver a wonderful adaptation. a must have! a bomb! do not miss it for anything in the world!

the third release from eminor is a two tracker, developed on the axis of los angeles - berlin, by jason emsley with a fine minimalistic tune and by laudert with a more forward minimal techno machine

fake3 - florida untitled ist die dritte ausgabe der vom experimentellen künstler cristiano grim herausgegebenen und veröffentlichten zine/compilation.

sie enthält einen vom fotografen stefano lemon kuratierten essay, der die letzten punk-communities in südflorida an berüchtigten orten wie la rosas, churchill s pub, space mountain und the gramps in miami, respectable street in west palm beach, beer punx in fort lauderdale und lozer lounge in pompano beach erkundete.

ergreifende schwarz-weiß-fotografie, die von dem legendären amerikanischen grafiker zach hobbs umgestaltet wurde. hobbs schuf eine ikonoklastische collage, in der sich die eucharistische anbetung mit dem heiligen ritual des moshens paart. ein zeitloser punk ohne geschlecht und rasse, der auf einem bierturm thront, geschützt durch blut, schweiß, ketten und laute gebete, wütet gegen die gentrifizierung.

invisible, inc now brings the aptly named spacerocks into the fold with the release of a 6- track ep that comes storming in from the outer reaches of a galaxy light years away (or just decades past?) into the earpiece of your unwashed spacesuit. it s hard to pinpoint what genre this actually fits into but if you imagine vapourspace s gravitational arch of 10 as interpreted by vangelis with drum programming by nitzer ebb you d be getting reasonably close. other influences may well include cluster, conrad schnitzler, chris & cosey to name a few, while comparisons can be made to contemporaries like solyst, musiccargo, barnt and secret circuit. spacerocks is a solo offshoot project from higamos hogamos main man steve webster (also fort lauderdale, the black neon, memphis industries, dc recordings). the project sees steve ditch his band and strip things down to his modular, vintage and custom-built synthesizer set up alongside equally rare and vintage analogue drum machines, sequencers and fx units.

nach boxer und lebensfreude ist jetzt eintakt dran !! 3mminimale sub-lastige techno tunes

eine rotzig-freche deutsch-pop nummer, mit dem simplen charme früher ndw-stücke. aber auf einem bein, will er nicht stehen, und deswegen mixt er uns einen kräftigen tech-house drink für die späten stunden der beachparty

ripchord are 2 guys from copenhagen with years of experience with music in its many different forms. in a short period of time ripchord has firmly pushed their way into the danish underground scene. max thelin aka. maximus is the second member of the danish hip-hop producer duo mavix. jesper prehn, old time raver, dj and producer, has a long history in electronic music. their style is dark and original with jazzy swingsets and groovy basslines. thrill cosby is set in a 20 s ballroom jazz club in new orleans. the tempo is high and the people are swinging to the rhythm. the band is jumping and the bourbon is kicking in making the trumpet drowsy. tanzable, is a minimal tune kept in the subsonic layers. it has got a dominating bass line the swirls you into a hypnotic state of mind, encouraging you to move in sexy ways. this remix is conducted by joachim spieth best known for his spiecher series on kompakt.