pressing on grey coloured and blood red splattered double vinyl.

incl picture sleeve, repress 2022

brand new album from max winter for fans of talk talk, the necks, bill laswell and harold budd

(180gr / 2lp gatefold) compiled by pete gooding and mark barrot. enchanting ibizan institution la torre continues its compilation series with volumen tres, an incredible fifteen track release that draws inspiration from the islands hedonistichistory.

jonah sharp & dj spun pair up as the loose control band to drop a punk-inspired single on rekids with remixes from label founder radio slave and shut boss ryan james ford. having released a large body of work as spacetime continuum (astralwerks) or alongside david moufang as reagenz (workshop), not to mention significant collaborations with the likes of terence mckenna, haruomi hosono and bill laswell, jonah sharp is unquestionably a highly respected producer. his seminal label reflective played an important role in the experimental ambient and techno scene during the ‘90s, whilst as a remixer he’s worked with music by nine inch nails, meat beat manifesto and matthew herbert. meanwhile, jason drummond has long been a commanding force within new yorks electronic music scene, such as running his prestigious warm up music series or his all night rong parties with regulars like dj harvey. hes also been djing and producing as dj spun for two decades, appearing on golf channel recordings as well as his own illustrious imprint rong music, which used to release music collaboratively with dfa. i dont understand sees a raw and uncompromising side to both artists as they layer a cacophony of murky bass, twisted melodies and mind-bending bleeps whilst drummonds turbulent vocals bellow throughout the mix. staying faithful to the original, radio slaves remix incorporates a heady rhythm with its rolling beat as screeching effects join a moody bassline. moving into techno territory, ryan james fords akihabara remix features rattling percussion and crystalline synths whilst his hope remix is built on an intricate drum sequence as soaring pads and echoing keys contrast with the originals piercing vocal.

back available as a limited vinyl edition (500 only) for the first time since 1985. featuring key players like bernie worrell, bill laswell, mory kanté and herbie hancock ! manu dibango needs little introduction, born in cameroon in 1933, manu developed a musical style fusing jazz, funk, and traditional cameroonian music. he’s definitely among the best known african artists outside of africa. collaborations were numerous and include top acts like fela kuti, herbie hancock, bill laswell, sly & robbie, don cherry and bernie worrell. in addition to selling hundreds of thousands of copies of the albums he recorded, he played such huge venues as yankee stadium and madison square garden.

second chapter in the af voiceless series. the label run by pervert keeps on broadening its own catalogue by adding artists committed to the underground electronic cause. this ep is a 5-track new voyage through analogue-crafted soundscapes, acid-injected breaks, thudding bass lines, warm and intricate melodies...the sheerest voice for the voiceless. af005y introduces new members to the family as houston-based daed (ian lambert), who displays his ability to create a perfect acid-glitched called pulse lunar . thus, smiley moon is above all a glimpse into the analogue world of the well-known rolando simmons, proving himself he s one of the brightest electronic artists of the moment. sheffield based dave forrester (techdiff) twists the modular in jamuary with a killer aphexian/jenkinson temper. longing raving days are depicted in quest with an evocative electro halo by the hand of the irish producer cignol. last but not least, smoke , an acid junglist and braindance orgy signed by gareth clarke, known for his previous works on canada s sublight records (venetian snares, bill laswell) and lovelove records. limited and handnumbered as usual.

harvey sutherland’s latest 12” marks the inaugural release for clarity recordings, an imprint established by sutherland for modern australian records. the first new music from the melbourne producer since last year’s cuts for mcde, the double a-side priestess / bravado features his live trio bermuda at full tilt, with an ensemble of hand clapping friends. self-described “lounge room disco burners”, the record summons the groove experiments of patrick adams, bill laswell and arthur russell, while retaining harvey’s soulful tones and club-ready arrangements. priestess evolves slowly, a nine-minute mind dance that ultimately reaches a celestial state. sutherland’s piano lines bounce off drummer graeme pogson’s unwavering four-on-the-floor, while one-man string section tamil rogeon travels skyward. live standout bravado is played with determined precision, locking into a tough backbeat that only breaks once sutherland’s warbling lead solo approaches its resonant peak.

the epic botanical beat suite, the fourth release from percussionist adam rudolphs ever-evolving hu vibrational—is a trance-inducing rhythmic trip. recorded and mixed at bill laswells state of the art studio.

the strut label returns with a brand new vinyl edition of one of the imprints most in-demand series, disco not disco, exploring original anthems and rarities from the world of reactionary 1970s post-punk and leftfield disco.
with the original two compilations released at the turn of the decade as a new wave of bands like the rapture and lcd soundsystem drew on the musics influence, disco not disco has since been adopted in its own right as a term to describe a whole genre. the compilation is more timely than ever in 2011 as a reference point for a burgeoning mainstream scene.
the new edition moves from new york classics by konk and bill laswells material to early detroit machine music, belgian new beat and a healthy dose of uk originals from shriekback, quando quango and more on seminal labels like y and factory. watch out too for rare gems from unexpected sources including japanese electronic pioneers yellow magic orchestra and 70s prog collective isotope.
disco not disco is packaged in a deluxe 2lp gatefold with featuring sleeve notes by bill brewster, author of >last night a dj saved my life<, extensive track by track notes and rare photos.

amazing slice of deep, deep electronic detroit meets japan music from the supreme japanese production team, jbp. sounding like theo parrish/moodyman meets sun ra with a touch of carl craig, >aphrotalk< and >amongstone< has been the exclusive property of gilles peterson who has been playing the track on acetate for the last six months. jbp are tsukasa yamaguchi, eiji takehana and yasuhiro nara from tokyo, japan. yamaguchi runs his own audio sutra label working with artists as diverse as toshinori kondo, bill laswell and john zorn.takehana runs the tg electronic label and performs as takehana and golden lotus. together they have released music with united future organisation in japan. nara is in charge of the column zen and the art of... in the music magazine straight no chaser, functioning as a pipeline introducing and connecting japanese culture to the world.

nice price deal !!! part 2 of the remix series with tracks from the toshinori kondo, eraldo bernocchi & bill laswell album >charged< (amb9955), this time made by mick harris aka quoit and caspar brðtzmann in 2001.

strut present the story of one of the most influential and revered labels emerging from new york in the late >70s and 80s<, ze records. after the late 70s punk and new wave explosion in new york, ze became a by-word for the anything-goes culture clashes that typified the big apple during the early 80s. formed by french art student michel esteban and british journalist michael zilkha, ze quickly created its own unique independent universe, signing artists as varied as alan vegas electronic postpunk pioneers suicide, trash disco queen cristina and maverick producer august darnell a.k.a. kid creole. with estebans sharp graphic eye leading the labels visual identity, ze hit the new york zeitgeist head on and became supremely hip û in 1982, the face magazine nominated it ôthe most fashionable label in the world.the labels early success led to a deal with chris blackwells island records, which gave zes releases worldwide exposure and brought worldwide fame to kid creole, was (not was) and more. over thirty years on and ze remains one of the great cult labels of its time. with this new compilation, strut takes a snapshot of the many weird and wonderful fusions that surfaced on its famous nyc cab-influenced yellow and black label. highlights include one of the earliest outings by was (not was), tell me that im dreaming, a disbelieving commentary on reagan-omics, bob blankÆs short-lived disco supergroup aural exciters and a larry levan mix of kid creoles biting parable about corruption in the caribbean, theres something wrong in paradise. other featured artists include ze label regulars cristina, bill laswells material, kookie french experimentalist lizzy mercier descloux, and camp disco-electro icons, les garcons.

an incredible ep with namlook exploring the edges of minimal techno and deep ambient, while the remixes are pepe bradocks most dancefloor oriented works in ages! macro delivers a stunning release by a man who has not only produced 3 collaborational albums with richie hawtin, but also runs the ultra influential fax label with an artist roster ranging from speedy j to bill laswell to klaus schulze: namlook is a true electronic pioneer in a league of his own. the track >subharmonic atoms< was produced back in 1995 and is re-released by macro as a long out of print electronic prototype on the edge of minimal techno and ambient. but dont think this is a retro affair: subharmonic atoms sounds incredibly fresh and proves it is as groundbreaking, innovative and timeless as jeff mills early axis works or hawtins concept1 series. entirely remastered from the original source and cut in unparalleled sound quality, it is available on a single 12inch side for the first time ever. the release is completed with nothing short but french remix master pepe bradocks triumphant return to the dancefloor. his versions of >atoms< are rocking upfront house burners, which his fans have been waiting for since 2003s intrusion ep. definitely one of this years hottest packages

kat returns with dj only ze-edits of two tracks from the influential label that fused the parallel nyc dance and punk scenes to create a new sound that they aptly christened mutant disco. kid creole and material are the artists getting the once over from dj greg wilson, the oracle on this vital and misunderstood period in music. creole and the coconuts 1981 hit >im a wonderful thing, baby<. emphasising the driving piano and mid-tempo beats, >wonderful< is in safe hands with greg wilson in control. you have to move to this. on the flip we find materials >over and over< being edited by greg, putting the funk into jazz-funk. material were an early bill laswell project that delved deep into dancefloor-orientated jazz

excellent selected tracks , comes as a limited 4 vinyl set edition !! … very rare

compiled by pete gooding and mark barrot. enchanting ibizan institution la torre continues its compilation series with volumen tres, an incredible fifteen track release that draws inspiration from the islands hedonistichistory.