after their track on the datapunk compilation various punks come here the follow up 3 tracker on kritik. >ghost in the street< is an uplifting effects-monster, in the tradition of the old dj t records. >lowtecs workshop remix< will melt the hearts of c craig fans. he’s scooping the market with his new label workshop and will do it with this one too. finally, >bubble< once again rocked it hard! come in lisbon.

merry, amusing nonsense - some of the attributes used to describe the last kritik records. these terms are unlikely to be appropriate here: the young sebastian simmert from the outskirts of berlin has submitted his first own production. noticable are the influences of techno producers from recent years and the work of this 22 year old demonstrates he knows the whos who. is this an up and comer? the first track is in the tradition of pumping bodzin/romboy works, the second references 2step, including the bad little ravemonster. finally, a hymne for the early morning hours, for the more contemplative dancefloor - enjoy while sipping bionade. beyond minimalism

you re still not taking yourself seriously.on the journey to discover new tracks you trip over a few disco-balls, find an irresistable melody, dance briefly with abba, are trapped by chic, free yourself and then also rob them/it (???) of a super-bassline. next you travel to the outskirts of berlin to dowse for / apply the divining rod to find fresh, unused talent. the discovery responds to the name c.l.i.c. and turns a discohymne into a little rave-monster. now add to the whole made-up story the fact that you leave the remixing to an old friend. he makes a >6am, the sun rising, tickling your nose and making you scream< track out of it. the name of the mysterious unknown: oliver koletzki. conclusion: you re still not taking yourself seriously. why should you? >fitzelkrtschbungbritzelbratzel< is just ruling everything. a counter-design is urgently needed. the world s serious enough

on la manie oliver koletzki released originally the track mÜckenschwarm. after oliver koletzki left la manie because of his own career, michael sehte get into the project and brought his anarchistic character in the new tracks. and here they are, the new tracks. >drecksbeat< sounds like it s called. dirty, nasty, horrible. the consequential continuation of >mückenschwarm<. it will be transform the dancefloor into a pillow fight and jawing match at the same time. the b-side track >the cocka hola company< is affected by the homonymous wonderful book of michael forsakken. the gloomy matrix retrieves memories of old ebm-days. it is sallied by a an elegiac melody. its for the dj who will not shrink from kitsch. see you at the floor. the weasel-quick children from downtown are back!

alongside fellow members of berlins janus collective, recently behind nights at berghain and corsica studios, m.e.s.h. is known for his futurist approach to club dynamics and production. on piteous gate, tightly gridded and sculpted sound juts up against loose-wristed improvisation, automated processes, and collage. standard club syncopation is twisted by sliding tempos, cut and paste time signatures, and indeterminate pacing. its sound design and compositions are ornate, even courtly, with neo-feudal moods offset by the recurrence of hydraulic hiss and flanger. the vinyl lp includes a download code for the full album.

the long awaited debut album of finnish producer rasmus hedlund marks the first release from ljudverket - an audio imprint focusing on sounds that meet audience in clubs, galleries and livingrooms. *främjande av ljud* features 12 tracks with a tense feeling of the subarctic night, an everlasting darkness the northern hemisphere inhabitant has grown used to.

atmospheric idm / ambient 4-tracker, made by michael fakesch and chris de luca aka funkstoerung for compost in 1997.

alongside fellow members of berlins janus collective, recently behind nights at berghain and corsica studios, m.e.s.h. is known for his futurist approach to club dynamics and production. on piteous gate, tightly gridded and sculpted sound juts up against loose-wristed improvisation, automated processes, and collage. standard club syncopation is twisted by sliding tempos, cut and paste time signatures, and indeterminate pacing. its sound design and compositions are ornate, even courtly, with neo- feudal moods offset by the recurrence of hydraulic hiss and flanger

niemand hat die absicht auf tour zu gehen. veedel kaztro nicht, johnny rakete nicht und gold roger auch nicht. die drei jungen mcs zŠhlen zu den spannendsten newcomern der an spannenden newcomern gerade nicht armen deutschrapszene. statt promo- und massephase machen veedel kaztro, johnny rakete und gold roger lieber phasenweise musik