no.1 billboard album

no.1 billboard album on red smoked vinyl !

inc. juan maclean remix

veteran nyc producer and dfa regular juan maclean hops on the rnt wagon for a rolling ep of drum-machine driven grooves for the reserve sub-imprint. the record starts with the peak-time stomper fine time, building exquisite tension and release through looped and filtered samples, and then moves on to the boogie-infused swing of dont stop for nothing. everybody clap leads off side b with a soulful and string-laden vocal over a bouncing hi-hat-focused house arrangement, and the ep closes out on the dubbier tip with the eponymous panic in fort greene park, a synthy and smooth slow burner. all around beautifully produced and eminently playable, señor maclean has made himself a most welcome addition to the razor-n-tape family with this dynamic ep

re issue of the first kms release by juan atkins & kevin saunderson under their kreem production alias. originally first penned in 1986 this is one of the first detroit classics of the time. remastered in 2014 and pressed in original 1987 artwork. a must have for your record collection.

the juan maclean returns with get down (with my love) - part 3 in an alleged dance-floor trilogy that also includes the 2 singles released in 2013. you are my destiny & feel like movin were both instant classics and both were awarded best new track from pitchfork. both are still in heavy rotation

world music, cuban jazz, latin funk, afro cuban

nice mixture of funk, brazil, latin and world music

2024 repress, 12inch vinyl, printed sleeve, dl card

2024 repress

phat detroit underground house / reissue

trancy feelin techno tracks

vibraphone records presents 49th floor - zamani. incl. magic k aka juan atkins rmx! its the first new release for 49th floor after 1992 - highy recommended!

ltd to 700 , rsd 2023

2023 rsd pressing

juan pablo torres war einer der besten posaunisten des latin-jazz in der zweiten hälfte des 20. jahrhunderts.

cuba disco- war das einzige album, das unter seinem namen in europa veröffentlicht wurde, es wurde 1984 in mailand aufgenommen und von aldo pagani produziert. in italien wirkte er im selben jahr an zwei platten von pino daniele und einer von astor piazzolla mit.

incl kobato mix

2022 repress! 80s inspired

mr. hankey’s christmas classics back on vinyl.

electronica

jazz

the debut album from scottish indie rockers the snuts.

eclectic journey thru giovannis deep mind and thru his huge collection of synths and instruments.

10th birthday dropout incl. juan wauters, chassol, david numwami, lord apex, nxxxxxs, myd, voiski, tryphème, myth syzer

classy 4 track vinyl compilation

a perfect introduction to peruvian música criolla - the 1974 album from peru negro.

your ticket back to some crazy disco nights in 70’s & 80’s taiwan.

brilliant album of soul, hip hop, electronics and jazz

the 2009 album from the juan maclean is back on limited clear double vinyl.

juan ramos presents his debut album changing hands

detroits legend juan aktins !!

kalabrese sagt: hört sich wie ein versteckter talking heads track an! ja, irgendwie schon. 80er leftfield pop mit der nuance einer modernen disco-produktion und einer dafür großartigen auswahl an remixern: the juan maclean, daniele baldelli & dj rocca, michael reinboth die wissen, wie man so einen track schmooven lässt.

having reached double digits on its release roster, amsterdam-based techno label format presents its 11th release. and it’s a three-piece ensemble by label honcho juan sanchez himself.
fr011 delivers three techno bombs that perfectly reflect the format sound. things kick off with despite the..., which combines deep grooves to staccato bass pulses designed for peak-time moments. spanish dj/producer aiken delivers a superb remix that is propelled by a nasty industrial groove and coated in dark atmospheres. closing the release is the sinister in the dark, which is as deep as it is trippy...
format second 2017 release is another prime example of the label’s coveted sound.

(juan atkins and tresillo remixes) epm are thrilled to announce their next release, which not only invites back esteban adame with a new track to follow his beautiful day labor album but its also backed by remixes from the legendary juan atkins and recent newcomers tresillo.

juan ramos lives on planet earth but channels voices from the aether. this is his first offering for the esp institute. on side a, last of the natives shows us just what we’re dealing with, a master manipulator of sound and consciousness. juan culls the toughest kick drums and thickest latex bass slaps from a deep burial in our psyche and peppers them with alien chants and fleeting electronic flutes—a combustible sense of spontaneity that may at first appear chaotic but after fully immersed in juan’s demented world, we find ourselves willfully under his control. on side b, enemy of enemy is friend also sets off from a disorienting place where a slow progression of acid, shakers and toms takes a good minute to allow us some footing around the groove. once settled into his sophisticated rhythm, juan opens the door to a glorious combination of chords, clanking guitars, shakers that scrub back and forth and the occasional smear of paranormal synth. we at the esp institute are enamored by juan’s seemingly infinite skill for crafting mood and extracting optimism from darkness, but seriously, what color speedotm should she wear this summer?

london/venezuela production duo juan laya & jorge montiel aka los charlys orchestra take influences from salsoul, fania, donna summer, cerrone, herbie hancock and even jamiroquay and blend them with their very unique style of production in order to deliver their latest anthem of neo latin disco. after a few months of experimentation across different sounds los charlys are back into their main arena with an outstanding new single entitle everlasting love. los charlys orchestra were first known by their initial disco/funk period and more recently by their infectious latin/funk sound, which has been buzzing all around the place for the past couple of years. this new single expresses a cross road in between the two periods of lco bringing up a new perspective for the future of this outfit.

groovin techhouse stuff, incl juan sanchez remix

juan mc clean (dfa) & argy (these days) remixes

that juan maclean is just a bundle of contradictions. here hes created one of the years best mix cds and not just a proper party mix, which it certainly is, but even what you might call an >important< mix, a timely lesson in the enduring spirit of house musicÑand how does he choose to describe the process of putting it together? as an >existential tailspin<!

juan sanchez, the amsterdam based producer with spanish background, makes his wolfskuil debut with an impressive 2 track single. the freakshow ep is an examplary showcase of what juan is capable of. two peaktime tracks, but both with different angles. the title track delivers exactly what you expect from a song with that particular title. freaky, out of control basslines and over the top rhythmic exersises, with loads of subtle hints, clever programming and detailed edits form the freaked out basis for juans vocals. no 4 bars are the same, but the track is coherent from beginning untill the end. prepare to rip up floors with this one!23 positions shows a different side of juan. its carrying his trademark production style, but 23 positions takes a more melodic approach. beautifully arranged strings sweep in and out througout the track, accompanied by a non stop rolling groove. again there is a remarkable eye for detail, clever programming and spot on sound engineering, wich makes this tune explode from any pa.

zwei kraftvolle und effektive clubtracks

featuring replica artwork, the vinyl release is presented with an obi strip.

breaky techno tracks