ltd. silver colored 2lp / pop-up gatefold

previously released in 1975 on 1750 arch records !

limited edition soft yellow coloured vinyl.

classic black vinyl edition.

strong remix longplayer from stephan bodzin - boavista album, incl remixes from boris brejcha, roman flügel, agents of time and and and ... 6lp box set, 180gr vinyl, 4c print + glossy varnish

desert sound colony debuts on uttu with 4 tracks of high-octane, data dump fuelled club trax!

magical association of sound reminiscent of ron hardy and klein mbo

one of the founders of uaudio and sperimentazioni sonore, battista has been bouncing his outsider house

3 tape full of ambinet tracks... soundscapes from denmark

olim in latin can be used to indicate a time in the past or in the future. it can mean ‘once upon a time’ and ‘someday in the future’. a name and a project to try to move away from trends and genres, by taking inspiration from the past but at the same time leaving it, moving forward to shape a different and more narrative sound. the first attempt to do so is recursively: an 8 track album, opening with a sentence from bunny marrett sampled from an old documentary about st paul’s and the jamaican immigration in bristol during the 80’s. inspired by those intro words, recursively is a journey born from many years moving around, packing and unpacking suitcases, leaving villages, finding cities,leaving friends and finding more, emigrating, integrating. it’s a story about an entire generation trying to find the peace somewhere, somehow, sometimes by repeating the same steps in a loop of actions which seem to be the same but ultimately never are. it’s a soundtrack of those feelings and at the same time a message of hope to continue the journey through the faith that the meaning is the infinite journey itself. an infinite loop masterfully represented in carol rollo’s illustration. a story to be continued.

nick hook is nyc’s waviest resident: an in-demand collaborator, producer extraordinaire, and all around provider of vibes who’s lent his touch to projects from run the jewels, young thug, and countless others, all while building a creative community around his studio, thespacepit, in greenpoint. now the redheaded kingpin steps forward with his relationships lp on fool’s gold, a 16 track album of collaborations that are unconventional, unexpected and all-the-way live (literally: each song was recorded in-person with nick behind the boards, a refreshing move in the email verse era).
featuring a festival-worthy lineup of new school rap upstarts (21 savage, novelist, ilovemakonnen) and fellow beat radicals (prefuse 73, hudson mohawke, the late dj rashad), relationships isn’t just the world’s greatest party guestlist, but a chronicle of nick’s year long, after-midnight vision quest—the sound of a producer breaking through the chrysalis, killing the ego, and raising the bar. put your phone down and dive in.
white double vinyl in gatefold sleeve.

nach dem song »time for bedlam«, der schon anfang februar als maxi-cd erschienen war, folgt nun mit »all i got is you« der zweite vorgeschmack auf das neue deep-purple-album »infinite« und gleichzeitig die erste offizielle singleauskopplung.
»all i got is you« ist deep-purple-sound pur. die eingängige viereinhalbminütige hymne kombiniert nostalgischen 70er-rock mit modernen klängen. morses virtuose gitarre und aireys hammond-orgel sind allgegenwärtig, genauso wie ian gillans kräftige und nach wie vor wandlungsfähigen vocals.
zudem warten auf der limitierten 12“-single neben »all i got is you« exklusive aufnahmen aus dem proberaum von deep purple, die weitere spannende einblicke in die bevorstehende platte geben.

romansoff continues his recent stellar run with a wandering, daylight-dreaming ep for mörk. four tracks channeling light-splintered techno, looping, shuttered-blind house and even some more visceral washed-out 5am sounds on the flip side. dreamy, deep techno at it’s finest.

ltd vinyl only release
aira ep project concept:
musicians are with huge imagination into their creations, but they must still call on new technologies, such as roland aira, to express themselves through the sounds and fill up their music with soul, rhythm and melody, we seeks out this connections between the humans and those machines. we invite most talented musicians around the globe to let them provide new forms of music and sounds and we release it on special ep vinyl series.

irishmen kieran craddock & peter fleming, aka effy, after 2 releases on discos dead and erimus, respectively, showcasing their jackin house and dark warehouse proclivities, and attracting support from uk households such as swamp81, are now armed and ready to join the im family.

the album astral traveling by innerspace halflife is among us with 9 tunes straight from the universal psyche, yet articulated with the tools of human perception through waveforms. deeper and deeper the tunes take a listener on a journey of spacey pads, longing melodies, electronic bass notes, and jacking drum programming. in terms of human understanding, the universe is infinite which makes any scenario one can think of possible. with this in mind, astral traveling was composed and explores the deepness of creativity as innerspace halflife reaches down to pull out sounds using various techniques. the story begins with teardrop from nebula 1122+22. straight from a far away point in space which can serve as the beginning or end of a journey.

cambridge resident samuel emerson iliffe, aka ill life, is driven by a penchant for warping things. akin to warping his sonorous surname into the ill life moniker, he warps formely innocuous techno fare into a clangorous, concussive march of living, breathing percussion. samuels sonics seemingly owe a considerable amount to recent innovations from the likes of blawan or perc trax alumni, however his only fault is taking part in the phenomenon of synchronous innovation. before karenn coalesced, before clouds newest offerings started being rinsed, ill life had long since moulded his sound. it is infinite machines infinite regret to have discovered him so belatedly. but there is no use crying over spilled trax.

the story begins somewhere far away from awareness and rational thought. our main characters plays the roles of lost but not aimless arrows of pictures. pictures made out of sub atomic movements, amplified through breathable air and finally fragmenting its energy into space. we see the the sun go down in the ocean, the purple and red colors and finally the majestic sight of whales plowing the water in the horizon. it has been many years, in fact, so many years that we are now back again to the same point time. it is like an infinite loop, never loosing pace and determination.

any fan of drum & bass will know the name cyantific. having built a reputation as a leader of the new school d&b generation, jon stanley is now approaching a decade of releasing incredible music thats equally at home on the dance floor as it is on your ipod or in your car. last year saw cyantific unleash an incredible single for ram records, as well as bounce it / obey on his own self-titled cyantific record label. here we have the follow up to that release and its undoubtedly another exciting 12 inch, packed with plenty of cyantifics trademark energy. effortlessly combining sharp production skills with graceful musicality, you can always be assured that a new cyantific record is one to watch out for and this new single is certainly no exception. mirador takes the lead, opening with huge sweeping sound fx and a bouncing synth line that harks back to a classic ram sound. its not long before you notice cyantifics signatures though, as he brings in vocal snippets and washing pads that gradually build and grow before a monster bassline drops into the mix. this one undeniably straddles the line between restrained musical class and outright dance floor mayhem. on the flip side defect comes in at an infinitely more paranoid level. strings are infused with urgency and rolling breaks thunder along, dragging you kicking and screaming towards the inevitable drop. you wont be disappointed when it hits either, grinding bassline sections are juxtaposed with obsessive synths, all pulling you deeper into cyantifics musical world.

meet bwana. his tunes started racking up plays and conversations commenced with new music buddies xi, submerse and djd. a variety of different 130bpm sounds were toyed with from dubstep, garage, 2 step, 808 dubstep and his very own mashes of r&b-lead garage-step. it all seemed to work. a bunch of labels got in touch and tracks were signed to mad decent and montreal based infinite machine.

black double vinyl edition including 8 page vinyl size booklet

picture disc 2xlp

the ecuadorian producer delivers a perfectly coordinated handful of tracks on his “data passenger” ep, whose overarching soundscape consists of electro, breaks and infinite cosmic explorations.

b-stock! boax with damaged corner. vinyl is unaffected & mint. strong remix longplayer from stephan bodzin - boavista album, incl remixes from boris brejcha, roman flügel, agents of time and and and ... 6lp box set, 180gr vinyl, 4c print + glossy varnish

jasper wijnands, bekannt unter seinem künstlernamen shook, hat sich in seinem dritten album -continuum- einer einzigartigen mischung aus akustischen und elektronischen klängen verschrieben. dieses album ist sehr intim und ausgewogen zwischen seiner melodischen klavierarbeit und seinem synthesizer-sound.

the 3rd album from daniel avery on limited translucent vinyl.

angelina is an ukrainian producer / songwriter /vocalist and dj who stylistically explores the lines between chicago house, dub and detroit techno. she s based in hanover / germany, where you will find her involvement in throwing parties, such as the ‚block party , a party series in her residential town. her upcoming odin ep is marking the start for the continuous journey into her soundscape with a first selection of 3 club compatible deep, dubby and housy productions.

2019 reissue - intricately layered, smooth, alluring, and infinitely welcoming – those are words used to describe david bowies 2002 album heathen.
co-produced by tony visconti, who also produced many of bowies best albums (space oddity, heroes, the man who sold the world, and many others), heathen sounds like coming home. it combines the best of bowie without re-hashing what made him big in the first place, and effortlessly weaves modern production & electronics into his sound.
the original vinyls of this release can go for up to € 200 online, so it was an easy decision for music on vinyl to make this highlight of bowies work available again to those with smaller budgets.
features guest spots for pete townshend & dave grohl on guitar

sync 24s cultivated electronics rounds off 2018 in style with the from the dark series. 3 x v/a lps showcasing some of the leading lights of modern electro alongside some solid newcomers. focussing on the spookier side of the genre ftd brings in the various shades of darker electro tones from across the globe. volume 1 kicks off the series with with some super dark selections from sync 24 & alienata, australias hottest electro exports of the moment jensen interceptor and assembler code, seattle electro veteran 214, ce newcomer rico casazza, radio matrix boss & tresor resident delta funktionen, caught london sleeping head honcho stratowerx, delsin & clone affiliate versalife and berlin based ce newcomer exterminador.

aussteiger is a berlin based german dj / producer. he runs the dub disco label in berlin and dj’s around the world. zusammenkunft is his debut album released on copenhagen’s music for dreams. once upon a time a golden boy came back from the shadows. rumors were told that he once left the big city in a time where the music scene and clubs were dominated by cold music and average beats. he left behind civilisation, living withdrawn in the woody mountains of a covert place. from there on people talked about him as aussteiger. connected to the nature and deeply rooted in the harmonic essence, aussteiger became a part of the great whole. in a full moon illuminated clear night while experimenting with various unique herbs he accidentally found a recipe to create warm and ravishing music. he firmly believes that music is his infinite source to gather strength and positive energy after years of strengthening himself and shaping vibrant sounds aussteiger decided to share his delightful music with the world. he returned from his retreat in order to enchant the music lovers all over the world with his feel good approach and supernatural sounds. coming back to the city, he also co-founded the awesome dub disco label with his buddy serj nosé.

grinding walls is the soundtrack composed by dirk ivens in collaboration with sigillum s for a film created by the visual artist petulia mattioli aka koma. originally released by daft records in 1995, this work is pressed for the first time on vinyl including all original tracks plus some bonus songs taken from -no pain no game- and other old compilations. limited edition of 550 copies on double green vinyl, gatefold sleeve, printed inner sleeves and numbered card.

limited edition of 550 copies on double green vinyl, gatefold sleeve, printed inner sleeves and numbered card

zoe mc phersons exploration of this world on string figures is a deeply rhythmic, immersive and forward-thinking piece of elec-tronic-leaning music that remains just as danceable as it does experimental. the album is fundamentally one of duality, exploring the traditional and the contem-porary, organic and electronic, audio and visual, history and the future. rooted in this duality is also a core theme around string being one of the most ancient and playful art forms and the seemingly infinite possibilities it offers in terms of shapes, structures and figures lines up with this as a trans-global art project. one that over time will involve video art, choreography, 3d motion design, macro film, instrumental and electronic sound. although for now is being presented through an av performance, films and a record with mc pherson collaborating with director alessandra leone over the seven tracks (which are laid out as chapters) the record explores glitchy elec-tronics, dub-tinged grooves, polyrhythms, and a huge array of instruments that takes in quiet blasts of atonal sax alongside wonky synths.

almost a millennium ago, the italian poet, dante alighieri offered the indelible axiom: “heat cannot be separated from fire, or beauty from the eternal.” in the centuries since, almost every strain of logic has been upended, save for the inextricable connection tethering beauty and timelessness. anenon’s tongue is a beautiful album. that’s an adjective whose meaning has practically been obliterated by hallmark prose and hyperbolic idiocy. but occasionally, a work of art digs deep enough to excavate the underlying meaning that existed in antiquity and figures to persist until we’re soil and dust. this is beauty materialized through the abstract articulation of love, loss, fear, addiction, confidence, longing, hope, and sadness. at its best, the infinite array of human emotions swirled and distilled into sound. sound becomes melody, harmony, and rhythm. the medium happens to be music, but it could really be anything. pure expression. tools mean nothing more and nothing less than palette and color.
limited edition of 500 copies on translucent vinyl,.

after 2016’s mini-album shady and light, composer and guitarist martyn heyne releases his first full-length record electric intervals on the new 7k! imprint. says heyne: the number of parameters that determine a recording appears to be infinite. the mood, instrument, tuning, mics, room, temperature, time of day, all contribute to sound. the magic, once captured, is impossible to recreate. this might seem a hindrance, but it’s really the whole point of recording for me.’ opener ‘carry’, for example, is a composition carefully developed over months with most of the production happening in front of the microphone. ‘wilde wide’, however, was recorded only once as an early-morning improvisation. having worked with dustin o’halloran on the emmy-winning transparent soundtrack and with clarinettist claudio puntin as part of the duo set aglow, heyne’s sound is one of simplified diversity. on his debut album he controls each melody with the precision of a veteran producer.

infinite density – the new album by the berlin based, cuban-american artist blush response – is a fantastical exploration into the depths of industrial and ebm techno in collaboration with techno frontman adam x’s infamous imprint, sonic groove. influenced by the progressive noise of autechre, front line assembly and skinny puppy the producer has previously released with aufnahme +wiedergabe and ant-zen, as well as getting his hands dirty with programming work for the industrial pioneers fear factory, rhys fulber as well as latin pop singer cristian castro. infinite destiny takes a firm grip on situationally influenced content, pulling every corner of berlin into its belly for a challenging and unique sound – a sound that’s able to maintain functionality whilst simultaneously exposing loose wires of wild flangers and disturbed sampling. these erratic waves are expressed through the productions infinite density, aum shinrikyo, survivor guilt and dead still air, showcasing the most alien meta-bodies of blush’s sound. as an appropriation on contemporary acidic sound, the sonic motions of serpentine and tryptamine delve into explorations within the acid genre. rhys fulber’s string contribution on painkiller initiates a whirlwind rhetoric of distortion. panic stricken, no solace and tessellate focus on strong industrial pads that carry the density of each track whilst infinite dread’s ebm back bone hits hard with heavy arpeggiation. crucial to its form, the album showcases new experimental sound that repurposes algorithms of today’s dancefloor dogma. blush response exposes these paradigms through mutated build-ups and drops. however, his innovative “modular synth heavy” sound design obscures the flow in a way that permeates the concrete arenas his productions are designed for – in true berlin style.

beloved dj, compiler and incurable vinyl junkie, kev beadle returns to bbe with a 3rd volume of his much lauded æprivate collectionÆ album series. taking in a wide range of obscure jazz with a distinct nod to the dance-foor, the frst two æprivate collectionsÆ are already considered classics by the jazz-dance community. once again presenting a wealth of ultrarare sounds previously only available to record collectors with very deep pockets, vol.3 sees kev inviting us to travel even deeper into the vinyl vaults.

touching down for the inaugural release on the newly formed label, north of 7 sounds, is the mighty rumbleton - a true heavyweight with over 2 decades immersed in sound system culture, running the stand firm hi-fi label and releasing music on scientific wax, rupture ldn, outsider, and samurai music to name but a few. a true master of his sound, we are extremely proud to have rumbleton set the bar for future north of 7 excursions. “a new day” takes you on a journey filled with haunting pads, razor-sharp drum kit clashes, and infinite amounts of low-end. bottomless swathes of atmospherics respire in and out of the mix, culminating in a breathtaking breakdown - crafted with utmost devotion to the godfather of soul himself. a truly honourable homage to jungle’s roots in sample culture and breakbeat science. “conscience” on the flipside is weightiness refracted in minimalism. rumbleton fully submerges your mental space in a cavernous, dubwise fog, while militant, scorched-earth drums power the tune forward. a warm, subterranean bassline churns endlessly beneath, all the elements occasionally exhaling and collapsing under their own weight, only to regenerate once again…

kein club ohne eine regelmŠ§ige dubstep-veranstaltung! dubstep hat sich lŠngst zum festen bestandteil der club-kultur entwickelt. ursprŸnglich ein nischen-stil von clubgŠngern fŸr clubgŠnger, hat dubstep nun schon seit lŠngerem seinen weg in die gro§en clubs und charts gefunden, ohne etwas von seiner coolness einzubŸ§en. die basslastigen, treibenden beats sind einfach der sound der stunde. dubstep 2017.1 the ultimate hits setzen wir nun unsere erfolgreiche dubstep-reihe fort. hier finden sich gleich 34 der stŠrksten und angesagtesten club-hits aus diesem genre!

welcoming back our early label recrute maoupa mazzocchetti delivering the long-awaited follow-up to both his debut releases on unknown precept. emerging back in 2014 to then become an esteemed music maker in the inner-circles of the underground community, the brussels based sound artisan quickly established himself as a complete artist made of a peculiar and inexhaustible surge of inspiration -- always making sure to stay off the beaten paths while exploring the nooks and crannies of his disturbed and facetious mindset throughout his latest productions.

presenting hieles soundtrack to the film saints, by dieter deswarte. eleven tracks on this 10 inch vinyl. specks of land in the vast infinite sea, islands have long fascinated the human imagination. distant and isolated worlds offer possibilities of escape and create fears of entrapment. the tiny island of saint helena is so remote, it lies a five-day boat journey from the nearest mainland.

juan ramos lives on planet earth but channels voices from the aether. this is his first offering for the esp institute. on side a, last of the natives shows us just what we’re dealing with, a master manipulator of sound and consciousness. juan culls the toughest kick drums and thickest latex bass slaps from a deep burial in our psyche and peppers them with alien chants and fleeting electronic flutes—a combustible sense of spontaneity that may at first appear chaotic but after fully immersed in juan’s demented world, we find ourselves willfully under his control. on side b, enemy of enemy is friend also sets off from a disorienting place where a slow progression of acid, shakers and toms takes a good minute to allow us some footing around the groove. once settled into his sophisticated rhythm, juan opens the door to a glorious combination of chords, clanking guitars, shakers that scrub back and forth and the occasional smear of paranormal synth. we at the esp institute are enamored by juan’s seemingly infinite skill for crafting mood and extracting optimism from darkness, but seriously, what color speedotm should she wear this summer?

wolvennest or wlvnnst is a musical partnership project with kirby michel (la muerte), corvus von burtle (cult of erinyes) and marc de backer (mongolito) proposing a compositional process of guitar loops, repetitive beats, synthesizers keys mixed to darkened hypnotic ambient vocal sounds

“volna” is an uncompromising and unadulterated approach to techno. the ominous “olga” intertwines desolate synthpads with a raw acid sound while the metallic abrasiveness of “drawner” constitutes a glowing tribute to industrial music. “signal” is a more aerial iteration of infinite fields’ techno with its chimerical melodies.

778 frequency, is a vinyl imprint label formed this year. the main goal of the label is to present quality music in the well respected genres of house through to techno. despite the flexibility in its sound, 778 will always be a podium oriented label with its key mission underlying its core value of presenting quality over quantity music in true 778 frequency style. we present you the debut release called infinite or finite ep with 4 dance floor killers by vidinovski including a remix from ilian tape artist regen!

opiums latest offering from italian techno impresario destrict offers up intelligent deep journeys culminating in this 6 tracks ep alice hole highlights the artists signature sound by incorporating his trademark analog beats and deep undulating melodics whilst holding a solid break groove. chandni chowk carries the same vibe but pushes the producers sound deeper into self indulgent drum programming that keeps you locked amongst its evolving mood. denis kaznacheev alongside the analogue cops pushed the destrict beats to another level jumping form minimalistic to techno tunnels. re-up and rich nxts appearances bring more straight up dance-floor ready locked-grooves and re-works. again, if your comfort zone is a tunnel opium audio is your safe place.

the third instalment for nightime drama returns with infinite loops presenting something special again with his non conformist sound. the title track dirt, a what could become a staple in the dub techno world. a mission in a sandstorm.. espionage in the desert.. moody, driven with gritty stabs and textures surrounded with experimental atmospheric elements. deep and dubby, a real masterpiece and a must have track! if you loved ntd001 then you will find persiflage takes it to the next level of what you would call the infinite loops hypnotic groove. beautiful,sparse,unpredictable chords that hide and jump out backed with driving beats! both tracks complimenting each other on this high quality release topped off with mastering by the brilliant stefan betke (aka pole).

design principles ep. explores sparse atmospheres mixed with soft stabbing dub sounds that subtly evolve and morph throughout the track. a very nice original piece of techno that can be appreciated in a club or home environment. the harmonies speak to you throughout this emotive masterpiece.a definite timeless record, as the originality speaks for itself

for this seventh and awaited ep, released by the promising label fiakun, takes reins the acclaimed mexican producer cesar coronado. the young artist delights us with music full of new sounds, adapted to the infinite complexity of todays electronic music.